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34867 lines
1.2 MiB
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<h1 class="titlefont">ffplay Documentation</h1> |
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<hr> |
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<a name="SEC_Top"></a> |
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<a name="SEC_Contents"></a> |
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<h1>Table of Contents</h1> |
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<div class="contents"> |
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<ul class="no-bullet"> |
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<li><a name="toc-Synopsis" href="#Synopsis">1 Synopsis</a></li> |
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<li><a name="toc-Description" href="#Description">2 Description</a></li> |
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<li><a name="toc-Options-29" href="#Options-29">3 Options</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Stream-specifiers-1" href="#Stream-specifiers-1">3.1 Stream specifiers</a></li> |
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<li><a name="toc-Generic-options" href="#Generic-options">3.2 Generic options</a></li> |
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<li><a name="toc-AVOptions" href="#AVOptions">3.3 AVOptions</a></li> |
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<li><a name="toc-Main-options" href="#Main-options">3.4 Main options</a></li> |
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<li><a name="toc-Advanced-options" href="#Advanced-options">3.5 Advanced options</a></li> |
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<li><a name="toc-While-playing" href="#While-playing">3.6 While playing</a></li> |
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</ul></li> |
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<li><a name="toc-Syntax" href="#Syntax">4 Syntax</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Quoting-and-escaping" href="#Quoting-and-escaping">4.1 Quoting and escaping</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-45" href="#Examples-45">4.1.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-Date" href="#Date">4.2 Date</a></li> |
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<li><a name="toc-Time-duration" href="#Time-duration">4.3 Time duration</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-61" href="#Examples-61">4.3.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-Video-size" href="#Video-size">4.4 Video size</a></li> |
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<li><a name="toc-Video-rate" href="#Video-rate">4.5 Video rate</a></li> |
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<li><a name="toc-Ratio" href="#Ratio">4.6 Ratio</a></li> |
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<li><a name="toc-Color" href="#Color">4.7 Color</a></li> |
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<li><a name="toc-Channel-Layout" href="#Channel-Layout">4.8 Channel Layout</a></li> |
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</ul></li> |
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<li><a name="toc-Expression-Evaluation" href="#Expression-Evaluation">5 Expression Evaluation</a></li> |
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<li><a name="toc-Codec-Options" href="#Codec-Options">6 Codec Options</a></li> |
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<li><a name="toc-Decoders" href="#Decoders">7 Decoders</a></li> |
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<li><a name="toc-Video-Decoders" href="#Video-Decoders">8 Video Decoders</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-rawvideo" href="#rawvideo">8.1 rawvideo</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-31" href="#Options-31">8.1.1 Options</a></li> |
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</ul> |
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</li> |
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</ul></li> |
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<li><a name="toc-Audio-Decoders" href="#Audio-Decoders">9 Audio Decoders</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-ac3" href="#ac3">9.1 ac3</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-AC_002d3-Decoder-Options" href="#AC_002d3-Decoder-Options">9.1.1 AC-3 Decoder Options</a></li> |
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</ul></li> |
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<li><a name="toc-flac" href="#flac">9.2 flac</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-FLAC-Decoder-options" href="#FLAC-Decoder-options">9.2.1 FLAC Decoder options</a></li> |
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</ul></li> |
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<li><a name="toc-ffwavesynth" href="#ffwavesynth">9.3 ffwavesynth</a></li> |
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<li><a name="toc-libcelt" href="#libcelt">9.4 libcelt</a></li> |
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<li><a name="toc-libgsm" href="#libgsm">9.5 libgsm</a></li> |
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<li><a name="toc-libilbc" href="#libilbc">9.6 libilbc</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-20" href="#Options-20">9.6.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-libopencore_002damrnb" href="#libopencore_002damrnb">9.7 libopencore-amrnb</a></li> |
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<li><a name="toc-libopencore_002damrwb" href="#libopencore_002damrwb">9.8 libopencore-amrwb</a></li> |
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<li><a name="toc-libopus" href="#libopus">9.9 libopus</a></li> |
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</ul></li> |
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<li><a name="toc-Subtitles-Decoders" href="#Subtitles-Decoders">10 Subtitles Decoders</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-dvbsub" href="#dvbsub">10.1 dvbsub</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-4" href="#Options-4">10.1.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-dvdsub" href="#dvdsub">10.2 dvdsub</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-19" href="#Options-19">10.2.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-libzvbi_002dteletext" href="#libzvbi_002dteletext">10.3 libzvbi-teletext</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-27" href="#Options-27">10.3.1 Options</a></li> |
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</ul> |
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</li> |
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</ul></li> |
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<li><a name="toc-Bitstream-Filters" href="#Bitstream-Filters">11 Bitstream Filters</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-aac_005fadtstoasc" href="#aac_005fadtstoasc">11.1 aac_adtstoasc</a></li> |
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<li><a name="toc-chomp" href="#chomp">11.2 chomp</a></li> |
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<li><a name="toc-dca_005fcore" href="#dca_005fcore">11.3 dca_core</a></li> |
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<li><a name="toc-dump_005fextra" href="#dump_005fextra">11.4 dump_extra</a></li> |
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<li><a name="toc-eac3_005fcore" href="#eac3_005fcore">11.5 eac3_core</a></li> |
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<li><a name="toc-extract_005fextradata" href="#extract_005fextradata">11.6 extract_extradata</a></li> |
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<li><a name="toc-filter_005funits" href="#filter_005funits">11.7 filter_units</a></li> |
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<li><a name="toc-hapqa_005fextract" href="#hapqa_005fextract">11.8 hapqa_extract</a></li> |
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<li><a name="toc-h264_005fmetadata" href="#h264_005fmetadata">11.9 h264_metadata</a></li> |
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<li><a name="toc-h264_005fmp4toannexb" href="#h264_005fmp4toannexb">11.10 h264_mp4toannexb</a></li> |
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<li><a name="toc-h264_005fredundant_005fpps" href="#h264_005fredundant_005fpps">11.11 h264_redundant_pps</a></li> |
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<li><a name="toc-hevc_005fmetadata" href="#hevc_005fmetadata">11.12 hevc_metadata</a></li> |
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<li><a name="toc-hevc_005fmp4toannexb" href="#hevc_005fmp4toannexb">11.13 hevc_mp4toannexb</a></li> |
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<li><a name="toc-imxdump" href="#imxdump">11.14 imxdump</a></li> |
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<li><a name="toc-mjpeg2jpeg" href="#mjpeg2jpeg">11.15 mjpeg2jpeg</a></li> |
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<li><a name="toc-mjpegadump" href="#mjpegadump">11.16 mjpegadump</a></li> |
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<li><a name="toc-mov2textsub-1" href="#mov2textsub-1">11.17 mov2textsub</a></li> |
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<li><a name="toc-mp3decomp" href="#mp3decomp">11.18 mp3decomp</a></li> |
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<li><a name="toc-mpeg2_005fmetadata" href="#mpeg2_005fmetadata">11.19 mpeg2_metadata</a></li> |
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<li><a name="toc-mpeg4_005funpack_005fbframes" href="#mpeg4_005funpack_005fbframes">11.20 mpeg4_unpack_bframes</a></li> |
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<li><a name="toc-noise" href="#noise">11.21 noise</a></li> |
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<li><a name="toc-null-1" href="#null-1">11.22 null</a></li> |
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<li><a name="toc-remove_005fextra" href="#remove_005fextra">11.23 remove_extra</a></li> |
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<li><a name="toc-text2movsub-1" href="#text2movsub-1">11.24 text2movsub</a></li> |
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<li><a name="toc-trace_005fheaders" href="#trace_005fheaders">11.25 trace_headers</a></li> |
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<li><a name="toc-vp9_005fmetadata" href="#vp9_005fmetadata">11.26 vp9_metadata</a></li> |
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<li><a name="toc-vp9_005fsuperframe" href="#vp9_005fsuperframe">11.27 vp9_superframe</a></li> |
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<li><a name="toc-vp9_005fsuperframe_005fsplit" href="#vp9_005fsuperframe_005fsplit">11.28 vp9_superframe_split</a></li> |
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<li><a name="toc-vp9_005fraw_005freorder" href="#vp9_005fraw_005freorder">11.29 vp9_raw_reorder</a></li> |
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</ul></li> |
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<li><a name="toc-Format-Options" href="#Format-Options">12 Format Options</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Format-stream-specifiers-1" href="#Format-stream-specifiers-1">12.1 Format stream specifiers</a></li> |
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</ul></li> |
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<li><a name="toc-Demuxers" href="#Demuxers">13 Demuxers</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-aa" href="#aa">13.1 aa</a></li> |
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<li><a name="toc-applehttp" href="#applehttp">13.2 applehttp</a></li> |
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<li><a name="toc-apng" href="#apng">13.3 apng</a></li> |
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<li><a name="toc-asf" href="#asf">13.4 asf</a></li> |
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<li><a name="toc-concat-3" href="#concat-3">13.5 concat</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Syntax-1" href="#Syntax-1">13.5.1 Syntax</a></li> |
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<li><a name="toc-Options-7" href="#Options-7">13.5.2 Options</a></li> |
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<li><a name="toc-Examples-139" href="#Examples-139">13.5.3 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-dash" href="#dash">13.6 dash</a></li> |
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<li><a name="toc-flv_002c-live_005fflv" href="#flv_002c-live_005fflv">13.7 flv, live_flv</a></li> |
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<li><a name="toc-gif" href="#gif">13.8 gif</a></li> |
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<li><a name="toc-hls" href="#hls">13.9 hls</a></li> |
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<li><a name="toc-image2" href="#image2">13.10 image2</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-20" href="#Examples-20">13.10.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-libgme" href="#libgme">13.11 libgme</a></li> |
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<li><a name="toc-libopenmpt" href="#libopenmpt">13.12 libopenmpt</a></li> |
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<li><a name="toc-mov_002fmp4_002f3gp_002fQuickTime" href="#mov_002fmp4_002f3gp_002fQuickTime">13.13 mov/mp4/3gp/QuickTime</a></li> |
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<li><a name="toc-mpegts" href="#mpegts">13.14 mpegts</a></li> |
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<li><a name="toc-mpjpeg" href="#mpjpeg">13.15 mpjpeg</a></li> |
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<li><a name="toc-rawvideo-1" href="#rawvideo-1">13.16 rawvideo</a></li> |
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<li><a name="toc-sbg" href="#sbg">13.17 sbg</a></li> |
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<li><a name="toc-tedcaptions" href="#tedcaptions">13.18 tedcaptions</a></li> |
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</ul></li> |
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<li><a name="toc-Metadata" href="#Metadata">14 Metadata</a></li> |
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<li><a name="toc-Protocol-Options" href="#Protocol-Options">15 Protocol Options</a></li> |
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<li><a name="toc-Protocols" href="#Protocols">16 Protocols</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-async" href="#async">16.1 async</a></li> |
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<li><a name="toc-bluray" href="#bluray">16.2 bluray</a></li> |
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<li><a name="toc-cache" href="#cache">16.3 cache</a></li> |
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<li><a name="toc-concat-1" href="#concat-1">16.4 concat</a></li> |
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<li><a name="toc-crypto" href="#crypto">16.5 crypto</a></li> |
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<li><a name="toc-data" href="#data">16.6 data</a></li> |
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<li><a name="toc-file" href="#file">16.7 file</a></li> |
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<li><a name="toc-ftp" href="#ftp">16.8 ftp</a></li> |
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<li><a name="toc-gopher" href="#gopher">16.9 gopher</a></li> |
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<li><a name="toc-hls-1" href="#hls-1">16.10 hls</a></li> |
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<li><a name="toc-http" href="#http">16.11 http</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-HTTP-Cookies" href="#HTTP-Cookies">16.11.1 HTTP Cookies</a></li> |
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</ul></li> |
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<li><a name="toc-Icecast" href="#Icecast">16.12 Icecast</a></li> |
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<li><a name="toc-mmst" href="#mmst">16.13 mmst</a></li> |
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<li><a name="toc-mmsh" href="#mmsh">16.14 mmsh</a></li> |
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<li><a name="toc-md5" href="#md5">16.15 md5</a></li> |
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<li><a name="toc-pipe" href="#pipe">16.16 pipe</a></li> |
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<li><a name="toc-prompeg" href="#prompeg">16.17 prompeg</a></li> |
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<li><a name="toc-rtmp" href="#rtmp">16.18 rtmp</a></li> |
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<li><a name="toc-rtmpe" href="#rtmpe">16.19 rtmpe</a></li> |
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<li><a name="toc-rtmps" href="#rtmps">16.20 rtmps</a></li> |
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<li><a name="toc-rtmpt" href="#rtmpt">16.21 rtmpt</a></li> |
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<li><a name="toc-rtmpte" href="#rtmpte">16.22 rtmpte</a></li> |
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<li><a name="toc-rtmpts" href="#rtmpts">16.23 rtmpts</a></li> |
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<li><a name="toc-libsmbclient" href="#libsmbclient">16.24 libsmbclient</a></li> |
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<li><a name="toc-libssh" href="#libssh">16.25 libssh</a></li> |
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<li><a name="toc-librtmp-rtmp_002c-rtmpe_002c-rtmps_002c-rtmpt_002c-rtmpte" href="#librtmp-rtmp_002c-rtmpe_002c-rtmps_002c-rtmpt_002c-rtmpte">16.26 librtmp rtmp, rtmpe, rtmps, rtmpt, rtmpte</a></li> |
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<li><a name="toc-rtp" href="#rtp">16.27 rtp</a></li> |
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<li><a name="toc-rtsp" href="#rtsp">16.28 rtsp</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-19" href="#Examples-19">16.28.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-sap" href="#sap">16.29 sap</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Muxer" href="#Muxer">16.29.1 Muxer</a></li> |
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<li><a name="toc-Demuxer" href="#Demuxer">16.29.2 Demuxer</a></li> |
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</ul></li> |
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<li><a name="toc-sctp" href="#sctp">16.30 sctp</a></li> |
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<li><a name="toc-srt" href="#srt">16.31 srt</a></li> |
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<li><a name="toc-srtp" href="#srtp">16.32 srtp</a></li> |
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<li><a name="toc-subfile" href="#subfile">16.33 subfile</a></li> |
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<li><a name="toc-tee" href="#tee">16.34 tee</a></li> |
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<li><a name="toc-tcp" href="#tcp">16.35 tcp</a></li> |
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<li><a name="toc-tls" href="#tls">16.36 tls</a></li> |
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<li><a name="toc-udp" href="#udp">16.37 udp</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-56" href="#Examples-56">16.37.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-unix" href="#unix">16.38 unix</a></li> |
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</ul></li> |
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<li><a name="toc-Device-Options" href="#Device-Options">17 Device Options</a></li> |
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<li><a name="toc-Input-Devices" href="#Input-Devices">18 Input Devices</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-alsa" href="#alsa">18.1 alsa</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-2" href="#Options-2">18.1.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-android_005fcamera" href="#android_005fcamera">18.2 android_camera</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-5" href="#Options-5">18.2.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-avfoundation" href="#avfoundation">18.3 avfoundation</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-21" href="#Options-21">18.3.1 Options</a></li> |
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<li><a name="toc-Examples-100" href="#Examples-100">18.3.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-bktr" href="#bktr">18.4 bktr</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-24" href="#Options-24">18.4.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-decklink" href="#decklink">18.5 decklink</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-6" href="#Options-6">18.5.1 Options</a></li> |
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<li><a name="toc-Examples-112" href="#Examples-112">18.5.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-dshow" href="#dshow">18.6 dshow</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-25" href="#Options-25">18.6.1 Options</a></li> |
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<li><a name="toc-Examples-25" href="#Examples-25">18.6.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-fbdev" href="#fbdev">18.7 fbdev</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-3" href="#Options-3">18.7.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-gdigrab" href="#gdigrab">18.8 gdigrab</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-23" href="#Options-23">18.8.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-iec61883" href="#iec61883">18.9 iec61883</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-14" href="#Options-14">18.9.1 Options</a></li> |
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<li><a name="toc-Examples-96" href="#Examples-96">18.9.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-jack" href="#jack">18.10 jack</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-28" href="#Options-28">18.10.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-kmsgrab" href="#kmsgrab">18.11 kmsgrab</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-22" href="#Options-22">18.11.1 Options</a></li> |
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<li><a name="toc-Examples-5" href="#Examples-5">18.11.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-lavfi" href="#lavfi">18.12 lavfi</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-15" href="#Options-15">18.12.1 Options</a></li> |
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<li><a name="toc-Examples-113" href="#Examples-113">18.12.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-libcdio" href="#libcdio">18.13 libcdio</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-10" href="#Options-10">18.13.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-libdc1394" href="#libdc1394">18.14 libdc1394</a></li> |
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<li><a name="toc-libndi_005fnewtek" href="#libndi_005fnewtek">18.15 libndi_newtek</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-16" href="#Options-16">18.15.1 Options</a></li> |
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<li><a name="toc-Examples-82" href="#Examples-82">18.15.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-openal" href="#openal">18.16 openal</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-11" href="#Options-11">18.16.1 Options</a></li> |
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<li><a name="toc-Examples-51" href="#Examples-51">18.16.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-oss" href="#oss">18.17 oss</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-13" href="#Options-13">18.17.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-pulse" href="#pulse">18.18 pulse</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-1" href="#Options-1">18.18.1 Options</a></li> |
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<li><a name="toc-Examples-50" href="#Examples-50">18.18.2 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-sndio" href="#sndio">18.19 sndio</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options" href="#Options">18.19.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-video4linux2_002c-v4l2" href="#video4linux2_002c-v4l2">18.20 video4linux2, v4l2</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-32" href="#Options-32">18.20.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-vfwcap" href="#vfwcap">18.21 vfwcap</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-9" href="#Options-9">18.21.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-x11grab" href="#x11grab">18.22 x11grab</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-12" href="#Options-12">18.22.1 Options</a></li> |
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</ul> |
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</li> |
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</ul></li> |
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<li><a name="toc-Resampler-Options" href="#Resampler-Options">19 Resampler Options</a></li> |
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<li><a name="toc-Scaler-Options" href="#Scaler-Options">20 Scaler Options</a></li> |
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<li><a name="toc-Filtering-Introduction" href="#Filtering-Introduction">21 Filtering Introduction</a></li> |
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<li><a name="toc-graph2dot" href="#graph2dot">22 graph2dot</a></li> |
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<li><a name="toc-Filtergraph-description" href="#Filtergraph-description">23 Filtergraph description</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Filtergraph-syntax-1" href="#Filtergraph-syntax-1">23.1 Filtergraph syntax</a></li> |
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<li><a name="toc-Notes-on-filtergraph-escaping" href="#Notes-on-filtergraph-escaping">23.2 Notes on filtergraph escaping</a></li> |
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</ul></li> |
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<li><a name="toc-Timeline-editing" href="#Timeline-editing">24 Timeline editing</a></li> |
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<li><a name="toc-Options-for-filters-with-several-inputs-_0028framesync_0029" href="#Options-for-filters-with-several-inputs-_0028framesync_0029">25 Options for filters with several inputs (framesync)</a></li> |
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<li><a name="toc-Audio-Filters" href="#Audio-Filters">26 Audio Filters</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-acompressor" href="#acompressor">26.1 acompressor</a></li> |
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<li><a name="toc-acontrast" href="#acontrast">26.2 acontrast</a></li> |
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<li><a name="toc-acopy" href="#acopy">26.3 acopy</a></li> |
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<li><a name="toc-acrossfade" href="#acrossfade">26.4 acrossfade</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-76" href="#Examples-76">26.4.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-acrusher" href="#acrusher">26.5 acrusher</a></li> |
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<li><a name="toc-adeclick" href="#adeclick">26.6 adeclick</a></li> |
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<li><a name="toc-adeclip" href="#adeclip">26.7 adeclip</a></li> |
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<li><a name="toc-adelay" href="#adelay">26.8 adelay</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-81" href="#Examples-81">26.8.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-aderivative_002c-aintegral" href="#aderivative_002c-aintegral">26.9 aderivative, aintegral</a></li> |
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<li><a name="toc-aecho" href="#aecho">26.10 aecho</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-121" href="#Examples-121">26.10.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-aemphasis" href="#aemphasis">26.11 aemphasis</a></li> |
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<li><a name="toc-aeval" href="#aeval">26.12 aeval</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-128" href="#Examples-128">26.12.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-afade-1" href="#afade-1">26.13 afade</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-38" href="#Examples-38">26.13.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-afftfilt" href="#afftfilt">26.14 afftfilt</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-63" href="#Examples-63">26.14.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-afir-1" href="#afir-1">26.15 afir</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples" href="#Examples">26.15.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-aformat-1" href="#aformat-1">26.16 aformat</a></li> |
|
<li><a name="toc-agate" href="#agate">26.17 agate</a></li> |
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<li><a name="toc-aiir" href="#aiir">26.18 aiir</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-98" href="#Examples-98">26.18.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-alimiter" href="#alimiter">26.19 alimiter</a></li> |
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<li><a name="toc-allpass" href="#allpass">26.20 allpass</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Commands-13" href="#Commands-13">26.20.1 Commands</a></li> |
|
</ul></li> |
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<li><a name="toc-aloop" href="#aloop">26.21 aloop</a></li> |
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<li><a name="toc-amerge-1" href="#amerge-1">26.22 amerge</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-80" href="#Examples-80">26.22.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-amix" href="#amix">26.23 amix</a></li> |
|
<li><a name="toc-anequalizer" href="#anequalizer">26.24 anequalizer</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-107" href="#Examples-107">26.24.1 Examples</a></li> |
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<li><a name="toc-Commands-2" href="#Commands-2">26.24.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-anull" href="#anull">26.25 anull</a></li> |
|
<li><a name="toc-apad" href="#apad">26.26 apad</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-37" href="#Examples-37">26.26.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-aphaser" href="#aphaser">26.27 aphaser</a></li> |
|
<li><a name="toc-apulsator" href="#apulsator">26.28 apulsator</a></li> |
|
<li><a name="toc-aresample-1" href="#aresample-1">26.29 aresample</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-79" href="#Examples-79">26.29.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-areverse" href="#areverse">26.30 areverse</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-118" href="#Examples-118">26.30.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-asetnsamples" href="#asetnsamples">26.31 asetnsamples</a></li> |
|
<li><a name="toc-asetrate" href="#asetrate">26.32 asetrate</a></li> |
|
<li><a name="toc-ashowinfo" href="#ashowinfo">26.33 ashowinfo</a></li> |
|
<li><a name="toc-astats-1" href="#astats-1">26.34 astats</a></li> |
|
<li><a name="toc-atempo" href="#atempo">26.35 atempo</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-36" href="#Examples-36">26.35.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-atrim" href="#atrim">26.36 atrim</a></li> |
|
<li><a name="toc-bandpass" href="#bandpass">26.37 bandpass</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Commands-6" href="#Commands-6">26.37.1 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-bandreject" href="#bandreject">26.38 bandreject</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Commands-16" href="#Commands-16">26.38.1 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-bass_002c-lowshelf" href="#bass_002c-lowshelf">26.39 bass, lowshelf</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Commands-18" href="#Commands-18">26.39.1 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-biquad" href="#biquad">26.40 biquad</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Commands-17" href="#Commands-17">26.40.1 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-bs2b" href="#bs2b">26.41 bs2b</a></li> |
|
<li><a name="toc-channelmap" href="#channelmap">26.42 channelmap</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-14" href="#Examples-14">26.42.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-channelsplit" href="#channelsplit">26.43 channelsplit</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-33" href="#Examples-33">26.43.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-chorus" href="#chorus">26.44 chorus</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-91" href="#Examples-91">26.44.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-compand" href="#compand">26.45 compand</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-86" href="#Examples-86">26.45.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-compensationdelay" href="#compensationdelay">26.46 compensationdelay</a></li> |
|
<li><a name="toc-crossfeed" href="#crossfeed">26.47 crossfeed</a></li> |
|
<li><a name="toc-crystalizer" href="#crystalizer">26.48 crystalizer</a></li> |
|
<li><a name="toc-dcshift" href="#dcshift">26.49 dcshift</a></li> |
|
<li><a name="toc-drmeter" href="#drmeter">26.50 drmeter</a></li> |
|
<li><a name="toc-dynaudnorm" href="#dynaudnorm">26.51 dynaudnorm</a></li> |
|
<li><a name="toc-earwax" href="#earwax">26.52 earwax</a></li> |
|
<li><a name="toc-equalizer" href="#equalizer">26.53 equalizer</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-95" href="#Examples-95">26.53.1 Examples</a></li> |
|
<li><a name="toc-Commands-10" href="#Commands-10">26.53.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-extrastereo" href="#extrastereo">26.54 extrastereo</a></li> |
|
<li><a name="toc-firequalizer" href="#firequalizer">26.55 firequalizer</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-133" href="#Examples-133">26.55.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-flanger" href="#flanger">26.56 flanger</a></li> |
|
<li><a name="toc-haas" href="#haas">26.57 haas</a></li> |
|
<li><a name="toc-hdcd" href="#hdcd">26.58 hdcd</a></li> |
|
<li><a name="toc-headphone" href="#headphone">26.59 headphone</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-75" href="#Examples-75">26.59.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-highpass" href="#highpass">26.60 highpass</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Commands-15" href="#Commands-15">26.60.1 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-join" href="#join">26.61 join</a></li> |
|
<li><a name="toc-ladspa" href="#ladspa">26.62 ladspa</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-16" href="#Examples-16">26.62.1 Examples</a></li> |
|
<li><a name="toc-Commands-12" href="#Commands-12">26.62.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-loudnorm" href="#loudnorm">26.63 loudnorm</a></li> |
|
<li><a name="toc-lowpass" href="#lowpass">26.64 lowpass</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-1" href="#Examples-1">26.64.1 Examples</a></li> |
|
<li><a name="toc-Commands-21" href="#Commands-21">26.64.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-lv2" href="#lv2">26.65 lv2</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-127" href="#Examples-127">26.65.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-mcompand" href="#mcompand">26.66 mcompand</a></li> |
|
<li><a name="toc-pan-1" href="#pan-1">26.67 pan</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Mixing-examples" href="#Mixing-examples">26.67.1 Mixing examples</a></li> |
|
<li><a name="toc-Remapping-examples" href="#Remapping-examples">26.67.2 Remapping examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-replaygain" href="#replaygain">26.68 replaygain</a></li> |
|
<li><a name="toc-resample" href="#resample">26.69 resample</a></li> |
|
<li><a name="toc-rubberband" href="#rubberband">26.70 rubberband</a></li> |
|
<li><a name="toc-sidechaincompress" href="#sidechaincompress">26.71 sidechaincompress</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-131" href="#Examples-131">26.71.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-sidechaingate" href="#sidechaingate">26.72 sidechaingate</a></li> |
|
<li><a name="toc-silencedetect" href="#silencedetect">26.73 silencedetect</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-23" href="#Examples-23">26.73.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-silenceremove" href="#silenceremove">26.74 silenceremove</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-141" href="#Examples-141">26.74.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-sofalizer" href="#sofalizer">26.75 sofalizer</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-77" href="#Examples-77">26.75.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-stereotools" href="#stereotools">26.76 stereotools</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-26" href="#Examples-26">26.76.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-stereowiden" href="#stereowiden">26.77 stereowiden</a></li> |
|
<li><a name="toc-superequalizer" href="#superequalizer">26.78 superequalizer</a></li> |
|
<li><a name="toc-surround" href="#surround">26.79 surround</a></li> |
|
<li><a name="toc-treble_002c-highshelf" href="#treble_002c-highshelf">26.80 treble, highshelf</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Commands-4" href="#Commands-4">26.80.1 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-tremolo" href="#tremolo">26.81 tremolo</a></li> |
|
<li><a name="toc-vibrato" href="#vibrato">26.82 vibrato</a></li> |
|
<li><a name="toc-volume" href="#volume">26.83 volume</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Commands-3" href="#Commands-3">26.83.1 Commands</a></li> |
|
<li><a name="toc-Examples-40" href="#Examples-40">26.83.2 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-volumedetect" href="#volumedetect">26.84 volumedetect</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-146" href="#Examples-146">26.84.1 Examples</a></li> |
|
</ul> |
|
</li> |
|
</ul></li> |
|
<li><a name="toc-Audio-Sources" href="#Audio-Sources">27 Audio Sources</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-abuffer" href="#abuffer">27.1 abuffer</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-94" href="#Examples-94">27.1.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-aevalsrc" href="#aevalsrc">27.2 aevalsrc</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-105" href="#Examples-105">27.2.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-anullsrc" href="#anullsrc">27.3 anullsrc</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-99" href="#Examples-99">27.3.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-flite" href="#flite">27.4 flite</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-109" href="#Examples-109">27.4.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-anoisesrc" href="#anoisesrc">27.5 anoisesrc</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-31" href="#Examples-31">27.5.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-hilbert" href="#hilbert">27.6 hilbert</a></li> |
|
<li><a name="toc-sine" href="#sine">27.7 sine</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-34" href="#Examples-34">27.7.1 Examples</a></li> |
|
</ul> |
|
</li> |
|
</ul></li> |
|
<li><a name="toc-Audio-Sinks" href="#Audio-Sinks">28 Audio Sinks</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-abuffersink" href="#abuffersink">28.1 abuffersink</a></li> |
|
<li><a name="toc-anullsink" href="#anullsink">28.2 anullsink</a></li> |
|
</ul></li> |
|
<li><a name="toc-Video-Filters" href="#Video-Filters">29 Video Filters</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-alphaextract" href="#alphaextract">29.1 alphaextract</a></li> |
|
<li><a name="toc-alphamerge" href="#alphamerge">29.2 alphamerge</a></li> |
|
<li><a name="toc-amplify" href="#amplify">29.3 amplify</a></li> |
|
<li><a name="toc-ass" href="#ass">29.4 ass</a></li> |
|
<li><a name="toc-atadenoise" href="#atadenoise">29.5 atadenoise</a></li> |
|
<li><a name="toc-avgblur" href="#avgblur">29.6 avgblur</a></li> |
|
<li><a name="toc-bbox" href="#bbox">29.7 bbox</a></li> |
|
<li><a name="toc-bitplanenoise" href="#bitplanenoise">29.8 bitplanenoise</a></li> |
|
<li><a name="toc-blackdetect" href="#blackdetect">29.9 blackdetect</a></li> |
|
<li><a name="toc-blackframe" href="#blackframe">29.10 blackframe</a></li> |
|
<li><a name="toc-blend_002c-tblend" href="#blend_002c-tblend">29.11 blend, tblend</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-136" href="#Examples-136">29.11.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-boxblur" href="#boxblur">29.12 boxblur</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-103" href="#Examples-103">29.12.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-bwdif" href="#bwdif">29.13 bwdif</a></li> |
|
<li><a name="toc-chromakey" href="#chromakey">29.14 chromakey</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-49" href="#Examples-49">29.14.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-ciescope" href="#ciescope">29.15 ciescope</a></li> |
|
<li><a name="toc-codecview" href="#codecview">29.16 codecview</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-110" href="#Examples-110">29.16.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-colorbalance" href="#colorbalance">29.17 colorbalance</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-8" href="#Examples-8">29.17.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-colorkey" href="#colorkey">29.18 colorkey</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-66" href="#Examples-66">29.18.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-colorlevels" href="#colorlevels">29.19 colorlevels</a> |
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<ul class="no-bullet"> |
|
<li><a name="toc-Examples-11" href="#Examples-11">29.19.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-colorchannelmixer" href="#colorchannelmixer">29.20 colorchannelmixer</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-88" href="#Examples-88">29.20.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-colormatrix" href="#colormatrix">29.21 colormatrix</a></li> |
|
<li><a name="toc-colorspace" href="#colorspace">29.22 colorspace</a></li> |
|
<li><a name="toc-convolution" href="#convolution">29.23 convolution</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-53" href="#Examples-53">29.23.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-convolve" href="#convolve">29.24 convolve</a></li> |
|
<li><a name="toc-copy" href="#copy">29.25 copy</a></li> |
|
<li><a name="toc-coreimage-1" href="#coreimage-1">29.26 coreimage</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-13" href="#Examples-13">29.26.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-crop" href="#crop">29.27 crop</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-29" href="#Examples-29">29.27.1 Examples</a></li> |
|
<li><a name="toc-Commands-19" href="#Commands-19">29.27.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-cropdetect" href="#cropdetect">29.28 cropdetect</a></li> |
|
<li><a name="toc-curves-1" href="#curves-1">29.29 curves</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-24" href="#Examples-24">29.29.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-datascope" href="#datascope">29.30 datascope</a></li> |
|
<li><a name="toc-dctdnoiz" href="#dctdnoiz">29.31 dctdnoiz</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-68" href="#Examples-68">29.31.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-deband" href="#deband">29.32 deband</a></li> |
|
<li><a name="toc-deblock" href="#deblock">29.33 deblock</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-42" href="#Examples-42">29.33.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-decimate-1" href="#decimate-1">29.34 decimate</a></li> |
|
<li><a name="toc-deconvolve" href="#deconvolve">29.35 deconvolve</a></li> |
|
<li><a name="toc-deflate" href="#deflate">29.36 deflate</a></li> |
|
<li><a name="toc-deflicker" href="#deflicker">29.37 deflicker</a></li> |
|
<li><a name="toc-dejudder" href="#dejudder">29.38 dejudder</a></li> |
|
<li><a name="toc-delogo" href="#delogo">29.39 delogo</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-47" href="#Examples-47">29.39.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-deshake" href="#deshake">29.40 deshake</a></li> |
|
<li><a name="toc-despill" href="#despill">29.41 despill</a></li> |
|
<li><a name="toc-detelecine" href="#detelecine">29.42 detelecine</a></li> |
|
<li><a name="toc-dilation" href="#dilation">29.43 dilation</a></li> |
|
<li><a name="toc-displace" href="#displace">29.44 displace</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-87" href="#Examples-87">29.44.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-drawbox" href="#drawbox">29.45 drawbox</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-142" href="#Examples-142">29.45.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-drawgrid" href="#drawgrid">29.46 drawgrid</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-52" href="#Examples-52">29.46.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-drawtext-1" href="#drawtext-1">29.47 drawtext</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Syntax-2" href="#Syntax-2">29.47.1 Syntax</a></li> |
|
<li><a name="toc-Text-expansion" href="#Text-expansion">29.47.2 Text expansion</a></li> |
|
<li><a name="toc-Examples-117" href="#Examples-117">29.47.3 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-edgedetect" href="#edgedetect">29.48 edgedetect</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-85" href="#Examples-85">29.48.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-eq" href="#eq">29.49 eq</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Commands-7" href="#Commands-7">29.49.1 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-erosion" href="#erosion">29.50 erosion</a></li> |
|
<li><a name="toc-extractplanes" href="#extractplanes">29.51 extractplanes</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-138" href="#Examples-138">29.51.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-elbg" href="#elbg">29.52 elbg</a></li> |
|
<li><a name="toc-entropy" href="#entropy">29.53 entropy</a></li> |
|
<li><a name="toc-fade" href="#fade">29.54 fade</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-62" href="#Examples-62">29.54.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-fftfilt" href="#fftfilt">29.55 fftfilt</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-22" href="#Examples-22">29.55.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-fftdnoiz" href="#fftdnoiz">29.56 fftdnoiz</a></li> |
|
<li><a name="toc-field" href="#field">29.57 field</a></li> |
|
<li><a name="toc-fieldhint" href="#fieldhint">29.58 fieldhint</a></li> |
|
<li><a name="toc-fieldmatch" href="#fieldmatch">29.59 fieldmatch</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-p_002fc_002fn_002fu_002fb-meaning-1" href="#p_002fc_002fn_002fu_002fb-meaning-1">29.59.1 p/c/n/u/b meaning</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-p_002fc_002fn" href="#p_002fc_002fn">29.59.1.1 p/c/n</a></li> |
|
<li><a name="toc-u_002fb" href="#u_002fb">29.59.1.2 u/b</a></li> |
|
</ul></li> |
|
<li><a name="toc-Examples-41" href="#Examples-41">29.59.2 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-fieldorder" href="#fieldorder">29.60 fieldorder</a></li> |
|
<li><a name="toc-fifo_002c-afifo" href="#fifo_002c-afifo">29.61 fifo, afifo</a></li> |
|
<li><a name="toc-fillborders" href="#fillborders">29.62 fillborders</a></li> |
|
<li><a name="toc-find_005frect" href="#find_005frect">29.63 find_rect</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-55" href="#Examples-55">29.63.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-cover_005frect" href="#cover_005frect">29.64 cover_rect</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-43" href="#Examples-43">29.64.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-floodfill" href="#floodfill">29.65 floodfill</a></li> |
|
<li><a name="toc-format-1" href="#format-1">29.66 format</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-106" href="#Examples-106">29.66.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-fps-1" href="#fps-1">29.67 fps</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-54" href="#Examples-54">29.67.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-framepack" href="#framepack">29.68 framepack</a></li> |
|
<li><a name="toc-framerate" href="#framerate">29.69 framerate</a></li> |
|
<li><a name="toc-framestep" href="#framestep">29.70 framestep</a></li> |
|
<li><a name="toc-frei0r-1" href="#frei0r-1">29.71 frei0r</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-145" href="#Examples-145">29.71.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-fspp" href="#fspp">29.72 fspp</a></li> |
|
<li><a name="toc-gblur" href="#gblur">29.73 gblur</a></li> |
|
<li><a name="toc-geq" href="#geq">29.74 geq</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-90" href="#Examples-90">29.74.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-gradfun" href="#gradfun">29.75 gradfun</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-64" href="#Examples-64">29.75.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-haldclut-1" href="#haldclut-1">29.76 haldclut</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Workflow-examples" href="#Workflow-examples">29.76.1 Workflow examples</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Hald-CLUT-video-stream" href="#Hald-CLUT-video-stream">29.76.1.1 Hald CLUT video stream</a></li> |
|
<li><a name="toc-Hald-CLUT-with-preview" href="#Hald-CLUT-with-preview">29.76.1.2 Hald CLUT with preview</a></li> |
|
</ul> |
|
</li> |
|
</ul></li> |
|
<li><a name="toc-hflip" href="#hflip">29.77 hflip</a></li> |
|
<li><a name="toc-histeq" href="#histeq">29.78 histeq</a></li> |
|
<li><a name="toc-histogram" href="#histogram">29.79 histogram</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-143" href="#Examples-143">29.79.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-hqdn3d-1" href="#hqdn3d-1">29.80 hqdn3d</a></li> |
|
<li><a name="toc-hwdownload" href="#hwdownload">29.81 hwdownload</a></li> |
|
<li><a name="toc-hwmap" href="#hwmap">29.82 hwmap</a></li> |
|
<li><a name="toc-hwupload" href="#hwupload">29.83 hwupload</a></li> |
|
<li><a name="toc-hwupload_005fcuda-1" href="#hwupload_005fcuda-1">29.84 hwupload_cuda</a></li> |
|
<li><a name="toc-hqx" href="#hqx">29.85 hqx</a></li> |
|
<li><a name="toc-hstack" href="#hstack">29.86 hstack</a></li> |
|
<li><a name="toc-hue" href="#hue">29.87 hue</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-18" href="#Examples-18">29.87.1 Examples</a></li> |
|
<li><a name="toc-Commands" href="#Commands">29.87.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-hysteresis" href="#hysteresis">29.88 hysteresis</a></li> |
|
<li><a name="toc-idet" href="#idet">29.89 idet</a></li> |
|
<li><a name="toc-il" href="#il">29.90 il</a></li> |
|
<li><a name="toc-inflate" href="#inflate">29.91 inflate</a></li> |
|
<li><a name="toc-interlace" href="#interlace">29.92 interlace</a></li> |
|
<li><a name="toc-kerndeint" href="#kerndeint">29.93 kerndeint</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-78" href="#Examples-78">29.93.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-lenscorrection" href="#lenscorrection">29.94 lenscorrection</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Options-18" href="#Options-18">29.94.1 Options</a></li> |
|
</ul></li> |
|
<li><a name="toc-libvmaf" href="#libvmaf">29.95 libvmaf</a></li> |
|
<li><a name="toc-limiter" href="#limiter">29.96 limiter</a></li> |
|
<li><a name="toc-loop" href="#loop">29.97 loop</a></li> |
|
<li><a name="toc-lut3d-1" href="#lut3d-1">29.98 lut3d</a></li> |
|
<li><a name="toc-lumakey" href="#lumakey">29.99 lumakey</a></li> |
|
<li><a name="toc-lut_002c-lutrgb_002c-lutyuv" href="#lut_002c-lutrgb_002c-lutyuv">29.100 lut, lutrgb, lutyuv</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-73" href="#Examples-73">29.100.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-lut2_002c-tlut2" href="#lut2_002c-tlut2">29.101 lut2, tlut2</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-32" href="#Examples-32">29.101.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-maskedclamp" href="#maskedclamp">29.102 maskedclamp</a></li> |
|
<li><a name="toc-maskedmerge" href="#maskedmerge">29.103 maskedmerge</a></li> |
|
<li><a name="toc-mcdeint" href="#mcdeint">29.104 mcdeint</a></li> |
|
<li><a name="toc-mergeplanes" href="#mergeplanes">29.105 mergeplanes</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-122" href="#Examples-122">29.105.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-mestimate" href="#mestimate">29.106 mestimate</a></li> |
|
<li><a name="toc-midequalizer" href="#midequalizer">29.107 midequalizer</a></li> |
|
<li><a name="toc-minterpolate" href="#minterpolate">29.108 minterpolate</a></li> |
|
<li><a name="toc-mix" href="#mix">29.109 mix</a></li> |
|
<li><a name="toc-mpdecimate" href="#mpdecimate">29.110 mpdecimate</a></li> |
|
<li><a name="toc-negate" href="#negate">29.111 negate</a></li> |
|
<li><a name="toc-nlmeans" href="#nlmeans">29.112 nlmeans</a></li> |
|
<li><a name="toc-nnedi" href="#nnedi">29.113 nnedi</a></li> |
|
<li><a name="toc-noformat" href="#noformat">29.114 noformat</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-126" href="#Examples-126">29.114.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-noise-1" href="#noise-1">29.115 noise</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-120" href="#Examples-120">29.115.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-normalize" href="#normalize">29.116 normalize</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-15" href="#Examples-15">29.116.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-null" href="#null">29.117 null</a></li> |
|
<li><a name="toc-ocr" href="#ocr">29.118 ocr</a></li> |
|
<li><a name="toc-ocv" href="#ocv">29.119 ocv</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-dilate-1" href="#dilate-1">29.119.1 dilate</a></li> |
|
<li><a name="toc-erode" href="#erode">29.119.2 erode</a></li> |
|
<li><a name="toc-smooth" href="#smooth">29.119.3 smooth</a></li> |
|
</ul></li> |
|
<li><a name="toc-oscilloscope" href="#oscilloscope">29.120 oscilloscope</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-89" href="#Examples-89">29.120.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-overlay-1" href="#overlay-1">29.121 overlay</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Commands-9" href="#Commands-9">29.121.1 Commands</a></li> |
|
<li><a name="toc-Examples-67" href="#Examples-67">29.121.2 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-owdenoise" href="#owdenoise">29.122 owdenoise</a></li> |
|
<li><a name="toc-pad-1" href="#pad-1">29.123 pad</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-39" href="#Examples-39">29.123.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-palettegen-1" href="#palettegen-1">29.124 palettegen</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-44" href="#Examples-44">29.124.1 Examples</a></li> |
|
</ul></li> |
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<li><a name="toc-paletteuse" href="#paletteuse">29.125 paletteuse</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-9" href="#Examples-9">29.125.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-perspective" href="#perspective">29.126 perspective</a></li> |
|
<li><a name="toc-phase" href="#phase">29.127 phase</a></li> |
|
<li><a name="toc-pixdesctest" href="#pixdesctest">29.128 pixdesctest</a></li> |
|
<li><a name="toc-pixscope" href="#pixscope">29.129 pixscope</a></li> |
|
<li><a name="toc-pp" href="#pp">29.130 pp</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-114" href="#Examples-114">29.130.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-pp7" href="#pp7">29.131 pp7</a></li> |
|
<li><a name="toc-premultiply" href="#premultiply">29.132 premultiply</a></li> |
|
<li><a name="toc-prewitt" href="#prewitt">29.133 prewitt</a></li> |
|
<li><a name="toc-program_005fopencl-1" href="#program_005fopencl-1">29.134 program_opencl</a></li> |
|
<li><a name="toc-pseudocolor" href="#pseudocolor">29.135 pseudocolor</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-111" href="#Examples-111">29.135.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-psnr" href="#psnr">29.136 psnr</a></li> |
|
<li><a name="toc-pullup-1" href="#pullup-1">29.137 pullup</a></li> |
|
<li><a name="toc-qp" href="#qp">29.138 qp</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-46" href="#Examples-46">29.138.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-random" href="#random">29.139 random</a></li> |
|
<li><a name="toc-readeia608" href="#readeia608">29.140 readeia608</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-12" href="#Examples-12">29.140.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-readvitc" href="#readvitc">29.141 readvitc</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-130" href="#Examples-130">29.141.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-remap" href="#remap">29.142 remap</a></li> |
|
<li><a name="toc-removegrain" href="#removegrain">29.143 removegrain</a></li> |
|
<li><a name="toc-removelogo" href="#removelogo">29.144 removelogo</a></li> |
|
<li><a name="toc-repeatfields" href="#repeatfields">29.145 repeatfields</a></li> |
|
<li><a name="toc-reverse" href="#reverse">29.146 reverse</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-132" href="#Examples-132">29.146.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-roberts" href="#roberts">29.147 roberts</a></li> |
|
<li><a name="toc-rotate" href="#rotate">29.148 rotate</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-21" href="#Examples-21">29.148.1 Examples</a></li> |
|
<li><a name="toc-Commands-1" href="#Commands-1">29.148.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-sab" href="#sab">29.149 sab</a></li> |
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<li><a name="toc-scale-1" href="#scale-1">29.150 scale</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Options-8" href="#Options-8">29.150.1 Options</a></li> |
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<li><a name="toc-Examples-10" href="#Examples-10">29.150.2 Examples</a></li> |
|
<li><a name="toc-Commands-5" href="#Commands-5">29.150.3 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-scale_005fnpp" href="#scale_005fnpp">29.151 scale_npp</a></li> |
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<li><a name="toc-scale2ref" href="#scale2ref">29.152 scale2ref</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-58" href="#Examples-58">29.152.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-selectivecolor-1" href="#selectivecolor-1">29.153 selectivecolor</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-48" href="#Examples-48">29.153.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-separatefields-1" href="#separatefields-1">29.154 separatefields</a></li> |
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<li><a name="toc-setdar_002c-setsar" href="#setdar_002c-setsar">29.155 setdar, setsar</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-135" href="#Examples-135">29.155.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-setfield-1" href="#setfield-1">29.156 setfield</a></li> |
|
<li><a name="toc-showinfo" href="#showinfo">29.157 showinfo</a></li> |
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<li><a name="toc-showpalette" href="#showpalette">29.158 showpalette</a></li> |
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<li><a name="toc-shuffleframes" href="#shuffleframes">29.159 shuffleframes</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-116" href="#Examples-116">29.159.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-shuffleplanes" href="#shuffleplanes">29.160 shuffleplanes</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-71" href="#Examples-71">29.160.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-signalstats-1" href="#signalstats-1">29.161 signalstats</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-4" href="#Examples-4">29.161.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-signature-1" href="#signature-1">29.162 signature</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-104" href="#Examples-104">29.162.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-smartblur-1" href="#smartblur-1">29.163 smartblur</a></li> |
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<li><a name="toc-ssim" href="#ssim">29.164 ssim</a></li> |
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<li><a name="toc-stereo3d" href="#stereo3d">29.165 stereo3d</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-60" href="#Examples-60">29.165.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-streamselect_002c-astreamselect" href="#streamselect_002c-astreamselect">29.166 streamselect, astreamselect</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Commands-20" href="#Commands-20">29.166.1 Commands</a></li> |
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<li><a name="toc-Examples-123" href="#Examples-123">29.166.2 Examples</a></li> |
|
</ul></li> |
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<li><a name="toc-sobel" href="#sobel">29.167 sobel</a></li> |
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<li><a name="toc-spp-1" href="#spp-1">29.168 spp</a></li> |
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<li><a name="toc-subtitles-1" href="#subtitles-1">29.169 subtitles</a></li> |
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<li><a name="toc-super2xsai" href="#super2xsai">29.170 super2xsai</a></li> |
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<li><a name="toc-swaprect" href="#swaprect">29.171 swaprect</a></li> |
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<li><a name="toc-swapuv" href="#swapuv">29.172 swapuv</a></li> |
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<li><a name="toc-telecine" href="#telecine">29.173 telecine</a></li> |
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<li><a name="toc-threshold" href="#threshold">29.174 threshold</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-144" href="#Examples-144">29.174.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-thumbnail" href="#thumbnail">29.175 thumbnail</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-108" href="#Examples-108">29.175.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-tile" href="#tile">29.176 tile</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-125" href="#Examples-125">29.176.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-tinterlace" href="#tinterlace">29.177 tinterlace</a></li> |
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<li><a name="toc-tmix" href="#tmix">29.178 tmix</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-30" href="#Examples-30">29.178.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-tonemap" href="#tonemap">29.179 tonemap</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-26" href="#Options-26">29.179.1 Options</a></li> |
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</ul></li> |
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<li><a name="toc-transpose" href="#transpose">29.180 transpose</a></li> |
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<li><a name="toc-trim" href="#trim">29.181 trim</a></li> |
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<li><a name="toc-unpremultiply" href="#unpremultiply">29.182 unpremultiply</a></li> |
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<li><a name="toc-unsharp-1" href="#unsharp-1">29.183 unsharp</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-27" href="#Examples-27">29.183.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-uspp" href="#uspp">29.184 uspp</a></li> |
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<li><a name="toc-vaguedenoiser" href="#vaguedenoiser">29.185 vaguedenoiser</a></li> |
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<li><a name="toc-vectorscope" href="#vectorscope">29.186 vectorscope</a></li> |
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<li><a name="toc-vidstabdetect-1" href="#vidstabdetect-1">29.187 vidstabdetect</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-70" href="#Examples-70">29.187.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-vidstabtransform-1" href="#vidstabtransform-1">29.188 vidstabtransform</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-30" href="#Options-30">29.188.1 Options</a></li> |
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<li><a name="toc-Examples-92" href="#Examples-92">29.188.2 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-vflip" href="#vflip">29.189 vflip</a></li> |
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<li><a name="toc-vfrdet" href="#vfrdet">29.190 vfrdet</a></li> |
|
<li><a name="toc-vignette-1" href="#vignette-1">29.191 vignette</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Expressions" href="#Expressions">29.191.1 Expressions</a></li> |
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<li><a name="toc-Examples-72" href="#Examples-72">29.191.2 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-vmafmotion" href="#vmafmotion">29.192 vmafmotion</a></li> |
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<li><a name="toc-vstack" href="#vstack">29.193 vstack</a></li> |
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<li><a name="toc-w3fdif" href="#w3fdif">29.194 w3fdif</a></li> |
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<li><a name="toc-waveform" href="#waveform">29.195 waveform</a></li> |
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<li><a name="toc-weave_002c-doubleweave" href="#weave_002c-doubleweave">29.196 weave, doubleweave</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-3" href="#Examples-3">29.196.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-xbr" href="#xbr">29.197 xbr</a></li> |
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<li><a name="toc-yadif-1" href="#yadif-1">29.198 yadif</a></li> |
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<li><a name="toc-zoompan" href="#zoompan">29.199 zoompan</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-59" href="#Examples-59">29.199.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-zscale-1" href="#zscale-1">29.200 zscale</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Options-17" href="#Options-17">29.200.1 Options</a></li> |
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</ul> |
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</li> |
|
</ul></li> |
|
<li><a name="toc-Video-Sources" href="#Video-Sources">30 Video Sources</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-buffer" href="#buffer">30.1 buffer</a></li> |
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<li><a name="toc-cellauto" href="#cellauto">30.2 cellauto</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-101" href="#Examples-101">30.2.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-coreimagesrc-1" href="#coreimagesrc-1">30.3 coreimagesrc</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-2" href="#Examples-2">30.3.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-mandelbrot" href="#mandelbrot">30.4 mandelbrot</a></li> |
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<li><a name="toc-mptestsrc" href="#mptestsrc">30.5 mptestsrc</a></li> |
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<li><a name="toc-frei0r_005fsrc" href="#frei0r_005fsrc">30.6 frei0r_src</a></li> |
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<li><a name="toc-life" href="#life">30.7 life</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-83" href="#Examples-83">30.7.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-allrgb_002c-allyuv_002c-color_002c-haldclutsrc_002c-nullsrc_002c-pal75bars_002c-pal100bars_002c-rgbtestsrc_002c-smptebars_002c-smptehdbars_002c-testsrc_002c-testsrc2_002c-yuvtestsrc" href="#allrgb_002c-allyuv_002c-color_002c-haldclutsrc_002c-nullsrc_002c-pal75bars_002c-pal100bars_002c-rgbtestsrc_002c-smptebars_002c-smptehdbars_002c-testsrc_002c-testsrc2_002c-yuvtestsrc">30.8 allrgb, allyuv, color, haldclutsrc, nullsrc, pal75bars, pal100bars, rgbtestsrc, smptebars, smptehdbars, testsrc, testsrc2, yuvtestsrc</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-137" href="#Examples-137">30.8.1 Examples</a></li> |
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<li><a name="toc-Commands-14" href="#Commands-14">30.8.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-openclsrc" href="#openclsrc">30.9 openclsrc</a></li> |
|
</ul></li> |
|
<li><a name="toc-Video-Sinks" href="#Video-Sinks">31 Video Sinks</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-buffersink" href="#buffersink">31.1 buffersink</a></li> |
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<li><a name="toc-nullsink" href="#nullsink">31.2 nullsink</a></li> |
|
</ul></li> |
|
<li><a name="toc-Multimedia-Filters" href="#Multimedia-Filters">32 Multimedia Filters</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-abitscope" href="#abitscope">32.1 abitscope</a></li> |
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<li><a name="toc-ahistogram" href="#ahistogram">32.2 ahistogram</a></li> |
|
<li><a name="toc-aphasemeter" href="#aphasemeter">32.3 aphasemeter</a></li> |
|
<li><a name="toc-avectorscope" href="#avectorscope">32.4 avectorscope</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-69" href="#Examples-69">32.4.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-bench_002c-abench" href="#bench_002c-abench">32.5 bench, abench</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-93" href="#Examples-93">32.5.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-concat-2" href="#concat-2">32.6 concat</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-28" href="#Examples-28">32.6.1 Examples</a></li> |
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<li><a name="toc-Commands-11" href="#Commands-11">32.6.2 Commands</a></li> |
|
</ul></li> |
|
<li><a name="toc-drawgraph_002c-adrawgraph" href="#drawgraph_002c-adrawgraph">32.7 drawgraph, adrawgraph</a></li> |
|
<li><a name="toc-ebur128-1" href="#ebur128-1">32.8 ebur128</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-97" href="#Examples-97">32.8.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-interleave_002c-ainterleave" href="#interleave_002c-ainterleave">32.9 interleave, ainterleave</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-17" href="#Examples-17">32.9.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-metadata_002c-ametadata" href="#metadata_002c-ametadata">32.10 metadata, ametadata</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-57" href="#Examples-57">32.10.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-perms_002c-aperms" href="#perms_002c-aperms">32.11 perms, aperms</a></li> |
|
<li><a name="toc-realtime_002c-arealtime" href="#realtime_002c-arealtime">32.12 realtime, arealtime</a></li> |
|
<li><a name="toc-select_002c-aselect" href="#select_002c-aselect">32.13 select, aselect</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-134" href="#Examples-134">32.13.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-sendcmd_002c-asendcmd" href="#sendcmd_002c-asendcmd">32.14 sendcmd, asendcmd</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Commands-syntax" href="#Commands-syntax">32.14.1 Commands syntax</a></li> |
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<li><a name="toc-Examples-102" href="#Examples-102">32.14.2 Examples</a></li> |
|
</ul></li> |
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<li><a name="toc-setpts_002c-asetpts" href="#setpts_002c-asetpts">32.15 setpts, asetpts</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-35" href="#Examples-35">32.15.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-setrange" href="#setrange">32.16 setrange</a></li> |
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<li><a name="toc-settb_002c-asettb" href="#settb_002c-asettb">32.17 settb, asettb</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-129" href="#Examples-129">32.17.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-showcqt" href="#showcqt">32.18 showcqt</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-84" href="#Examples-84">32.18.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-showfreqs" href="#showfreqs">32.19 showfreqs</a></li> |
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<li><a name="toc-showspectrum-1" href="#showspectrum-1">32.20 showspectrum</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-65" href="#Examples-65">32.20.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-showspectrumpic" href="#showspectrumpic">32.21 showspectrumpic</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-140" href="#Examples-140">32.21.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-showvolume" href="#showvolume">32.22 showvolume</a></li> |
|
<li><a name="toc-showwaves" href="#showwaves">32.23 showwaves</a> |
|
<ul class="no-bullet"> |
|
<li><a name="toc-Examples-7" href="#Examples-7">32.23.1 Examples</a></li> |
|
</ul></li> |
|
<li><a name="toc-showwavespic" href="#showwavespic">32.24 showwavespic</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-Examples-115" href="#Examples-115">32.24.1 Examples</a></li> |
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</ul></li> |
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<li><a name="toc-sidedata_002c-asidedata" href="#sidedata_002c-asidedata">32.25 sidedata, asidedata</a></li> |
|
<li><a name="toc-spectrumsynth" href="#spectrumsynth">32.26 spectrumsynth</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-6" href="#Examples-6">32.26.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-split_002c-asplit" href="#split_002c-asplit">32.27 split, asplit</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-74" href="#Examples-74">32.27.1 Examples</a></li> |
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</ul></li> |
|
<li><a name="toc-zmq_002c-azmq" href="#zmq_002c-azmq">32.28 zmq, azmq</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-124" href="#Examples-124">32.28.1 Examples</a></li> |
|
</ul> |
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</li> |
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</ul></li> |
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<li><a name="toc-Multimedia-Sources" href="#Multimedia-Sources">33 Multimedia Sources</a> |
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<ul class="no-bullet"> |
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<li><a name="toc-amovie" href="#amovie">33.1 amovie</a></li> |
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<li><a name="toc-movie-1" href="#movie-1">33.2 movie</a> |
|
<ul class="no-bullet"> |
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<li><a name="toc-Examples-119" href="#Examples-119">33.2.1 Examples</a></li> |
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<li><a name="toc-Commands-8" href="#Commands-8">33.2.2 Commands</a></li> |
|
</ul> |
|
</li> |
|
</ul></li> |
|
<li><a name="toc-See-Also" href="#See-Also">34 See Also</a></li> |
|
<li><a name="toc-Authors" href="#Authors">35 Authors</a></li> |
|
</ul> |
|
</div> |
|
|
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<hr size="6"> |
|
<a name="Synopsis"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Synopsis">1 Synopsis</a></h1> |
|
|
|
<p>ffplay [<var>options</var>] [‘<tt>input_url</tt>’] |
|
</p> |
|
<a name="Description"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Description">2 Description</a></h1> |
|
|
|
<p>FFplay is a very simple and portable media player using the FFmpeg |
|
libraries and the SDL library. It is mostly used as a testbed for the |
|
various FFmpeg APIs. |
|
</p> |
|
<a name="Options-29"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Options-29">3 Options</a></h1> |
|
|
|
<p>All the numerical options, if not specified otherwise, accept a string |
|
representing a number as input, which may be followed by one of the SI |
|
unit prefixes, for example: ’K’, ’M’, or ’G’. |
|
</p> |
|
<p>If ’i’ is appended to the SI unit prefix, the complete prefix will be |
|
interpreted as a unit prefix for binary multiples, which are based on |
|
powers of 1024 instead of powers of 1000. Appending ’B’ to the SI unit |
|
prefix multiplies the value by 8. This allows using, for example: |
|
’KB’, ’MiB’, ’G’ and ’B’ as number suffixes. |
|
</p> |
|
<p>Options which do not take arguments are boolean options, and set the |
|
corresponding value to true. They can be set to false by prefixing |
|
the option name with "no". For example using "-nofoo" |
|
will set the boolean option with name "foo" to false. |
|
</p> |
|
<p><a name="Stream-specifiers"></a> |
|
</p><a name="Stream-specifiers-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Stream-specifiers-1">3.1 Stream specifiers</a></h2> |
|
<p>Some options are applied per-stream, e.g. bitrate or codec. Stream specifiers |
|
are used to precisely specify which stream(s) a given option belongs to. |
|
</p> |
|
<p>A stream specifier is a string generally appended to the option name and |
|
separated from it by a colon. E.g. <code>-codec:a:1 ac3</code> contains the |
|
<code>a:1</code> stream specifier, which matches the second audio stream. Therefore, it |
|
would select the ac3 codec for the second audio stream. |
|
</p> |
|
<p>A stream specifier can match several streams, so that the option is applied to all |
|
of them. E.g. the stream specifier in <code>-b:a 128k</code> matches all audio |
|
streams. |
|
</p> |
|
<p>An empty stream specifier matches all streams. For example, <code>-codec copy</code> |
|
or <code>-codec: copy</code> would copy all the streams without reencoding. |
|
</p> |
|
<p>Possible forms of stream specifiers are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp><var>stream_index</var></samp>’</dt> |
|
<dd><p>Matches the stream with this index. E.g. <code>-threads:1 4</code> would set the |
|
thread count for the second stream to 4. |
|
</p></dd> |
|
<dt>‘<samp><var>stream_type</var>[:<var>stream_index</var>]</samp>’</dt> |
|
<dd><p><var>stream_type</var> is one of following: ’v’ or ’V’ for video, ’a’ for audio, ’s’ |
|
for subtitle, ’d’ for data, and ’t’ for attachments. ’v’ matches all video |
|
streams, ’V’ only matches video streams which are not attached pictures, video |
|
thumbnails or cover arts. If <var>stream_index</var> is given, then it matches |
|
stream number <var>stream_index</var> of this type. Otherwise, it matches all |
|
streams of this type. |
|
</p></dd> |
|
<dt>‘<samp>p:<var>program_id</var>[:<var>stream_index</var>] or p:<var>program_id</var>[:<var>stream_type</var>[:<var>stream_index</var>]] or</samp>’</dt> |
|
<dd><p>p:<var>program_id</var>:m:<var>key</var>[:<var>value</var>] |
|
In first version, if <var>stream_index</var> is given, then it matches the stream with number <var>stream_index</var> |
|
in the program with the id <var>program_id</var>. Otherwise, it matches all streams in the |
|
program. In the second version, <var>stream_type</var> is one of following: ’v’ for video, ’a’ for audio, ’s’ |
|
for subtitle, ’d’ for data. If <var>stream_index</var> is also given, then it matches |
|
stream number <var>stream_index</var> of this type in the program with the id <var>program_id</var>. |
|
Otherwise, if only <var>stream_type</var> is given, it matches all |
|
streams of this type in the program with the id <var>program_id</var>. |
|
In the third version matches streams in the program with the id <var>program_id</var> with the metadata |
|
tag <var>key</var> having the specified value. If |
|
<var>value</var> is not given, matches streams that contain the given tag with any |
|
value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>#<var>stream_id</var> or i:<var>stream_id</var></samp>’</dt> |
|
<dd><p>Match the stream by stream id (e.g. PID in MPEG-TS container). |
|
</p></dd> |
|
<dt>‘<samp>m:<var>key</var>[:<var>value</var>]</samp>’</dt> |
|
<dd><p>Matches streams with the metadata tag <var>key</var> having the specified value. If |
|
<var>value</var> is not given, matches streams that contain the given tag with any |
|
value. |
|
</p></dd> |
|
<dt>‘<samp>u</samp>’</dt> |
|
<dd><p>Matches streams with usable configuration, the codec must be defined and the |
|
essential information such as video dimension or audio sample rate must be present. |
|
</p> |
|
<p>Note that in <code>ffmpeg</code>, matching by metadata will only work properly for |
|
input files. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Generic-options"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Generic-options">3.2 Generic options</a></h2> |
|
|
|
<p>These options are shared amongst the ff* tools. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>-L</samp>’</dt> |
|
<dd><p>Show license. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-h, -?, -help, --help [<var>arg</var>]</samp>’</dt> |
|
<dd><p>Show help. An optional parameter may be specified to print help about a specific |
|
item. If no argument is specified, only basic (non advanced) tool |
|
options are shown. |
|
</p> |
|
<p>Possible values of <var>arg</var> are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>long</samp>’</dt> |
|
<dd><p>Print advanced tool options in addition to the basic tool options. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>full</samp>’</dt> |
|
<dd><p>Print complete list of options, including shared and private options |
|
for encoders, decoders, demuxers, muxers, filters, etc. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>decoder=<var>decoder_name</var></samp>’</dt> |
|
<dd><p>Print detailed information about the decoder named <var>decoder_name</var>. Use the |
|
‘<samp>-decoders</samp>’ option to get a list of all decoders. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>encoder=<var>encoder_name</var></samp>’</dt> |
|
<dd><p>Print detailed information about the encoder named <var>encoder_name</var>. Use the |
|
‘<samp>-encoders</samp>’ option to get a list of all encoders. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>demuxer=<var>demuxer_name</var></samp>’</dt> |
|
<dd><p>Print detailed information about the demuxer named <var>demuxer_name</var>. Use the |
|
‘<samp>-formats</samp>’ option to get a list of all demuxers and muxers. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>muxer=<var>muxer_name</var></samp>’</dt> |
|
<dd><p>Print detailed information about the muxer named <var>muxer_name</var>. Use the |
|
‘<samp>-formats</samp>’ option to get a list of all muxers and demuxers. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filter=<var>filter_name</var></samp>’</dt> |
|
<dd><p>Print detailed information about the filter name <var>filter_name</var>. Use the |
|
‘<samp>-filters</samp>’ option to get a list of all filters. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>-version</samp>’</dt> |
|
<dd><p>Show version. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-formats</samp>’</dt> |
|
<dd><p>Show available formats (including devices). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-demuxers</samp>’</dt> |
|
<dd><p>Show available demuxers. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-muxers</samp>’</dt> |
|
<dd><p>Show available muxers. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-devices</samp>’</dt> |
|
<dd><p>Show available devices. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-codecs</samp>’</dt> |
|
<dd><p>Show all codecs known to libavcodec. |
|
</p> |
|
<p>Note that the term ’codec’ is used throughout this documentation as a shortcut |
|
for what is more correctly called a media bitstream format. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-decoders</samp>’</dt> |
|
<dd><p>Show available decoders. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-encoders</samp>’</dt> |
|
<dd><p>Show all available encoders. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-bsfs</samp>’</dt> |
|
<dd><p>Show available bitstream filters. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-protocols</samp>’</dt> |
|
<dd><p>Show available protocols. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-filters</samp>’</dt> |
|
<dd><p>Show available libavfilter filters. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-pix_fmts</samp>’</dt> |
|
<dd><p>Show available pixel formats. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-sample_fmts</samp>’</dt> |
|
<dd><p>Show available sample formats. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-layouts</samp>’</dt> |
|
<dd><p>Show channel names and standard channel layouts. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-colors</samp>’</dt> |
|
<dd><p>Show recognized color names. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-sources <var>device</var>[,<var>opt1</var>=<var>val1</var>[,<var>opt2</var>=<var>val2</var>]...]</samp>’</dt> |
|
<dd><p>Show autodetected sources of the input device. |
|
Some devices may provide system-dependent source names that cannot be autodetected. |
|
The returned list cannot be assumed to be always complete. |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -sources pulse,server=192.168.0.4 |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>-sinks <var>device</var>[,<var>opt1</var>=<var>val1</var>[,<var>opt2</var>=<var>val2</var>]...]</samp>’</dt> |
|
<dd><p>Show autodetected sinks of the output device. |
|
Some devices may provide system-dependent sink names that cannot be autodetected. |
|
The returned list cannot be assumed to be always complete. |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -sinks pulse,server=192.168.0.4 |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>-loglevel [<var>flags</var>+]<var>loglevel</var> | -v [<var>flags</var>+]<var>loglevel</var></samp>’</dt> |
|
<dd><p>Set logging level and flags used by the library. |
|
</p> |
|
<p>The optional <var>flags</var> prefix can consist of the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>repeat</samp>’</dt> |
|
<dd><p>Indicates that repeated log output should not be compressed to the first line |
|
and the "Last message repeated n times" line will be omitted. |
|
</p></dd> |
|
<dt>‘<samp>level</samp>’</dt> |
|
<dd><p>Indicates that log output should add a <code>[level]</code> prefix to each message |
|
line. This can be used as an alternative to log coloring, e.g. when dumping the |
|
log to file. |
|
</p></dd> |
|
</dl> |
|
<p>Flags can also be used alone by adding a ’+’/’-’ prefix to set/reset a single |
|
flag without affecting other <var>flags</var> or changing <var>loglevel</var>. When |
|
setting both <var>flags</var> and <var>loglevel</var>, a ’+’ separator is expected |
|
between the last <var>flags</var> value and before <var>loglevel</var>. |
|
</p> |
|
<p><var>loglevel</var> is a string or a number containing one of the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>quiet, -8</samp>’</dt> |
|
<dd><p>Show nothing at all; be silent. |
|
</p></dd> |
|
<dt>‘<samp>panic, 0</samp>’</dt> |
|
<dd><p>Only show fatal errors which could lead the process to crash, such as |
|
an assertion failure. This is not currently used for anything. |
|
</p></dd> |
|
<dt>‘<samp>fatal, 8</samp>’</dt> |
|
<dd><p>Only show fatal errors. These are errors after which the process absolutely |
|
cannot continue. |
|
</p></dd> |
|
<dt>‘<samp>error, 16</samp>’</dt> |
|
<dd><p>Show all errors, including ones which can be recovered from. |
|
</p></dd> |
|
<dt>‘<samp>warning, 24</samp>’</dt> |
|
<dd><p>Show all warnings and errors. Any message related to possibly |
|
incorrect or unexpected events will be shown. |
|
</p></dd> |
|
<dt>‘<samp>info, 32</samp>’</dt> |
|
<dd><p>Show informative messages during processing. This is in addition to |
|
warnings and errors. This is the default value. |
|
</p></dd> |
|
<dt>‘<samp>verbose, 40</samp>’</dt> |
|
<dd><p>Same as <code>info</code>, except more verbose. |
|
</p></dd> |
|
<dt>‘<samp>debug, 48</samp>’</dt> |
|
<dd><p>Show everything, including debugging information. |
|
</p></dd> |
|
<dt>‘<samp>trace, 56</samp>’</dt> |
|
</dl> |
|
|
|
<p>For example to enable repeated log output, add the <code>level</code> prefix, and set |
|
<var>loglevel</var> to <code>verbose</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -loglevel repeat+level+verbose -i input output |
|
</pre></div> |
|
<p>Another example that enables repeated log output without affecting current |
|
state of <code>level</code> prefix flag or <var>loglevel</var>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg [...] -loglevel +repeat |
|
</pre></div> |
|
|
|
<p>By default the program logs to stderr. If coloring is supported by the |
|
terminal, colors are used to mark errors and warnings. Log coloring |
|
can be disabled setting the environment variable |
|
<code>AV_LOG_FORCE_NOCOLOR</code> or <code>NO_COLOR</code>, or can be forced setting |
|
the environment variable <code>AV_LOG_FORCE_COLOR</code>. |
|
The use of the environment variable <code>NO_COLOR</code> is deprecated and |
|
will be dropped in a future FFmpeg version. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-report</samp>’</dt> |
|
<dd><p>Dump full command line and console output to a file named |
|
<code><var>program</var>-<var>YYYYMMDD</var>-<var>HHMMSS</var>.log</code> in the current |
|
directory. |
|
This file can be useful for bug reports. |
|
It also implies <code>-loglevel verbose</code>. |
|
</p> |
|
<p>Setting the environment variable <code>FFREPORT</code> to any value has the |
|
same effect. If the value is a ’:’-separated key=value sequence, these |
|
options will affect the report; option values must be escaped if they |
|
contain special characters or the options delimiter ’:’ (see the |
|
“Quoting and escaping” section in the ffmpeg-utils manual). |
|
</p> |
|
<p>The following options are recognized: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>file</samp>’</dt> |
|
<dd><p>set the file name to use for the report; <code>%p</code> is expanded to the name |
|
of the program, <code>%t</code> is expanded to a timestamp, <code>%%</code> is expanded |
|
to a plain <code>%</code> |
|
</p></dd> |
|
<dt>‘<samp>level</samp>’</dt> |
|
<dd><p>set the log verbosity level using a numerical value (see <code>-loglevel</code>). |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example, to output a report to a file named ‘<tt>ffreport.log</tt>’ |
|
using a log level of <code>32</code> (alias for log level <code>info</code>): |
|
</p> |
|
<div class="example"> |
|
<pre class="example">FFREPORT=file=ffreport.log:level=32 ffmpeg -i input output |
|
</pre></div> |
|
|
|
<p>Errors in parsing the environment variable are not fatal, and will not |
|
appear in the report. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-hide_banner</samp>’</dt> |
|
<dd><p>Suppress printing banner. |
|
</p> |
|
<p>All FFmpeg tools will normally show a copyright notice, build options |
|
and library versions. This option can be used to suppress printing |
|
this information. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-cpuflags flags (<em>global</em>)</samp>’</dt> |
|
<dd><p>Allows setting and clearing cpu flags. This option is intended |
|
for testing. Do not use it unless you know what you’re doing. |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -cpuflags -sse+mmx ... |
|
ffmpeg -cpuflags mmx ... |
|
ffmpeg -cpuflags 0 ... |
|
</pre></div> |
|
<p>Possible flags for this option are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>x86</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>mmx</samp>’</dt> |
|
<dt>‘<samp>mmxext</samp>’</dt> |
|
<dt>‘<samp>sse</samp>’</dt> |
|
<dt>‘<samp>sse2</samp>’</dt> |
|
<dt>‘<samp>sse2slow</samp>’</dt> |
|
<dt>‘<samp>sse3</samp>’</dt> |
|
<dt>‘<samp>sse3slow</samp>’</dt> |
|
<dt>‘<samp>ssse3</samp>’</dt> |
|
<dt>‘<samp>atom</samp>’</dt> |
|
<dt>‘<samp>sse4.1</samp>’</dt> |
|
<dt>‘<samp>sse4.2</samp>’</dt> |
|
<dt>‘<samp>avx</samp>’</dt> |
|
<dt>‘<samp>avx2</samp>’</dt> |
|
<dt>‘<samp>xop</samp>’</dt> |
|
<dt>‘<samp>fma3</samp>’</dt> |
|
<dt>‘<samp>fma4</samp>’</dt> |
|
<dt>‘<samp>3dnow</samp>’</dt> |
|
<dt>‘<samp>3dnowext</samp>’</dt> |
|
<dt>‘<samp>bmi1</samp>’</dt> |
|
<dt>‘<samp>bmi2</samp>’</dt> |
|
<dt>‘<samp>cmov</samp>’</dt> |
|
</dl> |
|
</dd> |
|
<dt>‘<samp>ARM</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>armv5te</samp>’</dt> |
|
<dt>‘<samp>armv6</samp>’</dt> |
|
<dt>‘<samp>armv6t2</samp>’</dt> |
|
<dt>‘<samp>vfp</samp>’</dt> |
|
<dt>‘<samp>vfpv3</samp>’</dt> |
|
<dt>‘<samp>neon</samp>’</dt> |
|
<dt>‘<samp>setend</samp>’</dt> |
|
</dl> |
|
</dd> |
|
<dt>‘<samp>AArch64</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>armv8</samp>’</dt> |
|
<dt>‘<samp>vfp</samp>’</dt> |
|
<dt>‘<samp>neon</samp>’</dt> |
|
</dl> |
|
</dd> |
|
<dt>‘<samp>PowerPC</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>altivec</samp>’</dt> |
|
</dl> |
|
</dd> |
|
<dt>‘<samp>Specific Processors</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>pentium2</samp>’</dt> |
|
<dt>‘<samp>pentium3</samp>’</dt> |
|
<dt>‘<samp>pentium4</samp>’</dt> |
|
<dt>‘<samp>k6</samp>’</dt> |
|
<dt>‘<samp>k62</samp>’</dt> |
|
<dt>‘<samp>athlon</samp>’</dt> |
|
<dt>‘<samp>athlonxp</samp>’</dt> |
|
<dt>‘<samp>k8</samp>’</dt> |
|
</dl> |
|
</dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="AVOptions"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-AVOptions">3.3 AVOptions</a></h2> |
|
|
|
<p>These options are provided directly by the libavformat, libavdevice and |
|
libavcodec libraries. To see the list of available AVOptions, use the |
|
‘<samp>-help</samp>’ option. They are separated into two categories: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>generic</samp>’</dt> |
|
<dd><p>These options can be set for any container, codec or device. Generic options |
|
are listed under AVFormatContext options for containers/devices and under |
|
AVCodecContext options for codecs. |
|
</p></dd> |
|
<dt>‘<samp>private</samp>’</dt> |
|
<dd><p>These options are specific to the given container, device or codec. Private |
|
options are listed under their corresponding containers/devices/codecs. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example to write an ID3v2.3 header instead of a default ID3v2.4 to |
|
an MP3 file, use the ‘<samp>id3v2_version</samp>’ private option of the MP3 |
|
muxer: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i input.flac -id3v2_version 3 out.mp3 |
|
</pre></div> |
|
|
|
<p>All codec AVOptions are per-stream, and thus a stream specifier |
|
should be attached to them. |
|
</p> |
|
<p>Note: the ‘<samp>-nooption</samp>’ syntax cannot be used for boolean |
|
AVOptions, use ‘<samp>-option 0</samp>’/‘<samp>-option 1</samp>’. |
|
</p> |
|
<p>Note: the old undocumented way of specifying per-stream AVOptions by |
|
prepending v/a/s to the options name is now obsolete and will be |
|
removed soon. |
|
</p> |
|
<a name="Main-options"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Main-options">3.4 Main options</a></h2> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>-x <var>width</var></samp>’</dt> |
|
<dd><p>Force displayed width. |
|
</p></dd> |
|
<dt>‘<samp>-y <var>height</var></samp>’</dt> |
|
<dd><p>Force displayed height. |
|
</p></dd> |
|
<dt>‘<samp>-s <var>size</var></samp>’</dt> |
|
<dd><p>Set frame size (WxH or abbreviation), needed for videos which do |
|
not contain a header with the frame size like raw YUV. This option |
|
has been deprecated in favor of private options, try -video_size. |
|
</p></dd> |
|
<dt>‘<samp>-fs</samp>’</dt> |
|
<dd><p>Start in fullscreen mode. |
|
</p></dd> |
|
<dt>‘<samp>-an</samp>’</dt> |
|
<dd><p>Disable audio. |
|
</p></dd> |
|
<dt>‘<samp>-vn</samp>’</dt> |
|
<dd><p>Disable video. |
|
</p></dd> |
|
<dt>‘<samp>-sn</samp>’</dt> |
|
<dd><p>Disable subtitles. |
|
</p></dd> |
|
<dt>‘<samp>-ss <var>pos</var></samp>’</dt> |
|
<dd><p>Seek to <var>pos</var>. Note that in most formats it is not possible to seek |
|
exactly, so <code>ffplay</code> will seek to the nearest seek point to |
|
<var>pos</var>. |
|
</p> |
|
<p><var>pos</var> must be a time duration specification, |
|
see <a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a>. |
|
</p></dd> |
|
<dt>‘<samp>-t <var>duration</var></samp>’</dt> |
|
<dd><p>Play <var>duration</var> seconds of audio/video. |
|
</p> |
|
<p><var>duration</var> must be a time duration specification, |
|
see <a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a>. |
|
</p></dd> |
|
<dt>‘<samp>-bytes</samp>’</dt> |
|
<dd><p>Seek by bytes. |
|
</p></dd> |
|
<dt>‘<samp>-nodisp</samp>’</dt> |
|
<dd><p>Disable graphical display. |
|
</p></dd> |
|
<dt>‘<samp>-noborder</samp>’</dt> |
|
<dd><p>Borderless window. |
|
</p></dd> |
|
<dt>‘<samp>-volume</samp>’</dt> |
|
<dd><p>Set the startup volume. 0 means silence, 100 means no volume reduction or |
|
amplification. Negative values are treated as 0, values above 100 are treated |
|
as 100. |
|
</p></dd> |
|
<dt>‘<samp>-f <var>fmt</var></samp>’</dt> |
|
<dd><p>Force format. |
|
</p></dd> |
|
<dt>‘<samp>-window_title <var>title</var></samp>’</dt> |
|
<dd><p>Set window title (default is the input filename). |
|
</p></dd> |
|
<dt>‘<samp>-loop <var>number</var></samp>’</dt> |
|
<dd><p>Loops movie playback <number> times. 0 means forever. |
|
</p></dd> |
|
<dt>‘<samp>-showmode <var>mode</var></samp>’</dt> |
|
<dd><p>Set the show mode to use. |
|
Available values for <var>mode</var> are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>0, video</samp>’</dt> |
|
<dd><p>show video |
|
</p></dd> |
|
<dt>‘<samp>1, waves</samp>’</dt> |
|
<dd><p>show audio waves |
|
</p></dd> |
|
<dt>‘<samp>2, rdft</samp>’</dt> |
|
<dd><p>show audio frequency band using RDFT ((Inverse) Real Discrete Fourier Transform) |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is "video", if video is not present or cannot be played |
|
"rdft" is automatically selected. |
|
</p> |
|
<p>You can interactively cycle through the available show modes by |
|
pressing the key <w>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-vf <var>filtergraph</var></samp>’</dt> |
|
<dd><p>Create the filtergraph specified by <var>filtergraph</var> and use it to |
|
filter the video stream. |
|
</p> |
|
<p><var>filtergraph</var> is a description of the filtergraph to apply to |
|
the stream, and must have a single video input and a single video |
|
output. In the filtergraph, the input is associated to the label |
|
<code>in</code>, and the output to the label <code>out</code>. See the |
|
ffmpeg-filters manual for more information about the filtergraph |
|
syntax. |
|
</p> |
|
<p>You can specify this parameter multiple times and cycle through the specified |
|
filtergraphs along with the show modes by pressing the key <w>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-af <var>filtergraph</var></samp>’</dt> |
|
<dd><p><var>filtergraph</var> is a description of the filtergraph to apply to |
|
the input audio. |
|
Use the option "-filters" to show all the available filters (including |
|
sources and sinks). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-i <var>input_url</var></samp>’</dt> |
|
<dd><p>Read <var>input_url</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Advanced-options"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Advanced-options">3.5 Advanced options</a></h2> |
|
<dl compact="compact"> |
|
<dt>‘<samp>-pix_fmt <var>format</var></samp>’</dt> |
|
<dd><p>Set pixel format. |
|
This option has been deprecated in favor of private options, try -pixel_format. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-stats</samp>’</dt> |
|
<dd><p>Print several playback statistics, in particular show the stream |
|
duration, the codec parameters, the current position in the stream and |
|
the audio/video synchronisation drift. It is on by default, to |
|
explicitly disable it you need to specify <code>-nostats</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-fast</samp>’</dt> |
|
<dd><p>Non-spec-compliant optimizations. |
|
</p></dd> |
|
<dt>‘<samp>-genpts</samp>’</dt> |
|
<dd><p>Generate pts. |
|
</p></dd> |
|
<dt>‘<samp>-sync <var>type</var></samp>’</dt> |
|
<dd><p>Set the master clock to audio (<code>type=audio</code>), video |
|
(<code>type=video</code>) or external (<code>type=ext</code>). Default is audio. The |
|
master clock is used to control audio-video synchronization. Most media |
|
players use audio as master clock, but in some cases (streaming or high |
|
quality broadcast) it is necessary to change that. This option is mainly |
|
used for debugging purposes. |
|
</p></dd> |
|
<dt>‘<samp>-ast <var>audio_stream_specifier</var></samp>’</dt> |
|
<dd><p>Select the desired audio stream using the given stream specifier. The stream |
|
specifiers are described in the <a href="#Stream-specifiers">Stream specifiers</a> chapter. If this option |
|
is not specified, the "best" audio stream is selected in the program of the |
|
already selected video stream. |
|
</p></dd> |
|
<dt>‘<samp>-vst <var>video_stream_specifier</var></samp>’</dt> |
|
<dd><p>Select the desired video stream using the given stream specifier. The stream |
|
specifiers are described in the <a href="#Stream-specifiers">Stream specifiers</a> chapter. If this option |
|
is not specified, the "best" video stream is selected. |
|
</p></dd> |
|
<dt>‘<samp>-sst <var>subtitle_stream_specifier</var></samp>’</dt> |
|
<dd><p>Select the desired subtitle stream using the given stream specifier. The stream |
|
specifiers are described in the <a href="#Stream-specifiers">Stream specifiers</a> chapter. If this option |
|
is not specified, the "best" subtitle stream is selected in the program of the |
|
already selected video or audio stream. |
|
</p></dd> |
|
<dt>‘<samp>-autoexit</samp>’</dt> |
|
<dd><p>Exit when video is done playing. |
|
</p></dd> |
|
<dt>‘<samp>-exitonkeydown</samp>’</dt> |
|
<dd><p>Exit if any key is pressed. |
|
</p></dd> |
|
<dt>‘<samp>-exitonmousedown</samp>’</dt> |
|
<dd><p>Exit if any mouse button is pressed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-codec:<var>media_specifier</var> <var>codec_name</var></samp>’</dt> |
|
<dd><p>Force a specific decoder implementation for the stream identified by |
|
<var>media_specifier</var>, which can assume the values <code>a</code> (audio), |
|
<code>v</code> (video), and <code>s</code> subtitle. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-acodec <var>codec_name</var></samp>’</dt> |
|
<dd><p>Force a specific audio decoder. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-vcodec <var>codec_name</var></samp>’</dt> |
|
<dd><p>Force a specific video decoder. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-scodec <var>codec_name</var></samp>’</dt> |
|
<dd><p>Force a specific subtitle decoder. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-autorotate</samp>’</dt> |
|
<dd><p>Automatically rotate the video according to file metadata. Enabled by |
|
default, use ‘<samp>-noautorotate</samp>’ to disable it. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-framedrop</samp>’</dt> |
|
<dd><p>Drop video frames if video is out of sync. Enabled by default if the master |
|
clock is not set to video. Use this option to enable frame dropping for all |
|
master clock sources, use ‘<samp>-noframedrop</samp>’ to disable it. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-infbuf</samp>’</dt> |
|
<dd><p>Do not limit the input buffer size, read as much data as possible from the |
|
input as soon as possible. Enabled by default for realtime streams, where data |
|
may be dropped if not read in time. Use this option to enable infinite buffers |
|
for all inputs, use ‘<samp>-noinfbuf</samp>’ to disable it. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="While-playing"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-While-playing">3.6 While playing</a></h2> |
|
|
|
<dl compact="compact"> |
|
<dt><q, ESC></dt> |
|
<dd><p>Quit. |
|
</p> |
|
</dd> |
|
<dt><f></dt> |
|
<dd><p>Toggle full screen. |
|
</p> |
|
</dd> |
|
<dt><p, SPC></dt> |
|
<dd><p>Pause. |
|
</p> |
|
</dd> |
|
<dt><m></dt> |
|
<dd><p>Toggle mute. |
|
</p> |
|
</dd> |
|
<dt><9, 0></dt> |
|
<dd><p>Decrease and increase volume respectively. |
|
</p> |
|
</dd> |
|
<dt></, *></dt> |
|
<dd><p>Decrease and increase volume respectively. |
|
</p> |
|
</dd> |
|
<dt><a></dt> |
|
<dd><p>Cycle audio channel in the current program. |
|
</p> |
|
</dd> |
|
<dt><v></dt> |
|
<dd><p>Cycle video channel. |
|
</p> |
|
</dd> |
|
<dt><t></dt> |
|
<dd><p>Cycle subtitle channel in the current program. |
|
</p> |
|
</dd> |
|
<dt><c></dt> |
|
<dd><p>Cycle program. |
|
</p> |
|
</dd> |
|
<dt><w></dt> |
|
<dd><p>Cycle video filters or show modes. |
|
</p> |
|
</dd> |
|
<dt><s></dt> |
|
<dd><p>Step to the next frame. |
|
</p> |
|
<p>Pause if the stream is not already paused, step to the next video |
|
frame, and pause. |
|
</p> |
|
</dd> |
|
<dt><left/right></dt> |
|
<dd><p>Seek backward/forward 10 seconds. |
|
</p> |
|
</dd> |
|
<dt><down/up></dt> |
|
<dd><p>Seek backward/forward 1 minute. |
|
</p> |
|
</dd> |
|
<dt><page down/page up></dt> |
|
<dd><p>Seek to the previous/next chapter. |
|
or if there are no chapters |
|
Seek backward/forward 10 minutes. |
|
</p> |
|
</dd> |
|
<dt><right mouse click></dt> |
|
<dd><p>Seek to percentage in file corresponding to fraction of width. |
|
</p> |
|
</dd> |
|
<dt><left mouse double-click></dt> |
|
<dd><p>Toggle full screen. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
|
|
<a name="Syntax"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Syntax">4 Syntax</a></h1> |
|
|
|
<p>This section documents the syntax and formats employed by the FFmpeg |
|
libraries and tools. |
|
</p> |
|
<p><a name="quoting_005fand_005fescaping"></a> |
|
</p><a name="Quoting-and-escaping"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Quoting-and-escaping">4.1 Quoting and escaping</a></h2> |
|
|
|
<p>FFmpeg adopts the following quoting and escaping mechanism, unless |
|
explicitly specified. The following rules are applied: |
|
</p> |
|
<ul> |
|
<li> |
|
‘<samp>'</samp>’ and ‘<samp>\</samp>’ are special characters (respectively used for |
|
quoting and escaping). In addition to them, there might be other |
|
special characters depending on the specific syntax where the escaping |
|
and quoting are employed. |
|
|
|
</li><li> |
|
A special character is escaped by prefixing it with a ‘<samp>\</samp>’. |
|
|
|
</li><li> |
|
All characters enclosed between ‘<samp>''</samp>’ are included literally in the |
|
parsed string. The quote character ‘<samp>'</samp>’ itself cannot be quoted, |
|
so you may need to close the quote and escape it. |
|
|
|
</li><li> |
|
Leading and trailing whitespaces, unless escaped or quoted, are |
|
removed from the parsed string. |
|
</li></ul> |
|
|
|
<p>Note that you may need to add a second level of escaping when using |
|
the command line or a script, which depends on the syntax of the |
|
adopted shell language. |
|
</p> |
|
<p>The function <code>av_get_token</code> defined in |
|
‘<tt>libavutil/avstring.h</tt>’ can be used to parse a token quoted or |
|
escaped according to the rules defined above. |
|
</p> |
|
<p>The tool ‘<tt>tools/ffescape</tt>’ in the FFmpeg source tree can be used |
|
to automatically quote or escape a string in a script. |
|
</p> |
|
<a name="Examples-45"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-45">4.1.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Escape the string <code>Crime d'Amour</code> containing the <code>'</code> special |
|
character: |
|
<div class="example"> |
|
<pre class="example">Crime d\'Amour |
|
</pre></div> |
|
|
|
</li><li> |
|
The string above contains a quote, so the <code>'</code> needs to be escaped |
|
when quoting it: |
|
<div class="example"> |
|
<pre class="example">'Crime d'\''Amour' |
|
</pre></div> |
|
|
|
</li><li> |
|
Include leading or trailing whitespaces using quoting: |
|
<div class="example"> |
|
<pre class="example">' this string starts and ends with whitespaces ' |
|
</pre></div> |
|
|
|
</li><li> |
|
Escaping and quoting can be mixed together: |
|
<div class="example"> |
|
<pre class="example">' The string '\'string\'' is a string ' |
|
</pre></div> |
|
|
|
</li><li> |
|
To include a literal ‘<samp>\</samp>’ you can use either escaping or quoting: |
|
<div class="example"> |
|
<pre class="example">'c:\foo' can be written as c:\\foo |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="date-syntax"></a> |
|
</p><a name="Date"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Date">4.2 Date</a></h2> |
|
|
|
<p>The accepted syntax is: |
|
</p><div class="example"> |
|
<pre class="example">[(YYYY-MM-DD|YYYYMMDD)[T|t| ]]((HH:MM:SS[.m...]]])|(HHMMSS[.m...]]]))[Z] |
|
now |
|
</pre></div> |
|
|
|
<p>If the value is "now" it takes the current time. |
|
</p> |
|
<p>Time is local time unless Z is appended, in which case it is |
|
interpreted as UTC. |
|
If the year-month-day part is not specified it takes the current |
|
year-month-day. |
|
</p> |
|
<p><a name="time-duration-syntax"></a> |
|
</p><a name="Time-duration"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Time-duration">4.3 Time duration</a></h2> |
|
|
|
<p>There are two accepted syntaxes for expressing time duration. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">[-][<var>HH</var>:]<var>MM</var>:<var>SS</var>[.<var>m</var>...] |
|
</pre></div> |
|
|
|
<p><var>HH</var> expresses the number of hours, <var>MM</var> the number of minutes |
|
for a maximum of 2 digits, and <var>SS</var> the number of seconds for a |
|
maximum of 2 digits. The <var>m</var> at the end expresses decimal value for |
|
<var>SS</var>. |
|
</p> |
|
<p><em>or</em> |
|
</p> |
|
<div class="example"> |
|
<pre class="example">[-]<var>S</var>+[.<var>m</var>...] |
|
</pre></div> |
|
|
|
<p><var>S</var> expresses the number of seconds, with the optional decimal part |
|
<var>m</var>. |
|
</p> |
|
<p>In both expressions, the optional ‘<samp>-</samp>’ indicates negative duration. |
|
</p> |
|
<a name="Examples-61"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-61">4.3.1 Examples</a></h3> |
|
|
|
<p>The following examples are all valid time duration: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>55</samp>’</dt> |
|
<dd><p>55 seconds |
|
</p> |
|
</dd> |
|
<dt>‘<samp>12:03:45</samp>’</dt> |
|
<dd><p>12 hours, 03 minutes and 45 seconds |
|
</p> |
|
</dd> |
|
<dt>‘<samp>23.189</samp>’</dt> |
|
<dd><p>23.189 seconds |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="video-size-syntax"></a> |
|
</p><a name="Video-size"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Video-size">4.4 Video size</a></h2> |
|
<p>Specify the size of the sourced video, it may be a string of the form |
|
<var>width</var>x<var>height</var>, or the name of a size abbreviation. |
|
</p> |
|
<p>The following abbreviations are recognized: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>ntsc</samp>’</dt> |
|
<dd><p>720x480 |
|
</p></dd> |
|
<dt>‘<samp>pal</samp>’</dt> |
|
<dd><p>720x576 |
|
</p></dd> |
|
<dt>‘<samp>qntsc</samp>’</dt> |
|
<dd><p>352x240 |
|
</p></dd> |
|
<dt>‘<samp>qpal</samp>’</dt> |
|
<dd><p>352x288 |
|
</p></dd> |
|
<dt>‘<samp>sntsc</samp>’</dt> |
|
<dd><p>640x480 |
|
</p></dd> |
|
<dt>‘<samp>spal</samp>’</dt> |
|
<dd><p>768x576 |
|
</p></dd> |
|
<dt>‘<samp>film</samp>’</dt> |
|
<dd><p>352x240 |
|
</p></dd> |
|
<dt>‘<samp>ntsc-film</samp>’</dt> |
|
<dd><p>352x240 |
|
</p></dd> |
|
<dt>‘<samp>sqcif</samp>’</dt> |
|
<dd><p>128x96 |
|
</p></dd> |
|
<dt>‘<samp>qcif</samp>’</dt> |
|
<dd><p>176x144 |
|
</p></dd> |
|
<dt>‘<samp>cif</samp>’</dt> |
|
<dd><p>352x288 |
|
</p></dd> |
|
<dt>‘<samp>4cif</samp>’</dt> |
|
<dd><p>704x576 |
|
</p></dd> |
|
<dt>‘<samp>16cif</samp>’</dt> |
|
<dd><p>1408x1152 |
|
</p></dd> |
|
<dt>‘<samp>qqvga</samp>’</dt> |
|
<dd><p>160x120 |
|
</p></dd> |
|
<dt>‘<samp>qvga</samp>’</dt> |
|
<dd><p>320x240 |
|
</p></dd> |
|
<dt>‘<samp>vga</samp>’</dt> |
|
<dd><p>640x480 |
|
</p></dd> |
|
<dt>‘<samp>svga</samp>’</dt> |
|
<dd><p>800x600 |
|
</p></dd> |
|
<dt>‘<samp>xga</samp>’</dt> |
|
<dd><p>1024x768 |
|
</p></dd> |
|
<dt>‘<samp>uxga</samp>’</dt> |
|
<dd><p>1600x1200 |
|
</p></dd> |
|
<dt>‘<samp>qxga</samp>’</dt> |
|
<dd><p>2048x1536 |
|
</p></dd> |
|
<dt>‘<samp>sxga</samp>’</dt> |
|
<dd><p>1280x1024 |
|
</p></dd> |
|
<dt>‘<samp>qsxga</samp>’</dt> |
|
<dd><p>2560x2048 |
|
</p></dd> |
|
<dt>‘<samp>hsxga</samp>’</dt> |
|
<dd><p>5120x4096 |
|
</p></dd> |
|
<dt>‘<samp>wvga</samp>’</dt> |
|
<dd><p>852x480 |
|
</p></dd> |
|
<dt>‘<samp>wxga</samp>’</dt> |
|
<dd><p>1366x768 |
|
</p></dd> |
|
<dt>‘<samp>wsxga</samp>’</dt> |
|
<dd><p>1600x1024 |
|
</p></dd> |
|
<dt>‘<samp>wuxga</samp>’</dt> |
|
<dd><p>1920x1200 |
|
</p></dd> |
|
<dt>‘<samp>woxga</samp>’</dt> |
|
<dd><p>2560x1600 |
|
</p></dd> |
|
<dt>‘<samp>wqsxga</samp>’</dt> |
|
<dd><p>3200x2048 |
|
</p></dd> |
|
<dt>‘<samp>wquxga</samp>’</dt> |
|
<dd><p>3840x2400 |
|
</p></dd> |
|
<dt>‘<samp>whsxga</samp>’</dt> |
|
<dd><p>6400x4096 |
|
</p></dd> |
|
<dt>‘<samp>whuxga</samp>’</dt> |
|
<dd><p>7680x4800 |
|
</p></dd> |
|
<dt>‘<samp>cga</samp>’</dt> |
|
<dd><p>320x200 |
|
</p></dd> |
|
<dt>‘<samp>ega</samp>’</dt> |
|
<dd><p>640x350 |
|
</p></dd> |
|
<dt>‘<samp>hd480</samp>’</dt> |
|
<dd><p>852x480 |
|
</p></dd> |
|
<dt>‘<samp>hd720</samp>’</dt> |
|
<dd><p>1280x720 |
|
</p></dd> |
|
<dt>‘<samp>hd1080</samp>’</dt> |
|
<dd><p>1920x1080 |
|
</p></dd> |
|
<dt>‘<samp>2k</samp>’</dt> |
|
<dd><p>2048x1080 |
|
</p></dd> |
|
<dt>‘<samp>2kflat</samp>’</dt> |
|
<dd><p>1998x1080 |
|
</p></dd> |
|
<dt>‘<samp>2kscope</samp>’</dt> |
|
<dd><p>2048x858 |
|
</p></dd> |
|
<dt>‘<samp>4k</samp>’</dt> |
|
<dd><p>4096x2160 |
|
</p></dd> |
|
<dt>‘<samp>4kflat</samp>’</dt> |
|
<dd><p>3996x2160 |
|
</p></dd> |
|
<dt>‘<samp>4kscope</samp>’</dt> |
|
<dd><p>4096x1716 |
|
</p></dd> |
|
<dt>‘<samp>nhd</samp>’</dt> |
|
<dd><p>640x360 |
|
</p></dd> |
|
<dt>‘<samp>hqvga</samp>’</dt> |
|
<dd><p>240x160 |
|
</p></dd> |
|
<dt>‘<samp>wqvga</samp>’</dt> |
|
<dd><p>400x240 |
|
</p></dd> |
|
<dt>‘<samp>fwqvga</samp>’</dt> |
|
<dd><p>432x240 |
|
</p></dd> |
|
<dt>‘<samp>hvga</samp>’</dt> |
|
<dd><p>480x320 |
|
</p></dd> |
|
<dt>‘<samp>qhd</samp>’</dt> |
|
<dd><p>960x540 |
|
</p></dd> |
|
<dt>‘<samp>2kdci</samp>’</dt> |
|
<dd><p>2048x1080 |
|
</p></dd> |
|
<dt>‘<samp>4kdci</samp>’</dt> |
|
<dd><p>4096x2160 |
|
</p></dd> |
|
<dt>‘<samp>uhd2160</samp>’</dt> |
|
<dd><p>3840x2160 |
|
</p></dd> |
|
<dt>‘<samp>uhd4320</samp>’</dt> |
|
<dd><p>7680x4320 |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="video-rate-syntax"></a> |
|
</p><a name="Video-rate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Video-rate">4.5 Video rate</a></h2> |
|
|
|
<p>Specify the frame rate of a video, expressed as the number of frames |
|
generated per second. It has to be a string in the format |
|
<var>frame_rate_num</var>/<var>frame_rate_den</var>, an integer number, a float |
|
number or a valid video frame rate abbreviation. |
|
</p> |
|
<p>The following abbreviations are recognized: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>ntsc</samp>’</dt> |
|
<dd><p>30000/1001 |
|
</p></dd> |
|
<dt>‘<samp>pal</samp>’</dt> |
|
<dd><p>25/1 |
|
</p></dd> |
|
<dt>‘<samp>qntsc</samp>’</dt> |
|
<dd><p>30000/1001 |
|
</p></dd> |
|
<dt>‘<samp>qpal</samp>’</dt> |
|
<dd><p>25/1 |
|
</p></dd> |
|
<dt>‘<samp>sntsc</samp>’</dt> |
|
<dd><p>30000/1001 |
|
</p></dd> |
|
<dt>‘<samp>spal</samp>’</dt> |
|
<dd><p>25/1 |
|
</p></dd> |
|
<dt>‘<samp>film</samp>’</dt> |
|
<dd><p>24/1 |
|
</p></dd> |
|
<dt>‘<samp>ntsc-film</samp>’</dt> |
|
<dd><p>24000/1001 |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="ratio-syntax"></a> |
|
</p><a name="Ratio"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Ratio">4.6 Ratio</a></h2> |
|
|
|
<p>A ratio can be expressed as an expression, or in the form |
|
<var>numerator</var>:<var>denominator</var>. |
|
</p> |
|
<p>Note that a ratio with infinite (1/0) or negative value is |
|
considered valid, so you should check on the returned value if you |
|
want to exclude those values. |
|
</p> |
|
<p>The undefined value can be expressed using the "0:0" string. |
|
</p> |
|
<p><a name="color-syntax"></a> |
|
</p><a name="Color"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Color">4.7 Color</a></h2> |
|
|
|
<p>It can be the name of a color as defined below (case insensitive match) or a |
|
<code>[0x|#]RRGGBB[AA]</code> sequence, possibly followed by @ and a string |
|
representing the alpha component. |
|
</p> |
|
<p>The alpha component may be a string composed by "0x" followed by an |
|
hexadecimal number or a decimal number between 0.0 and 1.0, which |
|
represents the opacity value (‘<samp>0x00</samp>’ or ‘<samp>0.0</samp>’ means completely |
|
transparent, ‘<samp>0xff</samp>’ or ‘<samp>1.0</samp>’ completely opaque). If the alpha |
|
component is not specified then ‘<samp>0xff</samp>’ is assumed. |
|
</p> |
|
<p>The string ‘<samp>random</samp>’ will result in a random color. |
|
</p> |
|
<p>The following names of colors are recognized: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>AliceBlue</samp>’</dt> |
|
<dd><p>0xF0F8FF |
|
</p></dd> |
|
<dt>‘<samp>AntiqueWhite</samp>’</dt> |
|
<dd><p>0xFAEBD7 |
|
</p></dd> |
|
<dt>‘<samp>Aqua</samp>’</dt> |
|
<dd><p>0x00FFFF |
|
</p></dd> |
|
<dt>‘<samp>Aquamarine</samp>’</dt> |
|
<dd><p>0x7FFFD4 |
|
</p></dd> |
|
<dt>‘<samp>Azure</samp>’</dt> |
|
<dd><p>0xF0FFFF |
|
</p></dd> |
|
<dt>‘<samp>Beige</samp>’</dt> |
|
<dd><p>0xF5F5DC |
|
</p></dd> |
|
<dt>‘<samp>Bisque</samp>’</dt> |
|
<dd><p>0xFFE4C4 |
|
</p></dd> |
|
<dt>‘<samp>Black</samp>’</dt> |
|
<dd><p>0x000000 |
|
</p></dd> |
|
<dt>‘<samp>BlanchedAlmond</samp>’</dt> |
|
<dd><p>0xFFEBCD |
|
</p></dd> |
|
<dt>‘<samp>Blue</samp>’</dt> |
|
<dd><p>0x0000FF |
|
</p></dd> |
|
<dt>‘<samp>BlueViolet</samp>’</dt> |
|
<dd><p>0x8A2BE2 |
|
</p></dd> |
|
<dt>‘<samp>Brown</samp>’</dt> |
|
<dd><p>0xA52A2A |
|
</p></dd> |
|
<dt>‘<samp>BurlyWood</samp>’</dt> |
|
<dd><p>0xDEB887 |
|
</p></dd> |
|
<dt>‘<samp>CadetBlue</samp>’</dt> |
|
<dd><p>0x5F9EA0 |
|
</p></dd> |
|
<dt>‘<samp>Chartreuse</samp>’</dt> |
|
<dd><p>0x7FFF00 |
|
</p></dd> |
|
<dt>‘<samp>Chocolate</samp>’</dt> |
|
<dd><p>0xD2691E |
|
</p></dd> |
|
<dt>‘<samp>Coral</samp>’</dt> |
|
<dd><p>0xFF7F50 |
|
</p></dd> |
|
<dt>‘<samp>CornflowerBlue</samp>’</dt> |
|
<dd><p>0x6495ED |
|
</p></dd> |
|
<dt>‘<samp>Cornsilk</samp>’</dt> |
|
<dd><p>0xFFF8DC |
|
</p></dd> |
|
<dt>‘<samp>Crimson</samp>’</dt> |
|
<dd><p>0xDC143C |
|
</p></dd> |
|
<dt>‘<samp>Cyan</samp>’</dt> |
|
<dd><p>0x00FFFF |
|
</p></dd> |
|
<dt>‘<samp>DarkBlue</samp>’</dt> |
|
<dd><p>0x00008B |
|
</p></dd> |
|
<dt>‘<samp>DarkCyan</samp>’</dt> |
|
<dd><p>0x008B8B |
|
</p></dd> |
|
<dt>‘<samp>DarkGoldenRod</samp>’</dt> |
|
<dd><p>0xB8860B |
|
</p></dd> |
|
<dt>‘<samp>DarkGray</samp>’</dt> |
|
<dd><p>0xA9A9A9 |
|
</p></dd> |
|
<dt>‘<samp>DarkGreen</samp>’</dt> |
|
<dd><p>0x006400 |
|
</p></dd> |
|
<dt>‘<samp>DarkKhaki</samp>’</dt> |
|
<dd><p>0xBDB76B |
|
</p></dd> |
|
<dt>‘<samp>DarkMagenta</samp>’</dt> |
|
<dd><p>0x8B008B |
|
</p></dd> |
|
<dt>‘<samp>DarkOliveGreen</samp>’</dt> |
|
<dd><p>0x556B2F |
|
</p></dd> |
|
<dt>‘<samp>Darkorange</samp>’</dt> |
|
<dd><p>0xFF8C00 |
|
</p></dd> |
|
<dt>‘<samp>DarkOrchid</samp>’</dt> |
|
<dd><p>0x9932CC |
|
</p></dd> |
|
<dt>‘<samp>DarkRed</samp>’</dt> |
|
<dd><p>0x8B0000 |
|
</p></dd> |
|
<dt>‘<samp>DarkSalmon</samp>’</dt> |
|
<dd><p>0xE9967A |
|
</p></dd> |
|
<dt>‘<samp>DarkSeaGreen</samp>’</dt> |
|
<dd><p>0x8FBC8F |
|
</p></dd> |
|
<dt>‘<samp>DarkSlateBlue</samp>’</dt> |
|
<dd><p>0x483D8B |
|
</p></dd> |
|
<dt>‘<samp>DarkSlateGray</samp>’</dt> |
|
<dd><p>0x2F4F4F |
|
</p></dd> |
|
<dt>‘<samp>DarkTurquoise</samp>’</dt> |
|
<dd><p>0x00CED1 |
|
</p></dd> |
|
<dt>‘<samp>DarkViolet</samp>’</dt> |
|
<dd><p>0x9400D3 |
|
</p></dd> |
|
<dt>‘<samp>DeepPink</samp>’</dt> |
|
<dd><p>0xFF1493 |
|
</p></dd> |
|
<dt>‘<samp>DeepSkyBlue</samp>’</dt> |
|
<dd><p>0x00BFFF |
|
</p></dd> |
|
<dt>‘<samp>DimGray</samp>’</dt> |
|
<dd><p>0x696969 |
|
</p></dd> |
|
<dt>‘<samp>DodgerBlue</samp>’</dt> |
|
<dd><p>0x1E90FF |
|
</p></dd> |
|
<dt>‘<samp>FireBrick</samp>’</dt> |
|
<dd><p>0xB22222 |
|
</p></dd> |
|
<dt>‘<samp>FloralWhite</samp>’</dt> |
|
<dd><p>0xFFFAF0 |
|
</p></dd> |
|
<dt>‘<samp>ForestGreen</samp>’</dt> |
|
<dd><p>0x228B22 |
|
</p></dd> |
|
<dt>‘<samp>Fuchsia</samp>’</dt> |
|
<dd><p>0xFF00FF |
|
</p></dd> |
|
<dt>‘<samp>Gainsboro</samp>’</dt> |
|
<dd><p>0xDCDCDC |
|
</p></dd> |
|
<dt>‘<samp>GhostWhite</samp>’</dt> |
|
<dd><p>0xF8F8FF |
|
</p></dd> |
|
<dt>‘<samp>Gold</samp>’</dt> |
|
<dd><p>0xFFD700 |
|
</p></dd> |
|
<dt>‘<samp>GoldenRod</samp>’</dt> |
|
<dd><p>0xDAA520 |
|
</p></dd> |
|
<dt>‘<samp>Gray</samp>’</dt> |
|
<dd><p>0x808080 |
|
</p></dd> |
|
<dt>‘<samp>Green</samp>’</dt> |
|
<dd><p>0x008000 |
|
</p></dd> |
|
<dt>‘<samp>GreenYellow</samp>’</dt> |
|
<dd><p>0xADFF2F |
|
</p></dd> |
|
<dt>‘<samp>HoneyDew</samp>’</dt> |
|
<dd><p>0xF0FFF0 |
|
</p></dd> |
|
<dt>‘<samp>HotPink</samp>’</dt> |
|
<dd><p>0xFF69B4 |
|
</p></dd> |
|
<dt>‘<samp>IndianRed</samp>’</dt> |
|
<dd><p>0xCD5C5C |
|
</p></dd> |
|
<dt>‘<samp>Indigo</samp>’</dt> |
|
<dd><p>0x4B0082 |
|
</p></dd> |
|
<dt>‘<samp>Ivory</samp>’</dt> |
|
<dd><p>0xFFFFF0 |
|
</p></dd> |
|
<dt>‘<samp>Khaki</samp>’</dt> |
|
<dd><p>0xF0E68C |
|
</p></dd> |
|
<dt>‘<samp>Lavender</samp>’</dt> |
|
<dd><p>0xE6E6FA |
|
</p></dd> |
|
<dt>‘<samp>LavenderBlush</samp>’</dt> |
|
<dd><p>0xFFF0F5 |
|
</p></dd> |
|
<dt>‘<samp>LawnGreen</samp>’</dt> |
|
<dd><p>0x7CFC00 |
|
</p></dd> |
|
<dt>‘<samp>LemonChiffon</samp>’</dt> |
|
<dd><p>0xFFFACD |
|
</p></dd> |
|
<dt>‘<samp>LightBlue</samp>’</dt> |
|
<dd><p>0xADD8E6 |
|
</p></dd> |
|
<dt>‘<samp>LightCoral</samp>’</dt> |
|
<dd><p>0xF08080 |
|
</p></dd> |
|
<dt>‘<samp>LightCyan</samp>’</dt> |
|
<dd><p>0xE0FFFF |
|
</p></dd> |
|
<dt>‘<samp>LightGoldenRodYellow</samp>’</dt> |
|
<dd><p>0xFAFAD2 |
|
</p></dd> |
|
<dt>‘<samp>LightGreen</samp>’</dt> |
|
<dd><p>0x90EE90 |
|
</p></dd> |
|
<dt>‘<samp>LightGrey</samp>’</dt> |
|
<dd><p>0xD3D3D3 |
|
</p></dd> |
|
<dt>‘<samp>LightPink</samp>’</dt> |
|
<dd><p>0xFFB6C1 |
|
</p></dd> |
|
<dt>‘<samp>LightSalmon</samp>’</dt> |
|
<dd><p>0xFFA07A |
|
</p></dd> |
|
<dt>‘<samp>LightSeaGreen</samp>’</dt> |
|
<dd><p>0x20B2AA |
|
</p></dd> |
|
<dt>‘<samp>LightSkyBlue</samp>’</dt> |
|
<dd><p>0x87CEFA |
|
</p></dd> |
|
<dt>‘<samp>LightSlateGray</samp>’</dt> |
|
<dd><p>0x778899 |
|
</p></dd> |
|
<dt>‘<samp>LightSteelBlue</samp>’</dt> |
|
<dd><p>0xB0C4DE |
|
</p></dd> |
|
<dt>‘<samp>LightYellow</samp>’</dt> |
|
<dd><p>0xFFFFE0 |
|
</p></dd> |
|
<dt>‘<samp>Lime</samp>’</dt> |
|
<dd><p>0x00FF00 |
|
</p></dd> |
|
<dt>‘<samp>LimeGreen</samp>’</dt> |
|
<dd><p>0x32CD32 |
|
</p></dd> |
|
<dt>‘<samp>Linen</samp>’</dt> |
|
<dd><p>0xFAF0E6 |
|
</p></dd> |
|
<dt>‘<samp>Magenta</samp>’</dt> |
|
<dd><p>0xFF00FF |
|
</p></dd> |
|
<dt>‘<samp>Maroon</samp>’</dt> |
|
<dd><p>0x800000 |
|
</p></dd> |
|
<dt>‘<samp>MediumAquaMarine</samp>’</dt> |
|
<dd><p>0x66CDAA |
|
</p></dd> |
|
<dt>‘<samp>MediumBlue</samp>’</dt> |
|
<dd><p>0x0000CD |
|
</p></dd> |
|
<dt>‘<samp>MediumOrchid</samp>’</dt> |
|
<dd><p>0xBA55D3 |
|
</p></dd> |
|
<dt>‘<samp>MediumPurple</samp>’</dt> |
|
<dd><p>0x9370D8 |
|
</p></dd> |
|
<dt>‘<samp>MediumSeaGreen</samp>’</dt> |
|
<dd><p>0x3CB371 |
|
</p></dd> |
|
<dt>‘<samp>MediumSlateBlue</samp>’</dt> |
|
<dd><p>0x7B68EE |
|
</p></dd> |
|
<dt>‘<samp>MediumSpringGreen</samp>’</dt> |
|
<dd><p>0x00FA9A |
|
</p></dd> |
|
<dt>‘<samp>MediumTurquoise</samp>’</dt> |
|
<dd><p>0x48D1CC |
|
</p></dd> |
|
<dt>‘<samp>MediumVioletRed</samp>’</dt> |
|
<dd><p>0xC71585 |
|
</p></dd> |
|
<dt>‘<samp>MidnightBlue</samp>’</dt> |
|
<dd><p>0x191970 |
|
</p></dd> |
|
<dt>‘<samp>MintCream</samp>’</dt> |
|
<dd><p>0xF5FFFA |
|
</p></dd> |
|
<dt>‘<samp>MistyRose</samp>’</dt> |
|
<dd><p>0xFFE4E1 |
|
</p></dd> |
|
<dt>‘<samp>Moccasin</samp>’</dt> |
|
<dd><p>0xFFE4B5 |
|
</p></dd> |
|
<dt>‘<samp>NavajoWhite</samp>’</dt> |
|
<dd><p>0xFFDEAD |
|
</p></dd> |
|
<dt>‘<samp>Navy</samp>’</dt> |
|
<dd><p>0x000080 |
|
</p></dd> |
|
<dt>‘<samp>OldLace</samp>’</dt> |
|
<dd><p>0xFDF5E6 |
|
</p></dd> |
|
<dt>‘<samp>Olive</samp>’</dt> |
|
<dd><p>0x808000 |
|
</p></dd> |
|
<dt>‘<samp>OliveDrab</samp>’</dt> |
|
<dd><p>0x6B8E23 |
|
</p></dd> |
|
<dt>‘<samp>Orange</samp>’</dt> |
|
<dd><p>0xFFA500 |
|
</p></dd> |
|
<dt>‘<samp>OrangeRed</samp>’</dt> |
|
<dd><p>0xFF4500 |
|
</p></dd> |
|
<dt>‘<samp>Orchid</samp>’</dt> |
|
<dd><p>0xDA70D6 |
|
</p></dd> |
|
<dt>‘<samp>PaleGoldenRod</samp>’</dt> |
|
<dd><p>0xEEE8AA |
|
</p></dd> |
|
<dt>‘<samp>PaleGreen</samp>’</dt> |
|
<dd><p>0x98FB98 |
|
</p></dd> |
|
<dt>‘<samp>PaleTurquoise</samp>’</dt> |
|
<dd><p>0xAFEEEE |
|
</p></dd> |
|
<dt>‘<samp>PaleVioletRed</samp>’</dt> |
|
<dd><p>0xD87093 |
|
</p></dd> |
|
<dt>‘<samp>PapayaWhip</samp>’</dt> |
|
<dd><p>0xFFEFD5 |
|
</p></dd> |
|
<dt>‘<samp>PeachPuff</samp>’</dt> |
|
<dd><p>0xFFDAB9 |
|
</p></dd> |
|
<dt>‘<samp>Peru</samp>’</dt> |
|
<dd><p>0xCD853F |
|
</p></dd> |
|
<dt>‘<samp>Pink</samp>’</dt> |
|
<dd><p>0xFFC0CB |
|
</p></dd> |
|
<dt>‘<samp>Plum</samp>’</dt> |
|
<dd><p>0xDDA0DD |
|
</p></dd> |
|
<dt>‘<samp>PowderBlue</samp>’</dt> |
|
<dd><p>0xB0E0E6 |
|
</p></dd> |
|
<dt>‘<samp>Purple</samp>’</dt> |
|
<dd><p>0x800080 |
|
</p></dd> |
|
<dt>‘<samp>Red</samp>’</dt> |
|
<dd><p>0xFF0000 |
|
</p></dd> |
|
<dt>‘<samp>RosyBrown</samp>’</dt> |
|
<dd><p>0xBC8F8F |
|
</p></dd> |
|
<dt>‘<samp>RoyalBlue</samp>’</dt> |
|
<dd><p>0x4169E1 |
|
</p></dd> |
|
<dt>‘<samp>SaddleBrown</samp>’</dt> |
|
<dd><p>0x8B4513 |
|
</p></dd> |
|
<dt>‘<samp>Salmon</samp>’</dt> |
|
<dd><p>0xFA8072 |
|
</p></dd> |
|
<dt>‘<samp>SandyBrown</samp>’</dt> |
|
<dd><p>0xF4A460 |
|
</p></dd> |
|
<dt>‘<samp>SeaGreen</samp>’</dt> |
|
<dd><p>0x2E8B57 |
|
</p></dd> |
|
<dt>‘<samp>SeaShell</samp>’</dt> |
|
<dd><p>0xFFF5EE |
|
</p></dd> |
|
<dt>‘<samp>Sienna</samp>’</dt> |
|
<dd><p>0xA0522D |
|
</p></dd> |
|
<dt>‘<samp>Silver</samp>’</dt> |
|
<dd><p>0xC0C0C0 |
|
</p></dd> |
|
<dt>‘<samp>SkyBlue</samp>’</dt> |
|
<dd><p>0x87CEEB |
|
</p></dd> |
|
<dt>‘<samp>SlateBlue</samp>’</dt> |
|
<dd><p>0x6A5ACD |
|
</p></dd> |
|
<dt>‘<samp>SlateGray</samp>’</dt> |
|
<dd><p>0x708090 |
|
</p></dd> |
|
<dt>‘<samp>Snow</samp>’</dt> |
|
<dd><p>0xFFFAFA |
|
</p></dd> |
|
<dt>‘<samp>SpringGreen</samp>’</dt> |
|
<dd><p>0x00FF7F |
|
</p></dd> |
|
<dt>‘<samp>SteelBlue</samp>’</dt> |
|
<dd><p>0x4682B4 |
|
</p></dd> |
|
<dt>‘<samp>Tan</samp>’</dt> |
|
<dd><p>0xD2B48C |
|
</p></dd> |
|
<dt>‘<samp>Teal</samp>’</dt> |
|
<dd><p>0x008080 |
|
</p></dd> |
|
<dt>‘<samp>Thistle</samp>’</dt> |
|
<dd><p>0xD8BFD8 |
|
</p></dd> |
|
<dt>‘<samp>Tomato</samp>’</dt> |
|
<dd><p>0xFF6347 |
|
</p></dd> |
|
<dt>‘<samp>Turquoise</samp>’</dt> |
|
<dd><p>0x40E0D0 |
|
</p></dd> |
|
<dt>‘<samp>Violet</samp>’</dt> |
|
<dd><p>0xEE82EE |
|
</p></dd> |
|
<dt>‘<samp>Wheat</samp>’</dt> |
|
<dd><p>0xF5DEB3 |
|
</p></dd> |
|
<dt>‘<samp>White</samp>’</dt> |
|
<dd><p>0xFFFFFF |
|
</p></dd> |
|
<dt>‘<samp>WhiteSmoke</samp>’</dt> |
|
<dd><p>0xF5F5F5 |
|
</p></dd> |
|
<dt>‘<samp>Yellow</samp>’</dt> |
|
<dd><p>0xFFFF00 |
|
</p></dd> |
|
<dt>‘<samp>YellowGreen</samp>’</dt> |
|
<dd><p>0x9ACD32 |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="channel-layout-syntax"></a> |
|
</p><a name="Channel-Layout"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Channel-Layout">4.8 Channel Layout</a></h2> |
|
|
|
<p>A channel layout specifies the spatial disposition of the channels in |
|
a multi-channel audio stream. To specify a channel layout, FFmpeg |
|
makes use of a special syntax. |
|
</p> |
|
<p>Individual channels are identified by an id, as given by the table |
|
below: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>FL</samp>’</dt> |
|
<dd><p>front left |
|
</p></dd> |
|
<dt>‘<samp>FR</samp>’</dt> |
|
<dd><p>front right |
|
</p></dd> |
|
<dt>‘<samp>FC</samp>’</dt> |
|
<dd><p>front center |
|
</p></dd> |
|
<dt>‘<samp>LFE</samp>’</dt> |
|
<dd><p>low frequency |
|
</p></dd> |
|
<dt>‘<samp>BL</samp>’</dt> |
|
<dd><p>back left |
|
</p></dd> |
|
<dt>‘<samp>BR</samp>’</dt> |
|
<dd><p>back right |
|
</p></dd> |
|
<dt>‘<samp>FLC</samp>’</dt> |
|
<dd><p>front left-of-center |
|
</p></dd> |
|
<dt>‘<samp>FRC</samp>’</dt> |
|
<dd><p>front right-of-center |
|
</p></dd> |
|
<dt>‘<samp>BC</samp>’</dt> |
|
<dd><p>back center |
|
</p></dd> |
|
<dt>‘<samp>SL</samp>’</dt> |
|
<dd><p>side left |
|
</p></dd> |
|
<dt>‘<samp>SR</samp>’</dt> |
|
<dd><p>side right |
|
</p></dd> |
|
<dt>‘<samp>TC</samp>’</dt> |
|
<dd><p>top center |
|
</p></dd> |
|
<dt>‘<samp>TFL</samp>’</dt> |
|
<dd><p>top front left |
|
</p></dd> |
|
<dt>‘<samp>TFC</samp>’</dt> |
|
<dd><p>top front center |
|
</p></dd> |
|
<dt>‘<samp>TFR</samp>’</dt> |
|
<dd><p>top front right |
|
</p></dd> |
|
<dt>‘<samp>TBL</samp>’</dt> |
|
<dd><p>top back left |
|
</p></dd> |
|
<dt>‘<samp>TBC</samp>’</dt> |
|
<dd><p>top back center |
|
</p></dd> |
|
<dt>‘<samp>TBR</samp>’</dt> |
|
<dd><p>top back right |
|
</p></dd> |
|
<dt>‘<samp>DL</samp>’</dt> |
|
<dd><p>downmix left |
|
</p></dd> |
|
<dt>‘<samp>DR</samp>’</dt> |
|
<dd><p>downmix right |
|
</p></dd> |
|
<dt>‘<samp>WL</samp>’</dt> |
|
<dd><p>wide left |
|
</p></dd> |
|
<dt>‘<samp>WR</samp>’</dt> |
|
<dd><p>wide right |
|
</p></dd> |
|
<dt>‘<samp>SDL</samp>’</dt> |
|
<dd><p>surround direct left |
|
</p></dd> |
|
<dt>‘<samp>SDR</samp>’</dt> |
|
<dd><p>surround direct right |
|
</p></dd> |
|
<dt>‘<samp>LFE2</samp>’</dt> |
|
<dd><p>low frequency 2 |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Standard channel layout compositions can be specified by using the |
|
following identifiers: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>mono</samp>’</dt> |
|
<dd><p>FC |
|
</p></dd> |
|
<dt>‘<samp>stereo</samp>’</dt> |
|
<dd><p>FL+FR |
|
</p></dd> |
|
<dt>‘<samp>2.1</samp>’</dt> |
|
<dd><p>FL+FR+LFE |
|
</p></dd> |
|
<dt>‘<samp>3.0</samp>’</dt> |
|
<dd><p>FL+FR+FC |
|
</p></dd> |
|
<dt>‘<samp>3.0(back)</samp>’</dt> |
|
<dd><p>FL+FR+BC |
|
</p></dd> |
|
<dt>‘<samp>4.0</samp>’</dt> |
|
<dd><p>FL+FR+FC+BC |
|
</p></dd> |
|
<dt>‘<samp>quad</samp>’</dt> |
|
<dd><p>FL+FR+BL+BR |
|
</p></dd> |
|
<dt>‘<samp>quad(side)</samp>’</dt> |
|
<dd><p>FL+FR+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>3.1</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE |
|
</p></dd> |
|
<dt>‘<samp>5.0</samp>’</dt> |
|
<dd><p>FL+FR+FC+BL+BR |
|
</p></dd> |
|
<dt>‘<samp>5.0(side)</samp>’</dt> |
|
<dd><p>FL+FR+FC+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>4.1</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE+BC |
|
</p></dd> |
|
<dt>‘<samp>5.1</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE+BL+BR |
|
</p></dd> |
|
<dt>‘<samp>5.1(side)</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>6.0</samp>’</dt> |
|
<dd><p>FL+FR+FC+BC+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>6.0(front)</samp>’</dt> |
|
<dd><p>FL+FR+FLC+FRC+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>hexagonal</samp>’</dt> |
|
<dd><p>FL+FR+FC+BL+BR+BC |
|
</p></dd> |
|
<dt>‘<samp>6.1</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE+BC+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>6.1</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE+BL+BR+BC |
|
</p></dd> |
|
<dt>‘<samp>6.1(front)</samp>’</dt> |
|
<dd><p>FL+FR+LFE+FLC+FRC+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>7.0</samp>’</dt> |
|
<dd><p>FL+FR+FC+BL+BR+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>7.0(front)</samp>’</dt> |
|
<dd><p>FL+FR+FC+FLC+FRC+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>7.1</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE+BL+BR+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>7.1(wide)</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE+BL+BR+FLC+FRC |
|
</p></dd> |
|
<dt>‘<samp>7.1(wide-side)</samp>’</dt> |
|
<dd><p>FL+FR+FC+LFE+FLC+FRC+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>octagonal</samp>’</dt> |
|
<dd><p>FL+FR+FC+BL+BR+BC+SL+SR |
|
</p></dd> |
|
<dt>‘<samp>downmix</samp>’</dt> |
|
<dd><p>DL+DR |
|
</p></dd> |
|
</dl> |
|
|
|
<p>A custom channel layout can be specified as a sequence of terms, separated by |
|
’+’ or ’|’. Each term can be: |
|
</p><ul> |
|
<li> |
|
the name of a standard channel layout (e.g. ‘<samp>mono</samp>’, |
|
‘<samp>stereo</samp>’, ‘<samp>4.0</samp>’, ‘<samp>quad</samp>’, ‘<samp>5.0</samp>’, etc.) |
|
|
|
</li><li> |
|
the name of a single channel (e.g. ‘<samp>FL</samp>’, ‘<samp>FR</samp>’, ‘<samp>FC</samp>’, ‘<samp>LFE</samp>’, etc.) |
|
|
|
</li><li> |
|
a number of channels, in decimal, followed by ’c’, yielding the default channel |
|
layout for that number of channels (see the function |
|
<code>av_get_default_channel_layout</code>). Note that not all channel counts have a |
|
default layout. |
|
|
|
</li><li> |
|
a number of channels, in decimal, followed by ’C’, yielding an unknown channel |
|
layout with the specified number of channels. Note that not all channel layout |
|
specification strings support unknown channel layouts. |
|
|
|
</li><li> |
|
a channel layout mask, in hexadecimal starting with "0x" (see the |
|
<code>AV_CH_*</code> macros in ‘<tt>libavutil/channel_layout.h</tt>’. |
|
</li></ul> |
|
|
|
<p>Before libavutil version 53 the trailing character "c" to specify a number of |
|
channels was optional, but now it is required, while a channel layout mask can |
|
also be specified as a decimal number (if and only if not followed by "c" or "C"). |
|
</p> |
|
<p>See also the function <code>av_get_channel_layout</code> defined in |
|
‘<tt>libavutil/channel_layout.h</tt>’. |
|
</p> |
|
<a name="Expression-Evaluation"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Expression-Evaluation">5 Expression Evaluation</a></h1> |
|
|
|
<p>When evaluating an arithmetic expression, FFmpeg uses an internal |
|
formula evaluator, implemented through the ‘<tt>libavutil/eval.h</tt>’ |
|
interface. |
|
</p> |
|
<p>An expression may contain unary, binary operators, constants, and |
|
functions. |
|
</p> |
|
<p>Two expressions <var>expr1</var> and <var>expr2</var> can be combined to form |
|
another expression "<var>expr1</var>;<var>expr2</var>". |
|
<var>expr1</var> and <var>expr2</var> are evaluated in turn, and the new |
|
expression evaluates to the value of <var>expr2</var>. |
|
</p> |
|
<p>The following binary operators are available: <code>+</code>, <code>-</code>, |
|
<code>*</code>, <code>/</code>, <code>^</code>. |
|
</p> |
|
<p>The following unary operators are available: <code>+</code>, <code>-</code>. |
|
</p> |
|
<p>The following functions are available: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>abs(x)</samp>’</dt> |
|
<dd><p>Compute absolute value of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>acos(x)</samp>’</dt> |
|
<dd><p>Compute arccosine of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>asin(x)</samp>’</dt> |
|
<dd><p>Compute arcsine of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>atan(x)</samp>’</dt> |
|
<dd><p>Compute arctangent of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>atan2(x, y)</samp>’</dt> |
|
<dd><p>Compute principal value of the arc tangent of <var>y</var>/<var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>between(x, min, max)</samp>’</dt> |
|
<dd><p>Return 1 if <var>x</var> is greater than or equal to <var>min</var> and lesser than or |
|
equal to <var>max</var>, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bitand(x, y)</samp>’</dt> |
|
<dt>‘<samp>bitor(x, y)</samp>’</dt> |
|
<dd><p>Compute bitwise and/or operation on <var>x</var> and <var>y</var>. |
|
</p> |
|
<p>The results of the evaluation of <var>x</var> and <var>y</var> are converted to |
|
integers before executing the bitwise operation. |
|
</p> |
|
<p>Note that both the conversion to integer and the conversion back to |
|
floating point can lose precision. Beware of unexpected results for |
|
large numbers (usually 2^53 and larger). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ceil(expr)</samp>’</dt> |
|
<dd><p>Round the value of expression <var>expr</var> upwards to the nearest |
|
integer. For example, "ceil(1.5)" is "2.0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>clip(x, min, max)</samp>’</dt> |
|
<dd><p>Return the value of <var>x</var> clipped between <var>min</var> and <var>max</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cos(x)</samp>’</dt> |
|
<dd><p>Compute cosine of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cosh(x)</samp>’</dt> |
|
<dd><p>Compute hyperbolic cosine of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eq(x, y)</samp>’</dt> |
|
<dd><p>Return 1 if <var>x</var> and <var>y</var> are equivalent, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>exp(x)</samp>’</dt> |
|
<dd><p>Compute exponential of <var>x</var> (with base <code>e</code>, the Euler’s number). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>floor(expr)</samp>’</dt> |
|
<dd><p>Round the value of expression <var>expr</var> downwards to the nearest |
|
integer. For example, "floor(-1.5)" is "-2.0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gauss(x)</samp>’</dt> |
|
<dd><p>Compute Gauss function of <var>x</var>, corresponding to |
|
<code>exp(-x*x/2) / sqrt(2*PI)</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gcd(x, y)</samp>’</dt> |
|
<dd><p>Return the greatest common divisor of <var>x</var> and <var>y</var>. If both <var>x</var> and |
|
<var>y</var> are 0 or either or both are less than zero then behavior is undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gt(x, y)</samp>’</dt> |
|
<dd><p>Return 1 if <var>x</var> is greater than <var>y</var>, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gte(x, y)</samp>’</dt> |
|
<dd><p>Return 1 if <var>x</var> is greater than or equal to <var>y</var>, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hypot(x, y)</samp>’</dt> |
|
<dd><p>This function is similar to the C function with the same name; it returns |
|
"sqrt(<var>x</var>*<var>x</var> + <var>y</var>*<var>y</var>)", the length of the hypotenuse of a |
|
right triangle with sides of length <var>x</var> and <var>y</var>, or the distance of the |
|
point (<var>x</var>, <var>y</var>) from the origin. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>if(x, y)</samp>’</dt> |
|
<dd><p>Evaluate <var>x</var>, and if the result is non-zero return the result of |
|
the evaluation of <var>y</var>, return 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>if(x, y, z)</samp>’</dt> |
|
<dd><p>Evaluate <var>x</var>, and if the result is non-zero return the evaluation |
|
result of <var>y</var>, otherwise the evaluation result of <var>z</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ifnot(x, y)</samp>’</dt> |
|
<dd><p>Evaluate <var>x</var>, and if the result is zero return the result of the |
|
evaluation of <var>y</var>, return 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ifnot(x, y, z)</samp>’</dt> |
|
<dd><p>Evaluate <var>x</var>, and if the result is zero return the evaluation |
|
result of <var>y</var>, otherwise the evaluation result of <var>z</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>isinf(x)</samp>’</dt> |
|
<dd><p>Return 1.0 if <var>x</var> is +/-INFINITY, 0.0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>isnan(x)</samp>’</dt> |
|
<dd><p>Return 1.0 if <var>x</var> is NAN, 0.0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ld(var)</samp>’</dt> |
|
<dd><p>Load the value of the internal variable with number |
|
<var>var</var>, which was previously stored with st(<var>var</var>, <var>expr</var>). |
|
The function returns the loaded value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lerp(x, y, z)</samp>’</dt> |
|
<dd><p>Return linear interpolation between <var>x</var> and <var>y</var> by amount of <var>z</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>log(x)</samp>’</dt> |
|
<dd><p>Compute natural logarithm of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lt(x, y)</samp>’</dt> |
|
<dd><p>Return 1 if <var>x</var> is lesser than <var>y</var>, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lte(x, y)</samp>’</dt> |
|
<dd><p>Return 1 if <var>x</var> is lesser than or equal to <var>y</var>, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max(x, y)</samp>’</dt> |
|
<dd><p>Return the maximum between <var>x</var> and <var>y</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>min(x, y)</samp>’</dt> |
|
<dd><p>Return the minimum between <var>x</var> and <var>y</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mod(x, y)</samp>’</dt> |
|
<dd><p>Compute the remainder of division of <var>x</var> by <var>y</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>not(expr)</samp>’</dt> |
|
<dd><p>Return 1.0 if <var>expr</var> is zero, 0.0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pow(x, y)</samp>’</dt> |
|
<dd><p>Compute the power of <var>x</var> elevated <var>y</var>, it is equivalent to |
|
"(<var>x</var>)^(<var>y</var>)". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>print(t)</samp>’</dt> |
|
<dt>‘<samp>print(t, l)</samp>’</dt> |
|
<dd><p>Print the value of expression <var>t</var> with loglevel <var>l</var>. If |
|
<var>l</var> is not specified then a default log level is used. |
|
Returns the value of the expression printed. |
|
</p> |
|
<p>Prints t with loglevel l |
|
</p> |
|
</dd> |
|
<dt>‘<samp>random(x)</samp>’</dt> |
|
<dd><p>Return a pseudo random value between 0.0 and 1.0. <var>x</var> is the index of the |
|
internal variable which will be used to save the seed/state. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>root(expr, max)</samp>’</dt> |
|
<dd><p>Find an input value for which the function represented by <var>expr</var> |
|
with argument <var>ld(0)</var> is 0 in the interval 0..<var>max</var>. |
|
</p> |
|
<p>The expression in <var>expr</var> must denote a continuous function or the |
|
result is undefined. |
|
</p> |
|
<p><var>ld(0)</var> is used to represent the function input value, which means |
|
that the given expression will be evaluated multiple times with |
|
various input values that the expression can access through |
|
<code>ld(0)</code>. When the expression evaluates to 0 then the |
|
corresponding input value will be returned. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>round(expr)</samp>’</dt> |
|
<dd><p>Round the value of expression <var>expr</var> to the nearest integer. For example, "round(1.5)" is "2.0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sin(x)</samp>’</dt> |
|
<dd><p>Compute sine of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sinh(x)</samp>’</dt> |
|
<dd><p>Compute hyperbolic sine of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sqrt(expr)</samp>’</dt> |
|
<dd><p>Compute the square root of <var>expr</var>. This is equivalent to |
|
"(<var>expr</var>)^.5". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>squish(x)</samp>’</dt> |
|
<dd><p>Compute expression <code>1/(1 + exp(4*x))</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>st(var, expr)</samp>’</dt> |
|
<dd><p>Store the value of the expression <var>expr</var> in an internal |
|
variable. <var>var</var> specifies the number of the variable where to |
|
store the value, and it is a value ranging from 0 to 9. The function |
|
returns the value stored in the internal variable. |
|
Note, Variables are currently not shared between expressions. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tan(x)</samp>’</dt> |
|
<dd><p>Compute tangent of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tanh(x)</samp>’</dt> |
|
<dd><p>Compute hyperbolic tangent of <var>x</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>taylor(expr, x)</samp>’</dt> |
|
<dt>‘<samp>taylor(expr, x, id)</samp>’</dt> |
|
<dd><p>Evaluate a Taylor series at <var>x</var>, given an expression representing |
|
the <code>ld(id)</code>-th derivative of a function at 0. |
|
</p> |
|
<p>When the series does not converge the result is undefined. |
|
</p> |
|
<p><var>ld(id)</var> is used to represent the derivative order in <var>expr</var>, |
|
which means that the given expression will be evaluated multiple times |
|
with various input values that the expression can access through |
|
<code>ld(id)</code>. If <var>id</var> is not specified then 0 is assumed. |
|
</p> |
|
<p>Note, when you have the derivatives at y instead of 0, |
|
<code>taylor(expr, x-y)</code> can be used. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>time(0)</samp>’</dt> |
|
<dd><p>Return the current (wallclock) time in seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>trunc(expr)</samp>’</dt> |
|
<dd><p>Round the value of expression <var>expr</var> towards zero to the nearest |
|
integer. For example, "trunc(-1.5)" is "-1.0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>while(cond, expr)</samp>’</dt> |
|
<dd><p>Evaluate expression <var>expr</var> while the expression <var>cond</var> is |
|
non-zero, and returns the value of the last <var>expr</var> evaluation, or |
|
NAN if <var>cond</var> was always false. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The following constants are available: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>PI</samp>’</dt> |
|
<dd><p>area of the unit disc, approximately 3.14 |
|
</p></dd> |
|
<dt>‘<samp>E</samp>’</dt> |
|
<dd><p>exp(1) (Euler’s number), approximately 2.718 |
|
</p></dd> |
|
<dt>‘<samp>PHI</samp>’</dt> |
|
<dd><p>golden ratio (1+sqrt(5))/2, approximately 1.618 |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Assuming that an expression is considered "true" if it has a non-zero |
|
value, note that: |
|
</p> |
|
<p><code>*</code> works like AND |
|
</p> |
|
<p><code>+</code> works like OR |
|
</p> |
|
<p>For example the construct: |
|
</p><div class="example"> |
|
<pre class="example">if (A AND B) then C |
|
</pre></div> |
|
<p>is equivalent to: |
|
</p><div class="example"> |
|
<pre class="example">if(A*B, C) |
|
</pre></div> |
|
|
|
<p>In your C code, you can extend the list of unary and binary functions, |
|
and define recognized constants, so that they are available for your |
|
expressions. |
|
</p> |
|
<p>The evaluator also recognizes the International System unit prefixes. |
|
If ’i’ is appended after the prefix, binary prefixes are used, which |
|
are based on powers of 1024 instead of powers of 1000. |
|
The ’B’ postfix multiplies the value by 8, and can be appended after a |
|
unit prefix or used alone. This allows using for example ’KB’, ’MiB’, |
|
’G’ and ’B’ as number postfix. |
|
</p> |
|
<p>The list of available International System prefixes follows, with |
|
indication of the corresponding powers of 10 and of 2. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>10^-24 / 2^-80 |
|
</p></dd> |
|
<dt>‘<samp>z</samp>’</dt> |
|
<dd><p>10^-21 / 2^-70 |
|
</p></dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>10^-18 / 2^-60 |
|
</p></dd> |
|
<dt>‘<samp>f</samp>’</dt> |
|
<dd><p>10^-15 / 2^-50 |
|
</p></dd> |
|
<dt>‘<samp>p</samp>’</dt> |
|
<dd><p>10^-12 / 2^-40 |
|
</p></dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>10^-9 / 2^-30 |
|
</p></dd> |
|
<dt>‘<samp>u</samp>’</dt> |
|
<dd><p>10^-6 / 2^-20 |
|
</p></dd> |
|
<dt>‘<samp>m</samp>’</dt> |
|
<dd><p>10^-3 / 2^-10 |
|
</p></dd> |
|
<dt>‘<samp>c</samp>’</dt> |
|
<dd><p>10^-2 |
|
</p></dd> |
|
<dt>‘<samp>d</samp>’</dt> |
|
<dd><p>10^-1 |
|
</p></dd> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>10^2 |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>10^3 / 2^10 |
|
</p></dd> |
|
<dt>‘<samp>K</samp>’</dt> |
|
<dd><p>10^3 / 2^10 |
|
</p></dd> |
|
<dt>‘<samp>M</samp>’</dt> |
|
<dd><p>10^6 / 2^20 |
|
</p></dd> |
|
<dt>‘<samp>G</samp>’</dt> |
|
<dd><p>10^9 / 2^30 |
|
</p></dd> |
|
<dt>‘<samp>T</samp>’</dt> |
|
<dd><p>10^12 / 2^40 |
|
</p></dd> |
|
<dt>‘<samp>P</samp>’</dt> |
|
<dd><p>10^15 / 2^40 |
|
</p></dd> |
|
<dt>‘<samp>E</samp>’</dt> |
|
<dd><p>10^18 / 2^50 |
|
</p></dd> |
|
<dt>‘<samp>Z</samp>’</dt> |
|
<dd><p>10^21 / 2^60 |
|
</p></dd> |
|
<dt>‘<samp>Y</samp>’</dt> |
|
<dd><p>10^24 / 2^70 |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="codec_002doptions"></a> |
|
</p><a name="Codec-Options"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Codec-Options">6 Codec Options</a></h1> |
|
|
|
<p>libavcodec provides some generic global options, which can be set on |
|
all the encoders and decoders. In addition each codec may support |
|
so-called private options, which are specific for a given codec. |
|
</p> |
|
<p>Sometimes, a global option may only affect a specific kind of codec, |
|
and may be nonsensical or ignored by another, so you need to be aware |
|
of the meaning of the specified options. Also some options are |
|
meant only for decoding or encoding. |
|
</p> |
|
<p>Options may be set by specifying -<var>option</var> <var>value</var> in the |
|
FFmpeg tools, or by setting the value explicitly in the |
|
<code>AVCodecContext</code> options or using the ‘<tt>libavutil/opt.h</tt>’ API |
|
for programmatic use. |
|
</p> |
|
<p>The list of supported options follow: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>b <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dd><p>Set bitrate in bits/s. Default value is 200K. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ab <var>integer</var> (<em>encoding,audio</em>)</samp>’</dt> |
|
<dd><p>Set audio bitrate (in bits/s). Default value is 128K. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set video bitrate tolerance (in bits/s). In 1-pass mode, bitrate |
|
tolerance specifies how far ratecontrol is willing to deviate from the |
|
target average bitrate value. This is not related to min/max |
|
bitrate. Lowering tolerance too much has an adverse effect on quality. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flags <var>flags</var> (<em>decoding/encoding,audio,video,subtitles</em>)</samp>’</dt> |
|
<dd><p>Set generic flags. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>mv4</samp>’</dt> |
|
<dd><p>Use four motion vector by macroblock (mpeg4). |
|
</p></dd> |
|
<dt>‘<samp>qpel</samp>’</dt> |
|
<dd><p>Use 1/4 pel motion compensation. |
|
</p></dd> |
|
<dt>‘<samp>loop</samp>’</dt> |
|
<dd><p>Use loop filter. |
|
</p></dd> |
|
<dt>‘<samp>qscale</samp>’</dt> |
|
<dd><p>Use fixed qscale. |
|
</p></dd> |
|
<dt>‘<samp>pass1</samp>’</dt> |
|
<dd><p>Use internal 2pass ratecontrol in first pass mode. |
|
</p></dd> |
|
<dt>‘<samp>pass2</samp>’</dt> |
|
<dd><p>Use internal 2pass ratecontrol in second pass mode. |
|
</p></dd> |
|
<dt>‘<samp>gray</samp>’</dt> |
|
<dd><p>Only decode/encode grayscale. |
|
</p></dd> |
|
<dt>‘<samp>emu_edge</samp>’</dt> |
|
<dd><p>Do not draw edges. |
|
</p></dd> |
|
<dt>‘<samp>psnr</samp>’</dt> |
|
<dd><p>Set error[?] variables during encoding. |
|
</p></dd> |
|
<dt>‘<samp>truncated</samp>’</dt> |
|
<dt>‘<samp>ildct</samp>’</dt> |
|
<dd><p>Use interlaced DCT. |
|
</p></dd> |
|
<dt>‘<samp>low_delay</samp>’</dt> |
|
<dd><p>Force low delay. |
|
</p></dd> |
|
<dt>‘<samp>global_header</samp>’</dt> |
|
<dd><p>Place global headers in extradata instead of every keyframe. |
|
</p></dd> |
|
<dt>‘<samp>bitexact</samp>’</dt> |
|
<dd><p>Only write platform-, build- and time-independent data. (except (I)DCT). |
|
This ensures that file and data checksums are reproducible and match between |
|
platforms. Its primary use is for regression testing. |
|
</p></dd> |
|
<dt>‘<samp>aic</samp>’</dt> |
|
<dd><p>Apply H263 advanced intra coding / mpeg4 ac prediction. |
|
</p></dd> |
|
<dt>‘<samp>cbp</samp>’</dt> |
|
<dd><p>Deprecated, use mpegvideo private options instead. |
|
</p></dd> |
|
<dt>‘<samp>qprd</samp>’</dt> |
|
<dd><p>Deprecated, use mpegvideo private options instead. |
|
</p></dd> |
|
<dt>‘<samp>ilme</samp>’</dt> |
|
<dd><p>Apply interlaced motion estimation. |
|
</p></dd> |
|
<dt>‘<samp>cgop</samp>’</dt> |
|
<dd><p>Use closed gop. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>me_method <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set motion estimation method. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>zero</samp>’</dt> |
|
<dd><p>zero motion estimation (fastest) |
|
</p></dd> |
|
<dt>‘<samp>full</samp>’</dt> |
|
<dd><p>full motion estimation (slowest) |
|
</p></dd> |
|
<dt>‘<samp>epzs</samp>’</dt> |
|
<dd><p>EPZS motion estimation (default) |
|
</p></dd> |
|
<dt>‘<samp>esa</samp>’</dt> |
|
<dd><p>esa motion estimation (alias for full) |
|
</p></dd> |
|
<dt>‘<samp>tesa</samp>’</dt> |
|
<dd><p>tesa motion estimation |
|
</p></dd> |
|
<dt>‘<samp>dia</samp>’</dt> |
|
<dd><p>dia motion estimation (alias for epzs) |
|
</p></dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>log motion estimation |
|
</p></dd> |
|
<dt>‘<samp>phods</samp>’</dt> |
|
<dd><p>phods motion estimation |
|
</p></dd> |
|
<dt>‘<samp>x1</samp>’</dt> |
|
<dd><p>X1 motion estimation |
|
</p></dd> |
|
<dt>‘<samp>hex</samp>’</dt> |
|
<dd><p>hex motion estimation |
|
</p></dd> |
|
<dt>‘<samp>umh</samp>’</dt> |
|
<dd><p>umh motion estimation |
|
</p></dd> |
|
<dt>‘<samp>iter</samp>’</dt> |
|
<dd><p>iter motion estimation |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>extradata_size <var>integer</var></samp>’</dt> |
|
<dd><p>Set extradata size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>time_base <var>rational number</var></samp>’</dt> |
|
<dd><p>Set codec time base. |
|
</p> |
|
<p>It is the fundamental unit of time (in seconds) in terms of which |
|
frame timestamps are represented. For fixed-fps content, timebase |
|
should be <code>1 / frame_rate</code> and timestamp increments should be |
|
identically 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>g <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set the group of picture (GOP) size. Default value is 12. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ar <var>integer</var> (<em>decoding/encoding,audio</em>)</samp>’</dt> |
|
<dd><p>Set audio sampling rate (in Hz). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ac <var>integer</var> (<em>decoding/encoding,audio</em>)</samp>’</dt> |
|
<dd><p>Set number of audio channels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cutoff <var>integer</var> (<em>encoding,audio</em>)</samp>’</dt> |
|
<dd><p>Set cutoff bandwidth. (Supported only by selected encoders, see |
|
their respective documentation sections.) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame_size <var>integer</var> (<em>encoding,audio</em>)</samp>’</dt> |
|
<dd><p>Set audio frame size. |
|
</p> |
|
<p>Each submitted frame except the last must contain exactly frame_size |
|
samples per channel. May be 0 when the codec has |
|
CODEC_CAP_VARIABLE_FRAME_SIZE set, in that case the frame size is not |
|
restricted. It is set by some decoders to indicate constant frame |
|
size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame_number <var>integer</var></samp>’</dt> |
|
<dd><p>Set the frame number. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delay <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>qcomp <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set video quantizer scale compression (VBR). It is used as a constant |
|
in the ratecontrol equation. Recommended range for default rc_eq: |
|
0.0-1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qblur <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set video quantizer scale blur (VBR). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qmin <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set min video quantizer scale (VBR). Must be included between -1 and |
|
69, default value is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qmax <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set max video quantizer scale (VBR). Must be included between -1 and |
|
1024, default value is 31. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qdiff <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set max difference between the quantizer scale (VBR). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bf <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set max number of B frames between non-B-frames. |
|
</p> |
|
<p>Must be an integer between -1 and 16. 0 means that B-frames are |
|
disabled. If a value of -1 is used, it will choose an automatic value |
|
depending on the encoder. |
|
</p> |
|
<p>Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>b_qfactor <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set qp factor between P and B frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc_strategy <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set ratecontrol method. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>b_strategy <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set strategy to choose between I/P/B-frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ps <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set RTP payload size in bytes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mv_bits <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>header_bits <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>i_tex_bits <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>p_tex_bits <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>i_count <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>p_count <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>skip_count <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>misc_bits <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>frame_bits <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>codec_tag <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>bug <var>flags</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dd><p>Workaround not auto detected encoder bugs. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>autodetect</samp>’</dt> |
|
<dt>‘<samp>old_msmpeg4</samp>’</dt> |
|
<dd><p>some old lavc generated msmpeg4v3 files (no autodetection) |
|
</p></dd> |
|
<dt>‘<samp>xvid_ilace</samp>’</dt> |
|
<dd><p>Xvid interlacing bug (autodetected if fourcc==XVIX) |
|
</p></dd> |
|
<dt>‘<samp>ump4</samp>’</dt> |
|
<dd><p>(autodetected if fourcc==UMP4) |
|
</p></dd> |
|
<dt>‘<samp>no_padding</samp>’</dt> |
|
<dd><p>padding bug (autodetected) |
|
</p></dd> |
|
<dt>‘<samp>amv</samp>’</dt> |
|
<dt>‘<samp>ac_vlc</samp>’</dt> |
|
<dd><p>illegal vlc bug (autodetected per fourcc) |
|
</p></dd> |
|
<dt>‘<samp>qpel_chroma</samp>’</dt> |
|
<dt>‘<samp>std_qpel</samp>’</dt> |
|
<dd><p>old standard qpel (autodetected per fourcc/version) |
|
</p></dd> |
|
<dt>‘<samp>qpel_chroma2</samp>’</dt> |
|
<dt>‘<samp>direct_blocksize</samp>’</dt> |
|
<dd><p>direct-qpel-blocksize bug (autodetected per fourcc/version) |
|
</p></dd> |
|
<dt>‘<samp>edge</samp>’</dt> |
|
<dd><p>edge padding bug (autodetected per fourcc/version) |
|
</p></dd> |
|
<dt>‘<samp>hpel_chroma</samp>’</dt> |
|
<dt>‘<samp>dc_clip</samp>’</dt> |
|
<dt>‘<samp>ms</samp>’</dt> |
|
<dd><p>Workaround various bugs in microsoft broken decoders. |
|
</p></dd> |
|
<dt>‘<samp>trunc</samp>’</dt> |
|
<dd><p>trancated frames |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>lelim <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set single coefficient elimination threshold for luminance (negative |
|
values also consider DC coefficient). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>celim <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set single coefficient elimination threshold for chrominance (negative |
|
values also consider dc coefficient) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>strict <var>integer</var> (<em>decoding/encoding,audio,video</em>)</samp>’</dt> |
|
<dd><p>Specify how strictly to follow the standards. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>very</samp>’</dt> |
|
<dd><p>strictly conform to an older more strict version of the spec or reference software |
|
</p></dd> |
|
<dt>‘<samp>strict</samp>’</dt> |
|
<dd><p>strictly conform to all the things in the spec no matter what consequences |
|
</p></dd> |
|
<dt>‘<samp>normal</samp>’</dt> |
|
<dt>‘<samp>unofficial</samp>’</dt> |
|
<dd><p>allow unofficial extensions |
|
</p></dd> |
|
<dt>‘<samp>experimental</samp>’</dt> |
|
<dd><p>allow non standardized experimental things, experimental |
|
(unfinished/work in progress/not well tested) decoders and encoders. |
|
Note: experimental decoders can pose a security risk, do not use this for |
|
decoding untrusted input. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>b_qoffset <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set QP offset between P and B frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>err_detect <var>flags</var> (<em>decoding,audio,video</em>)</samp>’</dt> |
|
<dd><p>Set error detection flags. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>crccheck</samp>’</dt> |
|
<dd><p>verify embedded CRCs |
|
</p></dd> |
|
<dt>‘<samp>bitstream</samp>’</dt> |
|
<dd><p>detect bitstream specification deviations |
|
</p></dd> |
|
<dt>‘<samp>buffer</samp>’</dt> |
|
<dd><p>detect improper bitstream length |
|
</p></dd> |
|
<dt>‘<samp>explode</samp>’</dt> |
|
<dd><p>abort decoding on minor error detection |
|
</p></dd> |
|
<dt>‘<samp>ignore_err</samp>’</dt> |
|
<dd><p>ignore decoding errors, and continue decoding. |
|
This is useful if you want to analyze the content of a video and thus want |
|
everything to be decoded no matter what. This option will not result in a video |
|
that is pleasing to watch in case of errors. |
|
</p></dd> |
|
<dt>‘<samp>careful</samp>’</dt> |
|
<dd><p>consider things that violate the spec and have not been seen in the wild as errors |
|
</p></dd> |
|
<dt>‘<samp>compliant</samp>’</dt> |
|
<dd><p>consider all spec non compliancies as errors |
|
</p></dd> |
|
<dt>‘<samp>aggressive</samp>’</dt> |
|
<dd><p>consider things that a sane encoder should not do as an error |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>has_b_frames <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>block_align <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>mpeg_quant <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Use MPEG quantizers instead of H.263. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qsquish <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>How to keep quantizer between qmin and qmax (0 = clip, 1 = use |
|
differentiable function). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc_qmod_amp <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set experimental quantizer modulation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc_qmod_freq <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set experimental quantizer modulation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc_override_count <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>rc_eq <var>string</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set rate control equation. When computing the expression, besides the |
|
standard functions defined in the section ’Expression Evaluation’, the |
|
following functions are available: bits2qp(bits), qp2bits(qp). Also |
|
the following constants are available: iTex pTex tex mv fCode iCount |
|
mcVar var isI isP isB avgQP qComp avgIITex avgPITex avgPPTex avgBPTex |
|
avgTex. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>maxrate <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dd><p>Set max bitrate tolerance (in bits/s). Requires bufsize to be set. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>minrate <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dd><p>Set min bitrate tolerance (in bits/s). Most useful in setting up a CBR |
|
encode. It is of little use elsewise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bufsize <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dd><p>Set ratecontrol buffer size (in bits). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc_buf_aggressivity <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Currently useless. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>i_qfactor <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set QP factor between P and I frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>i_qoffset <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set QP offset between P and I frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc_init_cplx <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set initial complexity for 1-pass encoding. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dct <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set DCT algorithm. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>autoselect a good one (default) |
|
</p></dd> |
|
<dt>‘<samp>fastint</samp>’</dt> |
|
<dd><p>fast integer |
|
</p></dd> |
|
<dt>‘<samp>int</samp>’</dt> |
|
<dd><p>accurate integer |
|
</p></dd> |
|
<dt>‘<samp>mmx</samp>’</dt> |
|
<dt>‘<samp>altivec</samp>’</dt> |
|
<dt>‘<samp>faan</samp>’</dt> |
|
<dd><p>floating point AAN DCT |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>lumi_mask <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Compress bright areas stronger than medium ones. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tcplx_mask <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set temporal complexity masking. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scplx_mask <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set spatial complexity masking. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p_mask <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set inter masking. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dark_mask <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Compress dark areas stronger than medium ones. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>idct <var>integer</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>Select IDCT implementation. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dt>‘<samp>int</samp>’</dt> |
|
<dt>‘<samp>simple</samp>’</dt> |
|
<dt>‘<samp>simplemmx</samp>’</dt> |
|
<dt>‘<samp>simpleauto</samp>’</dt> |
|
<dd><p>Automatically pick a IDCT compatible with the simple one |
|
</p> |
|
</dd> |
|
<dt>‘<samp>arm</samp>’</dt> |
|
<dt>‘<samp>altivec</samp>’</dt> |
|
<dt>‘<samp>sh4</samp>’</dt> |
|
<dt>‘<samp>simplearm</samp>’</dt> |
|
<dt>‘<samp>simplearmv5te</samp>’</dt> |
|
<dt>‘<samp>simplearmv6</samp>’</dt> |
|
<dt>‘<samp>simpleneon</samp>’</dt> |
|
<dt>‘<samp>simplealpha</samp>’</dt> |
|
<dt>‘<samp>ipp</samp>’</dt> |
|
<dt>‘<samp>xvidmmx</samp>’</dt> |
|
<dt>‘<samp>faani</samp>’</dt> |
|
<dd><p>floating point AAN IDCT |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>slice_count <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>ec <var>flags</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dd><p>Set error concealment strategy. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>guess_mvs</samp>’</dt> |
|
<dd><p>iterative motion vector (MV) search (slow) |
|
</p></dd> |
|
<dt>‘<samp>deblock</samp>’</dt> |
|
<dd><p>use strong deblock filter for damaged MBs |
|
</p></dd> |
|
<dt>‘<samp>favor_inter</samp>’</dt> |
|
<dd><p>favor predicting from the previous frame instead of the current |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>bits_per_coded_sample <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>pred <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set prediction method. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>left</samp>’</dt> |
|
<dt>‘<samp>plane</samp>’</dt> |
|
<dt>‘<samp>median</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>aspect <var>rational number</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set sample aspect ratio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar <var>rational number</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set sample aspect ratio. Alias to <var>aspect</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>debug <var>flags</var> (<em>decoding/encoding,audio,video,subtitles</em>)</samp>’</dt> |
|
<dd><p>Print specific debug info. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>pict</samp>’</dt> |
|
<dd><p>picture info |
|
</p></dd> |
|
<dt>‘<samp>rc</samp>’</dt> |
|
<dd><p>rate control |
|
</p></dd> |
|
<dt>‘<samp>bitstream</samp>’</dt> |
|
<dt>‘<samp>mb_type</samp>’</dt> |
|
<dd><p>macroblock (MB) type |
|
</p></dd> |
|
<dt>‘<samp>qp</samp>’</dt> |
|
<dd><p>per-block quantization parameter (QP) |
|
</p></dd> |
|
<dt>‘<samp>dct_coeff</samp>’</dt> |
|
<dt>‘<samp>green_metadata</samp>’</dt> |
|
<dd><p>display complexity metadata for the upcoming frame, GoP or for a given duration. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip</samp>’</dt> |
|
<dt>‘<samp>startcode</samp>’</dt> |
|
<dt>‘<samp>er</samp>’</dt> |
|
<dd><p>error recognition |
|
</p></dd> |
|
<dt>‘<samp>mmco</samp>’</dt> |
|
<dd><p>memory management control operations (H.264) |
|
</p></dd> |
|
<dt>‘<samp>bugs</samp>’</dt> |
|
<dt>‘<samp>buffers</samp>’</dt> |
|
<dd><p>picture buffer allocations |
|
</p></dd> |
|
<dt>‘<samp>thread_ops</samp>’</dt> |
|
<dd><p>threading operations |
|
</p></dd> |
|
<dt>‘<samp>nomc</samp>’</dt> |
|
<dd><p>skip motion compensation |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>cmp <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set full pel me compare function. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sad</samp>’</dt> |
|
<dd><p>sum of absolute differences, fast (default) |
|
</p></dd> |
|
<dt>‘<samp>sse</samp>’</dt> |
|
<dd><p>sum of squared errors |
|
</p></dd> |
|
<dt>‘<samp>satd</samp>’</dt> |
|
<dd><p>sum of absolute Hadamard transformed differences |
|
</p></dd> |
|
<dt>‘<samp>dct</samp>’</dt> |
|
<dd><p>sum of absolute DCT transformed differences |
|
</p></dd> |
|
<dt>‘<samp>psnr</samp>’</dt> |
|
<dd><p>sum of squared quantization errors (avoid, low quality) |
|
</p></dd> |
|
<dt>‘<samp>bit</samp>’</dt> |
|
<dd><p>number of bits needed for the block |
|
</p></dd> |
|
<dt>‘<samp>rd</samp>’</dt> |
|
<dd><p>rate distortion optimal, slow |
|
</p></dd> |
|
<dt>‘<samp>zero</samp>’</dt> |
|
<dd><p>0 |
|
</p></dd> |
|
<dt>‘<samp>vsad</samp>’</dt> |
|
<dd><p>sum of absolute vertical differences |
|
</p></dd> |
|
<dt>‘<samp>vsse</samp>’</dt> |
|
<dd><p>sum of squared vertical differences |
|
</p></dd> |
|
<dt>‘<samp>nsse</samp>’</dt> |
|
<dd><p>noise preserving sum of squared differences |
|
</p></dd> |
|
<dt>‘<samp>w53</samp>’</dt> |
|
<dd><p>5/3 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>w97</samp>’</dt> |
|
<dd><p>9/7 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>dctmax</samp>’</dt> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>subcmp <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set sub pel me compare function. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sad</samp>’</dt> |
|
<dd><p>sum of absolute differences, fast (default) |
|
</p></dd> |
|
<dt>‘<samp>sse</samp>’</dt> |
|
<dd><p>sum of squared errors |
|
</p></dd> |
|
<dt>‘<samp>satd</samp>’</dt> |
|
<dd><p>sum of absolute Hadamard transformed differences |
|
</p></dd> |
|
<dt>‘<samp>dct</samp>’</dt> |
|
<dd><p>sum of absolute DCT transformed differences |
|
</p></dd> |
|
<dt>‘<samp>psnr</samp>’</dt> |
|
<dd><p>sum of squared quantization errors (avoid, low quality) |
|
</p></dd> |
|
<dt>‘<samp>bit</samp>’</dt> |
|
<dd><p>number of bits needed for the block |
|
</p></dd> |
|
<dt>‘<samp>rd</samp>’</dt> |
|
<dd><p>rate distortion optimal, slow |
|
</p></dd> |
|
<dt>‘<samp>zero</samp>’</dt> |
|
<dd><p>0 |
|
</p></dd> |
|
<dt>‘<samp>vsad</samp>’</dt> |
|
<dd><p>sum of absolute vertical differences |
|
</p></dd> |
|
<dt>‘<samp>vsse</samp>’</dt> |
|
<dd><p>sum of squared vertical differences |
|
</p></dd> |
|
<dt>‘<samp>nsse</samp>’</dt> |
|
<dd><p>noise preserving sum of squared differences |
|
</p></dd> |
|
<dt>‘<samp>w53</samp>’</dt> |
|
<dd><p>5/3 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>w97</samp>’</dt> |
|
<dd><p>9/7 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>dctmax</samp>’</dt> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>mbcmp <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set macroblock compare function. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sad</samp>’</dt> |
|
<dd><p>sum of absolute differences, fast (default) |
|
</p></dd> |
|
<dt>‘<samp>sse</samp>’</dt> |
|
<dd><p>sum of squared errors |
|
</p></dd> |
|
<dt>‘<samp>satd</samp>’</dt> |
|
<dd><p>sum of absolute Hadamard transformed differences |
|
</p></dd> |
|
<dt>‘<samp>dct</samp>’</dt> |
|
<dd><p>sum of absolute DCT transformed differences |
|
</p></dd> |
|
<dt>‘<samp>psnr</samp>’</dt> |
|
<dd><p>sum of squared quantization errors (avoid, low quality) |
|
</p></dd> |
|
<dt>‘<samp>bit</samp>’</dt> |
|
<dd><p>number of bits needed for the block |
|
</p></dd> |
|
<dt>‘<samp>rd</samp>’</dt> |
|
<dd><p>rate distortion optimal, slow |
|
</p></dd> |
|
<dt>‘<samp>zero</samp>’</dt> |
|
<dd><p>0 |
|
</p></dd> |
|
<dt>‘<samp>vsad</samp>’</dt> |
|
<dd><p>sum of absolute vertical differences |
|
</p></dd> |
|
<dt>‘<samp>vsse</samp>’</dt> |
|
<dd><p>sum of squared vertical differences |
|
</p></dd> |
|
<dt>‘<samp>nsse</samp>’</dt> |
|
<dd><p>noise preserving sum of squared differences |
|
</p></dd> |
|
<dt>‘<samp>w53</samp>’</dt> |
|
<dd><p>5/3 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>w97</samp>’</dt> |
|
<dd><p>9/7 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>dctmax</samp>’</dt> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>ildctcmp <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set interlaced dct compare function. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sad</samp>’</dt> |
|
<dd><p>sum of absolute differences, fast (default) |
|
</p></dd> |
|
<dt>‘<samp>sse</samp>’</dt> |
|
<dd><p>sum of squared errors |
|
</p></dd> |
|
<dt>‘<samp>satd</samp>’</dt> |
|
<dd><p>sum of absolute Hadamard transformed differences |
|
</p></dd> |
|
<dt>‘<samp>dct</samp>’</dt> |
|
<dd><p>sum of absolute DCT transformed differences |
|
</p></dd> |
|
<dt>‘<samp>psnr</samp>’</dt> |
|
<dd><p>sum of squared quantization errors (avoid, low quality) |
|
</p></dd> |
|
<dt>‘<samp>bit</samp>’</dt> |
|
<dd><p>number of bits needed for the block |
|
</p></dd> |
|
<dt>‘<samp>rd</samp>’</dt> |
|
<dd><p>rate distortion optimal, slow |
|
</p></dd> |
|
<dt>‘<samp>zero</samp>’</dt> |
|
<dd><p>0 |
|
</p></dd> |
|
<dt>‘<samp>vsad</samp>’</dt> |
|
<dd><p>sum of absolute vertical differences |
|
</p></dd> |
|
<dt>‘<samp>vsse</samp>’</dt> |
|
<dd><p>sum of squared vertical differences |
|
</p></dd> |
|
<dt>‘<samp>nsse</samp>’</dt> |
|
<dd><p>noise preserving sum of squared differences |
|
</p></dd> |
|
<dt>‘<samp>w53</samp>’</dt> |
|
<dd><p>5/3 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>w97</samp>’</dt> |
|
<dd><p>9/7 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>dctmax</samp>’</dt> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>dia_size <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set diamond type & size for motion estimation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>last_pred <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set amount of motion predictors from the previous frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>preme <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set pre motion estimation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>precmp <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set pre motion estimation compare function. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sad</samp>’</dt> |
|
<dd><p>sum of absolute differences, fast (default) |
|
</p></dd> |
|
<dt>‘<samp>sse</samp>’</dt> |
|
<dd><p>sum of squared errors |
|
</p></dd> |
|
<dt>‘<samp>satd</samp>’</dt> |
|
<dd><p>sum of absolute Hadamard transformed differences |
|
</p></dd> |
|
<dt>‘<samp>dct</samp>’</dt> |
|
<dd><p>sum of absolute DCT transformed differences |
|
</p></dd> |
|
<dt>‘<samp>psnr</samp>’</dt> |
|
<dd><p>sum of squared quantization errors (avoid, low quality) |
|
</p></dd> |
|
<dt>‘<samp>bit</samp>’</dt> |
|
<dd><p>number of bits needed for the block |
|
</p></dd> |
|
<dt>‘<samp>rd</samp>’</dt> |
|
<dd><p>rate distortion optimal, slow |
|
</p></dd> |
|
<dt>‘<samp>zero</samp>’</dt> |
|
<dd><p>0 |
|
</p></dd> |
|
<dt>‘<samp>vsad</samp>’</dt> |
|
<dd><p>sum of absolute vertical differences |
|
</p></dd> |
|
<dt>‘<samp>vsse</samp>’</dt> |
|
<dd><p>sum of squared vertical differences |
|
</p></dd> |
|
<dt>‘<samp>nsse</samp>’</dt> |
|
<dd><p>noise preserving sum of squared differences |
|
</p></dd> |
|
<dt>‘<samp>w53</samp>’</dt> |
|
<dd><p>5/3 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>w97</samp>’</dt> |
|
<dd><p>9/7 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>dctmax</samp>’</dt> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>pre_dia_size <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set diamond type & size for motion estimation pre-pass. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>subq <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set sub pel motion estimation quality. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dtg_active_format <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>me_range <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set limit motion vectors range (1023 for DivX player). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ibias <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set intra quant bias. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pbias <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set inter quant bias. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color_table_id <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>global_quality <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dt>‘<samp>coder <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>vlc</samp>’</dt> |
|
<dd><p>variable length coder / huffman coder |
|
</p></dd> |
|
<dt>‘<samp>ac</samp>’</dt> |
|
<dd><p>arithmetic coder |
|
</p></dd> |
|
<dt>‘<samp>raw</samp>’</dt> |
|
<dd><p>raw (no encoding) |
|
</p></dd> |
|
<dt>‘<samp>rle</samp>’</dt> |
|
<dd><p>run-length coder |
|
</p></dd> |
|
<dt>‘<samp>deflate</samp>’</dt> |
|
<dd><p>deflate-based coder |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>context <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set context model. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>slice_flags <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>mbd <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set macroblock decision algorithm (high quality mode). |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>simple</samp>’</dt> |
|
<dd><p>use mbcmp (default) |
|
</p></dd> |
|
<dt>‘<samp>bits</samp>’</dt> |
|
<dd><p>use fewest bits |
|
</p></dd> |
|
<dt>‘<samp>rd</samp>’</dt> |
|
<dd><p>use best rate distortion |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>stream_codec_tag <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>sc_threshold <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set scene change threshold. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lmin <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set min lagrange factor (VBR). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lmax <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set max lagrange factor (VBR). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nr <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set noise reduction. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc_init_occupancy <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set number of bits which should be loaded into the rc buffer before |
|
decoding starts. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flags2 <var>flags</var> (<em>decoding/encoding,audio,video</em>)</samp>’</dt> |
|
<dd> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>fast</samp>’</dt> |
|
<dd><p>Allow non spec compliant speedup tricks. |
|
</p></dd> |
|
<dt>‘<samp>sgop</samp>’</dt> |
|
<dd><p>Deprecated, use mpegvideo private options instead. |
|
</p></dd> |
|
<dt>‘<samp>noout</samp>’</dt> |
|
<dd><p>Skip bitstream encoding. |
|
</p></dd> |
|
<dt>‘<samp>ignorecrop</samp>’</dt> |
|
<dd><p>Ignore cropping information from sps. |
|
</p></dd> |
|
<dt>‘<samp>local_header</samp>’</dt> |
|
<dd><p>Place global headers at every keyframe instead of in extradata. |
|
</p></dd> |
|
<dt>‘<samp>chunks</samp>’</dt> |
|
<dd><p>Frame data might be split into multiple chunks. |
|
</p></dd> |
|
<dt>‘<samp>showall</samp>’</dt> |
|
<dd><p>Show all frames before the first keyframe. |
|
</p></dd> |
|
<dt>‘<samp>skiprd</samp>’</dt> |
|
<dd><p>Deprecated, use mpegvideo private options instead. |
|
</p></dd> |
|
<dt>‘<samp>export_mvs</samp>’</dt> |
|
<dd><p>Export motion vectors into frame side-data (see <code>AV_FRAME_DATA_MOTION_VECTORS</code>) |
|
for codecs that support it. See also ‘<tt>doc/examples/export_mvs.c</tt>’. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>error <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dt>‘<samp>qns <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Deprecated, use mpegvideo private options instead. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threads <var>integer</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set the number of threads to be used, in case the selected codec |
|
implementation supports multi-threading. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>auto, 0</samp>’</dt> |
|
<dd><p>automatically select the number of threads to set |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>auto</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>me_threshold <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set motion estimation threshold. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mb_threshold <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set macroblock threshold. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dc <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set intra_dc_precision. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nssew <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set nsse weight. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip_top <var>integer</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dd><p>Set number of macroblock rows at the top which are skipped. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip_bottom <var>integer</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dd><p>Set number of macroblock rows at the bottom which are skipped. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>profile <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dd> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>unknown</samp>’</dt> |
|
<dt>‘<samp>aac_main</samp>’</dt> |
|
<dt>‘<samp>aac_low</samp>’</dt> |
|
<dt>‘<samp>aac_ssr</samp>’</dt> |
|
<dt>‘<samp>aac_ltp</samp>’</dt> |
|
<dt>‘<samp>aac_he</samp>’</dt> |
|
<dt>‘<samp>aac_he_v2</samp>’</dt> |
|
<dt>‘<samp>aac_ld</samp>’</dt> |
|
<dt>‘<samp>aac_eld</samp>’</dt> |
|
<dt>‘<samp>mpeg2_aac_low</samp>’</dt> |
|
<dt>‘<samp>mpeg2_aac_he</samp>’</dt> |
|
<dt>‘<samp>mpeg4_sp</samp>’</dt> |
|
<dt>‘<samp>mpeg4_core</samp>’</dt> |
|
<dt>‘<samp>mpeg4_main</samp>’</dt> |
|
<dt>‘<samp>mpeg4_asp</samp>’</dt> |
|
<dt>‘<samp>dts</samp>’</dt> |
|
<dt>‘<samp>dts_es</samp>’</dt> |
|
<dt>‘<samp>dts_96_24</samp>’</dt> |
|
<dt>‘<samp>dts_hd_hra</samp>’</dt> |
|
<dt>‘<samp>dts_hd_ma</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>level <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dd> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>unknown</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>lowres <var>integer</var> (<em>decoding,audio,video</em>)</samp>’</dt> |
|
<dd><p>Decode at 1= 1/2, 2=1/4, 3=1/8 resolutions. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip_threshold <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set frame skip threshold. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip_factor <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set frame skip factor. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip_exp <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set frame skip exponent. |
|
Negative values behave identical to the corresponding positive ones, except |
|
that the score is normalized. |
|
Positive values exist primarily for compatibility reasons and are not so useful. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skipcmp <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set frame skip compare function. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sad</samp>’</dt> |
|
<dd><p>sum of absolute differences, fast (default) |
|
</p></dd> |
|
<dt>‘<samp>sse</samp>’</dt> |
|
<dd><p>sum of squared errors |
|
</p></dd> |
|
<dt>‘<samp>satd</samp>’</dt> |
|
<dd><p>sum of absolute Hadamard transformed differences |
|
</p></dd> |
|
<dt>‘<samp>dct</samp>’</dt> |
|
<dd><p>sum of absolute DCT transformed differences |
|
</p></dd> |
|
<dt>‘<samp>psnr</samp>’</dt> |
|
<dd><p>sum of squared quantization errors (avoid, low quality) |
|
</p></dd> |
|
<dt>‘<samp>bit</samp>’</dt> |
|
<dd><p>number of bits needed for the block |
|
</p></dd> |
|
<dt>‘<samp>rd</samp>’</dt> |
|
<dd><p>rate distortion optimal, slow |
|
</p></dd> |
|
<dt>‘<samp>zero</samp>’</dt> |
|
<dd><p>0 |
|
</p></dd> |
|
<dt>‘<samp>vsad</samp>’</dt> |
|
<dd><p>sum of absolute vertical differences |
|
</p></dd> |
|
<dt>‘<samp>vsse</samp>’</dt> |
|
<dd><p>sum of squared vertical differences |
|
</p></dd> |
|
<dt>‘<samp>nsse</samp>’</dt> |
|
<dd><p>noise preserving sum of squared differences |
|
</p></dd> |
|
<dt>‘<samp>w53</samp>’</dt> |
|
<dd><p>5/3 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>w97</samp>’</dt> |
|
<dd><p>9/7 wavelet, only used in snow |
|
</p></dd> |
|
<dt>‘<samp>dctmax</samp>’</dt> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>border_mask <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Increase the quantizer for macroblocks close to borders. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mblmin <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set min macroblock lagrange factor (VBR). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mblmax <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set max macroblock lagrange factor (VBR). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mepc <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set motion estimation bitrate penalty compensation (1.0 = 256). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip_loop_filter <var>integer</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dt>‘<samp>skip_idct <var>integer</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dt>‘<samp>skip_frame <var>integer</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dd> |
|
<p>Make decoder discard processing depending on the frame type selected |
|
by the option value. |
|
</p> |
|
<p>‘<samp>skip_loop_filter</samp>’ skips frame loop filtering, ‘<samp>skip_idct</samp>’ |
|
skips frame IDCT/dequantization, ‘<samp>skip_frame</samp>’ skips decoding. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>Discard no frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>default</samp>’</dt> |
|
<dd><p>Discard useless frames like 0-sized frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>noref</samp>’</dt> |
|
<dd><p>Discard all non-reference frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bidir</samp>’</dt> |
|
<dd><p>Discard all bidirectional frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nokey</samp>’</dt> |
|
<dd><p>Discard all frames excepts keyframes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>all</samp>’</dt> |
|
<dd><p>Discard all frames. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>default</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bidir_refine <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Refine the two motion vectors used in bidirectional macroblocks. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>brd_scale <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Downscale frames for dynamic B-frame decision. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>keyint_min <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set minimum interval between IDR-frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>refs <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set reference frames to consider for motion compensation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chromaoffset <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set chroma qp offset from luma. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>trellis <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dd><p>Set rate-distortion optimal quantization. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mv0_threshold <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dt>‘<samp>b_sensitivity <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Adjust sensitivity of b_frame_strategy 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>compression_level <var>integer</var> (<em>encoding,audio,video</em>)</samp>’</dt> |
|
<dt>‘<samp>min_prediction_order <var>integer</var> (<em>encoding,audio</em>)</samp>’</dt> |
|
<dt>‘<samp>max_prediction_order <var>integer</var> (<em>encoding,audio</em>)</samp>’</dt> |
|
<dt>‘<samp>timecode_frame_start <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Set GOP timecode frame start number, in non drop frame format. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>request_channels <var>integer</var> (<em>decoding,audio</em>)</samp>’</dt> |
|
<dd><p>Set desired number of audio channels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bits_per_raw_sample <var>integer</var></samp>’</dt> |
|
<dt>‘<samp>channel_layout <var>integer</var> (<em>decoding/encoding,audio</em>)</samp>’</dt> |
|
<dd> |
|
<p>Possible values: |
|
</p></dd> |
|
<dt>‘<samp>request_channel_layout <var>integer</var> (<em>decoding,audio</em>)</samp>’</dt> |
|
<dd> |
|
<p>Possible values: |
|
</p></dd> |
|
<dt>‘<samp>rc_max_vbv_use <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dt>‘<samp>rc_min_vbv_use <var>float</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dt>‘<samp>ticks_per_frame <var>integer</var> (<em>decoding/encoding,audio,video</em>)</samp>’</dt> |
|
<dt>‘<samp>color_primaries <var>integer</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p></dd> |
|
<dt>‘<samp>bt470m</samp>’</dt> |
|
<dd><p>BT.470 M |
|
</p></dd> |
|
<dt>‘<samp>bt470bg</samp>’</dt> |
|
<dd><p>BT.470 BG |
|
</p></dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE 170 M |
|
</p></dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE 240 M |
|
</p></dd> |
|
<dt>‘<samp>film</samp>’</dt> |
|
<dd><p>Film |
|
</p></dd> |
|
<dt>‘<samp>bt2020</samp>’</dt> |
|
<dd><p>BT.2020 |
|
</p></dd> |
|
<dt>‘<samp>smpte428</samp>’</dt> |
|
<dt>‘<samp>smpte428_1</samp>’</dt> |
|
<dd><p>SMPTE ST 428-1 |
|
</p></dd> |
|
<dt>‘<samp>smpte431</samp>’</dt> |
|
<dd><p>SMPTE 431-2 |
|
</p></dd> |
|
<dt>‘<samp>smpte432</samp>’</dt> |
|
<dd><p>SMPTE 432-1 |
|
</p></dd> |
|
<dt>‘<samp>jedec-p22</samp>’</dt> |
|
<dd><p>JEDEC P22 |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>color_trc <var>integer</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p></dd> |
|
<dt>‘<samp>gamma22</samp>’</dt> |
|
<dd><p>BT.470 M |
|
</p></dd> |
|
<dt>‘<samp>gamma28</samp>’</dt> |
|
<dd><p>BT.470 BG |
|
</p></dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE 170 M |
|
</p></dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE 240 M |
|
</p></dd> |
|
<dt>‘<samp>linear</samp>’</dt> |
|
<dd><p>Linear |
|
</p></dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dt>‘<samp>log100</samp>’</dt> |
|
<dd><p>Log |
|
</p></dd> |
|
<dt>‘<samp>log_sqrt</samp>’</dt> |
|
<dt>‘<samp>log316</samp>’</dt> |
|
<dd><p>Log square root |
|
</p></dd> |
|
<dt>‘<samp>iec61966_2_4</samp>’</dt> |
|
<dt>‘<samp>iec61966-2-4</samp>’</dt> |
|
<dd><p>IEC 61966-2-4 |
|
</p></dd> |
|
<dt>‘<samp>bt1361</samp>’</dt> |
|
<dt>‘<samp>bt1361e</samp>’</dt> |
|
<dd><p>BT.1361 |
|
</p></dd> |
|
<dt>‘<samp>iec61966_2_1</samp>’</dt> |
|
<dt>‘<samp>iec61966-2-1</samp>’</dt> |
|
<dd><p>IEC 61966-2-1 |
|
</p></dd> |
|
<dt>‘<samp>bt2020_10</samp>’</dt> |
|
<dt>‘<samp>bt2020_10bit</samp>’</dt> |
|
<dd><p>BT.2020 - 10 bit |
|
</p></dd> |
|
<dt>‘<samp>bt2020_12</samp>’</dt> |
|
<dt>‘<samp>bt2020_12bit</samp>’</dt> |
|
<dd><p>BT.2020 - 12 bit |
|
</p></dd> |
|
<dt>‘<samp>smpte2084</samp>’</dt> |
|
<dd><p>SMPTE ST 2084 |
|
</p></dd> |
|
<dt>‘<samp>smpte428</samp>’</dt> |
|
<dt>‘<samp>smpte428_1</samp>’</dt> |
|
<dd><p>SMPTE ST 428-1 |
|
</p></dd> |
|
<dt>‘<samp>arib-std-b67</samp>’</dt> |
|
<dd><p>ARIB STD-B67 |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>colorspace <var>integer</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>rgb</samp>’</dt> |
|
<dd><p>RGB |
|
</p></dd> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p></dd> |
|
<dt>‘<samp>fcc</samp>’</dt> |
|
<dd><p>FCC |
|
</p></dd> |
|
<dt>‘<samp>bt470bg</samp>’</dt> |
|
<dd><p>BT.470 BG |
|
</p></dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE 170 M |
|
</p></dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE 240 M |
|
</p></dd> |
|
<dt>‘<samp>ycocg</samp>’</dt> |
|
<dd><p>YCOCG |
|
</p></dd> |
|
<dt>‘<samp>bt2020nc</samp>’</dt> |
|
<dt>‘<samp>bt2020_ncl</samp>’</dt> |
|
<dd><p>BT.2020 NCL |
|
</p></dd> |
|
<dt>‘<samp>bt2020c</samp>’</dt> |
|
<dt>‘<samp>bt2020_cl</samp>’</dt> |
|
<dd><p>BT.2020 CL |
|
</p></dd> |
|
<dt>‘<samp>smpte2085</samp>’</dt> |
|
<dd><p>SMPTE 2085 |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>color_range <var>integer</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>If used as input parameter, it serves as a hint to the decoder, which |
|
color_range the input has. |
|
Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>tv</samp>’</dt> |
|
<dt>‘<samp>mpeg</samp>’</dt> |
|
<dd><p>MPEG (219*2^(n-8)) |
|
</p></dd> |
|
<dt>‘<samp>pc</samp>’</dt> |
|
<dt>‘<samp>jpeg</samp>’</dt> |
|
<dd><p>JPEG (2^n-1) |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>chroma_sample_location <var>integer</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>left</samp>’</dt> |
|
<dt>‘<samp>center</samp>’</dt> |
|
<dt>‘<samp>topleft</samp>’</dt> |
|
<dt>‘<samp>top</samp>’</dt> |
|
<dt>‘<samp>bottomleft</samp>’</dt> |
|
<dt>‘<samp>bottom</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>log_level_offset <var>integer</var></samp>’</dt> |
|
<dd><p>Set the log level offset. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>slices <var>integer</var> (<em>encoding,video</em>)</samp>’</dt> |
|
<dd><p>Number of slices, used in parallelized encoding. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>thread_type <var>flags</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>Select which multithreading methods to use. |
|
</p> |
|
<p>Use of ‘<samp>frame</samp>’ will increase decoding delay by one frame per |
|
thread, so clients which cannot provide future frames should not use |
|
it. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>slice</samp>’</dt> |
|
<dd><p>Decode more than one part of a single frame at once. |
|
</p> |
|
<p>Multithreading using slices works only when the video was encoded with |
|
slices. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>Decode more than one frame at once. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>slice+frame</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_service_type <var>integer</var> (<em>encoding,audio</em>)</samp>’</dt> |
|
<dd><p>Set audio service type. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>ma</samp>’</dt> |
|
<dd><p>Main Audio Service |
|
</p></dd> |
|
<dt>‘<samp>ef</samp>’</dt> |
|
<dd><p>Effects |
|
</p></dd> |
|
<dt>‘<samp>vi</samp>’</dt> |
|
<dd><p>Visually Impaired |
|
</p></dd> |
|
<dt>‘<samp>hi</samp>’</dt> |
|
<dd><p>Hearing Impaired |
|
</p></dd> |
|
<dt>‘<samp>di</samp>’</dt> |
|
<dd><p>Dialogue |
|
</p></dd> |
|
<dt>‘<samp>co</samp>’</dt> |
|
<dd><p>Commentary |
|
</p></dd> |
|
<dt>‘<samp>em</samp>’</dt> |
|
<dd><p>Emergency |
|
</p></dd> |
|
<dt>‘<samp>vo</samp>’</dt> |
|
<dd><p>Voice Over |
|
</p></dd> |
|
<dt>‘<samp>ka</samp>’</dt> |
|
<dd><p>Karaoke |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>request_sample_fmt <var>sample_fmt</var> (<em>decoding,audio</em>)</samp>’</dt> |
|
<dd><p>Set sample format audio decoders should prefer. Default value is |
|
<code>none</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pkt_timebase <var>rational number</var></samp>’</dt> |
|
<dt>‘<samp>sub_charenc <var>encoding</var> (<em>decoding,subtitles</em>)</samp>’</dt> |
|
<dd><p>Set the input subtitles character encoding. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>field_order <var>field_order</var> (<em>video</em>)</samp>’</dt> |
|
<dd><p>Set/override the field order of the video. |
|
Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>progressive</samp>’</dt> |
|
<dd><p>Progressive video |
|
</p></dd> |
|
<dt>‘<samp>tt</samp>’</dt> |
|
<dd><p>Interlaced video, top field coded and displayed first |
|
</p></dd> |
|
<dt>‘<samp>bb</samp>’</dt> |
|
<dd><p>Interlaced video, bottom field coded and displayed first |
|
</p></dd> |
|
<dt>‘<samp>tb</samp>’</dt> |
|
<dd><p>Interlaced video, top coded first, bottom displayed first |
|
</p></dd> |
|
<dt>‘<samp>bt</samp>’</dt> |
|
<dd><p>Interlaced video, bottom coded first, top displayed first |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>skip_alpha <var>bool</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dd><p>Set to 1 to disable processing alpha (transparency). This works like the |
|
‘<samp>gray</samp>’ flag in the ‘<samp>flags</samp>’ option which skips chroma information |
|
instead of alpha. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>codec_whitelist <var>list</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>"," separated list of allowed decoders. By default all are allowed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dump_separator <var>string</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Separator used to separate the fields printed on the command line about the |
|
Stream parameters. |
|
For example to separate the fields with newlines and indention: |
|
</p><div class="example"> |
|
<pre class="example">ffprobe -dump_separator " |
|
" -i ~/videos/matrixbench_mpeg2.mpg |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>max_pixels <var>integer</var> (<em>decoding/encoding,video</em>)</samp>’</dt> |
|
<dd><p>Maximum number of pixels per image. This value can be used to avoid out of |
|
memory failures due to large images. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>apply_cropping <var>bool</var> (<em>decoding,video</em>)</samp>’</dt> |
|
<dd><p>Enable cropping if cropping parameters are multiples of the required |
|
alignment for the left and top parameters. If the alignment is not met the |
|
cropping will be partially applied to maintain alignment. |
|
Default is 1 (enabled). |
|
Note: The required alignment depends on if <code>AV_CODEC_FLAG_UNALIGNED</code> is set and the |
|
CPU. <code>AV_CODEC_FLAG_UNALIGNED</code> cannot be changed from the command line. Also hardware |
|
decoders will not apply left/top Cropping. |
|
</p> |
|
|
|
</dd> |
|
</dl> |
|
|
|
|
|
<a name="Decoders"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Decoders">7 Decoders</a></h1> |
|
|
|
<p>Decoders are configured elements in FFmpeg which allow the decoding of |
|
multimedia streams. |
|
</p> |
|
<p>When you configure your FFmpeg build, all the supported native decoders |
|
are enabled by default. Decoders requiring an external library must be enabled |
|
manually via the corresponding <code>--enable-lib</code> option. You can list all |
|
available decoders using the configure option <code>--list-decoders</code>. |
|
</p> |
|
<p>You can disable all the decoders with the configure option |
|
<code>--disable-decoders</code> and selectively enable / disable single decoders |
|
with the options <code>--enable-decoder=<var>DECODER</var></code> / |
|
<code>--disable-decoder=<var>DECODER</var></code>. |
|
</p> |
|
<p>The option <code>-decoders</code> of the ff* tools will display the list of |
|
enabled decoders. |
|
</p> |
|
|
|
<a name="Video-Decoders"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Video-Decoders">8 Video Decoders</a></h1> |
|
|
|
<p>A description of some of the currently available video decoders |
|
follows. |
|
</p> |
|
<a name="rawvideo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rawvideo">8.1 rawvideo</a></h2> |
|
|
|
<p>Raw video decoder. |
|
</p> |
|
<p>This decoder decodes rawvideo streams. |
|
</p> |
|
<a name="Options-31"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-31">8.1.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>top <var>top_field_first</var></samp>’</dt> |
|
<dd><p>Specify the assumed field type of the input video. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>-1</samp>’</dt> |
|
<dd><p>the video is assumed to be progressive (default) |
|
</p></dd> |
|
<dt>‘<samp>0</samp>’</dt> |
|
<dd><p>bottom-field-first is assumed |
|
</p></dd> |
|
<dt>‘<samp>1</samp>’</dt> |
|
<dd><p>top-field-first is assumed |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
</dl> |
|
|
|
|
|
<a name="Audio-Decoders"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Audio-Decoders">9 Audio Decoders</a></h1> |
|
|
|
<p>A description of some of the currently available audio decoders |
|
follows. |
|
</p> |
|
<a name="ac3"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ac3">9.1 ac3</a></h2> |
|
|
|
<p>AC-3 audio decoder. |
|
</p> |
|
<p>This decoder implements part of ATSC A/52:2010 and ETSI TS 102 366, as well as |
|
the undocumented RealAudio 3 (a.k.a. dnet). |
|
</p> |
|
<a name="AC_002d3-Decoder-Options"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-AC_002d3-Decoder-Options">9.1.1 AC-3 Decoder Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>-drc_scale <var>value</var></samp>’</dt> |
|
<dd><p>Dynamic Range Scale Factor. The factor to apply to dynamic range values |
|
from the AC-3 stream. This factor is applied exponentially. |
|
There are 3 notable scale factor ranges: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>drc_scale == 0</samp>’</dt> |
|
<dd><p>DRC disabled. Produces full range audio. |
|
</p></dd> |
|
<dt>‘<samp>0 < drc_scale <= 1</samp>’</dt> |
|
<dd><p>DRC enabled. Applies a fraction of the stream DRC value. |
|
Audio reproduction is between full range and full compression. |
|
</p></dd> |
|
<dt>‘<samp>drc_scale > 1</samp>’</dt> |
|
<dd><p>DRC enabled. Applies drc_scale asymmetrically. |
|
Loud sounds are fully compressed. Soft sounds are enhanced. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<a name="flac"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-flac">9.2 flac</a></h2> |
|
|
|
<p>FLAC audio decoder. |
|
</p> |
|
<p>This decoder aims to implement the complete FLAC specification from Xiph. |
|
</p> |
|
<a name="FLAC-Decoder-options"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-FLAC-Decoder-options">9.2.1 FLAC Decoder options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>-use_buggy_lpc</samp>’</dt> |
|
<dd><p>The lavc FLAC encoder used to produce buggy streams with high lpc values |
|
(like the default value). This option makes it possible to decode such streams |
|
correctly by using lavc’s old buggy lpc logic for decoding. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="ffwavesynth"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ffwavesynth">9.3 ffwavesynth</a></h2> |
|
|
|
<p>Internal wave synthesizer. |
|
</p> |
|
<p>This decoder generates wave patterns according to predefined sequences. Its |
|
use is purely internal and the format of the data it accepts is not publicly |
|
documented. |
|
</p> |
|
<a name="libcelt"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libcelt">9.4 libcelt</a></h2> |
|
|
|
<p>libcelt decoder wrapper. |
|
</p> |
|
<p>libcelt allows libavcodec to decode the Xiph CELT ultra-low delay audio codec. |
|
Requires the presence of the libcelt headers and library during configuration. |
|
You need to explicitly configure the build with <code>--enable-libcelt</code>. |
|
</p> |
|
<a name="libgsm"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libgsm">9.5 libgsm</a></h2> |
|
|
|
<p>libgsm decoder wrapper. |
|
</p> |
|
<p>libgsm allows libavcodec to decode the GSM full rate audio codec. Requires |
|
the presence of the libgsm headers and library during configuration. You need |
|
to explicitly configure the build with <code>--enable-libgsm</code>. |
|
</p> |
|
<p>This decoder supports both the ordinary GSM and the Microsoft variant. |
|
</p> |
|
<a name="libilbc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libilbc">9.6 libilbc</a></h2> |
|
|
|
<p>libilbc decoder wrapper. |
|
</p> |
|
<p>libilbc allows libavcodec to decode the Internet Low Bitrate Codec (iLBC) |
|
audio codec. Requires the presence of the libilbc headers and library during |
|
configuration. You need to explicitly configure the build with |
|
<code>--enable-libilbc</code>. |
|
</p> |
|
<a name="Options-20"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-20">9.6.1 Options</a></h3> |
|
|
|
<p>The following option is supported by the libilbc wrapper. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>enhance</samp>’</dt> |
|
<dd> |
|
<p>Enable the enhancement of the decoded audio when set to 1. The default |
|
value is 0 (disabled). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="libopencore_002damrnb"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libopencore_002damrnb">9.7 libopencore-amrnb</a></h2> |
|
|
|
<p>libopencore-amrnb decoder wrapper. |
|
</p> |
|
<p>libopencore-amrnb allows libavcodec to decode the Adaptive Multi-Rate |
|
Narrowband audio codec. Using it requires the presence of the |
|
libopencore-amrnb headers and library during configuration. You need to |
|
explicitly configure the build with <code>--enable-libopencore-amrnb</code>. |
|
</p> |
|
<p>An FFmpeg native decoder for AMR-NB exists, so users can decode AMR-NB |
|
without this library. |
|
</p> |
|
<a name="libopencore_002damrwb"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libopencore_002damrwb">9.8 libopencore-amrwb</a></h2> |
|
|
|
<p>libopencore-amrwb decoder wrapper. |
|
</p> |
|
<p>libopencore-amrwb allows libavcodec to decode the Adaptive Multi-Rate |
|
Wideband audio codec. Using it requires the presence of the |
|
libopencore-amrwb headers and library during configuration. You need to |
|
explicitly configure the build with <code>--enable-libopencore-amrwb</code>. |
|
</p> |
|
<p>An FFmpeg native decoder for AMR-WB exists, so users can decode AMR-WB |
|
without this library. |
|
</p> |
|
<a name="libopus"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libopus">9.9 libopus</a></h2> |
|
|
|
<p>libopus decoder wrapper. |
|
</p> |
|
<p>libopus allows libavcodec to decode the Opus Interactive Audio Codec. |
|
Requires the presence of the libopus headers and library during |
|
configuration. You need to explicitly configure the build with |
|
<code>--enable-libopus</code>. |
|
</p> |
|
<p>An FFmpeg native decoder for Opus exists, so users can decode Opus |
|
without this library. |
|
</p> |
|
|
|
<a name="Subtitles-Decoders"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Subtitles-Decoders">10 Subtitles Decoders</a></h1> |
|
|
|
<a name="dvbsub"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dvbsub">10.1 dvbsub</a></h2> |
|
|
|
<a name="Options-4"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-4">10.1.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>compute_clut</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>-1</samp>’</dt> |
|
<dd><p>Compute clut if no matching CLUT is in the stream. |
|
</p></dd> |
|
<dt>‘<samp>0</samp>’</dt> |
|
<dd><p>Never compute CLUT |
|
</p></dd> |
|
<dt>‘<samp>1</samp>’</dt> |
|
<dd><p>Always compute CLUT and override the one provided in the stream. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
<dt>‘<samp>dvb_substream</samp>’</dt> |
|
<dd><p>Selects the dvb substream, or all substreams if -1 which is default. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="dvdsub"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dvdsub">10.2 dvdsub</a></h2> |
|
|
|
<p>This codec decodes the bitmap subtitles used in DVDs; the same subtitles can |
|
also be found in VobSub file pairs and in some Matroska files. |
|
</p> |
|
<a name="Options-19"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-19">10.2.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>palette</samp>’</dt> |
|
<dd><p>Specify the global palette used by the bitmaps. When stored in VobSub, the |
|
palette is normally specified in the index file; in Matroska, the palette is |
|
stored in the codec extra-data in the same format as in VobSub. In DVDs, the |
|
palette is stored in the IFO file, and therefore not available when reading |
|
from dumped VOB files. |
|
</p> |
|
<p>The format for this option is a string containing 16 24-bits hexadecimal |
|
numbers (without 0x prefix) separated by comas, for example <code>0d00ee, |
|
ee450d, 101010, eaeaea, 0ce60b, ec14ed, ebff0b, 0d617a, 7b7b7b, d1d1d1, |
|
7b2a0e, 0d950c, 0f007b, cf0dec, cfa80c, 7c127b</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ifo_palette</samp>’</dt> |
|
<dd><p>Specify the IFO file from which the global palette is obtained. |
|
(experimental) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>forced_subs_only</samp>’</dt> |
|
<dd><p>Only decode subtitle entries marked as forced. Some titles have forced |
|
and non-forced subtitles in the same track. Setting this flag to <code>1</code> |
|
will only keep the forced subtitles. Default value is <code>0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="libzvbi_002dteletext"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libzvbi_002dteletext">10.3 libzvbi-teletext</a></h2> |
|
|
|
<p>Libzvbi allows libavcodec to decode DVB teletext pages and DVB teletext |
|
subtitles. Requires the presence of the libzvbi headers and library during |
|
configuration. You need to explicitly configure the build with |
|
<code>--enable-libzvbi</code>. |
|
</p> |
|
<a name="Options-27"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-27">10.3.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>txt_page</samp>’</dt> |
|
<dd><p>List of teletext page numbers to decode. Pages that do not match the specified |
|
list are dropped. You may use the special <code>*</code> string to match all pages, |
|
or <code>subtitle</code> to match all subtitle pages. |
|
Default value is *. |
|
</p></dd> |
|
<dt>‘<samp>txt_chop_top</samp>’</dt> |
|
<dd><p>Discards the top teletext line. Default value is 1. |
|
</p></dd> |
|
<dt>‘<samp>txt_format</samp>’</dt> |
|
<dd><p>Specifies the format of the decoded subtitles. The teletext decoder is capable |
|
of decoding the teletext pages to bitmaps or to simple text, you should use |
|
"bitmap" for teletext pages, because certain graphics and colors cannot be |
|
expressed in simple text. You might use "text" for teletext based subtitles if |
|
your application can handle simple text based subtitles. Default value is |
|
bitmap. |
|
</p></dd> |
|
<dt>‘<samp>txt_left</samp>’</dt> |
|
<dd><p>X offset of generated bitmaps, default is 0. |
|
</p></dd> |
|
<dt>‘<samp>txt_top</samp>’</dt> |
|
<dd><p>Y offset of generated bitmaps, default is 0. |
|
</p></dd> |
|
<dt>‘<samp>txt_chop_spaces</samp>’</dt> |
|
<dd><p>Chops leading and trailing spaces and removes empty lines from the generated |
|
text. This option is useful for teletext based subtitles where empty spaces may |
|
be present at the start or at the end of the lines or empty lines may be |
|
present between the subtitle lines because of double-sized teletext characters. |
|
Default value is 1. |
|
</p></dd> |
|
<dt>‘<samp>txt_duration</samp>’</dt> |
|
<dd><p>Sets the display duration of the decoded teletext pages or subtitles in |
|
milliseconds. Default value is -1 which means infinity or until the next |
|
subtitle event comes. |
|
</p></dd> |
|
<dt>‘<samp>txt_transparent</samp>’</dt> |
|
<dd><p>Force transparent background of the generated teletext bitmaps. Default value |
|
is 0 which means an opaque background. |
|
</p></dd> |
|
<dt>‘<samp>txt_opacity</samp>’</dt> |
|
<dd><p>Sets the opacity (0-255) of the teletext background. If |
|
‘<samp>txt_transparent</samp>’ is not set, it only affects characters between a start |
|
box and an end box, typically subtitles. Default value is 0 if |
|
‘<samp>txt_transparent</samp>’ is set, 255 otherwise. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Bitstream-Filters"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Bitstream-Filters">11 Bitstream Filters</a></h1> |
|
|
|
<p>When you configure your FFmpeg build, all the supported bitstream |
|
filters are enabled by default. You can list all available ones using |
|
the configure option <code>--list-bsfs</code>. |
|
</p> |
|
<p>You can disable all the bitstream filters using the configure option |
|
<code>--disable-bsfs</code>, and selectively enable any bitstream filter using |
|
the option <code>--enable-bsf=BSF</code>, or you can disable a particular |
|
bitstream filter using the option <code>--disable-bsf=BSF</code>. |
|
</p> |
|
<p>The option <code>-bsfs</code> of the ff* tools will display the list of |
|
all the supported bitstream filters included in your build. |
|
</p> |
|
<p>The ff* tools have a -bsf option applied per stream, taking a |
|
comma-separated list of filters, whose parameters follow the filter |
|
name after a ’=’. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -c:v copy -bsf:v filter1[=opt1=str1:opt2=str2][,filter2] OUTPUT |
|
</pre></div> |
|
|
|
<p>Below is a description of the currently available bitstream filters, |
|
with their parameters, if any. |
|
</p> |
|
<a name="aac_005fadtstoasc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aac_005fadtstoasc">11.1 aac_adtstoasc</a></h2> |
|
|
|
<p>Convert MPEG-2/4 AAC ADTS to an MPEG-4 Audio Specific Configuration |
|
bitstream. |
|
</p> |
|
<p>This filter creates an MPEG-4 AudioSpecificConfig from an MPEG-2/4 |
|
ADTS header and removes the ADTS header. |
|
</p> |
|
<p>This filter is required for example when copying an AAC stream from a |
|
raw ADTS AAC or an MPEG-TS container to MP4A-LATM, to an FLV file, or |
|
to MOV/MP4 files and related formats such as 3GP or M4A. Please note |
|
that it is auto-inserted for MP4A-LATM and MOV/MP4 and related formats. |
|
</p> |
|
<a name="chomp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-chomp">11.2 chomp</a></h2> |
|
|
|
<p>Remove zero padding at the end of a packet. |
|
</p> |
|
<a name="dca_005fcore"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dca_005fcore">11.3 dca_core</a></h2> |
|
|
|
<p>Extract the core from a DCA/DTS stream, dropping extensions such as |
|
DTS-HD. |
|
</p> |
|
<a name="dump_005fextra"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dump_005fextra">11.4 dump_extra</a></h2> |
|
|
|
<p>Add extradata to the beginning of the filtered packets. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>freq</samp>’</dt> |
|
<dd><p>The additional argument specifies which packets should be filtered. |
|
It accepts the values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dt>‘<samp>keyframe</samp>’</dt> |
|
<dd><p>add extradata to all key packets |
|
</p> |
|
</dd> |
|
<dt>‘<samp>e</samp>’</dt> |
|
<dt>‘<samp>all</samp>’</dt> |
|
<dd><p>add extradata to all packets |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<p>If not specified it is assumed ‘<samp>e</samp>’. |
|
</p> |
|
<p>For example the following <code>ffmpeg</code> command forces a global |
|
header (thus disabling individual packet headers) in the H.264 packets |
|
generated by the <code>libx264</code> encoder, but corrects them by adding |
|
the header stored in extradata to the key packets: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -map 0 -flags:v +global_header -c:v libx264 -bsf:v dump_extra out.ts |
|
</pre></div> |
|
|
|
<a name="eac3_005fcore"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-eac3_005fcore">11.5 eac3_core</a></h2> |
|
|
|
<p>Extract the core from a E-AC-3 stream, dropping extra channels. |
|
</p> |
|
<a name="extract_005fextradata"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-extract_005fextradata">11.6 extract_extradata</a></h2> |
|
|
|
<p>Extract the in-band extradata. |
|
</p> |
|
<p>Certain codecs allow the long-term headers (e.g. MPEG-2 sequence headers, |
|
or H.264/HEVC (VPS/)SPS/PPS) to be transmitted either "in-band" (i.e. as a part |
|
of the bitstream containing the coded frames) or "out of band" (e.g. on the |
|
container level). This latter form is called "extradata" in FFmpeg terminology. |
|
</p> |
|
<p>This bitstream filter detects the in-band headers and makes them available as |
|
extradata. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>remove</samp>’</dt> |
|
<dd><p>When this option is enabled, the long-term headers are removed from the |
|
bitstream after extraction. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="filter_005funits"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-filter_005funits">11.7 filter_units</a></h2> |
|
|
|
<p>Remove units with types in or not in a given set from the stream. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>pass_types</samp>’</dt> |
|
<dd><p>List of unit types or ranges of unit types to pass through while removing |
|
all others. This is specified as a ’|’-separated list of unit type values |
|
or ranges of values with ’-’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>remove_types</samp>’</dt> |
|
<dd><p>Identical to ‘<samp>pass_types</samp>’, except the units in the given set |
|
removed and all others passed through. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Extradata is unchanged by this transformation, but note that if the stream |
|
contains inline parameter sets then the output may be unusable if they are |
|
removed. |
|
</p> |
|
<p>For example, to remove all non-VCL NAL units from an H.264 stream: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -c:v copy -bsf:v 'filter_units=pass_types=1-5' OUTPUT |
|
</pre></div> |
|
|
|
<p>To remove all AUDs, SEI and filler from an H.265 stream: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -c:v copy -bsf:v 'filter_units=remove_types=35|38-40' OUTPUT |
|
</pre></div> |
|
|
|
<a name="hapqa_005fextract"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hapqa_005fextract">11.8 hapqa_extract</a></h2> |
|
|
|
<p>Extract Rgb or Alpha part of an HAPQA file, without recompression, in order to create an HAPQ or an HAPAlphaOnly file. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>texture</samp>’</dt> |
|
<dd><p>Specifies the texture to keep. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dt>‘<samp>alpha</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<p>Convert HAPQA to HAPQ |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i hapqa_inputfile.mov -c copy -bsf:v hapqa_extract=texture=color -tag:v HapY -metadata:s:v:0 encoder="HAPQ" hapq_file.mov |
|
</pre></div> |
|
|
|
<p>Convert HAPQA to HAPAlphaOnly |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i hapqa_inputfile.mov -c copy -bsf:v hapqa_extract=texture=alpha -tag:v HapA -metadata:s:v:0 encoder="HAPAlpha Only" hapalphaonly_file.mov |
|
</pre></div> |
|
|
|
<a name="h264_005fmetadata"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-h264_005fmetadata">11.9 h264_metadata</a></h2> |
|
|
|
<p>Modify metadata embedded in an H.264 stream. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>aud</samp>’</dt> |
|
<dd><p>Insert or remove AUD NAL units in all access units of the stream. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>insert</samp>’</dt> |
|
<dt>‘<samp>remove</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>sample_aspect_ratio</samp>’</dt> |
|
<dd><p>Set the sample aspect ratio of the stream in the VUI parameters. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_format</samp>’</dt> |
|
<dt>‘<samp>video_full_range_flag</samp>’</dt> |
|
<dd><p>Set the video format in the stream (see H.264 section E.2.1 and |
|
table E-2). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colour_primaries</samp>’</dt> |
|
<dt>‘<samp>transfer_characteristics</samp>’</dt> |
|
<dt>‘<samp>matrix_coefficients</samp>’</dt> |
|
<dd><p>Set the colour description in the stream (see H.264 section E.2.1 |
|
and tables E-3, E-4 and E-5). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_sample_loc_type</samp>’</dt> |
|
<dd><p>Set the chroma sample location in the stream (see H.264 section |
|
E.2.1 and figure E-1). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tick_rate</samp>’</dt> |
|
<dd><p>Set the tick rate (num_units_in_tick / time_scale) in the VUI |
|
parameters. This is the smallest time unit representable in the |
|
stream, and in many cases represents the field rate of the stream |
|
(double the frame rate). |
|
</p></dd> |
|
<dt>‘<samp>fixed_frame_rate_flag</samp>’</dt> |
|
<dd><p>Set whether the stream has fixed framerate - typically this indicates |
|
that the framerate is exactly half the tick rate, but the exact |
|
meaning is dependent on interlacing and the picture structure (see |
|
H.264 section E.2.1 and table E-6). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>crop_left</samp>’</dt> |
|
<dt>‘<samp>crop_right</samp>’</dt> |
|
<dt>‘<samp>crop_top</samp>’</dt> |
|
<dt>‘<samp>crop_bottom</samp>’</dt> |
|
<dd><p>Set the frame cropping offsets in the SPS. These values will replace |
|
the current ones if the stream is already cropped. |
|
</p> |
|
<p>These fields are set in pixels. Note that some sizes may not be |
|
representable if the chroma is subsampled or the stream is interlaced |
|
(see H.264 section 7.4.2.1.1). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sei_user_data</samp>’</dt> |
|
<dd><p>Insert a string as SEI unregistered user data. The argument must |
|
be of the form <em>UUID+string</em>, where the UUID is as hex digits |
|
possibly separated by hyphens, and the string can be anything. |
|
</p> |
|
<p>For example, ‘<samp>086f3693-b7b3-4f2c-9653-21492feee5b8+hello</samp>’ will |
|
insert the string “hello” associated with the given UUID. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delete_filler</samp>’</dt> |
|
<dd><p>Deletes both filler NAL units and filler SEI messages. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="h264_005fmp4toannexb"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-h264_005fmp4toannexb">11.10 h264_mp4toannexb</a></h2> |
|
|
|
<p>Convert an H.264 bitstream from length prefixed mode to start code |
|
prefixed mode (as defined in the Annex B of the ITU-T H.264 |
|
specification). |
|
</p> |
|
<p>This is required by some streaming formats, typically the MPEG-2 |
|
transport stream format (muxer <code>mpegts</code>). |
|
</p> |
|
<p>For example to remux an MP4 file containing an H.264 stream to mpegts |
|
format with <code>ffmpeg</code>, you can use the command: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT.mp4 -codec copy -bsf:v h264_mp4toannexb OUTPUT.ts |
|
</pre></div> |
|
|
|
<p>Please note that this filter is auto-inserted for MPEG-TS (muxer |
|
<code>mpegts</code>) and raw H.264 (muxer <code>h264</code>) output formats. |
|
</p> |
|
<a name="h264_005fredundant_005fpps"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-h264_005fredundant_005fpps">11.11 h264_redundant_pps</a></h2> |
|
|
|
<p>This applies a specific fixup to some Blu-ray streams which contain |
|
redundant PPSs modifying irrelevant parameters of the stream which |
|
confuse other transformations which require correct extradata. |
|
</p> |
|
<p>A new single global PPS is created, and all of the redundant PPSs |
|
within the stream are removed. |
|
</p> |
|
<a name="hevc_005fmetadata"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hevc_005fmetadata">11.12 hevc_metadata</a></h2> |
|
|
|
<p>Modify metadata embedded in an HEVC stream. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>aud</samp>’</dt> |
|
<dd><p>Insert or remove AUD NAL units in all access units of the stream. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>insert</samp>’</dt> |
|
<dt>‘<samp>remove</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>sample_aspect_ratio</samp>’</dt> |
|
<dd><p>Set the sample aspect ratio in the stream in the VUI parameters. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_format</samp>’</dt> |
|
<dt>‘<samp>video_full_range_flag</samp>’</dt> |
|
<dd><p>Set the video format in the stream (see H.265 section E.3.1 and |
|
table E.2). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colour_primaries</samp>’</dt> |
|
<dt>‘<samp>transfer_characteristics</samp>’</dt> |
|
<dt>‘<samp>matrix_coefficients</samp>’</dt> |
|
<dd><p>Set the colour description in the stream (see H.265 section E.3.1 |
|
and tables E.3, E.4 and E.5). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_sample_loc_type</samp>’</dt> |
|
<dd><p>Set the chroma sample location in the stream (see H.265 section |
|
E.3.1 and figure E.1). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tick_rate</samp>’</dt> |
|
<dd><p>Set the tick rate in the VPS and VUI parameters (num_units_in_tick / |
|
time_scale). Combined with ‘<samp>num_ticks_poc_diff_one</samp>’, this can |
|
set a constant framerate in the stream. Note that it is likely to be |
|
overridden by container parameters when the stream is in a container. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>num_ticks_poc_diff_one</samp>’</dt> |
|
<dd><p>Set poc_proportional_to_timing_flag in VPS and VUI and use this value |
|
to set num_ticks_poc_diff_one_minus1 (see H.265 sections 7.4.3.1 and |
|
E.3.1). Ignored if ‘<samp>tick_rate</samp>’ is not also set. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>crop_left</samp>’</dt> |
|
<dt>‘<samp>crop_right</samp>’</dt> |
|
<dt>‘<samp>crop_top</samp>’</dt> |
|
<dt>‘<samp>crop_bottom</samp>’</dt> |
|
<dd><p>Set the conformance window cropping offsets in the SPS. These values |
|
will replace the current ones if the stream is already cropped. |
|
</p> |
|
<p>These fields are set in pixels. Note that some sizes may not be |
|
representable if the chroma is subsampled (H.265 section 7.4.3.2.1). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="hevc_005fmp4toannexb"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hevc_005fmp4toannexb">11.13 hevc_mp4toannexb</a></h2> |
|
|
|
<p>Convert an HEVC/H.265 bitstream from length prefixed mode to start code |
|
prefixed mode (as defined in the Annex B of the ITU-T H.265 |
|
specification). |
|
</p> |
|
<p>This is required by some streaming formats, typically the MPEG-2 |
|
transport stream format (muxer <code>mpegts</code>). |
|
</p> |
|
<p>For example to remux an MP4 file containing an HEVC stream to mpegts |
|
format with <code>ffmpeg</code>, you can use the command: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT.mp4 -codec copy -bsf:v hevc_mp4toannexb OUTPUT.ts |
|
</pre></div> |
|
|
|
<p>Please note that this filter is auto-inserted for MPEG-TS (muxer |
|
<code>mpegts</code>) and raw HEVC/H.265 (muxer <code>h265</code> or |
|
<code>hevc</code>) output formats. |
|
</p> |
|
<a name="imxdump"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-imxdump">11.14 imxdump</a></h2> |
|
|
|
<p>Modifies the bitstream to fit in MOV and to be usable by the Final Cut |
|
Pro decoder. This filter only applies to the mpeg2video codec, and is |
|
likely not needed for Final Cut Pro 7 and newer with the appropriate |
|
‘<samp>-tag:v</samp>’. |
|
</p> |
|
<p>For example, to remux 30 MB/sec NTSC IMX to MOV: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.mxf -c copy -bsf:v imxdump -tag:v mx3n output.mov |
|
</pre></div> |
|
|
|
<a name="mjpeg2jpeg"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mjpeg2jpeg">11.15 mjpeg2jpeg</a></h2> |
|
|
|
<p>Convert MJPEG/AVI1 packets to full JPEG/JFIF packets. |
|
</p> |
|
<p>MJPEG is a video codec wherein each video frame is essentially a |
|
JPEG image. The individual frames can be extracted without loss, |
|
e.g. by |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i ../some_mjpeg.avi -c:v copy frames_%d.jpg |
|
</pre></div> |
|
|
|
<p>Unfortunately, these chunks are incomplete JPEG images, because |
|
they lack the DHT segment required for decoding. Quoting from |
|
<a href="http://www.digitalpreservation.gov/formats/fdd/fdd000063.shtml">http://www.digitalpreservation.gov/formats/fdd/fdd000063.shtml</a>: |
|
</p> |
|
<p>Avery Lee, writing in the rec.video.desktop newsgroup in 2001, |
|
commented that "MJPEG, or at least the MJPEG in AVIs having the |
|
MJPG fourcc, is restricted JPEG with a fixed – and *omitted* – |
|
Huffman table. The JPEG must be YCbCr colorspace, it must be 4:2:2, |
|
and it must use basic Huffman encoding, not arithmetic or |
|
progressive. . . . You can indeed extract the MJPEG frames and |
|
decode them with a regular JPEG decoder, but you have to prepend |
|
the DHT segment to them, or else the decoder won’t have any idea |
|
how to decompress the data. The exact table necessary is given in |
|
the OpenDML spec." |
|
</p> |
|
<p>This bitstream filter patches the header of frames extracted from an MJPEG |
|
stream (carrying the AVI1 header ID and lacking a DHT segment) to |
|
produce fully qualified JPEG images. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i mjpeg-movie.avi -c:v copy -bsf:v mjpeg2jpeg frame_%d.jpg |
|
exiftran -i -9 frame*.jpg |
|
ffmpeg -i frame_%d.jpg -c:v copy rotated.avi |
|
</pre></div> |
|
|
|
<a name="mjpegadump"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mjpegadump">11.16 mjpegadump</a></h2> |
|
|
|
<p>Add an MJPEG A header to the bitstream, to enable decoding by |
|
Quicktime. |
|
</p> |
|
<p><a name="mov2textsub"></a> |
|
</p><a name="mov2textsub-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mov2textsub-1">11.17 mov2textsub</a></h2> |
|
|
|
<p>Extract a representable text file from MOV subtitles, stripping the |
|
metadata header from each subtitle packet. |
|
</p> |
|
<p>See also the <a href="#text2movsub">text2movsub</a> filter. |
|
</p> |
|
<a name="mp3decomp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mp3decomp">11.18 mp3decomp</a></h2> |
|
|
|
<p>Decompress non-standard compressed MP3 audio headers. |
|
</p> |
|
<a name="mpeg2_005fmetadata"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mpeg2_005fmetadata">11.19 mpeg2_metadata</a></h2> |
|
|
|
<p>Modify metadata embedded in an MPEG-2 stream. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>display_aspect_ratio</samp>’</dt> |
|
<dd><p>Set the display aspect ratio in the stream. |
|
</p> |
|
<p>The following fixed values are supported: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>4/3</samp>’</dt> |
|
<dt>‘<samp>16/9</samp>’</dt> |
|
<dt>‘<samp>221/100</samp>’</dt> |
|
</dl> |
|
<p>Any other value will result in square pixels being signalled instead |
|
(see H.262 section 6.3.3 and table 6-3). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame_rate</samp>’</dt> |
|
<dd><p>Set the frame rate in the stream. This is constructed from a table |
|
of known values combined with a small multiplier and divisor - if |
|
the supplied value is not exactly representable, the nearest |
|
representable value will be used instead (see H.262 section 6.3.3 |
|
and table 6-4). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_format</samp>’</dt> |
|
<dd><p>Set the video format in the stream (see H.262 section 6.3.6 and |
|
table 6-6). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colour_primaries</samp>’</dt> |
|
<dt>‘<samp>transfer_characteristics</samp>’</dt> |
|
<dt>‘<samp>matrix_coefficients</samp>’</dt> |
|
<dd><p>Set the colour description in the stream (see H.262 section 6.3.6 |
|
and tables 6-7, 6-8 and 6-9). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="mpeg4_005funpack_005fbframes"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mpeg4_005funpack_005fbframes">11.20 mpeg4_unpack_bframes</a></h2> |
|
|
|
<p>Unpack DivX-style packed B-frames. |
|
</p> |
|
<p>DivX-style packed B-frames are not valid MPEG-4 and were only a |
|
workaround for the broken Video for Windows subsystem. |
|
They use more space, can cause minor AV sync issues, require more |
|
CPU power to decode (unless the player has some decoded picture queue |
|
to compensate the 2,0,2,0 frame per packet style) and cause |
|
trouble if copied into a standard container like mp4 or mpeg-ps/ts, |
|
because MPEG-4 decoders may not be able to decode them, since they are |
|
not valid MPEG-4. |
|
</p> |
|
<p>For example to fix an AVI file containing an MPEG-4 stream with |
|
DivX-style packed B-frames using <code>ffmpeg</code>, you can use the command: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT.avi -codec copy -bsf:v mpeg4_unpack_bframes OUTPUT.avi |
|
</pre></div> |
|
|
|
<a name="noise"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-noise">11.21 noise</a></h2> |
|
|
|
<p>Damages the contents of packets or simply drops them without damaging the |
|
container. Can be used for fuzzing or testing error resilience/concealment. |
|
</p> |
|
<p>Parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>amount</samp>’</dt> |
|
<dd><p>A numeral string, whose value is related to how often output bytes will |
|
be modified. Therefore, values below or equal to 0 are forbidden, and |
|
the lower the more frequent bytes will be modified, with 1 meaning |
|
every byte is modified. |
|
</p></dd> |
|
<dt>‘<samp>dropamount</samp>’</dt> |
|
<dd><p>A numeral string, whose value is related to how often packets will be dropped. |
|
Therefore, values below or equal to 0 are forbidden, and the lower the more |
|
frequent packets will be dropped, with 1 meaning every packet is dropped. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The following example applies the modification to every byte but does not drop |
|
any packets. |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -c copy -bsf noise[=1] output.mkv |
|
</pre></div> |
|
|
|
<a name="null-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-null-1">11.22 null</a></h2> |
|
<p>This bitstream filter passes the packets through unchanged. |
|
</p> |
|
<a name="remove_005fextra"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-remove_005fextra">11.23 remove_extra</a></h2> |
|
|
|
<p>Remove extradata from packets. |
|
</p> |
|
<p>It accepts the following parameter: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>freq</samp>’</dt> |
|
<dd><p>Set which frame types to remove extradata from. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>Remove extradata from non-keyframes only. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>keyframe</samp>’</dt> |
|
<dd><p>Remove extradata from keyframes only. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>e, all</samp>’</dt> |
|
<dd><p>Remove extradata from all frames. |
|
</p> |
|
</dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<p><a name="text2movsub"></a> |
|
</p><a name="text2movsub-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-text2movsub-1">11.24 text2movsub</a></h2> |
|
|
|
<p>Convert text subtitles to MOV subtitles (as used by the <code>mov_text</code> |
|
codec) with metadata headers. |
|
</p> |
|
<p>See also the <a href="#mov2textsub">mov2textsub</a> filter. |
|
</p> |
|
<a name="trace_005fheaders"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-trace_005fheaders">11.25 trace_headers</a></h2> |
|
|
|
<p>Log trace output containing all syntax elements in the coded stream |
|
headers (everything above the level of individual coded blocks). |
|
This can be useful for debugging low-level stream issues. |
|
</p> |
|
<p>Supports H.264, H.265, MPEG-2 and VP9. |
|
</p> |
|
<a name="vp9_005fmetadata"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vp9_005fmetadata">11.26 vp9_metadata</a></h2> |
|
|
|
<p>Modify metadata embedded in a VP9 stream. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>color_space</samp>’</dt> |
|
<dd><p>Set the color space value in the frame header. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>unknown</samp>’</dt> |
|
<dt>‘<samp>bt601</samp>’</dt> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dt>‘<samp>smpte170</samp>’</dt> |
|
<dt>‘<samp>smpte240</samp>’</dt> |
|
<dt>‘<samp>bt2020</samp>’</dt> |
|
<dt>‘<samp>rgb</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>color_range</samp>’</dt> |
|
<dd><p>Set the color range value in the frame header. Note that this cannot |
|
be set in RGB streams. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>tv</samp>’</dt> |
|
<dt>‘<samp>pc</samp>’</dt> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="vp9_005fsuperframe"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vp9_005fsuperframe">11.27 vp9_superframe</a></h2> |
|
|
|
<p>Merge VP9 invisible (alt-ref) frames back into VP9 superframes. This |
|
fixes merging of split/segmented VP9 streams where the alt-ref frame |
|
was split from its visible counterpart. |
|
</p> |
|
<a name="vp9_005fsuperframe_005fsplit"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vp9_005fsuperframe_005fsplit">11.28 vp9_superframe_split</a></h2> |
|
|
|
<p>Split VP9 superframes into single frames. |
|
</p> |
|
<a name="vp9_005fraw_005freorder"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vp9_005fraw_005freorder">11.29 vp9_raw_reorder</a></h2> |
|
|
|
<p>Given a VP9 stream with correct timestamps but possibly out of order, |
|
insert additional show-existing-frame packets to correct the ordering. |
|
</p> |
|
<a name="Format-Options"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Format-Options">12 Format Options</a></h1> |
|
|
|
<p>The libavformat library provides some generic global options, which |
|
can be set on all the muxers and demuxers. In addition each muxer or |
|
demuxer may support so-called private options, which are specific for |
|
that component. |
|
</p> |
|
<p>Options may be set by specifying -<var>option</var> <var>value</var> in the |
|
FFmpeg tools, or by setting the value explicitly in the |
|
<code>AVFormatContext</code> options or using the ‘<tt>libavutil/opt.h</tt>’ API |
|
for programmatic use. |
|
</p> |
|
<p>The list of supported options follows: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>avioflags <var>flags</var> (<em>input/output</em>)</samp>’</dt> |
|
<dd><p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>direct</samp>’</dt> |
|
<dd><p>Reduce buffering. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>probesize <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Set probing size in bytes, i.e. the size of the data to analyze to get |
|
stream information. A higher value will enable detecting more |
|
information in case it is dispersed into the stream, but will increase |
|
latency. Must be an integer not lesser than 32. It is 5000000 by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>packetsize <var>integer</var> (<em>output</em>)</samp>’</dt> |
|
<dd><p>Set packet size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fflags <var>flags</var></samp>’</dt> |
|
<dd><p>Set format flags. Some are implemented for a limited number of formats. |
|
</p> |
|
<p>Possible values for input files: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>discardcorrupt</samp>’</dt> |
|
<dd><p>Discard corrupted packets. |
|
</p></dd> |
|
<dt>‘<samp>fastseek</samp>’</dt> |
|
<dd><p>Enable fast, but inaccurate seeks for some formats. |
|
</p></dd> |
|
<dt>‘<samp>genpts</samp>’</dt> |
|
<dd><p>Generate missing PTS if DTS is present. |
|
</p></dd> |
|
<dt>‘<samp>igndts</samp>’</dt> |
|
<dd><p>Ignore DTS if PTS is set. Inert when nofillin is set. |
|
</p></dd> |
|
<dt>‘<samp>ignidx</samp>’</dt> |
|
<dd><p>Ignore index. |
|
</p></dd> |
|
<dt>‘<samp>keepside (<em>deprecated</em>,<em>inert</em>)</samp>’</dt> |
|
<dt>‘<samp>nobuffer</samp>’</dt> |
|
<dd><p>Reduce the latency introduced by buffering during initial input streams analysis. |
|
</p></dd> |
|
<dt>‘<samp>nofillin</samp>’</dt> |
|
<dd><p>Do not fill in missing values in packet fields that can be exactly calculated. |
|
</p></dd> |
|
<dt>‘<samp>noparse</samp>’</dt> |
|
<dd><p>Disable AVParsers, this needs <code>+nofillin</code> too. |
|
</p></dd> |
|
<dt>‘<samp>sortdts</samp>’</dt> |
|
<dd><p>Try to interleave output packets by DTS. At present, available only for AVIs with an index. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Possible values for output files: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>autobsf</samp>’</dt> |
|
<dd><p>Automatically apply bitstream filters as required by the output format. Enabled by default. |
|
</p></dd> |
|
<dt>‘<samp>bitexact</samp>’</dt> |
|
<dd><p>Only write platform-, build- and time-independent data. |
|
This ensures that file and data checksums are reproducible and match between |
|
platforms. Its primary use is for regression testing. |
|
</p></dd> |
|
<dt>‘<samp>flush_packets</samp>’</dt> |
|
<dd><p>Write out packets immediately. |
|
</p></dd> |
|
<dt>‘<samp>latm (<em>deprecated</em>,<em>inert</em>)</samp>’</dt> |
|
<dt>‘<samp>shortest</samp>’</dt> |
|
<dd><p>Stop muxing at the end of the shortest stream. |
|
It may be needed to increase max_interleave_delta to avoid flushing the longer |
|
streams before EOF. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>seek2any <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Allow seeking to non-keyframes on demuxer level when supported if set to 1. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>analyzeduration <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Specify how many microseconds are analyzed to probe the input. A |
|
higher value will enable detecting more accurate information, but will |
|
increase latency. It defaults to 5,000,000 microseconds = 5 seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cryptokey <var>hexadecimal string</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Set decryption key. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>indexmem <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Set max memory used for timestamp index (per stream). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtbufsize <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Set max memory used for buffering real-time frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fdebug <var>flags</var> (<em>input/output</em>)</samp>’</dt> |
|
<dd><p>Print specific debug info. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>ts</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>max_delay <var>integer</var> (<em>input/output</em>)</samp>’</dt> |
|
<dd><p>Set maximum muxing or demuxing delay in microseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fpsprobesize <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Set number of frames used to probe fps. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_preload <var>integer</var> (<em>output</em>)</samp>’</dt> |
|
<dd><p>Set microseconds by which audio packets should be interleaved earlier. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chunk_duration <var>integer</var> (<em>output</em>)</samp>’</dt> |
|
<dd><p>Set microseconds for each chunk. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chunk_size <var>integer</var> (<em>output</em>)</samp>’</dt> |
|
<dd><p>Set size in bytes for each chunk. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>err_detect, f_err_detect <var>flags</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Set error detection flags. <code>f_err_detect</code> is deprecated and |
|
should be used only via the <code>ffmpeg</code> tool. |
|
</p> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>crccheck</samp>’</dt> |
|
<dd><p>Verify embedded CRCs. |
|
</p></dd> |
|
<dt>‘<samp>bitstream</samp>’</dt> |
|
<dd><p>Detect bitstream specification deviations. |
|
</p></dd> |
|
<dt>‘<samp>buffer</samp>’</dt> |
|
<dd><p>Detect improper bitstream length. |
|
</p></dd> |
|
<dt>‘<samp>explode</samp>’</dt> |
|
<dd><p>Abort decoding on minor error detection. |
|
</p></dd> |
|
<dt>‘<samp>careful</samp>’</dt> |
|
<dd><p>Consider things that violate the spec and have not been seen in the |
|
wild as errors. |
|
</p></dd> |
|
<dt>‘<samp>compliant</samp>’</dt> |
|
<dd><p>Consider all spec non compliancies as errors. |
|
</p></dd> |
|
<dt>‘<samp>aggressive</samp>’</dt> |
|
<dd><p>Consider things that a sane encoder should not do as an error. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>max_interleave_delta <var>integer</var> (<em>output</em>)</samp>’</dt> |
|
<dd><p>Set maximum buffering duration for interleaving. The duration is |
|
expressed in microseconds, and defaults to 1000000 (1 second). |
|
</p> |
|
<p>To ensure all the streams are interleaved correctly, libavformat will |
|
wait until it has at least one packet for each stream before actually |
|
writing any packets to the output file. When some streams are |
|
"sparse" (i.e. there are large gaps between successive packets), this |
|
can result in excessive buffering. |
|
</p> |
|
<p>This field specifies the maximum difference between the timestamps of the |
|
first and the last packet in the muxing queue, above which libavformat |
|
will output a packet regardless of whether it has queued a packet for all |
|
the streams. |
|
</p> |
|
<p>If set to 0, libavformat will continue buffering packets until it has |
|
a packet for each stream, regardless of the maximum timestamp |
|
difference between the buffered packets. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>use_wallclock_as_timestamps <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Use wallclock as timestamps if set to 1. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>avoid_negative_ts <var>integer</var> (<em>output</em>)</samp>’</dt> |
|
<dd> |
|
<p>Possible values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>make_non_negative</samp>’</dt> |
|
<dd><p>Shift timestamps to make them non-negative. |
|
Also note that this affects only leading negative timestamps, and not |
|
non-monotonic negative timestamps. |
|
</p></dd> |
|
<dt>‘<samp>make_zero</samp>’</dt> |
|
<dd><p>Shift timestamps so that the first timestamp is 0. |
|
</p></dd> |
|
<dt>‘<samp>auto (default)</samp>’</dt> |
|
<dd><p>Enables shifting when required by the target format. |
|
</p></dd> |
|
<dt>‘<samp>disabled</samp>’</dt> |
|
<dd><p>Disables shifting of timestamp. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>When shifting is enabled, all output timestamps are shifted by the |
|
same amount. Audio, video, and subtitles desynching and relative |
|
timestamp differences are preserved compared to how they would have |
|
been without shifting. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip_initial_bytes <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Set number of bytes to skip before reading header and frames if set to 1. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>correct_ts_overflow <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Correct single timestamp overflows if set to 1. Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flush_packets <var>integer</var> (<em>output</em>)</samp>’</dt> |
|
<dd><p>Flush the underlying I/O stream after each packet. Default is -1 (auto), which |
|
means that the underlying protocol will decide, 1 enables it, and has the |
|
effect of reducing the latency, 0 disables it and may increase IO throughput in |
|
some cases. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>output_ts_offset <var>offset</var> (<em>output</em>)</samp>’</dt> |
|
<dd><p>Set the output time offset. |
|
</p> |
|
<p><var>offset</var> must be a time duration specification, |
|
see <a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a>. |
|
</p> |
|
<p>The offset is added by the muxer to the output timestamps. |
|
</p> |
|
<p>Specifying a positive offset means that the corresponding streams are |
|
delayed bt the time duration specified in <var>offset</var>. Default value |
|
is <code>0</code> (meaning that no offset is applied). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format_whitelist <var>list</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>"," separated list of allowed demuxers. By default all are allowed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dump_separator <var>string</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Separator used to separate the fields printed on the command line about the |
|
Stream parameters. |
|
For example to separate the fields with newlines and indention: |
|
</p><div class="example"> |
|
<pre class="example">ffprobe -dump_separator " |
|
" -i ~/videos/matrixbench_mpeg2.mpg |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>max_streams <var>integer</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Specifies the maximum number of streams. This can be used to reject files that |
|
would require too many resources due to a large number of streams. |
|
</p></dd> |
|
</dl> |
|
|
|
|
|
<p><a name="Format-stream-specifiers"></a> |
|
</p><a name="Format-stream-specifiers-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Format-stream-specifiers-1">12.1 Format stream specifiers</a></h2> |
|
|
|
<p>Format stream specifiers allow selection of one or more streams that |
|
match specific properties. |
|
</p> |
|
<p>Possible forms of stream specifiers are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp><var>stream_index</var></samp>’</dt> |
|
<dd><p>Matches the stream with this index. |
|
</p> |
|
</dd> |
|
<dt>‘<samp><var>stream_type</var>[:<var>stream_index</var>]</samp>’</dt> |
|
<dd><p><var>stream_type</var> is one of following: ’v’ for video, ’a’ for audio, |
|
’s’ for subtitle, ’d’ for data, and ’t’ for attachments. If |
|
<var>stream_index</var> is given, then it matches the stream number |
|
<var>stream_index</var> of this type. Otherwise, it matches all streams of |
|
this type. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p:<var>program_id</var>[:<var>stream_index</var>]</samp>’</dt> |
|
<dd><p>If <var>stream_index</var> is given, then it matches the stream with number |
|
<var>stream_index</var> in the program with the id |
|
<var>program_id</var>. Otherwise, it matches all streams in the program. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>#<var>stream_id</var></samp>’</dt> |
|
<dd><p>Matches the stream by a format-specific ID. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The exact semantics of stream specifiers is defined by the |
|
<code>avformat_match_stream_specifier()</code> function declared in the |
|
‘<tt>libavformat/avformat.h</tt>’ header. |
|
</p> |
|
<a name="Demuxers"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Demuxers">13 Demuxers</a></h1> |
|
|
|
<p>Demuxers are configured elements in FFmpeg that can read the |
|
multimedia streams from a particular type of file. |
|
</p> |
|
<p>When you configure your FFmpeg build, all the supported demuxers |
|
are enabled by default. You can list all available ones using the |
|
configure option <code>--list-demuxers</code>. |
|
</p> |
|
<p>You can disable all the demuxers using the configure option |
|
<code>--disable-demuxers</code>, and selectively enable a single demuxer with |
|
the option <code>--enable-demuxer=<var>DEMUXER</var></code>, or disable it |
|
with the option <code>--disable-demuxer=<var>DEMUXER</var></code>. |
|
</p> |
|
<p>The option <code>-demuxers</code> of the ff* tools will display the list of |
|
enabled demuxers. Use <code>-formats</code> to view a combined list of |
|
enabled demuxers and muxers. |
|
</p> |
|
<p>The description of some of the currently available demuxers follows. |
|
</p> |
|
<a name="aa"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aa">13.1 aa</a></h2> |
|
|
|
<p>Audible Format 2, 3, and 4 demuxer. |
|
</p> |
|
<p>This demuxer is used to demux Audible Format 2, 3, and 4 (.aa) files. |
|
</p> |
|
<a name="applehttp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-applehttp">13.2 applehttp</a></h2> |
|
|
|
<p>Apple HTTP Live Streaming demuxer. |
|
</p> |
|
<p>This demuxer presents all AVStreams from all variant streams. |
|
The id field is set to the bitrate variant index number. By setting |
|
the discard flags on AVStreams (by pressing ’a’ or ’v’ in ffplay), |
|
the caller can decide which variant streams to actually receive. |
|
The total bitrate of the variant that the stream belongs to is |
|
available in a metadata key named "variant_bitrate". |
|
</p> |
|
<a name="apng"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-apng">13.3 apng</a></h2> |
|
|
|
<p>Animated Portable Network Graphics demuxer. |
|
</p> |
|
<p>This demuxer is used to demux APNG files. |
|
All headers, but the PNG signature, up to (but not including) the first |
|
fcTL chunk are transmitted as extradata. |
|
Frames are then split as being all the chunks between two fcTL ones, or |
|
between the last fcTL and IEND chunks. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>-ignore_loop <var>bool</var></samp>’</dt> |
|
<dd><p>Ignore the loop variable in the file if set. |
|
</p></dd> |
|
<dt>‘<samp>-max_fps <var>int</var></samp>’</dt> |
|
<dd><p>Maximum framerate in frames per second (0 for no limit). |
|
</p></dd> |
|
<dt>‘<samp>-default_fps <var>int</var></samp>’</dt> |
|
<dd><p>Default framerate in frames per second when none is specified in the file |
|
(0 meaning as fast as possible). |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="asf"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-asf">13.4 asf</a></h2> |
|
|
|
<p>Advanced Systems Format demuxer. |
|
</p> |
|
<p>This demuxer is used to demux ASF files and MMS network streams. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>-no_resync_search <var>bool</var></samp>’</dt> |
|
<dd><p>Do not try to resynchronize by looking for a certain optional start code. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="concat"></a> |
|
</p><a name="concat-3"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-concat-3">13.5 concat</a></h2> |
|
|
|
<p>Virtual concatenation script demuxer. |
|
</p> |
|
<p>This demuxer reads a list of files and other directives from a text file and |
|
demuxes them one after the other, as if all their packets had been muxed |
|
together. |
|
</p> |
|
<p>The timestamps in the files are adjusted so that the first file starts at 0 |
|
and each next file starts where the previous one finishes. Note that it is |
|
done globally and may cause gaps if all streams do not have exactly the same |
|
length. |
|
</p> |
|
<p>All files must have the same streams (same codecs, same time base, etc.). |
|
</p> |
|
<p>The duration of each file is used to adjust the timestamps of the next file: |
|
if the duration is incorrect (because it was computed using the bit-rate or |
|
because the file is truncated, for example), it can cause artifacts. The |
|
<code>duration</code> directive can be used to override the duration stored in |
|
each file. |
|
</p> |
|
<a name="Syntax-1"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Syntax-1">13.5.1 Syntax</a></h3> |
|
|
|
<p>The script is a text file in extended-ASCII, with one directive per line. |
|
Empty lines, leading spaces and lines starting with ’#’ are ignored. The |
|
following directive is recognized: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp><code>file <var>path</var></code></samp>’</dt> |
|
<dd><p>Path to a file to read; special characters and spaces must be escaped with |
|
backslash or single quotes. |
|
</p> |
|
<p>All subsequent file-related directives apply to that file. |
|
</p> |
|
</dd> |
|
<dt>‘<samp><code>ffconcat version 1.0</code></samp>’</dt> |
|
<dd><p>Identify the script type and version. It also sets the ‘<samp>safe</samp>’ option |
|
to 1 if it was -1. |
|
</p> |
|
<p>To make FFmpeg recognize the format automatically, this directive must |
|
appear exactly as is (no extra space or byte-order-mark) on the very first |
|
line of the script. |
|
</p> |
|
</dd> |
|
<dt>‘<samp><code>duration <var>dur</var></code></samp>’</dt> |
|
<dd><p>Duration of the file. This information can be specified from the file; |
|
specifying it here may be more efficient or help if the information from the |
|
file is not available or accurate. |
|
</p> |
|
<p>If the duration is set for all files, then it is possible to seek in the |
|
whole concatenated video. |
|
</p> |
|
</dd> |
|
<dt>‘<samp><code>inpoint <var>timestamp</var></code></samp>’</dt> |
|
<dd><p>In point of the file. When the demuxer opens the file it instantly seeks to the |
|
specified timestamp. Seeking is done so that all streams can be presented |
|
successfully at In point. |
|
</p> |
|
<p>This directive works best with intra frame codecs, because for non-intra frame |
|
ones you will usually get extra packets before the actual In point and the |
|
decoded content will most likely contain frames before In point too. |
|
</p> |
|
<p>For each file, packets before the file In point will have timestamps less than |
|
the calculated start timestamp of the file (negative in case of the first |
|
file), and the duration of the files (if not specified by the <code>duration</code> |
|
directive) will be reduced based on their specified In point. |
|
</p> |
|
<p>Because of potential packets before the specified In point, packet timestamps |
|
may overlap between two concatenated files. |
|
</p> |
|
</dd> |
|
<dt>‘<samp><code>outpoint <var>timestamp</var></code></samp>’</dt> |
|
<dd><p>Out point of the file. When the demuxer reaches the specified decoding |
|
timestamp in any of the streams, it handles it as an end of file condition and |
|
skips the current and all the remaining packets from all streams. |
|
</p> |
|
<p>Out point is exclusive, which means that the demuxer will not output packets |
|
with a decoding timestamp greater or equal to Out point. |
|
</p> |
|
<p>This directive works best with intra frame codecs and formats where all streams |
|
are tightly interleaved. For non-intra frame codecs you will usually get |
|
additional packets with presentation timestamp after Out point therefore the |
|
decoded content will most likely contain frames after Out point too. If your |
|
streams are not tightly interleaved you may not get all the packets from all |
|
streams before Out point and you may only will be able to decode the earliest |
|
stream until Out point. |
|
</p> |
|
<p>The duration of the files (if not specified by the <code>duration</code> |
|
directive) will be reduced based on their specified Out point. |
|
</p> |
|
</dd> |
|
<dt>‘<samp><code>file_packet_metadata <var>key=value</var></code></samp>’</dt> |
|
<dd><p>Metadata of the packets of the file. The specified metadata will be set for |
|
each file packet. You can specify this directive multiple times to add multiple |
|
metadata entries. |
|
</p> |
|
</dd> |
|
<dt>‘<samp><code>stream</code></samp>’</dt> |
|
<dd><p>Introduce a stream in the virtual file. |
|
All subsequent stream-related directives apply to the last introduced |
|
stream. |
|
Some streams properties must be set in order to allow identifying the |
|
matching streams in the subfiles. |
|
If no streams are defined in the script, the streams from the first file are |
|
copied. |
|
</p> |
|
</dd> |
|
<dt>‘<samp><code>exact_stream_id <var>id</var></code></samp>’</dt> |
|
<dd><p>Set the id of the stream. |
|
If this directive is given, the string with the corresponding id in the |
|
subfiles will be used. |
|
This is especially useful for MPEG-PS (VOB) files, where the order of the |
|
streams is not reliable. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Options-7"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-7">13.5.2 Options</a></h3> |
|
|
|
<p>This demuxer accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>safe</samp>’</dt> |
|
<dd><p>If set to 1, reject unsafe file paths. A file path is considered safe if it |
|
does not contain a protocol specification and is relative and all components |
|
only contain characters from the portable character set (letters, digits, |
|
period, underscore and hyphen) and have no period at the beginning of a |
|
component. |
|
</p> |
|
<p>If set to 0, any file name is accepted. |
|
</p> |
|
<p>The default is 1. |
|
</p> |
|
<p>-1 is equivalent to 1 if the format was automatically |
|
probed and 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>auto_convert</samp>’</dt> |
|
<dd><p>If set to 1, try to perform automatic conversions on packet data to make the |
|
streams concatenable. |
|
The default is 1. |
|
</p> |
|
<p>Currently, the only conversion is adding the h264_mp4toannexb bitstream |
|
filter to H.264 streams in MP4 format. This is necessary in particular if |
|
there are resolution changes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>segment_time_metadata</samp>’</dt> |
|
<dd><p>If set to 1, every packet will contain the <var>lavf.concat.start_time</var> and the |
|
<var>lavf.concat.duration</var> packet metadata values which are the start_time and |
|
the duration of the respective file segments in the concatenated output |
|
expressed in microseconds. The duration metadata is only set if it is known |
|
based on the concat file. |
|
The default is 0. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-139"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-139">13.5.3 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Use absolute filenames and include some comments: |
|
<div class="example"> |
|
<pre class="example"># my first filename |
|
file /mnt/share/file-1.wav |
|
# my second filename including whitespace |
|
file '/mnt/share/file 2.wav' |
|
# my third filename including whitespace plus single quote |
|
file '/mnt/share/file 3'\''.wav' |
|
</pre></div> |
|
|
|
</li><li> |
|
Allow for input format auto-probing, use safe filenames and set the duration of |
|
the first file: |
|
<div class="example"> |
|
<pre class="example">ffconcat version 1.0 |
|
|
|
file file-1.wav |
|
duration 20.0 |
|
|
|
file subdir/file-2.wav |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="dash"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dash">13.6 dash</a></h2> |
|
|
|
<p>Dynamic Adaptive Streaming over HTTP demuxer. |
|
</p> |
|
<p>This demuxer presents all AVStreams found in the manifest. |
|
By setting the discard flags on AVStreams the caller can decide |
|
which streams to actually receive. |
|
Each stream mirrors the <code>id</code> and <code>bandwidth</code> properties from the |
|
<code><Representation></code> as metadata keys named "id" and "variant_bitrate" respectively. |
|
</p> |
|
<a name="flv_002c-live_005fflv"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-flv_002c-live_005fflv">13.7 flv, live_flv</a></h2> |
|
|
|
<p>Adobe Flash Video Format demuxer. |
|
</p> |
|
<p>This demuxer is used to demux FLV files and RTMP network streams. In case of live network streams, if you force format, you may use live_flv option instead of flv to survive timestamp discontinuities. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f flv -i myfile.flv ... |
|
ffmpeg -f live_flv -i rtmp://<any.server>/anything/key .... |
|
</pre></div> |
|
|
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>-flv_metadata <var>bool</var></samp>’</dt> |
|
<dd><p>Allocate the streams according to the onMetaData array content. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="gif"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-gif">13.8 gif</a></h2> |
|
|
|
<p>Animated GIF demuxer. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>min_delay</samp>’</dt> |
|
<dd><p>Set the minimum valid delay between frames in hundredths of seconds. |
|
Range is 0 to 6000. Default value is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_gif_delay</samp>’</dt> |
|
<dd><p>Set the maximum valid delay between frames in hundredth of seconds. |
|
Range is 0 to 65535. Default value is 65535 (nearly eleven minutes), |
|
the maximum value allowed by the specification. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>default_delay</samp>’</dt> |
|
<dd><p>Set the default delay between frames in hundredths of seconds. |
|
Range is 0 to 6000. Default value is 10. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ignore_loop</samp>’</dt> |
|
<dd><p>GIF files can contain information to loop a certain number of times (or |
|
infinitely). If ‘<samp>ignore_loop</samp>’ is set to 1, then the loop setting |
|
from the input will be ignored and looping will not occur. If set to 0, |
|
then looping will occur and will cycle the number of times according to |
|
the GIF. Default value is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example, with the overlay filter, place an infinitely looping GIF |
|
over another video: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i input.mp4 -ignore_loop 0 -i input.gif -filter_complex overlay=shortest=1 out.mkv |
|
</pre></div> |
|
|
|
<p>Note that in the above example the shortest option for overlay filter is |
|
used to end the output video at the length of the shortest input file, |
|
which in this case is ‘<tt>input.mp4</tt>’ as the GIF in this example loops |
|
infinitely. |
|
</p> |
|
<a name="hls"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hls">13.9 hls</a></h2> |
|
|
|
<p>HLS demuxer |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>live_start_index</samp>’</dt> |
|
<dd><p>segment index to start live streams at (negative values are from the end). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>allowed_extensions</samp>’</dt> |
|
<dd><p>’,’ separated list of file extensions that hls is allowed to access. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_reload</samp>’</dt> |
|
<dd><p>Maximum number of times a insufficient list is attempted to be reloaded. |
|
Default value is 1000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>http_persistent</samp>’</dt> |
|
<dd><p>Use persistent HTTP connections. Applicable only for HTTP streams. |
|
Enabled by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>http_multiple</samp>’</dt> |
|
<dd><p>Use multiple HTTP connections for downloading HTTP segments. |
|
Enabled by default for HTTP/1.1 servers. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="image2"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-image2">13.10 image2</a></h2> |
|
|
|
<p>Image file demuxer. |
|
</p> |
|
<p>This demuxer reads from a list of image files specified by a pattern. |
|
The syntax and meaning of the pattern is specified by the |
|
option <var>pattern_type</var>. |
|
</p> |
|
<p>The pattern may contain a suffix which is used to automatically |
|
determine the format of the images contained in the files. |
|
</p> |
|
<p>The size, the pixel format, and the format of each image must be the |
|
same for all the files in the sequence. |
|
</p> |
|
<p>This demuxer accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the frame rate for the video stream. It defaults to 25. |
|
</p></dd> |
|
<dt>‘<samp>loop</samp>’</dt> |
|
<dd><p>If set to 1, loop over the input. Default value is 0. |
|
</p></dd> |
|
<dt>‘<samp>pattern_type</samp>’</dt> |
|
<dd><p>Select the pattern type used to interpret the provided filename. |
|
</p> |
|
<p><var>pattern_type</var> accepts one of the following values. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>Disable pattern matching, therefore the video will only contain the specified |
|
image. You should use this option if you do not want to create sequences from |
|
multiple images and your filenames may contain special pattern characters. |
|
</p></dd> |
|
<dt>‘<samp>sequence</samp>’</dt> |
|
<dd><p>Select a sequence pattern type, used to specify a sequence of files |
|
indexed by sequential numbers. |
|
</p> |
|
<p>A sequence pattern may contain the string "%d" or "%0<var>N</var>d", which |
|
specifies the position of the characters representing a sequential |
|
number in each filename matched by the pattern. If the form |
|
"%d0<var>N</var>d" is used, the string representing the number in each |
|
filename is 0-padded and <var>N</var> is the total number of 0-padded |
|
digits representing the number. The literal character ’%’ can be |
|
specified in the pattern with the string "%%". |
|
</p> |
|
<p>If the sequence pattern contains "%d" or "%0<var>N</var>d", the first filename of |
|
the file list specified by the pattern must contain a number |
|
inclusively contained between <var>start_number</var> and |
|
<var>start_number</var>+<var>start_number_range</var>-1, and all the following |
|
numbers must be sequential. |
|
</p> |
|
<p>For example the pattern "img-%03d.bmp" will match a sequence of |
|
filenames of the form ‘<tt>img-001.bmp</tt>’, ‘<tt>img-002.bmp</tt>’, ..., |
|
‘<tt>img-010.bmp</tt>’, etc.; the pattern "i%%m%%g-%d.jpg" will match a |
|
sequence of filenames of the form ‘<tt>i%m%g-1.jpg</tt>’, |
|
‘<tt>i%m%g-2.jpg</tt>’, ..., ‘<tt>i%m%g-10.jpg</tt>’, etc. |
|
</p> |
|
<p>Note that the pattern must not necessarily contain "%d" or |
|
"%0<var>N</var>d", for example to convert a single image file |
|
‘<tt>img.jpeg</tt>’ you can employ the command: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i img.jpeg img.png |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>glob</samp>’</dt> |
|
<dd><p>Select a glob wildcard pattern type. |
|
</p> |
|
<p>The pattern is interpreted like a <code>glob()</code> pattern. This is only |
|
selectable if libavformat was compiled with globbing support. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>glob_sequence <em>(deprecated, will be removed)</em></samp>’</dt> |
|
<dd><p>Select a mixed glob wildcard/sequence pattern. |
|
</p> |
|
<p>If your version of libavformat was compiled with globbing support, and |
|
the provided pattern contains at least one glob meta character among |
|
<code>%*?[]{}</code> that is preceded by an unescaped "%", the pattern is |
|
interpreted like a <code>glob()</code> pattern, otherwise it is interpreted |
|
like a sequence pattern. |
|
</p> |
|
<p>All glob special characters <code>%*?[]{}</code> must be prefixed |
|
with "%". To escape a literal "%" you shall use "%%". |
|
</p> |
|
<p>For example the pattern <code>foo-%*.jpeg</code> will match all the |
|
filenames prefixed by "foo-" and terminating with ".jpeg", and |
|
<code>foo-%?%?%?.jpeg</code> will match all the filenames prefixed with |
|
"foo-", followed by a sequence of three characters, and terminating |
|
with ".jpeg". |
|
</p> |
|
<p>This pattern type is deprecated in favor of <var>glob</var> and |
|
<var>sequence</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <var>glob_sequence</var>. |
|
</p></dd> |
|
<dt>‘<samp>pixel_format</samp>’</dt> |
|
<dd><p>Set the pixel format of the images to read. If not specified the pixel |
|
format is guessed from the first image file in the sequence. |
|
</p></dd> |
|
<dt>‘<samp>start_number</samp>’</dt> |
|
<dd><p>Set the index of the file matched by the image file pattern to start |
|
to read from. Default value is 0. |
|
</p></dd> |
|
<dt>‘<samp>start_number_range</samp>’</dt> |
|
<dd><p>Set the index interval range to check when looking for the first image |
|
file in the sequence, starting from <var>start_number</var>. Default value |
|
is 5. |
|
</p></dd> |
|
<dt>‘<samp>ts_from_file</samp>’</dt> |
|
<dd><p>If set to 1, will set frame timestamp to modification time of image file. Note |
|
that monotonity of timestamps is not provided: images go in the same order as |
|
without this option. Default value is 0. |
|
If set to 2, will set frame timestamp to the modification time of the image file in |
|
nanosecond precision. |
|
</p></dd> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the video size of the images to read. If not specified the video |
|
size is guessed from the first image file in the sequence. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-20"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-20">13.10.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Use <code>ffmpeg</code> for creating a video from the images in the file |
|
sequence ‘<tt>img-001.jpeg</tt>’, ‘<tt>img-002.jpeg</tt>’, ..., assuming an |
|
input frame rate of 10 frames per second: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -framerate 10 -i 'img-%03d.jpeg' out.mkv |
|
</pre></div> |
|
|
|
</li><li> |
|
As above, but start by reading from a file with index 100 in the sequence: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -framerate 10 -start_number 100 -i 'img-%03d.jpeg' out.mkv |
|
</pre></div> |
|
|
|
</li><li> |
|
Read images matching the "*.png" glob pattern , that is all the files |
|
terminating with the ".png" suffix: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -framerate 10 -pattern_type glob -i "*.png" out.mkv |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="libgme"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libgme">13.11 libgme</a></h2> |
|
|
|
<p>The Game Music Emu library is a collection of video game music file emulators. |
|
</p> |
|
<p>See <a href="http://code.google.com/p/game-music-emu/">http://code.google.com/p/game-music-emu/</a> for more information. |
|
</p> |
|
<p>Some files have multiple tracks. The demuxer will pick the first track by |
|
default. The ‘<samp>track_index</samp>’ option can be used to select a different |
|
track. Track indexes start at 0. The demuxer exports the number of tracks as |
|
<var>tracks</var> meta data entry. |
|
</p> |
|
<p>For very large files, the ‘<samp>max_size</samp>’ option may have to be adjusted. |
|
</p> |
|
<a name="libopenmpt"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libopenmpt">13.12 libopenmpt</a></h2> |
|
|
|
<p>libopenmpt based module demuxer |
|
</p> |
|
<p>See <a href="https://lib.openmpt.org/libopenmpt/">https://lib.openmpt.org/libopenmpt/</a> for more information. |
|
</p> |
|
<p>Some files have multiple subsongs (tracks) this can be set with the ‘<samp>subsong</samp>’ |
|
option. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>subsong</samp>’</dt> |
|
<dd><p>Set the subsong index. This can be either ’all’, ’auto’, or the index of the |
|
subsong. Subsong indexes start at 0. The default is ’auto’. |
|
</p> |
|
<p>The default value is to let libopenmpt choose. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>layout</samp>’</dt> |
|
<dd><p>Set the channel layout. Valid values are 1, 2, and 4 channel layouts. |
|
The default value is STEREO. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>Set the sample rate for libopenmpt to output. |
|
Range is from 1000 to INT_MAX. The value default is 48000. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="mov_002fmp4_002f3gp_002fQuickTime"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mov_002fmp4_002f3gp_002fQuickTime">13.13 mov/mp4/3gp/QuickTime</a></h2> |
|
|
|
<p>QuickTime / MP4 demuxer. |
|
</p> |
|
<p>This demuxer accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>enable_drefs</samp>’</dt> |
|
<dd><p>Enable loading of external tracks, disabled by default. |
|
Enabling this can theoretically leak information in some use cases. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>use_absolute_path</samp>’</dt> |
|
<dd><p>Allows loading of external tracks via absolute paths, disabled by default. |
|
Enabling this poses a security risk. It should only be enabled if the source |
|
is known to be non malicious. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="mpegts"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mpegts">13.14 mpegts</a></h2> |
|
|
|
<p>MPEG-2 transport stream demuxer. |
|
</p> |
|
<p>This demuxer accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>resync_size</samp>’</dt> |
|
<dd><p>Set size limit for looking up a new synchronization. Default value is |
|
65536. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>skip_unknown_pmt</samp>’</dt> |
|
<dd><p>Skip PMTs for programs not defined in the PAT. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fix_teletext_pts</samp>’</dt> |
|
<dd><p>Override teletext packet PTS and DTS values with the timestamps calculated |
|
from the PCR of the first program which the teletext stream is part of and is |
|
not discarded. Default value is 1, set this option to 0 if you want your |
|
teletext packet PTS and DTS values untouched. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ts_packetsize</samp>’</dt> |
|
<dd><p>Output option carrying the raw packet size in bytes. |
|
Show the detected raw packet size, cannot be set by the user. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scan_all_pmts</samp>’</dt> |
|
<dd><p>Scan and combine all PMTs. The value is an integer with value from -1 |
|
to 1 (-1 means automatic setting, 1 means enabled, 0 means |
|
disabled). Default value is -1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>merge_pmt_versions</samp>’</dt> |
|
<dd><p>Re-use existing streams when a PMT’s version is updated and elementary |
|
streams move to different PIDs. Default value is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="mpjpeg"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mpjpeg">13.15 mpjpeg</a></h2> |
|
|
|
<p>MJPEG encapsulated in multi-part MIME demuxer. |
|
</p> |
|
<p>This demuxer allows reading of MJPEG, where each frame is represented as a part of |
|
multipart/x-mixed-replace stream. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>strict_mime_boundary</samp>’</dt> |
|
<dd><p>Default implementation applies a relaxed standard to multi-part MIME boundary detection, |
|
to prevent regression with numerous existing endpoints not generating a proper MIME |
|
MJPEG stream. Turning this option on by setting it to 1 will result in a stricter check |
|
of the boundary value. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="rawvideo-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rawvideo-1">13.16 rawvideo</a></h2> |
|
|
|
<p>Raw video demuxer. |
|
</p> |
|
<p>This demuxer allows one to read raw video data. Since there is no header |
|
specifying the assumed video parameters, the user must specify them |
|
in order to be able to decode the data correctly. |
|
</p> |
|
<p>This demuxer accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set input video frame rate. Default value is 25. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pixel_format</samp>’</dt> |
|
<dd><p>Set the input video pixel format. Default value is <code>yuv420p</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the input video size. This value must be specified explicitly. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example to read a rawvideo file ‘<tt>input.raw</tt>’ with |
|
<code>ffplay</code>, assuming a pixel format of <code>rgb24</code>, a video |
|
size of <code>320x240</code>, and a frame rate of 10 images per second, use |
|
the command: |
|
</p><div class="example"> |
|
<pre class="example">ffplay -f rawvideo -pixel_format rgb24 -video_size 320x240 -framerate 10 input.raw |
|
</pre></div> |
|
|
|
<a name="sbg"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sbg">13.17 sbg</a></h2> |
|
|
|
<p>SBaGen script demuxer. |
|
</p> |
|
<p>This demuxer reads the script language used by SBaGen |
|
<a href="http://uazu.net/sbagen/">http://uazu.net/sbagen/</a> to generate binaural beats sessions. A SBG |
|
script looks like that: |
|
</p><div class="example"> |
|
<pre class="example">-SE |
|
a: 300-2.5/3 440+4.5/0 |
|
b: 300-2.5/0 440+4.5/3 |
|
off: - |
|
NOW == a |
|
+0:07:00 == b |
|
+0:14:00 == a |
|
+0:21:00 == b |
|
+0:30:00 off |
|
</pre></div> |
|
|
|
<p>A SBG script can mix absolute and relative timestamps. If the script uses |
|
either only absolute timestamps (including the script start time) or only |
|
relative ones, then its layout is fixed, and the conversion is |
|
straightforward. On the other hand, if the script mixes both kind of |
|
timestamps, then the <var>NOW</var> reference for relative timestamps will be |
|
taken from the current time of day at the time the script is read, and the |
|
script layout will be frozen according to that reference. That means that if |
|
the script is directly played, the actual times will match the absolute |
|
timestamps up to the sound controller’s clock accuracy, but if the user |
|
somehow pauses the playback or seeks, all times will be shifted accordingly. |
|
</p> |
|
<a name="tedcaptions"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tedcaptions">13.18 tedcaptions</a></h2> |
|
|
|
<p>JSON captions used for <a href="http://www.ted.com/">TED Talks</a>. |
|
</p> |
|
<p>TED does not provide links to the captions, but they can be guessed from the |
|
page. The file ‘<tt>tools/bookmarklets.html</tt>’ from the FFmpeg source tree |
|
contains a bookmarklet to expose them. |
|
</p> |
|
<p>This demuxer accepts the following option: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>start_time</samp>’</dt> |
|
<dd><p>Set the start time of the TED talk, in milliseconds. The default is 15000 |
|
(15s). It is used to sync the captions with the downloadable videos, because |
|
they include a 15s intro. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Example: convert the captions to a format most players understand: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i http://www.ted.com/talks/subtitles/id/1/lang/en talk1-en.srt |
|
</pre></div> |
|
|
|
<a name="Metadata"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Metadata">14 Metadata</a></h1> |
|
|
|
<p>FFmpeg is able to dump metadata from media files into a simple UTF-8-encoded |
|
INI-like text file and then load it back using the metadata muxer/demuxer. |
|
</p> |
|
<p>The file format is as follows: |
|
</p><ol> |
|
<li> |
|
A file consists of a header and a number of metadata tags divided into sections, |
|
each on its own line. |
|
|
|
</li><li> |
|
The header is a ‘<samp>;FFMETADATA</samp>’ string, followed by a version number (now 1). |
|
|
|
</li><li> |
|
Metadata tags are of the form ‘<samp>key=value</samp>’ |
|
|
|
</li><li> |
|
Immediately after header follows global metadata |
|
|
|
</li><li> |
|
After global metadata there may be sections with per-stream/per-chapter |
|
metadata. |
|
|
|
</li><li> |
|
A section starts with the section name in uppercase (i.e. STREAM or CHAPTER) in |
|
brackets (‘<samp>[</samp>’, ‘<samp>]</samp>’) and ends with next section or end of file. |
|
|
|
</li><li> |
|
At the beginning of a chapter section there may be an optional timebase to be |
|
used for start/end values. It must be in form |
|
‘<samp>TIMEBASE=<var>num</var>/<var>den</var></samp>’, where <var>num</var> and <var>den</var> are |
|
integers. If the timebase is missing then start/end times are assumed to |
|
be in milliseconds. |
|
|
|
<p>Next a chapter section must contain chapter start and end times in form |
|
‘<samp>START=<var>num</var></samp>’, ‘<samp>END=<var>num</var></samp>’, where <var>num</var> is a positive |
|
integer. |
|
</p> |
|
</li><li> |
|
Empty lines and lines starting with ‘<samp>;</samp>’ or ‘<samp>#</samp>’ are ignored. |
|
|
|
</li><li> |
|
Metadata keys or values containing special characters (‘<samp>=</samp>’, ‘<samp>;</samp>’, |
|
‘<samp>#</samp>’, ‘<samp>\</samp>’ and a newline) must be escaped with a backslash ‘<samp>\</samp>’. |
|
|
|
</li><li> |
|
Note that whitespace in metadata (e.g. ‘<samp>foo = bar</samp>’) is considered to be |
|
a part of the tag (in the example above key is ‘<samp>foo </samp>’, value is |
|
‘<samp> bar</samp>’). |
|
</li></ol> |
|
|
|
<p>A ffmetadata file might look like this: |
|
</p><div class="example"> |
|
<pre class="example">;FFMETADATA1 |
|
title=bike\\shed |
|
;this is a comment |
|
artist=FFmpeg troll team |
|
|
|
[CHAPTER] |
|
TIMEBASE=1/1000 |
|
START=0 |
|
#chapter ends at 0:01:00 |
|
END=60000 |
|
title=chapter \#1 |
|
[STREAM] |
|
title=multi\ |
|
line |
|
</pre></div> |
|
|
|
<p>By using the ffmetadata muxer and demuxer it is possible to extract |
|
metadata from an input file to an ffmetadata file, and then transcode |
|
the file into an output file with the edited ffmetadata file. |
|
</p> |
|
<p>Extracting an ffmetadata file with ‘<tt>ffmpeg</tt>’ goes as follows: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -f ffmetadata FFMETADATAFILE |
|
</pre></div> |
|
|
|
<p>Reinserting edited metadata information from the FFMETADATAFILE file can |
|
be done as: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -i FFMETADATAFILE -map_metadata 1 -codec copy OUTPUT |
|
</pre></div> |
|
|
|
<a name="Protocol-Options"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Protocol-Options">15 Protocol Options</a></h1> |
|
|
|
<p>The libavformat library provides some generic global options, which |
|
can be set on all the protocols. In addition each protocol may support |
|
so-called private options, which are specific for that component. |
|
</p> |
|
<p>Options may be set by specifying -<var>option</var> <var>value</var> in the |
|
FFmpeg tools, or by setting the value explicitly in the |
|
<code>AVFormatContext</code> options or using the ‘<tt>libavutil/opt.h</tt>’ API |
|
for programmatic use. |
|
</p> |
|
<p>The list of supported options follows: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>protocol_whitelist <var>list</var> (<em>input</em>)</samp>’</dt> |
|
<dd><p>Set a ","-separated list of allowed protocols. "ALL" matches all protocols. Protocols |
|
prefixed by "-" are disabled. |
|
All protocols are allowed by default but protocols used by an another |
|
protocol (nested protocols) are restricted to a per protocol subset. |
|
</p></dd> |
|
</dl> |
|
|
|
|
|
<a name="Protocols"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Protocols">16 Protocols</a></h1> |
|
|
|
<p>Protocols are configured elements in FFmpeg that enable access to |
|
resources that require specific protocols. |
|
</p> |
|
<p>When you configure your FFmpeg build, all the supported protocols are |
|
enabled by default. You can list all available ones using the |
|
configure option "–list-protocols". |
|
</p> |
|
<p>You can disable all the protocols using the configure option |
|
"–disable-protocols", and selectively enable a protocol using the |
|
option "–enable-protocol=<var>PROTOCOL</var>", or you can disable a |
|
particular protocol using the option |
|
"–disable-protocol=<var>PROTOCOL</var>". |
|
</p> |
|
<p>The option "-protocols" of the ff* tools will display the list of |
|
supported protocols. |
|
</p> |
|
<p>All protocols accept the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rw_timeout</samp>’</dt> |
|
<dd><p>Maximum time to wait for (network) read/write operations to complete, |
|
in microseconds. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>A description of the currently available protocols follows. |
|
</p> |
|
<a name="async"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-async">16.1 async</a></h2> |
|
|
|
<p>Asynchronous data filling wrapper for input stream. |
|
</p> |
|
<p>Fill data in a background thread, to decouple I/O operation from demux thread. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">async:<var>URL</var> |
|
async:http://host/resource |
|
async:cache:http://host/resource |
|
</pre></div> |
|
|
|
<a name="bluray"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bluray">16.2 bluray</a></h2> |
|
|
|
<p>Read BluRay playlist. |
|
</p> |
|
<p>The accepted options are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>angle</samp>’</dt> |
|
<dd><p>BluRay angle |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chapter</samp>’</dt> |
|
<dd><p>Start chapter (1...N) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>playlist</samp>’</dt> |
|
<dd><p>Playlist to read (BDMV/PLAYLIST/?????.mpls) |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Examples: |
|
</p> |
|
<p>Read longest playlist from BluRay mounted to /mnt/bluray: |
|
</p><div class="example"> |
|
<pre class="example">bluray:/mnt/bluray |
|
</pre></div> |
|
|
|
<p>Read angle 2 of playlist 4 from BluRay mounted to /mnt/bluray, start from chapter 2: |
|
</p><div class="example"> |
|
<pre class="example">-playlist 4 -angle 2 -chapter 2 bluray:/mnt/bluray |
|
</pre></div> |
|
|
|
<a name="cache"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-cache">16.3 cache</a></h2> |
|
|
|
<p>Caching wrapper for input stream. |
|
</p> |
|
<p>Cache the input stream to temporary file. It brings seeking capability to live streams. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">cache:<var>URL</var> |
|
</pre></div> |
|
|
|
<a name="concat-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-concat-1">16.4 concat</a></h2> |
|
|
|
<p>Physical concatenation protocol. |
|
</p> |
|
<p>Read and seek from many resources in sequence as if they were |
|
a unique resource. |
|
</p> |
|
<p>A URL accepted by this protocol has the syntax: |
|
</p><div class="example"> |
|
<pre class="example">concat:<var>URL1</var>|<var>URL2</var>|...|<var>URLN</var> |
|
</pre></div> |
|
|
|
<p>where <var>URL1</var>, <var>URL2</var>, ..., <var>URLN</var> are the urls of the |
|
resource to be concatenated, each one possibly specifying a distinct |
|
protocol. |
|
</p> |
|
<p>For example to read a sequence of files ‘<tt>split1.mpeg</tt>’, |
|
‘<tt>split2.mpeg</tt>’, ‘<tt>split3.mpeg</tt>’ with <code>ffplay</code> use the |
|
command: |
|
</p><div class="example"> |
|
<pre class="example">ffplay concat:split1.mpeg\|split2.mpeg\|split3.mpeg |
|
</pre></div> |
|
|
|
<p>Note that you may need to escape the character "|" which is special for |
|
many shells. |
|
</p> |
|
<a name="crypto"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-crypto">16.5 crypto</a></h2> |
|
|
|
<p>AES-encrypted stream reading protocol. |
|
</p> |
|
<p>The accepted options are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>key</samp>’</dt> |
|
<dd><p>Set the AES decryption key binary block from given hexadecimal representation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>iv</samp>’</dt> |
|
<dd><p>Set the AES decryption initialization vector binary block from given hexadecimal representation. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Accepted URL formats: |
|
</p><div class="example"> |
|
<pre class="example">crypto:<var>URL</var> |
|
crypto+<var>URL</var> |
|
</pre></div> |
|
|
|
<a name="data"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-data">16.6 data</a></h2> |
|
|
|
<p>Data in-line in the URI. See <a href="http://en.wikipedia.org/wiki/Data_URI_scheme">http://en.wikipedia.org/wiki/Data_URI_scheme</a>. |
|
</p> |
|
<p>For example, to convert a GIF file given inline with <code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i "data:image/gif;base64,R0lGODdhCAAIAMIEAAAAAAAA//8AAP//AP///////////////ywAAAAACAAIAAADF0gEDLojDgdGiJdJqUX02iB4E8Q9jUMkADs=" smiley.png |
|
</pre></div> |
|
|
|
<a name="file"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-file">16.7 file</a></h2> |
|
|
|
<p>File access protocol. |
|
</p> |
|
<p>Read from or write to a file. |
|
</p> |
|
<p>A file URL can have the form: |
|
</p><div class="example"> |
|
<pre class="example">file:<var>filename</var> |
|
</pre></div> |
|
|
|
<p>where <var>filename</var> is the path of the file to read. |
|
</p> |
|
<p>An URL that does not have a protocol prefix will be assumed to be a |
|
file URL. Depending on the build, an URL that looks like a Windows |
|
path with the drive letter at the beginning will also be assumed to be |
|
a file URL (usually not the case in builds for unix-like systems). |
|
</p> |
|
<p>For example to read from a file ‘<tt>input.mpeg</tt>’ with <code>ffmpeg</code> |
|
use the command: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i file:input.mpeg output.mpeg |
|
</pre></div> |
|
|
|
<p>This protocol accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>truncate</samp>’</dt> |
|
<dd><p>Truncate existing files on write, if set to 1. A value of 0 prevents |
|
truncating. Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blocksize</samp>’</dt> |
|
<dd><p>Set I/O operation maximum block size, in bytes. Default value is |
|
<code>INT_MAX</code>, which results in not limiting the requested block size. |
|
Setting this value reasonably low improves user termination request reaction |
|
time, which is valuable for files on slow medium. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="ftp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ftp">16.8 ftp</a></h2> |
|
|
|
<p>FTP (File Transfer Protocol). |
|
</p> |
|
<p>Read from or write to remote resources using FTP protocol. |
|
</p> |
|
<p>Following syntax is required. |
|
</p><div class="example"> |
|
<pre class="example">ftp://[user[:password]@]server[:port]/path/to/remote/resource.mpeg |
|
</pre></div> |
|
|
|
<p>This protocol accepts the following options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>timeout</samp>’</dt> |
|
<dd><p>Set timeout in microseconds of socket I/O operations used by the underlying low level |
|
operation. By default it is set to -1, which means that the timeout is |
|
not specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ftp-anonymous-password</samp>’</dt> |
|
<dd><p>Password used when login as anonymous user. Typically an e-mail address |
|
should be used. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ftp-write-seekable</samp>’</dt> |
|
<dd><p>Control seekability of connection during encoding. If set to 1 the |
|
resource is supposed to be seekable, if set to 0 it is assumed not |
|
to be seekable. Default value is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>NOTE: Protocol can be used as output, but it is recommended to not do |
|
it, unless special care is taken (tests, customized server configuration |
|
etc.). Different FTP servers behave in different way during seek |
|
operation. ff* tools may produce incomplete content due to server limitations. |
|
</p> |
|
<p>This protocol accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>follow</samp>’</dt> |
|
<dd><p>If set to 1, the protocol will retry reading at the end of the file, allowing |
|
reading files that still are being written. In order for this to terminate, |
|
you either need to use the rw_timeout option, or use the interrupt callback |
|
(for API users). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="gopher"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-gopher">16.9 gopher</a></h2> |
|
|
|
<p>Gopher protocol. |
|
</p> |
|
<a name="hls-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hls-1">16.10 hls</a></h2> |
|
|
|
<p>Read Apple HTTP Live Streaming compliant segmented stream as |
|
a uniform one. The M3U8 playlists describing the segments can be |
|
remote HTTP resources or local files, accessed using the standard |
|
file protocol. |
|
The nested protocol is declared by specifying |
|
"+<var>proto</var>" after the hls URI scheme name, where <var>proto</var> |
|
is either "file" or "http". |
|
</p> |
|
<div class="example"> |
|
<pre class="example">hls+http://host/path/to/remote/resource.m3u8 |
|
hls+file://path/to/local/resource.m3u8 |
|
</pre></div> |
|
|
|
<p>Using this protocol is discouraged - the hls demuxer should work |
|
just as well (if not, please report the issues) and is more complete. |
|
To use the hls demuxer instead, simply use the direct URLs to the |
|
m3u8 files. |
|
</p> |
|
<a name="http"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-http">16.11 http</a></h2> |
|
|
|
<p>HTTP (Hyper Text Transfer Protocol). |
|
</p> |
|
<p>This protocol accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>seekable</samp>’</dt> |
|
<dd><p>Control seekability of connection. If set to 1 the resource is |
|
supposed to be seekable, if set to 0 it is assumed not to be seekable, |
|
if set to -1 it will try to autodetect if it is seekable. Default |
|
value is -1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chunked_post</samp>’</dt> |
|
<dd><p>If set to 1 use chunked Transfer-Encoding for posts, default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>content_type</samp>’</dt> |
|
<dd><p>Set a specific content type for the POST messages or for listen mode. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>http_proxy</samp>’</dt> |
|
<dd><p>set HTTP proxy to tunnel through e.g. http://example.com:1234 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>headers</samp>’</dt> |
|
<dd><p>Set custom HTTP headers, can override built in default headers. The |
|
value must be a string encoding the headers. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>multiple_requests</samp>’</dt> |
|
<dd><p>Use persistent connections if set to 1, default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>post_data</samp>’</dt> |
|
<dd><p>Set custom HTTP post data. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>referer</samp>’</dt> |
|
<dd><p>Set the Referer header. Include ’Referer: URL’ header in HTTP request. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>user_agent</samp>’</dt> |
|
<dd><p>Override the User-Agent header. If not specified the protocol will use a |
|
string describing the libavformat build. ("Lavf/<version>") |
|
</p> |
|
</dd> |
|
<dt>‘<samp>user-agent</samp>’</dt> |
|
<dd><p>This is a deprecated option, you can use user_agent instead it. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timeout</samp>’</dt> |
|
<dd><p>Set timeout in microseconds of socket I/O operations used by the underlying low level |
|
operation. By default it is set to -1, which means that the timeout is |
|
not specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reconnect_at_eof</samp>’</dt> |
|
<dd><p>If set then eof is treated like an error and causes reconnection, this is useful |
|
for live / endless streams. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reconnect_streamed</samp>’</dt> |
|
<dd><p>If set then even streamed/non seekable streams will be reconnected on errors. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reconnect_delay_max</samp>’</dt> |
|
<dd><p>Sets the maximum delay in seconds after which to give up reconnecting |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mime_type</samp>’</dt> |
|
<dd><p>Export the MIME type. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>http_version</samp>’</dt> |
|
<dd><p>Exports the HTTP response version number. Usually "1.0" or "1.1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>icy</samp>’</dt> |
|
<dd><p>If set to 1 request ICY (SHOUTcast) metadata from the server. If the server |
|
supports this, the metadata has to be retrieved by the application by reading |
|
the ‘<samp>icy_metadata_headers</samp>’ and ‘<samp>icy_metadata_packet</samp>’ options. |
|
The default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>icy_metadata_headers</samp>’</dt> |
|
<dd><p>If the server supports ICY metadata, this contains the ICY-specific HTTP reply |
|
headers, separated by newline characters. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>icy_metadata_packet</samp>’</dt> |
|
<dd><p>If the server supports ICY metadata, and ‘<samp>icy</samp>’ was set to 1, this |
|
contains the last non-empty metadata packet sent by the server. It should be |
|
polled in regular intervals by applications interested in mid-stream metadata |
|
updates. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cookies</samp>’</dt> |
|
<dd><p>Set the cookies to be sent in future requests. The format of each cookie is the |
|
same as the value of a Set-Cookie HTTP response field. Multiple cookies can be |
|
delimited by a newline character. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>offset</samp>’</dt> |
|
<dd><p>Set initial byte offset. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>end_offset</samp>’</dt> |
|
<dd><p>Try to limit the request to bytes preceding this offset. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>method</samp>’</dt> |
|
<dd><p>When used as a client option it sets the HTTP method for the request. |
|
</p> |
|
<p>When used as a server option it sets the HTTP method that is going to be |
|
expected from the client(s). |
|
If the expected and the received HTTP method do not match the client will |
|
be given a Bad Request response. |
|
When unset the HTTP method is not checked for now. This will be replaced by |
|
autodetection in the future. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>listen</samp>’</dt> |
|
<dd><p>If set to 1 enables experimental HTTP server. This can be used to send data when |
|
used as an output option, or read data from a client with HTTP POST when used as |
|
an input option. |
|
If set to 2 enables experimental multi-client HTTP server. This is not yet implemented |
|
in ffmpeg.c and thus must not be used as a command line option. |
|
</p><div class="example"> |
|
<pre class="example"># Server side (sending): |
|
ffmpeg -i somefile.ogg -c copy -listen 1 -f ogg http://<var>server</var>:<var>port</var> |
|
|
|
# Client side (receiving): |
|
ffmpeg -i http://<var>server</var>:<var>port</var> -c copy somefile.ogg |
|
|
|
# Client can also be done with wget: |
|
wget http://<var>server</var>:<var>port</var> -O somefile.ogg |
|
|
|
# Server side (receiving): |
|
ffmpeg -listen 1 -i http://<var>server</var>:<var>port</var> -c copy somefile.ogg |
|
|
|
# Client side (sending): |
|
ffmpeg -i somefile.ogg -chunked_post 0 -c copy -f ogg http://<var>server</var>:<var>port</var> |
|
|
|
# Client can also be done with wget: |
|
wget --post-file=somefile.ogg http://<var>server</var>:<var>port</var> |
|
</pre></div> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<a name="HTTP-Cookies"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-HTTP-Cookies">16.11.1 HTTP Cookies</a></h3> |
|
|
|
<p>Some HTTP requests will be denied unless cookie values are passed in with the |
|
request. The ‘<samp>cookies</samp>’ option allows these cookies to be specified. At |
|
the very least, each cookie must specify a value along with a path and domain. |
|
HTTP requests that match both the domain and path will automatically include the |
|
cookie value in the HTTP Cookie header field. Multiple cookies can be delimited |
|
by a newline. |
|
</p> |
|
<p>The required syntax to play a stream specifying a cookie is: |
|
</p><div class="example"> |
|
<pre class="example">ffplay -cookies "nlqptid=nltid=tsn; path=/; domain=somedomain.com;" http://somedomain.com/somestream.m3u8 |
|
</pre></div> |
|
|
|
<a name="Icecast"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Icecast">16.12 Icecast</a></h2> |
|
|
|
<p>Icecast protocol (stream to Icecast servers) |
|
</p> |
|
<p>This protocol accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>ice_genre</samp>’</dt> |
|
<dd><p>Set the stream genre. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ice_name</samp>’</dt> |
|
<dd><p>Set the stream name. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ice_description</samp>’</dt> |
|
<dd><p>Set the stream description. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ice_url</samp>’</dt> |
|
<dd><p>Set the stream website URL. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ice_public</samp>’</dt> |
|
<dd><p>Set if the stream should be public. |
|
The default is 0 (not public). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>user_agent</samp>’</dt> |
|
<dd><p>Override the User-Agent header. If not specified a string of the form |
|
"Lavf/<version>" will be used. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>password</samp>’</dt> |
|
<dd><p>Set the Icecast mountpoint password. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>content_type</samp>’</dt> |
|
<dd><p>Set the stream content type. This must be set if it is different from |
|
audio/mpeg. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>legacy_icecast</samp>’</dt> |
|
<dd><p>This enables support for Icecast versions < 2.4.0, that do not support the |
|
HTTP PUT method but the SOURCE method. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<div class="example"> |
|
<pre class="example">icecast://[<var>username</var>[:<var>password</var>]@]<var>server</var>:<var>port</var>/<var>mountpoint</var> |
|
</pre></div> |
|
|
|
<a name="mmst"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mmst">16.13 mmst</a></h2> |
|
|
|
<p>MMS (Microsoft Media Server) protocol over TCP. |
|
</p> |
|
<a name="mmsh"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mmsh">16.14 mmsh</a></h2> |
|
|
|
<p>MMS (Microsoft Media Server) protocol over HTTP. |
|
</p> |
|
<p>The required syntax is: |
|
</p><div class="example"> |
|
<pre class="example">mmsh://<var>server</var>[:<var>port</var>][/<var>app</var>][/<var>playpath</var>] |
|
</pre></div> |
|
|
|
<a name="md5"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-md5">16.15 md5</a></h2> |
|
|
|
<p>MD5 output protocol. |
|
</p> |
|
<p>Computes the MD5 hash of the data to be written, and on close writes |
|
this to the designated output or stdout if none is specified. It can |
|
be used to test muxers without writing an actual file. |
|
</p> |
|
<p>Some examples follow. |
|
</p><div class="example"> |
|
<pre class="example"># Write the MD5 hash of the encoded AVI file to the file output.avi.md5. |
|
ffmpeg -i input.flv -f avi -y md5:output.avi.md5 |
|
|
|
# Write the MD5 hash of the encoded AVI file to stdout. |
|
ffmpeg -i input.flv -f avi -y md5: |
|
</pre></div> |
|
|
|
<p>Note that some formats (typically MOV) require the output protocol to |
|
be seekable, so they will fail with the MD5 output protocol. |
|
</p> |
|
<a name="pipe"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pipe">16.16 pipe</a></h2> |
|
|
|
<p>UNIX pipe access protocol. |
|
</p> |
|
<p>Read and write from UNIX pipes. |
|
</p> |
|
<p>The accepted syntax is: |
|
</p><div class="example"> |
|
<pre class="example">pipe:[<var>number</var>] |
|
</pre></div> |
|
|
|
<p><var>number</var> is the number corresponding to the file descriptor of the |
|
pipe (e.g. 0 for stdin, 1 for stdout, 2 for stderr). If <var>number</var> |
|
is not specified, by default the stdout file descriptor will be used |
|
for writing, stdin for reading. |
|
</p> |
|
<p>For example to read from stdin with <code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">cat test.wav | ffmpeg -i pipe:0 |
|
# ...this is the same as... |
|
cat test.wav | ffmpeg -i pipe: |
|
</pre></div> |
|
|
|
<p>For writing to stdout with <code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i test.wav -f avi pipe:1 | cat > test.avi |
|
# ...this is the same as... |
|
ffmpeg -i test.wav -f avi pipe: | cat > test.avi |
|
</pre></div> |
|
|
|
<p>This protocol accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>blocksize</samp>’</dt> |
|
<dd><p>Set I/O operation maximum block size, in bytes. Default value is |
|
<code>INT_MAX</code>, which results in not limiting the requested block size. |
|
Setting this value reasonably low improves user termination request reaction |
|
time, which is valuable if data transmission is slow. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Note that some formats (typically MOV), require the output protocol to |
|
be seekable, so they will fail with the pipe output protocol. |
|
</p> |
|
<a name="prompeg"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-prompeg">16.17 prompeg</a></h2> |
|
|
|
<p>Pro-MPEG Code of Practice #3 Release 2 FEC protocol. |
|
</p> |
|
<p>The Pro-MPEG CoP#3 FEC is a 2D parity-check forward error correction mechanism |
|
for MPEG-2 Transport Streams sent over RTP. |
|
</p> |
|
<p>This protocol must be used in conjunction with the <code>rtp_mpegts</code> muxer and |
|
the <code>rtp</code> protocol. |
|
</p> |
|
<p>The required syntax is: |
|
</p><div class="example"> |
|
<pre class="example">-f rtp_mpegts -fec prompeg=<var>option</var>=<var>val</var>... rtp://<var>hostname</var>:<var>port</var> |
|
</pre></div> |
|
|
|
<p>The destination UDP ports are <code>port + 2</code> for the column FEC stream |
|
and <code>port + 4</code> for the row FEC stream. |
|
</p> |
|
<p>This protocol accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>l=<var>n</var></samp>’</dt> |
|
<dd><p>The number of columns (4-20, LxD <= 100) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>d=<var>n</var></samp>’</dt> |
|
<dd><p>The number of rows (4-20, LxD <= 100) |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Example usage: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">-f rtp_mpegts -fec prompeg=l=8:d=4 rtp://<var>hostname</var>:<var>port</var> |
|
</pre></div> |
|
|
|
<a name="rtmp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rtmp">16.18 rtmp</a></h2> |
|
|
|
<p>Real-Time Messaging Protocol. |
|
</p> |
|
<p>The Real-Time Messaging Protocol (RTMP) is used for streaming multimedia |
|
content across a TCP/IP network. |
|
</p> |
|
<p>The required syntax is: |
|
</p><div class="example"> |
|
<pre class="example">rtmp://[<var>username</var>:<var>password</var>@]<var>server</var>[:<var>port</var>][/<var>app</var>][/<var>instance</var>][/<var>playpath</var>] |
|
</pre></div> |
|
|
|
<p>The accepted parameters are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>username</samp>’</dt> |
|
<dd><p>An optional username (mostly for publishing). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>password</samp>’</dt> |
|
<dd><p>An optional password (mostly for publishing). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>server</samp>’</dt> |
|
<dd><p>The address of the RTMP server. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>port</samp>’</dt> |
|
<dd><p>The number of the TCP port to use (by default is 1935). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>app</samp>’</dt> |
|
<dd><p>It is the name of the application to access. It usually corresponds to |
|
the path where the application is installed on the RTMP server |
|
(e.g. ‘<tt>/ondemand/</tt>’, ‘<tt>/flash/live/</tt>’, etc.). You can override |
|
the value parsed from the URI through the <code>rtmp_app</code> option, too. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>playpath</samp>’</dt> |
|
<dd><p>It is the path or name of the resource to play with reference to the |
|
application specified in <var>app</var>, may be prefixed by "mp4:". You |
|
can override the value parsed from the URI through the <code>rtmp_playpath</code> |
|
option, too. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>listen</samp>’</dt> |
|
<dd><p>Act as a server, listening for an incoming connection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timeout</samp>’</dt> |
|
<dd><p>Maximum time to wait for the incoming connection. Implies listen. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Additionally, the following parameters can be set via command line options |
|
(or in code via <code>AVOption</code>s): |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>rtmp_app</samp>’</dt> |
|
<dd><p>Name of application to connect on the RTMP server. This option |
|
overrides the parameter specified in the URI. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_buffer</samp>’</dt> |
|
<dd><p>Set the client buffer time in milliseconds. The default is 3000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_conn</samp>’</dt> |
|
<dd><p>Extra arbitrary AMF connection parameters, parsed from a string, |
|
e.g. like <code>B:1 S:authMe O:1 NN:code:1.23 NS:flag:ok O:0</code>. |
|
Each value is prefixed by a single character denoting the type, |
|
B for Boolean, N for number, S for string, O for object, or Z for null, |
|
followed by a colon. For Booleans the data must be either 0 or 1 for |
|
FALSE or TRUE, respectively. Likewise for Objects the data must be 0 or |
|
1 to end or begin an object, respectively. Data items in subobjects may |
|
be named, by prefixing the type with ’N’ and specifying the name before |
|
the value (i.e. <code>NB:myFlag:1</code>). This option may be used multiple |
|
times to construct arbitrary AMF sequences. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_flashver</samp>’</dt> |
|
<dd><p>Version of the Flash plugin used to run the SWF player. The default |
|
is LNX 9,0,124,2. (When publishing, the default is FMLE/3.0 (compatible; |
|
<libavformat version>).) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_flush_interval</samp>’</dt> |
|
<dd><p>Number of packets flushed in the same request (RTMPT only). The default |
|
is 10. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_live</samp>’</dt> |
|
<dd><p>Specify that the media is a live stream. No resuming or seeking in |
|
live streams is possible. The default value is <code>any</code>, which means the |
|
subscriber first tries to play the live stream specified in the |
|
playpath. If a live stream of that name is not found, it plays the |
|
recorded stream. The other possible values are <code>live</code> and |
|
<code>recorded</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_pageurl</samp>’</dt> |
|
<dd><p>URL of the web page in which the media was embedded. By default no |
|
value will be sent. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_playpath</samp>’</dt> |
|
<dd><p>Stream identifier to play or to publish. This option overrides the |
|
parameter specified in the URI. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_subscribe</samp>’</dt> |
|
<dd><p>Name of live stream to subscribe to. By default no value will be sent. |
|
It is only sent if the option is specified or if rtmp_live |
|
is set to live. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_swfhash</samp>’</dt> |
|
<dd><p>SHA256 hash of the decompressed SWF file (32 bytes). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_swfsize</samp>’</dt> |
|
<dd><p>Size of the decompressed SWF file, required for SWFVerification. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_swfurl</samp>’</dt> |
|
<dd><p>URL of the SWF player for the media. By default no value will be sent. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_swfverify</samp>’</dt> |
|
<dd><p>URL to player swf file, compute hash/size automatically. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtmp_tcurl</samp>’</dt> |
|
<dd><p>URL of the target stream. Defaults to proto://host[:port]/app. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>For example to read with <code>ffplay</code> a multimedia resource named |
|
"sample" from the application "vod" from an RTMP server "myserver": |
|
</p><div class="example"> |
|
<pre class="example">ffplay rtmp://myserver/vod/sample |
|
</pre></div> |
|
|
|
<p>To publish to a password protected server, passing the playpath and |
|
app names separately: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -re -i <input> -f flv -rtmp_playpath some/long/path -rtmp_app long/app/name rtmp://username:password@myserver/ |
|
</pre></div> |
|
|
|
<a name="rtmpe"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rtmpe">16.19 rtmpe</a></h2> |
|
|
|
<p>Encrypted Real-Time Messaging Protocol. |
|
</p> |
|
<p>The Encrypted Real-Time Messaging Protocol (RTMPE) is used for |
|
streaming multimedia content within standard cryptographic primitives, |
|
consisting of Diffie-Hellman key exchange and HMACSHA256, generating |
|
a pair of RC4 keys. |
|
</p> |
|
<a name="rtmps"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rtmps">16.20 rtmps</a></h2> |
|
|
|
<p>Real-Time Messaging Protocol over a secure SSL connection. |
|
</p> |
|
<p>The Real-Time Messaging Protocol (RTMPS) is used for streaming |
|
multimedia content across an encrypted connection. |
|
</p> |
|
<a name="rtmpt"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rtmpt">16.21 rtmpt</a></h2> |
|
|
|
<p>Real-Time Messaging Protocol tunneled through HTTP. |
|
</p> |
|
<p>The Real-Time Messaging Protocol tunneled through HTTP (RTMPT) is used |
|
for streaming multimedia content within HTTP requests to traverse |
|
firewalls. |
|
</p> |
|
<a name="rtmpte"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rtmpte">16.22 rtmpte</a></h2> |
|
|
|
<p>Encrypted Real-Time Messaging Protocol tunneled through HTTP. |
|
</p> |
|
<p>The Encrypted Real-Time Messaging Protocol tunneled through HTTP (RTMPTE) |
|
is used for streaming multimedia content within HTTP requests to traverse |
|
firewalls. |
|
</p> |
|
<a name="rtmpts"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rtmpts">16.23 rtmpts</a></h2> |
|
|
|
<p>Real-Time Messaging Protocol tunneled through HTTPS. |
|
</p> |
|
<p>The Real-Time Messaging Protocol tunneled through HTTPS (RTMPTS) is used |
|
for streaming multimedia content within HTTPS requests to traverse |
|
firewalls. |
|
</p> |
|
<a name="libsmbclient"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libsmbclient">16.24 libsmbclient</a></h2> |
|
|
|
<p>libsmbclient permits one to manipulate CIFS/SMB network resources. |
|
</p> |
|
<p>Following syntax is required. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">smb://[[domain:]user[:password@]]server[/share[/path[/file]]] |
|
</pre></div> |
|
|
|
<p>This protocol accepts the following options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>timeout</samp>’</dt> |
|
<dd><p>Set timeout in milliseconds of socket I/O operations used by the underlying |
|
low level operation. By default it is set to -1, which means that the timeout |
|
is not specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>truncate</samp>’</dt> |
|
<dd><p>Truncate existing files on write, if set to 1. A value of 0 prevents |
|
truncating. Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>workgroup</samp>’</dt> |
|
<dd><p>Set the workgroup used for making connections. By default workgroup is not specified. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>For more information see: <a href="http://www.samba.org/">http://www.samba.org/</a>. |
|
</p> |
|
<a name="libssh"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libssh">16.25 libssh</a></h2> |
|
|
|
<p>Secure File Transfer Protocol via libssh |
|
</p> |
|
<p>Read from or write to remote resources using SFTP protocol. |
|
</p> |
|
<p>Following syntax is required. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">sftp://[user[:password]@]server[:port]/path/to/remote/resource.mpeg |
|
</pre></div> |
|
|
|
<p>This protocol accepts the following options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>timeout</samp>’</dt> |
|
<dd><p>Set timeout of socket I/O operations used by the underlying low level |
|
operation. By default it is set to -1, which means that the timeout |
|
is not specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>truncate</samp>’</dt> |
|
<dd><p>Truncate existing files on write, if set to 1. A value of 0 prevents |
|
truncating. Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>private_key</samp>’</dt> |
|
<dd><p>Specify the path of the file containing private key to use during authorization. |
|
By default libssh searches for keys in the ‘<tt>~/.ssh/</tt>’ directory. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Example: Play a file stored on remote server. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffplay sftp://user:password@server_address:22/home/user/resource.mpeg |
|
</pre></div> |
|
|
|
<a name="librtmp-rtmp_002c-rtmpe_002c-rtmps_002c-rtmpt_002c-rtmpte"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-librtmp-rtmp_002c-rtmpe_002c-rtmps_002c-rtmpt_002c-rtmpte">16.26 librtmp rtmp, rtmpe, rtmps, rtmpt, rtmpte</a></h2> |
|
|
|
<p>Real-Time Messaging Protocol and its variants supported through |
|
librtmp. |
|
</p> |
|
<p>Requires the presence of the librtmp headers and library during |
|
configuration. You need to explicitly configure the build with |
|
"–enable-librtmp". If enabled this will replace the native RTMP |
|
protocol. |
|
</p> |
|
<p>This protocol provides most client functions and a few server |
|
functions needed to support RTMP, RTMP tunneled in HTTP (RTMPT), |
|
encrypted RTMP (RTMPE), RTMP over SSL/TLS (RTMPS) and tunneled |
|
variants of these encrypted types (RTMPTE, RTMPTS). |
|
</p> |
|
<p>The required syntax is: |
|
</p><div class="example"> |
|
<pre class="example"><var>rtmp_proto</var>://<var>server</var>[:<var>port</var>][/<var>app</var>][/<var>playpath</var>] <var>options</var> |
|
</pre></div> |
|
|
|
<p>where <var>rtmp_proto</var> is one of the strings "rtmp", "rtmpt", "rtmpe", |
|
"rtmps", "rtmpte", "rtmpts" corresponding to each RTMP variant, and |
|
<var>server</var>, <var>port</var>, <var>app</var> and <var>playpath</var> have the same |
|
meaning as specified for the RTMP native protocol. |
|
<var>options</var> contains a list of space-separated options of the form |
|
<var>key</var>=<var>val</var>. |
|
</p> |
|
<p>See the librtmp manual page (man 3 librtmp) for more information. |
|
</p> |
|
<p>For example, to stream a file in real-time to an RTMP server using |
|
<code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -re -i myfile -f flv rtmp://myserver/live/mystream |
|
</pre></div> |
|
|
|
<p>To play the same stream using <code>ffplay</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffplay "rtmp://myserver/live/mystream live=1" |
|
</pre></div> |
|
|
|
<a name="rtp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rtp">16.27 rtp</a></h2> |
|
|
|
<p>Real-time Transport Protocol. |
|
</p> |
|
<p>The required syntax for an RTP URL is: |
|
rtp://<var>hostname</var>[:<var>port</var>][?<var>option</var>=<var>val</var>...] |
|
</p> |
|
<p><var>port</var> specifies the RTP port to use. |
|
</p> |
|
<p>The following URL options are supported: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>ttl=<var>n</var></samp>’</dt> |
|
<dd><p>Set the TTL (Time-To-Live) value (for multicast only). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtcpport=<var>n</var></samp>’</dt> |
|
<dd><p>Set the remote RTCP port to <var>n</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>localrtpport=<var>n</var></samp>’</dt> |
|
<dd><p>Set the local RTP port to <var>n</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>localrtcpport=<var>n</var>'</samp>’</dt> |
|
<dd><p>Set the local RTCP port to <var>n</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pkt_size=<var>n</var></samp>’</dt> |
|
<dd><p>Set max packet size (in bytes) to <var>n</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>connect=0|1</samp>’</dt> |
|
<dd><p>Do a <code>connect()</code> on the UDP socket (if set to 1) or not (if set |
|
to 0). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sources=<var>ip</var>[,<var>ip</var>]</samp>’</dt> |
|
<dd><p>List allowed source IP addresses. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>block=<var>ip</var>[,<var>ip</var>]</samp>’</dt> |
|
<dd><p>List disallowed (blocked) source IP addresses. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>write_to_source=0|1</samp>’</dt> |
|
<dd><p>Send packets to the source address of the latest received packet (if |
|
set to 1) or to a default remote address (if set to 0). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>localport=<var>n</var></samp>’</dt> |
|
<dd><p>Set the local RTP port to <var>n</var>. |
|
</p> |
|
<p>This is a deprecated option. Instead, ‘<samp>localrtpport</samp>’ should be |
|
used. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Important notes: |
|
</p> |
|
<ol> |
|
<li> |
|
If ‘<samp>rtcpport</samp>’ is not set the RTCP port will be set to the RTP |
|
port value plus 1. |
|
|
|
</li><li> |
|
If ‘<samp>localrtpport</samp>’ (the local RTP port) is not set any available |
|
port will be used for the local RTP and RTCP ports. |
|
|
|
</li><li> |
|
If ‘<samp>localrtcpport</samp>’ (the local RTCP port) is not set it will be |
|
set to the local RTP port value plus 1. |
|
</li></ol> |
|
|
|
<a name="rtsp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rtsp">16.28 rtsp</a></h2> |
|
|
|
<p>Real-Time Streaming Protocol. |
|
</p> |
|
<p>RTSP is not technically a protocol handler in libavformat, it is a demuxer |
|
and muxer. The demuxer supports both normal RTSP (with data transferred |
|
over RTP; this is used by e.g. Apple and Microsoft) and Real-RTSP (with |
|
data transferred over RDT). |
|
</p> |
|
<p>The muxer can be used to send a stream using RTSP ANNOUNCE to a server |
|
supporting it (currently Darwin Streaming Server and Mischa Spiegelmock’s |
|
<a href="https://github.com/revmischa/rtsp-server">RTSP server</a>). |
|
</p> |
|
<p>The required syntax for a RTSP url is: |
|
</p><div class="example"> |
|
<pre class="example">rtsp://<var>hostname</var>[:<var>port</var>]/<var>path</var> |
|
</pre></div> |
|
|
|
<p>Options can be set on the <code>ffmpeg</code>/<code>ffplay</code> command |
|
line, or set in code via <code>AVOption</code>s or in |
|
<code>avformat_open_input</code>. |
|
</p> |
|
<p>The following options are supported. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>initial_pause</samp>’</dt> |
|
<dd><p>Do not start playing the stream immediately if set to 1. Default value |
|
is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtsp_transport</samp>’</dt> |
|
<dd><p>Set RTSP transport protocols. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>udp</samp>’</dt> |
|
<dd><p>Use UDP as lower transport protocol. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tcp</samp>’</dt> |
|
<dd><p>Use TCP (interleaving within the RTSP control channel) as lower |
|
transport protocol. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>udp_multicast</samp>’</dt> |
|
<dd><p>Use UDP multicast as lower transport protocol. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>http</samp>’</dt> |
|
<dd><p>Use HTTP tunneling as lower transport protocol, which is useful for |
|
passing proxies. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Multiple lower transport protocols may be specified, in that case they are |
|
tried one at a time (if the setup of one fails, the next one is tried). |
|
For the muxer, only the ‘<samp>tcp</samp>’ and ‘<samp>udp</samp>’ options are supported. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rtsp_flags</samp>’</dt> |
|
<dd><p>Set RTSP flags. |
|
</p> |
|
<p>The following values are accepted: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>filter_src</samp>’</dt> |
|
<dd><p>Accept packets only from negotiated peer address and port. |
|
</p></dd> |
|
<dt>‘<samp>listen</samp>’</dt> |
|
<dd><p>Act as a server, listening for an incoming connection. |
|
</p></dd> |
|
<dt>‘<samp>prefer_tcp</samp>’</dt> |
|
<dd><p>Try TCP for RTP transport first, if TCP is available as RTSP RTP transport. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>none</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>allowed_media_types</samp>’</dt> |
|
<dd><p>Set media types to accept from the server. |
|
</p> |
|
<p>The following flags are accepted: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>video</samp>’</dt> |
|
<dt>‘<samp>audio</samp>’</dt> |
|
<dt>‘<samp>data</samp>’</dt> |
|
</dl> |
|
|
|
<p>By default it accepts all media types. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>min_port</samp>’</dt> |
|
<dd><p>Set minimum local UDP port. Default value is 5000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_port</samp>’</dt> |
|
<dd><p>Set maximum local UDP port. Default value is 65000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timeout</samp>’</dt> |
|
<dd><p>Set maximum timeout (in seconds) to wait for incoming connections. |
|
</p> |
|
<p>A value of -1 means infinite (default). This option implies the |
|
‘<samp>rtsp_flags</samp>’ set to ‘<samp>listen</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reorder_queue_size</samp>’</dt> |
|
<dd><p>Set number of packets to buffer for handling of reordered packets. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stimeout</samp>’</dt> |
|
<dd><p>Set socket TCP I/O timeout in microseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>user-agent</samp>’</dt> |
|
<dd><p>Override User-Agent header. If not specified, it defaults to the |
|
libavformat identifier string. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>When receiving data over UDP, the demuxer tries to reorder received packets |
|
(since they may arrive out of order, or packets may get lost totally). This |
|
can be disabled by setting the maximum demuxing delay to zero (via |
|
the <code>max_delay</code> field of AVFormatContext). |
|
</p> |
|
<p>When watching multi-bitrate Real-RTSP streams with <code>ffplay</code>, the |
|
streams to display can be chosen with <code>-vst</code> <var>n</var> and |
|
<code>-ast</code> <var>n</var> for video and audio respectively, and can be switched |
|
on the fly by pressing <code>v</code> and <code>a</code>. |
|
</p> |
|
<a name="Examples-19"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-19">16.28.1 Examples</a></h3> |
|
|
|
<p>The following examples all make use of the <code>ffplay</code> and |
|
<code>ffmpeg</code> tools. |
|
</p> |
|
<ul> |
|
<li> |
|
Watch a stream over UDP, with a max reordering delay of 0.5 seconds: |
|
<div class="example"> |
|
<pre class="example">ffplay -max_delay 500000 -rtsp_transport udp rtsp://server/video.mp4 |
|
</pre></div> |
|
|
|
</li><li> |
|
Watch a stream tunneled over HTTP: |
|
<div class="example"> |
|
<pre class="example">ffplay -rtsp_transport http rtsp://server/video.mp4 |
|
</pre></div> |
|
|
|
</li><li> |
|
Send a stream in realtime to a RTSP server, for others to watch: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -re -i <var>input</var> -f rtsp -muxdelay 0.1 rtsp://server/live.sdp |
|
</pre></div> |
|
|
|
</li><li> |
|
Receive a stream in realtime: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -rtsp_flags listen -i rtsp://ownaddress/live.sdp <var>output</var> |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="sap"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sap">16.29 sap</a></h2> |
|
|
|
<p>Session Announcement Protocol (RFC 2974). This is not technically a |
|
protocol handler in libavformat, it is a muxer and demuxer. |
|
It is used for signalling of RTP streams, by announcing the SDP for the |
|
streams regularly on a separate port. |
|
</p> |
|
<a name="Muxer"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Muxer">16.29.1 Muxer</a></h3> |
|
|
|
<p>The syntax for a SAP url given to the muxer is: |
|
</p><div class="example"> |
|
<pre class="example">sap://<var>destination</var>[:<var>port</var>][?<var>options</var>] |
|
</pre></div> |
|
|
|
<p>The RTP packets are sent to <var>destination</var> on port <var>port</var>, |
|
or to port 5004 if no port is specified. |
|
<var>options</var> is a <code>&</code>-separated list. The following options |
|
are supported: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>announce_addr=<var>address</var></samp>’</dt> |
|
<dd><p>Specify the destination IP address for sending the announcements to. |
|
If omitted, the announcements are sent to the commonly used SAP |
|
announcement multicast address 224.2.127.254 (sap.mcast.net), or |
|
ff0e::2:7ffe if <var>destination</var> is an IPv6 address. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>announce_port=<var>port</var></samp>’</dt> |
|
<dd><p>Specify the port to send the announcements on, defaults to |
|
9875 if not specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ttl=<var>ttl</var></samp>’</dt> |
|
<dd><p>Specify the time to live value for the announcements and RTP packets, |
|
defaults to 255. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>same_port=<var>0|1</var></samp>’</dt> |
|
<dd><p>If set to 1, send all RTP streams on the same port pair. If zero (the |
|
default), all streams are sent on unique ports, with each stream on a |
|
port 2 numbers higher than the previous. |
|
VLC/Live555 requires this to be set to 1, to be able to receive the stream. |
|
The RTP stack in libavformat for receiving requires all streams to be sent |
|
on unique ports. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Example command lines follow. |
|
</p> |
|
<p>To broadcast a stream on the local subnet, for watching in VLC: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -re -i <var>input</var> -f sap sap://224.0.0.255?same_port=1 |
|
</pre></div> |
|
|
|
<p>Similarly, for watching in <code>ffplay</code>: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -re -i <var>input</var> -f sap sap://224.0.0.255 |
|
</pre></div> |
|
|
|
<p>And for watching in <code>ffplay</code>, over IPv6: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -re -i <var>input</var> -f sap sap://[ff0e::1:2:3:4] |
|
</pre></div> |
|
|
|
<a name="Demuxer"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Demuxer">16.29.2 Demuxer</a></h3> |
|
|
|
<p>The syntax for a SAP url given to the demuxer is: |
|
</p><div class="example"> |
|
<pre class="example">sap://[<var>address</var>][:<var>port</var>] |
|
</pre></div> |
|
|
|
<p><var>address</var> is the multicast address to listen for announcements on, |
|
if omitted, the default 224.2.127.254 (sap.mcast.net) is used. <var>port</var> |
|
is the port that is listened on, 9875 if omitted. |
|
</p> |
|
<p>The demuxers listens for announcements on the given address and port. |
|
Once an announcement is received, it tries to receive that particular stream. |
|
</p> |
|
<p>Example command lines follow. |
|
</p> |
|
<p>To play back the first stream announced on the normal SAP multicast address: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffplay sap:// |
|
</pre></div> |
|
|
|
<p>To play back the first stream announced on one the default IPv6 SAP multicast address: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffplay sap://[ff0e::2:7ffe] |
|
</pre></div> |
|
|
|
<a name="sctp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sctp">16.30 sctp</a></h2> |
|
|
|
<p>Stream Control Transmission Protocol. |
|
</p> |
|
<p>The accepted URL syntax is: |
|
</p><div class="example"> |
|
<pre class="example">sctp://<var>host</var>:<var>port</var>[?<var>options</var>] |
|
</pre></div> |
|
|
|
<p>The protocol accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>listen</samp>’</dt> |
|
<dd><p>If set to any value, listen for an incoming connection. Outgoing connection is done by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_streams</samp>’</dt> |
|
<dd><p>Set the maximum number of streams. By default no limit is set. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="srt"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-srt">16.31 srt</a></h2> |
|
|
|
<p>Haivision Secure Reliable Transport Protocol via libsrt. |
|
</p> |
|
<p>The supported syntax for a SRT URL is: |
|
</p><div class="example"> |
|
<pre class="example">srt://<var>hostname</var>:<var>port</var>[?<var>options</var>] |
|
</pre></div> |
|
|
|
<p><var>options</var> contains a list of &-separated options of the form |
|
<var>key</var>=<var>val</var>. |
|
</p> |
|
<p>or |
|
</p> |
|
<div class="example"> |
|
<pre class="example"><var>options</var> srt://<var>hostname</var>:<var>port</var> |
|
</pre></div> |
|
|
|
<p><var>options</var> contains a list of ’-<var>key</var> <var>val</var>’ |
|
options. |
|
</p> |
|
<p>This protocol accepts the following options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>connect_timeout</samp>’</dt> |
|
<dd><p>Connection timeout; SRT cannot connect for RTT > 1500 msec |
|
(2 handshake exchanges) with the default connect timeout of |
|
3 seconds. This option applies to the caller and rendezvous |
|
connection modes. The connect timeout is 10 times the value |
|
set for the rendezvous mode (which can be used as a |
|
workaround for this connection problem with earlier versions). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ffs=<var>bytes</var></samp>’</dt> |
|
<dd><p>Flight Flag Size (Window Size), in bytes. FFS is actually an |
|
internal parameter and you should set it to not less than |
|
‘<samp>recv_buffer_size</samp>’ and ‘<samp>mss</samp>’. The default value |
|
is relatively large, therefore unless you set a very large receiver buffer, |
|
you do not need to change this option. Default value is 25600. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>inputbw=<var>bytes/seconds</var></samp>’</dt> |
|
<dd><p>Sender nominal input rate, in bytes per seconds. Used along with |
|
‘<samp>oheadbw</samp>’, when ‘<samp>maxbw</samp>’ is set to relative (0), to |
|
calculate maximum sending rate when recovery packets are sent |
|
along with the main media stream: |
|
‘<samp>inputbw</samp>’ * (100 + ‘<samp>oheadbw</samp>’) / 100 |
|
if ‘<samp>inputbw</samp>’ is not set while ‘<samp>maxbw</samp>’ is set to |
|
relative (0), the actual input rate is evaluated inside |
|
the library. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>iptos=<var>tos</var></samp>’</dt> |
|
<dd><p>IP Type of Service. Applies to sender only. Default value is 0xB8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ipttl=<var>ttl</var></samp>’</dt> |
|
<dd><p>IP Time To Live. Applies to sender only. Default value is 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>listen_timeout</samp>’</dt> |
|
<dd><p>Set socket listen timeout. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>maxbw=<var>bytes/seconds</var></samp>’</dt> |
|
<dd><p>Maximum sending bandwidth, in bytes per seconds. |
|
-1 infinite (CSRTCC limit is 30mbps) |
|
0 relative to input rate (see ‘<samp>inputbw</samp>’) |
|
>0 absolute limit value |
|
Default value is 0 (relative) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode=<var>caller|listener|rendezvous</var></samp>’</dt> |
|
<dd><p>Connection mode. |
|
‘<samp>caller</samp>’ opens client connection. |
|
‘<samp>listener</samp>’ starts server to listen for incoming connections. |
|
‘<samp>rendezvous</samp>’ use Rendez-Vous connection mode. |
|
Default value is caller. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mss=<var>bytes</var></samp>’</dt> |
|
<dd><p>Maximum Segment Size, in bytes. Used for buffer allocation |
|
and rate calculation using a packet counter assuming fully |
|
filled packets. The smallest MSS between the peers is |
|
used. This is 1500 by default in the overall internet. |
|
This is the maximum size of the UDP packet and can be |
|
only decreased, unless you have some unusual dedicated |
|
network settings. Default value is 1500. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nakreport=<var>1|0</var></samp>’</dt> |
|
<dd><p>If set to 1, Receiver will send ‘UMSG_LOSSREPORT‘ messages |
|
periodically until a lost packet is retransmitted or |
|
intentionally dropped. Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>oheadbw=<var>percents</var></samp>’</dt> |
|
<dd><p>Recovery bandwidth overhead above input rate, in percents. |
|
See ‘<samp>inputbw</samp>’. Default value is 25%. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>passphrase=<var>string</var></samp>’</dt> |
|
<dd><p>HaiCrypt Encryption/Decryption Passphrase string, length |
|
from 10 to 79 characters. The passphrase is the shared |
|
secret between the sender and the receiver. It is used |
|
to generate the Key Encrypting Key using PBKDF2 |
|
(Password-Based Key Derivation Function). It is used |
|
only if ‘<samp>pbkeylen</samp>’ is non-zero. It is used on |
|
the receiver only if the received data is encrypted. |
|
The configured passphrase cannot be recovered (write-only). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pbkeylen=<var>bytes</var></samp>’</dt> |
|
<dd><p>Sender encryption key length, in bytes. |
|
Only can be set to 0, 16, 24 and 32. |
|
Enable sender encryption if not 0. |
|
Not required on receiver (set to 0), |
|
key size obtained from sender in HaiCrypt handshake. |
|
Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>recv_buffer_size=<var>bytes</var></samp>’</dt> |
|
<dd><p>Set receive buffer size, expressed in bytes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>send_buffer_size=<var>bytes</var></samp>’</dt> |
|
<dd><p>Set send buffer size, expressed in bytes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rw_timeout</samp>’</dt> |
|
<dd><p>Set raise error timeout for read/write optations. |
|
</p> |
|
<p>This option is only relevant in read mode: |
|
if no data arrived in more than this time |
|
interval, raise error. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tlpktdrop=<var>1|0</var></samp>’</dt> |
|
<dd><p>Too-late Packet Drop. When enabled on receiver, it skips |
|
missing packets that have not been delivered in time and |
|
delivers the following packets to the application when |
|
their time-to-play has come. It also sends a fake ACK to |
|
the sender. When enabled on sender and enabled on the |
|
receiving peer, the sender drops the older packets that |
|
have no chance of being delivered in time. It was |
|
automatically enabled in the sender if the receiver |
|
supports it. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tsbpddelay</samp>’</dt> |
|
<dd><p>Timestamp-based Packet Delivery Delay. |
|
Used to absorb burst of missed packet retransmission. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>For more information see: <a href="https://github.com/Haivision/srt">https://github.com/Haivision/srt</a>. |
|
</p> |
|
<a name="srtp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-srtp">16.32 srtp</a></h2> |
|
|
|
<p>Secure Real-time Transport Protocol. |
|
</p> |
|
<p>The accepted options are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>srtp_in_suite</samp>’</dt> |
|
<dt>‘<samp>srtp_out_suite</samp>’</dt> |
|
<dd><p>Select input and output encoding suites. |
|
</p> |
|
<p>Supported values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>AES_CM_128_HMAC_SHA1_80</samp>’</dt> |
|
<dt>‘<samp>SRTP_AES128_CM_HMAC_SHA1_80</samp>’</dt> |
|
<dt>‘<samp>AES_CM_128_HMAC_SHA1_32</samp>’</dt> |
|
<dt>‘<samp>SRTP_AES128_CM_HMAC_SHA1_32</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>srtp_in_params</samp>’</dt> |
|
<dt>‘<samp>srtp_out_params</samp>’</dt> |
|
<dd><p>Set input and output encoding parameters, which are expressed by a |
|
base64-encoded representation of a binary block. The first 16 bytes of |
|
this binary block are used as master key, the following 14 bytes are |
|
used as master salt. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="subfile"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-subfile">16.33 subfile</a></h2> |
|
|
|
<p>Virtually extract a segment of a file or another stream. |
|
The underlying stream must be seekable. |
|
</p> |
|
<p>Accepted options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>start</samp>’</dt> |
|
<dd><p>Start offset of the extracted segment, in bytes. |
|
</p></dd> |
|
<dt>‘<samp>end</samp>’</dt> |
|
<dd><p>End offset of the extracted segment, in bytes. |
|
If set to 0, extract till end of file. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Examples: |
|
</p> |
|
<p>Extract a chapter from a DVD VOB file (start and end sectors obtained |
|
externally and multiplied by 2048): |
|
</p><div class="example"> |
|
<pre class="example">subfile,,start,153391104,end,268142592,,:/media/dvd/VIDEO_TS/VTS_08_1.VOB |
|
</pre></div> |
|
|
|
<p>Play an AVI file directly from a TAR archive: |
|
</p><div class="example"> |
|
<pre class="example">subfile,,start,183241728,end,366490624,,:archive.tar |
|
</pre></div> |
|
|
|
<p>Play a MPEG-TS file from start offset till end: |
|
</p><div class="example"> |
|
<pre class="example">subfile,,start,32815239,end,0,,:video.ts |
|
</pre></div> |
|
|
|
<a name="tee"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tee">16.34 tee</a></h2> |
|
|
|
<p>Writes the output to multiple protocols. The individual outputs are separated |
|
by | |
|
</p> |
|
<div class="example"> |
|
<pre class="example">tee:file://path/to/local/this.avi|file://path/to/local/that.avi |
|
</pre></div> |
|
|
|
<a name="tcp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tcp">16.35 tcp</a></h2> |
|
|
|
<p>Transmission Control Protocol. |
|
</p> |
|
<p>The required syntax for a TCP url is: |
|
</p><div class="example"> |
|
<pre class="example">tcp://<var>hostname</var>:<var>port</var>[?<var>options</var>] |
|
</pre></div> |
|
|
|
<p><var>options</var> contains a list of &-separated options of the form |
|
<var>key</var>=<var>val</var>. |
|
</p> |
|
<p>The list of supported options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>listen=<var>1|0</var></samp>’</dt> |
|
<dd><p>Listen for an incoming connection. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timeout=<var>microseconds</var></samp>’</dt> |
|
<dd><p>Set raise error timeout, expressed in microseconds. |
|
</p> |
|
<p>This option is only relevant in read mode: if no data arrived in more |
|
than this time interval, raise error. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>listen_timeout=<var>milliseconds</var></samp>’</dt> |
|
<dd><p>Set listen timeout, expressed in milliseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>recv_buffer_size=<var>bytes</var></samp>’</dt> |
|
<dd><p>Set receive buffer size, expressed bytes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>send_buffer_size=<var>bytes</var></samp>’</dt> |
|
<dd><p>Set send buffer size, expressed bytes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tcp_nodelay=<var>1|0</var></samp>’</dt> |
|
<dd><p>Set TCP_NODELAY to disable Nagle’s algorithm. Default value is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The following example shows how to setup a listening TCP connection |
|
with <code>ffmpeg</code>, which is then accessed with <code>ffplay</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i <var>input</var> -f <var>format</var> tcp://<var>hostname</var>:<var>port</var>?listen |
|
ffplay tcp://<var>hostname</var>:<var>port</var> |
|
</pre></div> |
|
|
|
<a name="tls"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tls">16.36 tls</a></h2> |
|
|
|
<p>Transport Layer Security (TLS) / Secure Sockets Layer (SSL) |
|
</p> |
|
<p>The required syntax for a TLS/SSL url is: |
|
</p><div class="example"> |
|
<pre class="example">tls://<var>hostname</var>:<var>port</var>[?<var>options</var>] |
|
</pre></div> |
|
|
|
<p>The following parameters can be set via command line options |
|
(or in code via <code>AVOption</code>s): |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>ca_file, cafile=<var>filename</var></samp>’</dt> |
|
<dd><p>A file containing certificate authority (CA) root certificates to treat |
|
as trusted. If the linked TLS library contains a default this might not |
|
need to be specified for verification to work, but not all libraries and |
|
setups have defaults built in. |
|
The file must be in OpenSSL PEM format. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tls_verify=<var>1|0</var></samp>’</dt> |
|
<dd><p>If enabled, try to verify the peer that we are communicating with. |
|
Note, if using OpenSSL, this currently only makes sure that the |
|
peer certificate is signed by one of the root certificates in the CA |
|
database, but it does not validate that the certificate actually |
|
matches the host name we are trying to connect to. (With other backends, |
|
the host name is validated as well.) |
|
</p> |
|
<p>This is disabled by default since it requires a CA database to be |
|
provided by the caller in many cases. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cert_file, cert=<var>filename</var></samp>’</dt> |
|
<dd><p>A file containing a certificate to use in the handshake with the peer. |
|
(When operating as server, in listen mode, this is more often required |
|
by the peer, while client certificates only are mandated in certain |
|
setups.) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>key_file, key=<var>filename</var></samp>’</dt> |
|
<dd><p>A file containing the private key for the certificate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>listen=<var>1|0</var></samp>’</dt> |
|
<dd><p>If enabled, listen for connections on the provided port, and assume |
|
the server role in the handshake instead of the client role. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Example command lines: |
|
</p> |
|
<p>To create a TLS/SSL server that serves an input stream. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i <var>input</var> -f <var>format</var> tls://<var>hostname</var>:<var>port</var>?listen&cert=<var>server.crt</var>&key=<var>server.key</var> |
|
</pre></div> |
|
|
|
<p>To play back a stream from the TLS/SSL server using <code>ffplay</code>: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffplay tls://<var>hostname</var>:<var>port</var> |
|
</pre></div> |
|
|
|
<a name="udp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-udp">16.37 udp</a></h2> |
|
|
|
<p>User Datagram Protocol. |
|
</p> |
|
<p>The required syntax for an UDP URL is: |
|
</p><div class="example"> |
|
<pre class="example">udp://<var>hostname</var>:<var>port</var>[?<var>options</var>] |
|
</pre></div> |
|
|
|
<p><var>options</var> contains a list of &-separated options of the form <var>key</var>=<var>val</var>. |
|
</p> |
|
<p>In case threading is enabled on the system, a circular buffer is used |
|
to store the incoming data, which allows one to reduce loss of data due to |
|
UDP socket buffer overruns. The <var>fifo_size</var> and |
|
<var>overrun_nonfatal</var> options are related to this buffer. |
|
</p> |
|
<p>The list of supported options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>buffer_size=<var>size</var></samp>’</dt> |
|
<dd><p>Set the UDP maximum socket buffer size in bytes. This is used to set either |
|
the receive or send buffer size, depending on what the socket is used for. |
|
Default is 64KB. See also <var>fifo_size</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bitrate=<var>bitrate</var></samp>’</dt> |
|
<dd><p>If set to nonzero, the output will have the specified constant bitrate if the |
|
input has enough packets to sustain it. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>burst_bits=<var>bits</var></samp>’</dt> |
|
<dd><p>When using <var>bitrate</var> this specifies the maximum number of bits in |
|
packet bursts. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>localport=<var>port</var></samp>’</dt> |
|
<dd><p>Override the local UDP port to bind with. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>localaddr=<var>addr</var></samp>’</dt> |
|
<dd><p>Choose the local IP address. This is useful e.g. if sending multicast |
|
and the host has multiple interfaces, where the user can choose |
|
which interface to send on by specifying the IP address of that interface. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pkt_size=<var>size</var></samp>’</dt> |
|
<dd><p>Set the size in bytes of UDP packets. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reuse=<var>1|0</var></samp>’</dt> |
|
<dd><p>Explicitly allow or disallow reusing UDP sockets. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ttl=<var>ttl</var></samp>’</dt> |
|
<dd><p>Set the time to live value (for multicast only). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>connect=<var>1|0</var></samp>’</dt> |
|
<dd><p>Initialize the UDP socket with <code>connect()</code>. In this case, the |
|
destination address can’t be changed with ff_udp_set_remote_url later. |
|
If the destination address isn’t known at the start, this option can |
|
be specified in ff_udp_set_remote_url, too. |
|
This allows finding out the source address for the packets with getsockname, |
|
and makes writes return with AVERROR(ECONNREFUSED) if "destination |
|
unreachable" is received. |
|
For receiving, this gives the benefit of only receiving packets from |
|
the specified peer address/port. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sources=<var>address</var>[,<var>address</var>]</samp>’</dt> |
|
<dd><p>Only receive packets sent to the multicast group from one of the |
|
specified sender IP addresses. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>block=<var>address</var>[,<var>address</var>]</samp>’</dt> |
|
<dd><p>Ignore packets sent to the multicast group from the specified |
|
sender IP addresses. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fifo_size=<var>units</var></samp>’</dt> |
|
<dd><p>Set the UDP receiving circular buffer size, expressed as a number of |
|
packets with size of 188 bytes. If not specified defaults to 7*4096. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overrun_nonfatal=<var>1|0</var></samp>’</dt> |
|
<dd><p>Survive in case of UDP receiving circular buffer overrun. Default |
|
value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timeout=<var>microseconds</var></samp>’</dt> |
|
<dd><p>Set raise error timeout, expressed in microseconds. |
|
</p> |
|
<p>This option is only relevant in read mode: if no data arrived in more |
|
than this time interval, raise error. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>broadcast=<var>1|0</var></samp>’</dt> |
|
<dd><p>Explicitly allow or disallow UDP broadcasting. |
|
</p> |
|
<p>Note that broadcasting may not work properly on networks having |
|
a broadcast storm protection. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-56"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-56">16.37.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Use <code>ffmpeg</code> to stream over UDP to a remote endpoint: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i <var>input</var> -f <var>format</var> udp://<var>hostname</var>:<var>port</var> |
|
</pre></div> |
|
|
|
</li><li> |
|
Use <code>ffmpeg</code> to stream in mpegts format over UDP using 188 |
|
sized UDP packets, using a large input buffer: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i <var>input</var> -f mpegts udp://<var>hostname</var>:<var>port</var>?pkt_size=188&buffer_size=65535 |
|
</pre></div> |
|
|
|
</li><li> |
|
Use <code>ffmpeg</code> to receive over UDP from a remote endpoint: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i udp://[<var>multicast-address</var>]:<var>port</var> ... |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="unix"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-unix">16.38 unix</a></h2> |
|
|
|
<p>Unix local socket |
|
</p> |
|
<p>The required syntax for a Unix socket URL is: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">unix://<var>filepath</var> |
|
</pre></div> |
|
|
|
<p>The following parameters can be set via command line options |
|
(or in code via <code>AVOption</code>s): |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>timeout</samp>’</dt> |
|
<dd><p>Timeout in ms. |
|
</p></dd> |
|
<dt>‘<samp>listen</samp>’</dt> |
|
<dd><p>Create the Unix socket in listening mode. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Device-Options"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Device-Options">17 Device Options</a></h1> |
|
|
|
<p>The libavdevice library provides the same interface as |
|
libavformat. Namely, an input device is considered like a demuxer, and |
|
an output device like a muxer, and the interface and generic device |
|
options are the same provided by libavformat (see the ffmpeg-formats |
|
manual). |
|
</p> |
|
<p>In addition each input or output device may support so-called private |
|
options, which are specific for that component. |
|
</p> |
|
<p>Options may be set by specifying -<var>option</var> <var>value</var> in the |
|
FFmpeg tools, or by setting the value explicitly in the device |
|
<code>AVFormatContext</code> options or using the ‘<tt>libavutil/opt.h</tt>’ API |
|
for programmatic use. |
|
</p> |
|
|
|
<a name="Input-Devices"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Input-Devices">18 Input Devices</a></h1> |
|
|
|
<p>Input devices are configured elements in FFmpeg which enable accessing |
|
the data coming from a multimedia device attached to your system. |
|
</p> |
|
<p>When you configure your FFmpeg build, all the supported input devices |
|
are enabled by default. You can list all available ones using the |
|
configure option "–list-indevs". |
|
</p> |
|
<p>You can disable all the input devices using the configure option |
|
"–disable-indevs", and selectively enable an input device using the |
|
option "–enable-indev=<var>INDEV</var>", or you can disable a particular |
|
input device using the option "–disable-indev=<var>INDEV</var>". |
|
</p> |
|
<p>The option "-devices" of the ff* tools will display the list of |
|
supported input devices. |
|
</p> |
|
<p>A description of the currently available input devices follows. |
|
</p> |
|
<a name="alsa"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-alsa">18.1 alsa</a></h2> |
|
|
|
<p>ALSA (Advanced Linux Sound Architecture) input device. |
|
</p> |
|
<p>To enable this input device during configuration you need libasound |
|
installed on your system. |
|
</p> |
|
<p>This device allows capturing from an ALSA device. The name of the |
|
device to capture has to be an ALSA card identifier. |
|
</p> |
|
<p>An ALSA identifier has the syntax: |
|
</p><div class="example"> |
|
<pre class="example">hw:<var>CARD</var>[,<var>DEV</var>[,<var>SUBDEV</var>]] |
|
</pre></div> |
|
|
|
<p>where the <var>DEV</var> and <var>SUBDEV</var> components are optional. |
|
</p> |
|
<p>The three arguments (in order: <var>CARD</var>,<var>DEV</var>,<var>SUBDEV</var>) |
|
specify card number or identifier, device number and subdevice number |
|
(-1 means any). |
|
</p> |
|
<p>To see the list of cards currently recognized by your system check the |
|
files ‘<tt>/proc/asound/cards</tt>’ and ‘<tt>/proc/asound/devices</tt>’. |
|
</p> |
|
<p>For example to capture with <code>ffmpeg</code> from an ALSA device with |
|
card id 0, you may run the command: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f alsa -i hw:0 alsaout.wav |
|
</pre></div> |
|
|
|
<p>For more information see: |
|
<a href="http://www.alsa-project.org/alsa-doc/alsa-lib/pcm.html">http://www.alsa-project.org/alsa-doc/alsa-lib/pcm.html</a> |
|
</p> |
|
<a name="Options-2"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-2">18.1.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>Set the sample rate in Hz. Default is 48000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Set the number of channels. Default is 2. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="android_005fcamera"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-android_005fcamera">18.2 android_camera</a></h2> |
|
|
|
<p>Android camera input device. |
|
</p> |
|
<p>This input devices uses the Android Camera2 NDK API which is |
|
available on devices with API level 24+. The availability of |
|
android_camera is autodetected during configuration. |
|
</p> |
|
<p>This device allows capturing from all cameras on an Android device, |
|
which are integrated into the Camera2 NDK API. |
|
</p> |
|
<p>The available cameras are enumerated internally and can be selected |
|
with the <var>camera_index</var> parameter. The input file string is |
|
discarded. |
|
</p> |
|
<p>Generally the back facing camera has index 0 while the front facing |
|
camera has index 1. |
|
</p> |
|
<a name="Options-5"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-5">18.2.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the video size given as a string such as 640x480 or hd720. |
|
Falls back to the first available configuration reported by |
|
Android if requested video size is not available or by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the video framerate. |
|
Falls back to the first available configuration reported by |
|
Android if requested framerate is not available or by default (-1). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>camera_index</samp>’</dt> |
|
<dd><p>Set the index of the camera to use. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>input_queue_size</samp>’</dt> |
|
<dd><p>Set the maximum number of frames to buffer. Default is 5. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="avfoundation"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-avfoundation">18.3 avfoundation</a></h2> |
|
|
|
<p>AVFoundation input device. |
|
</p> |
|
<p>AVFoundation is the currently recommended framework by Apple for streamgrabbing on OSX >= 10.7 as well as on iOS. |
|
</p> |
|
<p>The input filename has to be given in the following syntax: |
|
</p><div class="example"> |
|
<pre class="example">-i "[[VIDEO]:[AUDIO]]" |
|
</pre></div> |
|
<p>The first entry selects the video input while the latter selects the audio input. |
|
The stream has to be specified by the device name or the device index as shown by the device list. |
|
Alternatively, the video and/or audio input device can be chosen by index using the |
|
‘<samp> |
|
-video_device_index <INDEX> |
|
</samp>’ |
|
and/or |
|
‘<samp> |
|
-audio_device_index <INDEX> |
|
</samp>’ |
|
, overriding any |
|
device name or index given in the input filename. |
|
</p> |
|
<p>All available devices can be enumerated by using ‘<samp>-list_devices true</samp>’, listing |
|
all device names and corresponding indices. |
|
</p> |
|
<p>There are two device name aliases: |
|
</p><dl compact="compact"> |
|
<dt><code>default</code></dt> |
|
<dd><p>Select the AVFoundation default device of the corresponding type. |
|
</p> |
|
</dd> |
|
<dt><code>none</code></dt> |
|
<dd><p>Do not record the corresponding media type. |
|
This is equivalent to specifying an empty device name or index. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Options-21"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-21">18.3.1 Options</a></h3> |
|
|
|
<p>AVFoundation supports the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>-list_devices <TRUE|FALSE></samp>’</dt> |
|
<dd><p>If set to true, a list of all available input devices is given showing all |
|
device names and indices. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-video_device_index <INDEX></samp>’</dt> |
|
<dd><p>Specify the video device by its index. Overrides anything given in the input filename. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-audio_device_index <INDEX></samp>’</dt> |
|
<dd><p>Specify the audio device by its index. Overrides anything given in the input filename. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-pixel_format <FORMAT></samp>’</dt> |
|
<dd><p>Request the video device to use a specific pixel format. |
|
If the specified format is not supported, a list of available formats is given |
|
and the first one in this list is used instead. Available pixel formats are: |
|
<code>monob, rgb555be, rgb555le, rgb565be, rgb565le, rgb24, bgr24, 0rgb, bgr0, 0bgr, rgb0, |
|
bgr48be, uyvy422, yuva444p, yuva444p16le, yuv444p, yuv422p16, yuv422p10, yuv444p10, |
|
yuv420p, nv12, yuyv422, gray</code> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-framerate</samp>’</dt> |
|
<dd><p>Set the grabbing frame rate. Default is <code>ntsc</code>, corresponding to a |
|
frame rate of <code>30000/1001</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-video_size</samp>’</dt> |
|
<dd><p>Set the video frame size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-capture_cursor</samp>’</dt> |
|
<dd><p>Capture the mouse pointer. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-capture_mouse_clicks</samp>’</dt> |
|
<dd><p>Capture the screen mouse clicks. Default is 0. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-100"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-100">18.3.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Print the list of AVFoundation supported devices and exit: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f avfoundation -list_devices true -i "" |
|
</pre></div> |
|
|
|
</li><li> |
|
Record video from video device 0 and audio from audio device 0 into out.avi: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f avfoundation -i "0:0" out.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Record video from video device 2 and audio from audio device 1 into out.avi: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f avfoundation -video_device_index 2 -i ":1" out.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Record video from the system default video device using the pixel format bgr0 and do not record any audio into out.avi: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f avfoundation -pixel_format bgr0 -i "default:none" out.avi |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="bktr"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bktr">18.4 bktr</a></h2> |
|
|
|
<p>BSD video input device. |
|
</p> |
|
<a name="Options-24"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-24">18.4.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the frame rate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the video frame size. Default is <code>vga</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>standard</samp>’</dt> |
|
<dd> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>pal</samp>’</dt> |
|
<dt>‘<samp>ntsc</samp>’</dt> |
|
<dt>‘<samp>secam</samp>’</dt> |
|
<dt>‘<samp>paln</samp>’</dt> |
|
<dt>‘<samp>palm</samp>’</dt> |
|
<dt>‘<samp>ntscj</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<a name="decklink"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-decklink">18.5 decklink</a></h2> |
|
|
|
<p>The decklink input device provides capture capabilities for Blackmagic |
|
DeckLink devices. |
|
</p> |
|
<p>To enable this input device, you need the Blackmagic DeckLink SDK and you |
|
need to configure with the appropriate <code>--extra-cflags</code> |
|
and <code>--extra-ldflags</code>. |
|
On Windows, you need to run the IDL files through <code>widl</code>. |
|
</p> |
|
<p>DeckLink is very picky about the formats it supports. Pixel format of the |
|
input can be set with ‘<samp>raw_format</samp>’. |
|
Framerate and video size must be determined for your device with |
|
<code>-list_formats 1</code>. Audio sample rate is always 48 kHz and the number |
|
of channels can be 2, 8 or 16. Note that all audio channels are bundled in one single |
|
audio track. |
|
</p> |
|
<a name="Options-6"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-6">18.5.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>list_devices</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, print a list of devices and exit. |
|
Defaults to ‘<samp>false</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>list_formats</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, print a list of supported formats and exit. |
|
Defaults to ‘<samp>false</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format_code <FourCC></samp>’</dt> |
|
<dd><p>This sets the input video format to the format given by the FourCC. To see |
|
the supported values of your device(s) use ‘<samp>list_formats</samp>’. |
|
Note that there is a FourCC ‘<samp>'pal '</samp>’ that can also be used |
|
as ‘<samp>pal</samp>’ (3 letters). |
|
Default behavior is autodetection of the input video format, if the hardware |
|
supports it. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bm_v210</samp>’</dt> |
|
<dd><p>This is a deprecated option, you can use ‘<samp>raw_format</samp>’ instead. |
|
If set to ‘<samp>1</samp>’, video is captured in 10 bit v210 instead |
|
of uyvy422. Not all Blackmagic devices support this option. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>raw_format</samp>’</dt> |
|
<dd><p>Set the pixel format of the captured video. |
|
Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>uyvy422</samp>’</dt> |
|
<dt>‘<samp>yuv422p10</samp>’</dt> |
|
<dt>‘<samp>argb</samp>’</dt> |
|
<dt>‘<samp>bgra</samp>’</dt> |
|
<dt>‘<samp>rgb10</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>teletext_lines</samp>’</dt> |
|
<dd><p>If set to nonzero, an additional teletext stream will be captured from the |
|
vertical ancillary data. Both SD PAL (576i) and HD (1080i or 1080p) |
|
sources are supported. In case of HD sources, OP47 packets are decoded. |
|
</p> |
|
<p>This option is a bitmask of the SD PAL VBI lines captured, specifically lines 6 |
|
to 22, and lines 318 to 335. Line 6 is the LSB in the mask. Selected lines |
|
which do not contain teletext information will be ignored. You can use the |
|
special ‘<samp>all</samp>’ constant to select all possible lines, or |
|
‘<samp>standard</samp>’ to skip lines 6, 318 and 319, which are not compatible with |
|
all receivers. |
|
</p> |
|
<p>For SD sources, ffmpeg needs to be compiled with <code>--enable-libzvbi</code>. For |
|
HD sources, on older (pre-4K) DeckLink card models you have to capture in 10 |
|
bit mode. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Defines number of audio channels to capture. Must be ‘<samp>2</samp>’, ‘<samp>8</samp>’ or ‘<samp>16</samp>’. |
|
Defaults to ‘<samp>2</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duplex_mode</samp>’</dt> |
|
<dd><p>Sets the decklink device duplex mode. Must be ‘<samp>unset</samp>’, ‘<samp>half</samp>’ or ‘<samp>full</samp>’. |
|
Defaults to ‘<samp>unset</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timecode_format</samp>’</dt> |
|
<dd><p>Timecode type to include in the frame and video stream metadata. Must be |
|
‘<samp>none</samp>’, ‘<samp>rp188vitc</samp>’, ‘<samp>rp188vitc2</samp>’, ‘<samp>rp188ltc</samp>’, |
|
‘<samp>rp188any</samp>’, ‘<samp>vitc</samp>’, ‘<samp>vitc2</samp>’, or ‘<samp>serial</samp>’. Defaults to |
|
‘<samp>none</samp>’ (not included). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_input</samp>’</dt> |
|
<dd><p>Sets the video input source. Must be ‘<samp>unset</samp>’, ‘<samp>sdi</samp>’, ‘<samp>hdmi</samp>’, |
|
‘<samp>optical_sdi</samp>’, ‘<samp>component</samp>’, ‘<samp>composite</samp>’ or ‘<samp>s_video</samp>’. |
|
Defaults to ‘<samp>unset</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_input</samp>’</dt> |
|
<dd><p>Sets the audio input source. Must be ‘<samp>unset</samp>’, ‘<samp>embedded</samp>’, |
|
‘<samp>aes_ebu</samp>’, ‘<samp>analog</samp>’, ‘<samp>analog_xlr</samp>’, ‘<samp>analog_rca</samp>’ or |
|
‘<samp>microphone</samp>’. Defaults to ‘<samp>unset</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_pts</samp>’</dt> |
|
<dd><p>Sets the video packet timestamp source. Must be ‘<samp>video</samp>’, ‘<samp>audio</samp>’, |
|
‘<samp>reference</samp>’, ‘<samp>wallclock</samp>’ or ‘<samp>abs_wallclock</samp>’. |
|
Defaults to ‘<samp>video</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_pts</samp>’</dt> |
|
<dd><p>Sets the audio packet timestamp source. Must be ‘<samp>video</samp>’, ‘<samp>audio</samp>’, |
|
‘<samp>reference</samp>’, ‘<samp>wallclock</samp>’ or ‘<samp>abs_wallclock</samp>’. |
|
Defaults to ‘<samp>audio</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>draw_bars</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, color bars are drawn in the event of a signal loss. |
|
Defaults to ‘<samp>true</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>queue_size</samp>’</dt> |
|
<dd><p>Sets maximum input buffer size in bytes. If the buffering reaches this value, |
|
incoming frames will be dropped. |
|
Defaults to ‘<samp>1073741824</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_depth</samp>’</dt> |
|
<dd><p>Sets the audio sample bit depth. Must be ‘<samp>16</samp>’ or ‘<samp>32</samp>’. |
|
Defaults to ‘<samp>16</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>decklink_copyts</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, timestamps are forwarded as they are without removing |
|
the initial offset. |
|
Defaults to ‘<samp>false</samp>’. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-112"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-112">18.5.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
List input devices: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f decklink -list_devices 1 -i dummy |
|
</pre></div> |
|
|
|
</li><li> |
|
List supported formats: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f decklink -list_formats 1 -i 'Intensity Pro' |
|
</pre></div> |
|
|
|
</li><li> |
|
Capture video clip at 1080i50: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -format_code Hi50 -f decklink -i 'Intensity Pro' -c:a copy -c:v copy output.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Capture video clip at 1080i50 10 bit: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -bm_v210 1 -format_code Hi50 -f decklink -i 'UltraStudio Mini Recorder' -c:a copy -c:v copy output.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Capture video clip at 1080i50 with 16 audio channels: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -channels 16 -format_code Hi50 -f decklink -i 'UltraStudio Mini Recorder' -c:a copy -c:v copy output.avi |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="dshow"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dshow">18.6 dshow</a></h2> |
|
|
|
<p>Windows DirectShow input device. |
|
</p> |
|
<p>DirectShow support is enabled when FFmpeg is built with the mingw-w64 project. |
|
Currently only audio and video devices are supported. |
|
</p> |
|
<p>Multiple devices may be opened as separate inputs, but they may also be |
|
opened on the same input, which should improve synchronism between them. |
|
</p> |
|
<p>The input name should be in the format: |
|
</p> |
|
<div class="example"> |
|
<pre class="example"><var>TYPE</var>=<var>NAME</var>[:<var>TYPE</var>=<var>NAME</var>] |
|
</pre></div> |
|
|
|
<p>where <var>TYPE</var> can be either <var>audio</var> or <var>video</var>, |
|
and <var>NAME</var> is the device’s name or alternative name.. |
|
</p> |
|
<a name="Options-25"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-25">18.6.1 Options</a></h3> |
|
|
|
<p>If no options are specified, the device’s defaults are used. |
|
If the device does not support the requested options, it will |
|
fail to open. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the video size in the captured video. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the frame rate in the captured video. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>Set the sample rate (in Hz) of the captured audio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_size</samp>’</dt> |
|
<dd><p>Set the sample size (in bits) of the captured audio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Set the number of channels in the captured audio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>list_devices</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, print a list of devices and exit. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>list_options</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, print a list of selected device’s options |
|
and exit. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_device_number</samp>’</dt> |
|
<dd><p>Set video device number for devices with the same name (starts at 0, |
|
defaults to 0). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_device_number</samp>’</dt> |
|
<dd><p>Set audio device number for devices with the same name (starts at 0, |
|
defaults to 0). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pixel_format</samp>’</dt> |
|
<dd><p>Select pixel format to be used by DirectShow. This may only be set when |
|
the video codec is not set or set to rawvideo. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_buffer_size</samp>’</dt> |
|
<dd><p>Set audio device buffer size in milliseconds (which can directly |
|
impact latency, depending on the device). |
|
Defaults to using the audio device’s |
|
default buffer size (typically some multiple of 500ms). |
|
Setting this value too low can degrade performance. |
|
See also |
|
<a href="http://msdn.microsoft.com/en-us/library/windows/desktop/dd377582(v=vs.85).aspx">http://msdn.microsoft.com/en-us/library/windows/desktop/dd377582(v=vs.85).aspx</a> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_pin_name</samp>’</dt> |
|
<dd><p>Select video capture pin to use by name or alternative name. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_pin_name</samp>’</dt> |
|
<dd><p>Select audio capture pin to use by name or alternative name. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>crossbar_video_input_pin_number</samp>’</dt> |
|
<dd><p>Select video input pin number for crossbar device. This will be |
|
routed to the crossbar device’s Video Decoder output pin. |
|
Note that changing this value can affect future invocations |
|
(sets a new default) until system reboot occurs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>crossbar_audio_input_pin_number</samp>’</dt> |
|
<dd><p>Select audio input pin number for crossbar device. This will be |
|
routed to the crossbar device’s Audio Decoder output pin. |
|
Note that changing this value can affect future invocations |
|
(sets a new default) until system reboot occurs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show_video_device_dialog</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, before capture starts, popup a display dialog |
|
to the end user, allowing them to change video filter properties |
|
and configurations manually. |
|
Note that for crossbar devices, adjusting values in this dialog |
|
may be needed at times to toggle between PAL (25 fps) and NTSC (29.97) |
|
input frame rates, sizes, interlacing, etc. Changing these values can |
|
enable different scan rates/frame rates and avoiding green bars at |
|
the bottom, flickering scan lines, etc. |
|
Note that with some devices, changing these properties can also affect future |
|
invocations (sets new defaults) until system reboot occurs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show_audio_device_dialog</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, before capture starts, popup a display dialog |
|
to the end user, allowing them to change audio filter properties |
|
and configurations manually. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show_video_crossbar_connection_dialog</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, before capture starts, popup a display |
|
dialog to the end user, allowing them to manually |
|
modify crossbar pin routings, when it opens a video device. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show_audio_crossbar_connection_dialog</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, before capture starts, popup a display |
|
dialog to the end user, allowing them to manually |
|
modify crossbar pin routings, when it opens an audio device. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show_analog_tv_tuner_dialog</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, before capture starts, popup a display |
|
dialog to the end user, allowing them to manually |
|
modify TV channels and frequencies. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show_analog_tv_tuner_audio_dialog</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, before capture starts, popup a display |
|
dialog to the end user, allowing them to manually |
|
modify TV audio (like mono vs. stereo, Language A,B or C). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_device_load</samp>’</dt> |
|
<dd><p>Load an audio capture filter device from file instead of searching |
|
it by name. It may load additional parameters too, if the filter |
|
supports the serialization of its properties to. |
|
To use this an audio capture source has to be specified, but it can |
|
be anything even fake one. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>audio_device_save</samp>’</dt> |
|
<dd><p>Save the currently used audio capture filter device and its |
|
parameters (if the filter supports it) to a file. |
|
If a file with the same name exists it will be overwritten. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_device_load</samp>’</dt> |
|
<dd><p>Load a video capture filter device from file instead of searching |
|
it by name. It may load additional parameters too, if the filter |
|
supports the serialization of its properties to. |
|
To use this a video capture source has to be specified, but it can |
|
be anything even fake one. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_device_save</samp>’</dt> |
|
<dd><p>Save the currently used video capture filter device and its |
|
parameters (if the filter supports it) to a file. |
|
If a file with the same name exists it will be overwritten. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-25"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-25">18.6.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Print the list of DirectShow supported devices and exit: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -list_devices true -f dshow -i dummy |
|
</pre></div> |
|
|
|
</li><li> |
|
Open video device <var>Camera</var>: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f dshow -i video="Camera" |
|
</pre></div> |
|
|
|
</li><li> |
|
Open second video device with name <var>Camera</var>: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f dshow -video_device_number 1 -i video="Camera" |
|
</pre></div> |
|
|
|
</li><li> |
|
Open video device <var>Camera</var> and audio device <var>Microphone</var>: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f dshow -i video="Camera":audio="Microphone" |
|
</pre></div> |
|
|
|
</li><li> |
|
Print the list of supported options in selected device and exit: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -list_options true -f dshow -i video="Camera" |
|
</pre></div> |
|
|
|
</li><li> |
|
Specify pin names to capture by name or alternative name, specify alternative device name: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f dshow -audio_pin_name "Audio Out" -video_pin_name 2 -i video=video="@device_pnp_\\?\pci#ven_1a0a&dev_6200&subsys_62021461&rev_01#4&e2c7dd6&0&00e1#{65e8773d-8f56-11d0-a3b9-00a0c9223196}\{ca465100-deb0-4d59-818f-8c477184adf6}":audio="Microphone" |
|
</pre></div> |
|
|
|
</li><li> |
|
Configure a crossbar device, specifying crossbar pins, allow user to adjust video capture properties at startup: |
|
<div class="example"> |
|
<pre class="example">$ ffmpeg -f dshow -show_video_device_dialog true -crossbar_video_input_pin_number 0 |
|
-crossbar_audio_input_pin_number 3 -i video="AVerMedia BDA Analog Capture":audio="AVerMedia BDA Analog Capture" |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="fbdev"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fbdev">18.7 fbdev</a></h2> |
|
|
|
<p>Linux framebuffer input device. |
|
</p> |
|
<p>The Linux framebuffer is a graphic hardware-independent abstraction |
|
layer to show graphics on a computer monitor, typically on the |
|
console. It is accessed through a file device node, usually |
|
‘<tt>/dev/fb0</tt>’. |
|
</p> |
|
<p>For more detailed information read the file |
|
Documentation/fb/framebuffer.txt included in the Linux source tree. |
|
</p> |
|
<p>See also <a href="http://linux-fbdev.sourceforge.net/">http://linux-fbdev.sourceforge.net/</a>, and fbset(1). |
|
</p> |
|
<p>To record from the framebuffer device ‘<tt>/dev/fb0</tt>’ with |
|
<code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f fbdev -framerate 10 -i /dev/fb0 out.avi |
|
</pre></div> |
|
|
|
<p>You can take a single screenshot image with the command: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f fbdev -framerate 1 -i /dev/fb0 -frames:v 1 screenshot.jpeg |
|
</pre></div> |
|
|
|
<a name="Options-3"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-3">18.7.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the frame rate. Default is 25. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="gdigrab"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-gdigrab">18.8 gdigrab</a></h2> |
|
|
|
<p>Win32 GDI-based screen capture device. |
|
</p> |
|
<p>This device allows you to capture a region of the display on Windows. |
|
</p> |
|
<p>There are two options for the input filename: |
|
</p><div class="example"> |
|
<pre class="example">desktop |
|
</pre></div> |
|
<p>or |
|
</p><div class="example"> |
|
<pre class="example">title=<var>window_title</var> |
|
</pre></div> |
|
|
|
<p>The first option will capture the entire desktop, or a fixed region of the |
|
desktop. The second option will instead capture the contents of a single |
|
window, regardless of its position on the screen. |
|
</p> |
|
<p>For example, to grab the entire desktop using <code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f gdigrab -framerate 6 -i desktop out.mpg |
|
</pre></div> |
|
|
|
<p>Grab a 640x480 region at position <code>10,20</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f gdigrab -framerate 6 -offset_x 10 -offset_y 20 -video_size vga -i desktop out.mpg |
|
</pre></div> |
|
|
|
<p>Grab the contents of the window named "Calculator" |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f gdigrab -framerate 6 -i title=Calculator out.mpg |
|
</pre></div> |
|
|
|
<a name="Options-23"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-23">18.8.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>draw_mouse</samp>’</dt> |
|
<dd><p>Specify whether to draw the mouse pointer. Use the value <code>0</code> to |
|
not draw the pointer. Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the grabbing frame rate. Default value is <code>ntsc</code>, |
|
corresponding to a frame rate of <code>30000/1001</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show_region</samp>’</dt> |
|
<dd><p>Show grabbed region on screen. |
|
</p> |
|
<p>If <var>show_region</var> is specified with <code>1</code>, then the grabbing |
|
region will be indicated on screen. With this option, it is easy to |
|
know what is being grabbed if only a portion of the screen is grabbed. |
|
</p> |
|
<p>Note that <var>show_region</var> is incompatible with grabbing the contents |
|
of a single window. |
|
</p> |
|
<p>For example: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f gdigrab -show_region 1 -framerate 6 -video_size cif -offset_x 10 -offset_y 20 -i desktop out.mpg |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the video frame size. The default is to capture the full screen if ‘<tt>desktop</tt>’ is selected, or the full window size if ‘<tt>title=<var>window_title</var></tt>’ is selected. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>offset_x</samp>’</dt> |
|
<dd><p>When capturing a region with <var>video_size</var>, set the distance from the left edge of the screen or desktop. |
|
</p> |
|
<p>Note that the offset calculation is from the top left corner of the primary monitor on Windows. If you have a monitor positioned to the left of your primary monitor, you will need to use a negative <var>offset_x</var> value to move the region to that monitor. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>offset_y</samp>’</dt> |
|
<dd><p>When capturing a region with <var>video_size</var>, set the distance from the top edge of the screen or desktop. |
|
</p> |
|
<p>Note that the offset calculation is from the top left corner of the primary monitor on Windows. If you have a monitor positioned above your primary monitor, you will need to use a negative <var>offset_y</var> value to move the region to that monitor. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="iec61883"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-iec61883">18.9 iec61883</a></h2> |
|
|
|
<p>FireWire DV/HDV input device using libiec61883. |
|
</p> |
|
<p>To enable this input device, you need libiec61883, libraw1394 and |
|
libavc1394 installed on your system. Use the configure option |
|
<code>--enable-libiec61883</code> to compile with the device enabled. |
|
</p> |
|
<p>The iec61883 capture device supports capturing from a video device |
|
connected via IEEE1394 (FireWire), using libiec61883 and the new Linux |
|
FireWire stack (juju). This is the default DV/HDV input method in Linux |
|
Kernel 2.6.37 and later, since the old FireWire stack was removed. |
|
</p> |
|
<p>Specify the FireWire port to be used as input file, or "auto" |
|
to choose the first port connected. |
|
</p> |
|
<a name="Options-14"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-14">18.9.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>dvtype</samp>’</dt> |
|
<dd><p>Override autodetection of DV/HDV. This should only be used if auto |
|
detection does not work, or if usage of a different device type |
|
should be prohibited. Treating a DV device as HDV (or vice versa) will |
|
not work and result in undefined behavior. |
|
The values ‘<samp>auto</samp>’, ‘<samp>dv</samp>’ and ‘<samp>hdv</samp>’ are supported. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dvbuffer</samp>’</dt> |
|
<dd><p>Set maximum size of buffer for incoming data, in frames. For DV, this |
|
is an exact value. For HDV, it is not frame exact, since HDV does |
|
not have a fixed frame size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dvguid</samp>’</dt> |
|
<dd><p>Select the capture device by specifying its GUID. Capturing will only |
|
be performed from the specified device and fails if no device with the |
|
given GUID is found. This is useful to select the input if multiple |
|
devices are connected at the same time. |
|
Look at /sys/bus/firewire/devices to find out the GUIDs. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-96"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-96">18.9.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Grab and show the input of a FireWire DV/HDV device. |
|
<div class="example"> |
|
<pre class="example">ffplay -f iec61883 -i auto |
|
</pre></div> |
|
|
|
</li><li> |
|
Grab and record the input of a FireWire DV/HDV device, |
|
using a packet buffer of 100000 packets if the source is HDV. |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f iec61883 -i auto -hdvbuffer 100000 out.mpg |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="jack"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-jack">18.10 jack</a></h2> |
|
|
|
<p>JACK input device. |
|
</p> |
|
<p>To enable this input device during configuration you need libjack |
|
installed on your system. |
|
</p> |
|
<p>A JACK input device creates one or more JACK writable clients, one for |
|
each audio channel, with name <var>client_name</var>:input_<var>N</var>, where |
|
<var>client_name</var> is the name provided by the application, and <var>N</var> |
|
is a number which identifies the channel. |
|
Each writable client will send the acquired data to the FFmpeg input |
|
device. |
|
</p> |
|
<p>Once you have created one or more JACK readable clients, you need to |
|
connect them to one or more JACK writable clients. |
|
</p> |
|
<p>To connect or disconnect JACK clients you can use the <code>jack_connect</code> |
|
and <code>jack_disconnect</code> programs, or do it through a graphical interface, |
|
for example with <code>qjackctl</code>. |
|
</p> |
|
<p>To list the JACK clients and their properties you can invoke the command |
|
<code>jack_lsp</code>. |
|
</p> |
|
<p>Follows an example which shows how to capture a JACK readable client |
|
with <code>ffmpeg</code>. |
|
</p><div class="example"> |
|
<pre class="example"># Create a JACK writable client with name "ffmpeg". |
|
$ ffmpeg -f jack -i ffmpeg -y out.wav |
|
|
|
# Start the sample jack_metro readable client. |
|
$ jack_metro -b 120 -d 0.2 -f 4000 |
|
|
|
# List the current JACK clients. |
|
$ jack_lsp -c |
|
system:capture_1 |
|
system:capture_2 |
|
system:playback_1 |
|
system:playback_2 |
|
ffmpeg:input_1 |
|
metro:120_bpm |
|
|
|
# Connect metro to the ffmpeg writable client. |
|
$ jack_connect metro:120_bpm ffmpeg:input_1 |
|
</pre></div> |
|
|
|
<p>For more information read: |
|
<a href="http://jackaudio.org/">http://jackaudio.org/</a> |
|
</p> |
|
<a name="Options-28"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-28">18.10.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Set the number of channels. Default is 2. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="kmsgrab"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-kmsgrab">18.11 kmsgrab</a></h2> |
|
|
|
<p>KMS video input device. |
|
</p> |
|
<p>Captures the KMS scanout framebuffer associated with a specified CRTC or plane as a |
|
DRM object that can be passed to other hardware functions. |
|
</p> |
|
<p>Requires either DRM master or CAP_SYS_ADMIN to run. |
|
</p> |
|
<p>If you don’t understand what all of that means, you probably don’t want this. Look at |
|
‘<samp>x11grab</samp>’ instead. |
|
</p> |
|
<a name="Options-22"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-22">18.11.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>device</samp>’</dt> |
|
<dd><p>DRM device to capture on. Defaults to ‘<samp>/dev/dri/card0</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format</samp>’</dt> |
|
<dd><p>Pixel format of the framebuffer. Defaults to ‘<samp>bgr0</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format_modifier</samp>’</dt> |
|
<dd><p>Format modifier to signal on output frames. This is necessary to import correctly into |
|
some APIs, but can’t be autodetected. See the libdrm documentation for possible values. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>crtc_id</samp>’</dt> |
|
<dd><p>KMS CRTC ID to define the capture source. The first active plane on the given CRTC |
|
will be used. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>plane_id</samp>’</dt> |
|
<dd><p>KMS plane ID to define the capture source. Defaults to the first active plane found if |
|
neither ‘<samp>crtc_id</samp>’ nor ‘<samp>plane_id</samp>’ are specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Framerate to capture at. This is not synchronised to any page flipping or framebuffer |
|
changes - it just defines the interval at which the framebuffer is sampled. Sampling |
|
faster than the framebuffer update rate will generate independent frames with the same |
|
content. Defaults to <code>30</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-5"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-5">18.11.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Capture from the first active plane, download the result to normal frames and encode. |
|
This will only work if the framebuffer is both linear and mappable - if not, the result |
|
may be scrambled or fail to download. |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f kmsgrab -i - -vf 'hwdownload,format=bgr0' output.mp4 |
|
</pre></div> |
|
|
|
</li><li> |
|
Capture from CRTC ID 42 at 60fps, map the result to VAAPI, convert to NV12 and encode as H.264. |
|
<div class="example"> |
|
<pre class="example">ffmpeg -crtc_id 42 -framerate 60 -f kmsgrab -i - -vf 'hwmap=derive_device=vaapi,scale_vaapi=w=1920:h=1080:format=nv12' -c:v h264_vaapi output.mp4 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="lavfi"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-lavfi">18.12 lavfi</a></h2> |
|
|
|
<p>Libavfilter input virtual device. |
|
</p> |
|
<p>This input device reads data from the open output pads of a libavfilter |
|
filtergraph. |
|
</p> |
|
<p>For each filtergraph open output, the input device will create a |
|
corresponding stream which is mapped to the generated output. Currently |
|
only video data is supported. The filtergraph is specified through the |
|
option ‘<samp>graph</samp>’. |
|
</p> |
|
<a name="Options-15"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-15">18.12.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>graph</samp>’</dt> |
|
<dd><p>Specify the filtergraph to use as input. Each video open output must be |
|
labelled by a unique string of the form "out<var>N</var>", where <var>N</var> is a |
|
number starting from 0 corresponding to the mapped input stream |
|
generated by the device. |
|
The first unlabelled output is automatically assigned to the "out0" |
|
label, but all the others need to be specified explicitly. |
|
</p> |
|
<p>The suffix "+subcc" can be appended to the output label to create an extra |
|
stream with the closed captions packets attached to that output |
|
(experimental; only for EIA-608 / CEA-708 for now). |
|
The subcc streams are created after all the normal streams, in the order of |
|
the corresponding stream. |
|
For example, if there is "out19+subcc", "out7+subcc" and up to "out42", the |
|
stream #43 is subcc for stream #7 and stream #44 is subcc for stream #19. |
|
</p> |
|
<p>If not specified defaults to the filename specified for the input |
|
device. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>graph_file</samp>’</dt> |
|
<dd><p>Set the filename of the filtergraph to be read and sent to the other |
|
filters. Syntax of the filtergraph is the same as the one specified by |
|
the option <var>graph</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dumpgraph</samp>’</dt> |
|
<dd><p>Dump graph to stderr. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-113"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-113">18.12.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Create a color video stream and play it back with <code>ffplay</code>: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi -graph "color=c=pink [out0]" dummy |
|
</pre></div> |
|
|
|
</li><li> |
|
As the previous example, but use filename for specifying the graph |
|
description, and omit the "out0" label: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi color=c=pink |
|
</pre></div> |
|
|
|
</li><li> |
|
Create three different video test filtered sources and play them: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi -graph "testsrc [out0]; testsrc,hflip [out1]; testsrc,negate [out2]" test3 |
|
</pre></div> |
|
|
|
</li><li> |
|
Read an audio stream from a file using the amovie source and play it |
|
back with <code>ffplay</code>: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi "amovie=test.wav" |
|
</pre></div> |
|
|
|
</li><li> |
|
Read an audio stream and a video stream and play it back with |
|
<code>ffplay</code>: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi "movie=test.avi[out0];amovie=test.wav[out1]" |
|
</pre></div> |
|
|
|
</li><li> |
|
Dump decoded frames to images and closed captions to a file (experimental): |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i "movie=test.ts[out0+subcc]" -map v frame%08d.png -map s -c copy -f rawvideo subcc.bin |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="libcdio"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libcdio">18.13 libcdio</a></h2> |
|
|
|
<p>Audio-CD input device based on libcdio. |
|
</p> |
|
<p>To enable this input device during configuration you need libcdio |
|
installed on your system. It requires the configure option |
|
<code>--enable-libcdio</code>. |
|
</p> |
|
<p>This device allows playing and grabbing from an Audio-CD. |
|
</p> |
|
<p>For example to copy with <code>ffmpeg</code> the entire Audio-CD in ‘<tt>/dev/sr0</tt>’, |
|
you may run the command: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f libcdio -i /dev/sr0 cd.wav |
|
</pre></div> |
|
|
|
<a name="Options-10"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-10">18.13.1 Options</a></h3> |
|
<dl compact="compact"> |
|
<dt>‘<samp>speed</samp>’</dt> |
|
<dd><p>Set drive reading speed. Default value is 0. |
|
</p> |
|
<p>The speed is specified CD-ROM speed units. The speed is set through |
|
the libcdio <code>cdio_cddap_speed_set</code> function. On many CD-ROM |
|
drives, specifying a value too large will result in using the fastest |
|
speed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>paranoia_mode</samp>’</dt> |
|
<dd><p>Set paranoia recovery mode flags. It accepts one of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>disable</samp>’</dt> |
|
<dt>‘<samp>verify</samp>’</dt> |
|
<dt>‘<samp>overlap</samp>’</dt> |
|
<dt>‘<samp>neverskip</samp>’</dt> |
|
<dt>‘<samp>full</samp>’</dt> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>disable</samp>’. |
|
</p> |
|
<p>For more information about the available recovery modes, consult the |
|
paranoia project documentation. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="libdc1394"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libdc1394">18.14 libdc1394</a></h2> |
|
|
|
<p>IIDC1394 input device, based on libdc1394 and libraw1394. |
|
</p> |
|
<p>Requires the configure option <code>--enable-libdc1394</code>. |
|
</p> |
|
<a name="libndi_005fnewtek"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libndi_005fnewtek">18.15 libndi_newtek</a></h2> |
|
|
|
<p>The libndi_newtek input device provides capture capabilities for using NDI (Network |
|
Device Interface, standard created by NewTek). |
|
</p> |
|
<p>Input filename is a NDI source name that could be found by sending -find_sources 1 |
|
to command line - it has no specific syntax but human-readable formatted. |
|
</p> |
|
<p>To enable this input device, you need the NDI SDK and you |
|
need to configure with the appropriate <code>--extra-cflags</code> |
|
and <code>--extra-ldflags</code>. |
|
</p> |
|
<a name="Options-16"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-16">18.15.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>find_sources</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, print a list of found/available NDI sources and exit. |
|
Defaults to ‘<samp>false</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wait_sources</samp>’</dt> |
|
<dd><p>Override time to wait until the number of online sources have changed. |
|
Defaults to ‘<samp>0.5</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>allow_video_fields</samp>’</dt> |
|
<dd><p>When this flag is ‘<samp>false</samp>’, all video that you receive will be progressive. |
|
Defaults to ‘<samp>true</samp>’. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-82"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-82">18.15.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
List input devices: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f libndi_newtek -find_sources 1 -i dummy |
|
</pre></div> |
|
|
|
</li><li> |
|
Restream to NDI: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f libndi_newtek -i "DEV-5.INTERNAL.M1STEREO.TV (NDI_SOURCE_NAME_1)" -f libndi_newtek -y NDI_SOURCE_NAME_2 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="openal"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-openal">18.16 openal</a></h2> |
|
|
|
<p>The OpenAL input device provides audio capture on all systems with a |
|
working OpenAL 1.1 implementation. |
|
</p> |
|
<p>To enable this input device during configuration, you need OpenAL |
|
headers and libraries installed on your system, and need to configure |
|
FFmpeg with <code>--enable-openal</code>. |
|
</p> |
|
<p>OpenAL headers and libraries should be provided as part of your OpenAL |
|
implementation, or as an additional download (an SDK). Depending on your |
|
installation you may need to specify additional flags via the |
|
<code>--extra-cflags</code> and <code>--extra-ldflags</code> for allowing the build |
|
system to locate the OpenAL headers and libraries. |
|
</p> |
|
<p>An incomplete list of OpenAL implementations follows: |
|
</p> |
|
<dl compact="compact"> |
|
<dt><strong>Creative</strong></dt> |
|
<dd><p>The official Windows implementation, providing hardware acceleration |
|
with supported devices and software fallback. |
|
See <a href="http://openal.org/">http://openal.org/</a>. |
|
</p></dd> |
|
<dt><strong>OpenAL Soft</strong></dt> |
|
<dd><p>Portable, open source (LGPL) software implementation. Includes |
|
backends for the most common sound APIs on the Windows, Linux, |
|
Solaris, and BSD operating systems. |
|
See <a href="http://kcat.strangesoft.net/openal.html">http://kcat.strangesoft.net/openal.html</a>. |
|
</p></dd> |
|
<dt><strong>Apple</strong></dt> |
|
<dd><p>OpenAL is part of Core Audio, the official Mac OS X Audio interface. |
|
See <a href="http://developer.apple.com/technologies/mac/audio-and-video.html">http://developer.apple.com/technologies/mac/audio-and-video.html</a> |
|
</p></dd> |
|
</dl> |
|
|
|
<p>This device allows one to capture from an audio input device handled |
|
through OpenAL. |
|
</p> |
|
<p>You need to specify the name of the device to capture in the provided |
|
filename. If the empty string is provided, the device will |
|
automatically select the default device. You can get the list of the |
|
supported devices by using the option <var>list_devices</var>. |
|
</p> |
|
<a name="Options-11"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-11">18.16.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Set the number of channels in the captured audio. Only the values |
|
‘<samp>1</samp>’ (monaural) and ‘<samp>2</samp>’ (stereo) are currently supported. |
|
Defaults to ‘<samp>2</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_size</samp>’</dt> |
|
<dd><p>Set the sample size (in bits) of the captured audio. Only the values |
|
‘<samp>8</samp>’ and ‘<samp>16</samp>’ are currently supported. Defaults to |
|
‘<samp>16</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>Set the sample rate (in Hz) of the captured audio. |
|
Defaults to ‘<samp>44.1k</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>list_devices</samp>’</dt> |
|
<dd><p>If set to ‘<samp>true</samp>’, print a list of devices and exit. |
|
Defaults to ‘<samp>false</samp>’. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-51"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-51">18.16.2 Examples</a></h3> |
|
|
|
<p>Print the list of OpenAL supported devices and exit: |
|
</p><div class="example"> |
|
<pre class="example">$ ffmpeg -list_devices true -f openal -i dummy out.ogg |
|
</pre></div> |
|
|
|
<p>Capture from the OpenAL device ‘<tt>DR-BT101 via PulseAudio</tt>’: |
|
</p><div class="example"> |
|
<pre class="example">$ ffmpeg -f openal -i 'DR-BT101 via PulseAudio' out.ogg |
|
</pre></div> |
|
|
|
<p>Capture from the default device (note the empty string ” as filename): |
|
</p><div class="example"> |
|
<pre class="example">$ ffmpeg -f openal -i '' out.ogg |
|
</pre></div> |
|
|
|
<p>Capture from two devices simultaneously, writing to two different files, |
|
within the same <code>ffmpeg</code> command: |
|
</p><div class="example"> |
|
<pre class="example">$ ffmpeg -f openal -i 'DR-BT101 via PulseAudio' out1.ogg -f openal -i 'ALSA Default' out2.ogg |
|
</pre></div> |
|
<p>Note: not all OpenAL implementations support multiple simultaneous capture - |
|
try the latest OpenAL Soft if the above does not work. |
|
</p> |
|
<a name="oss"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-oss">18.17 oss</a></h2> |
|
|
|
<p>Open Sound System input device. |
|
</p> |
|
<p>The filename to provide to the input device is the device node |
|
representing the OSS input device, and is usually set to |
|
‘<tt>/dev/dsp</tt>’. |
|
</p> |
|
<p>For example to grab from ‘<tt>/dev/dsp</tt>’ using <code>ffmpeg</code> use the |
|
command: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f oss -i /dev/dsp /tmp/oss.wav |
|
</pre></div> |
|
|
|
<p>For more information about OSS see: |
|
<a href="http://manuals.opensound.com/usersguide/dsp.html">http://manuals.opensound.com/usersguide/dsp.html</a> |
|
</p> |
|
<a name="Options-13"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-13">18.17.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>Set the sample rate in Hz. Default is 48000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Set the number of channels. Default is 2. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="pulse"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pulse">18.18 pulse</a></h2> |
|
|
|
<p>PulseAudio input device. |
|
</p> |
|
<p>To enable this output device you need to configure FFmpeg with <code>--enable-libpulse</code>. |
|
</p> |
|
<p>The filename to provide to the input device is a source device or the |
|
string "default" |
|
</p> |
|
<p>To list the PulseAudio source devices and their properties you can invoke |
|
the command <code>pactl list sources</code>. |
|
</p> |
|
<p>More information about PulseAudio can be found on <a href="http://www.pulseaudio.org">http://www.pulseaudio.org</a>. |
|
</p> |
|
<a name="Options-1"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-1">18.18.1 Options</a></h3> |
|
<dl compact="compact"> |
|
<dt>‘<samp>server</samp>’</dt> |
|
<dd><p>Connect to a specific PulseAudio server, specified by an IP address. |
|
Default server is used when not provided. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>name</samp>’</dt> |
|
<dd><p>Specify the application name PulseAudio will use when showing active clients, |
|
by default it is the <code>LIBAVFORMAT_IDENT</code> string. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stream_name</samp>’</dt> |
|
<dd><p>Specify the stream name PulseAudio will use when showing active streams, |
|
by default it is "record". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>Specify the samplerate in Hz, by default 48kHz is used. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Specify the channels in use, by default 2 (stereo) is set. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame_size</samp>’</dt> |
|
<dd><p>Specify the number of bytes per frame, by default it is set to 1024. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fragment_size</samp>’</dt> |
|
<dd><p>Specify the minimal buffering fragment in PulseAudio, it will affect the |
|
audio latency. By default it is unset. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wallclock</samp>’</dt> |
|
<dd><p>Set the initial PTS using the current time. Default is 1. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-50"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-50">18.18.2 Examples</a></h3> |
|
<p>Record a stream from default device: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f pulse -i default /tmp/pulse.wav |
|
</pre></div> |
|
|
|
<a name="sndio"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sndio">18.19 sndio</a></h2> |
|
|
|
<p>sndio input device. |
|
</p> |
|
<p>To enable this input device during configuration you need libsndio |
|
installed on your system. |
|
</p> |
|
<p>The filename to provide to the input device is the device node |
|
representing the sndio input device, and is usually set to |
|
‘<tt>/dev/audio0</tt>’. |
|
</p> |
|
<p>For example to grab from ‘<tt>/dev/audio0</tt>’ using <code>ffmpeg</code> use the |
|
command: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f sndio -i /dev/audio0 /tmp/oss.wav |
|
</pre></div> |
|
|
|
<a name="Options"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options">18.19.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>Set the sample rate in Hz. Default is 48000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Set the number of channels. Default is 2. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="video4linux2_002c-v4l2"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-video4linux2_002c-v4l2">18.20 video4linux2, v4l2</a></h2> |
|
|
|
<p>Video4Linux2 input video device. |
|
</p> |
|
<p>"v4l2" can be used as alias for "video4linux2". |
|
</p> |
|
<p>If FFmpeg is built with v4l-utils support (by using the |
|
<code>--enable-libv4l2</code> configure option), it is possible to use it with the |
|
<code>-use_libv4l2</code> input device option. |
|
</p> |
|
<p>The name of the device to grab is a file device node, usually Linux |
|
systems tend to automatically create such nodes when the device |
|
(e.g. an USB webcam) is plugged into the system, and has a name of the |
|
kind ‘<tt>/dev/video<var>N</var></tt>’, where <var>N</var> is a number associated to |
|
the device. |
|
</p> |
|
<p>Video4Linux2 devices usually support a limited set of |
|
<var>width</var>x<var>height</var> sizes and frame rates. You can check which are |
|
supported using <code>-list_formats all</code> for Video4Linux2 devices. |
|
Some devices, like TV cards, support one or more standards. It is possible |
|
to list all the supported standards using <code>-list_standards all</code>. |
|
</p> |
|
<p>The time base for the timestamps is 1 microsecond. Depending on the kernel |
|
version and configuration, the timestamps may be derived from the real time |
|
clock (origin at the Unix Epoch) or the monotonic clock (origin usually at |
|
boot time, unaffected by NTP or manual changes to the clock). The |
|
‘<samp>-timestamps abs</samp>’ or ‘<samp>-ts abs</samp>’ option can be used to force |
|
conversion into the real time clock. |
|
</p> |
|
<p>Some usage examples of the video4linux2 device with <code>ffmpeg</code> |
|
and <code>ffplay</code>: |
|
</p><ul> |
|
<li> |
|
List supported formats for a video4linux2 device: |
|
<div class="example"> |
|
<pre class="example">ffplay -f video4linux2 -list_formats all /dev/video0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Grab and show the input of a video4linux2 device: |
|
<div class="example"> |
|
<pre class="example">ffplay -f video4linux2 -framerate 30 -video_size hd720 /dev/video0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Grab and record the input of a video4linux2 device, leave the |
|
frame rate and size as previously set: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f video4linux2 -input_format mjpeg -i /dev/video0 out.mpeg |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p>For more information about Video4Linux, check <a href="http://linuxtv.org/">http://linuxtv.org/</a>. |
|
</p> |
|
<a name="Options-32"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-32">18.20.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>standard</samp>’</dt> |
|
<dd><p>Set the standard. Must be the name of a supported standard. To get a |
|
list of the supported standards, use the ‘<samp>list_standards</samp>’ |
|
option. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel</samp>’</dt> |
|
<dd><p>Set the input channel number. Default to -1, which means using the |
|
previously selected channel. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the video frame size. The argument must be a string in the form |
|
<var>WIDTH</var>x<var>HEIGHT</var> or a valid size abbreviation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pixel_format</samp>’</dt> |
|
<dd><p>Select the pixel format (only valid for raw video input). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>input_format</samp>’</dt> |
|
<dd><p>Set the preferred pixel format (for raw video) or a codec name. |
|
This option allows one to select the input format, when several are |
|
available. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the preferred video frame rate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>list_formats</samp>’</dt> |
|
<dd><p>List available formats (supported pixel formats, codecs, and frame |
|
sizes) and exit. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>all</samp>’</dt> |
|
<dd><p>Show all available (compressed and non-compressed) formats. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>raw</samp>’</dt> |
|
<dd><p>Show only raw video (non-compressed) formats. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>compressed</samp>’</dt> |
|
<dd><p>Show only compressed formats. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>list_standards</samp>’</dt> |
|
<dd><p>List supported standards and exit. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>all</samp>’</dt> |
|
<dd><p>Show all supported standards. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>timestamps, ts</samp>’</dt> |
|
<dd><p>Set type of timestamps for grabbed frames. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>default</samp>’</dt> |
|
<dd><p>Use timestamps from the kernel. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>abs</samp>’</dt> |
|
<dd><p>Use absolute timestamps (wall clock). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mono2abs</samp>’</dt> |
|
<dd><p>Force conversion from monotonic to absolute timestamps. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <code>default</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>use_libv4l2</samp>’</dt> |
|
<dd><p>Use libv4l2 (v4l-utils) conversion functions. Default is 0. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="vfwcap"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vfwcap">18.21 vfwcap</a></h2> |
|
|
|
<p>VfW (Video for Windows) capture input device. |
|
</p> |
|
<p>The filename passed as input is the capture driver number, ranging from |
|
0 to 9. You may use "list" as filename to print a list of drivers. Any |
|
other filename will be interpreted as device number 0. |
|
</p> |
|
<a name="Options-9"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-9">18.21.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the video frame size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the grabbing frame rate. Default value is <code>ntsc</code>, |
|
corresponding to a frame rate of <code>30000/1001</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="x11grab"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-x11grab">18.22 x11grab</a></h2> |
|
|
|
<p>X11 video input device. |
|
</p> |
|
<p>To enable this input device during configuration you need libxcb |
|
installed on your system. It will be automatically detected during |
|
configuration. |
|
</p> |
|
<p>This device allows one to capture a region of an X11 display. |
|
</p> |
|
<p>The filename passed as input has the syntax: |
|
</p><div class="example"> |
|
<pre class="example">[<var>hostname</var>]:<var>display_number</var>.<var>screen_number</var>[+<var>x_offset</var>,<var>y_offset</var>] |
|
</pre></div> |
|
|
|
<p><var>hostname</var>:<var>display_number</var>.<var>screen_number</var> specifies the |
|
X11 display name of the screen to grab from. <var>hostname</var> can be |
|
omitted, and defaults to "localhost". The environment variable |
|
<code>DISPLAY</code> contains the default display name. |
|
</p> |
|
<p><var>x_offset</var> and <var>y_offset</var> specify the offsets of the grabbed |
|
area with respect to the top-left border of the X11 screen. They |
|
default to 0. |
|
</p> |
|
<p>Check the X11 documentation (e.g. <code>man X</code>) for more detailed |
|
information. |
|
</p> |
|
<p>Use the <code>xdpyinfo</code> program for getting basic information about |
|
the properties of your X11 display (e.g. grep for "name" or |
|
"dimensions"). |
|
</p> |
|
<p>For example to grab from ‘<tt>:0.0</tt>’ using <code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f x11grab -framerate 25 -video_size cif -i :0.0 out.mpg |
|
</pre></div> |
|
|
|
<p>Grab at position <code>10,20</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f x11grab -framerate 25 -video_size cif -i :0.0+10,20 out.mpg |
|
</pre></div> |
|
|
|
<a name="Options-12"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-12">18.22.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>draw_mouse</samp>’</dt> |
|
<dd><p>Specify whether to draw the mouse pointer. A value of <code>0</code> specifies |
|
not to draw the pointer. Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>follow_mouse</samp>’</dt> |
|
<dd><p>Make the grabbed area follow the mouse. The argument can be |
|
<code>centered</code> or a number of pixels <var>PIXELS</var>. |
|
</p> |
|
<p>When it is specified with "centered", the grabbing region follows the mouse |
|
pointer and keeps the pointer at the center of region; otherwise, the region |
|
follows only when the mouse pointer reaches within <var>PIXELS</var> (greater than |
|
zero) to the edge of region. |
|
</p> |
|
<p>For example: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f x11grab -follow_mouse centered -framerate 25 -video_size cif -i :0.0 out.mpg |
|
</pre></div> |
|
|
|
<p>To follow only when the mouse pointer reaches within 100 pixels to edge: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f x11grab -follow_mouse 100 -framerate 25 -video_size cif -i :0.0 out.mpg |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>Set the grabbing frame rate. Default value is <code>ntsc</code>, |
|
corresponding to a frame rate of <code>30000/1001</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show_region</samp>’</dt> |
|
<dd><p>Show grabbed region on screen. |
|
</p> |
|
<p>If <var>show_region</var> is specified with <code>1</code>, then the grabbing |
|
region will be indicated on screen. With this option, it is easy to |
|
know what is being grabbed if only a portion of the screen is grabbed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>region_border</samp>’</dt> |
|
<dd><p>Set the region border thickness if ‘<samp>-show_region 1</samp>’ is used. |
|
Range is 1 to 128 and default is 3 (XCB-based x11grab only). |
|
</p> |
|
<p>For example: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f x11grab -show_region 1 -framerate 25 -video_size cif -i :0.0+10,20 out.mpg |
|
</pre></div> |
|
|
|
<p>With <var>follow_mouse</var>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f x11grab -follow_mouse centered -show_region 1 -framerate 25 -video_size cif -i :0.0 out.mpg |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Set the video frame size. Default value is <code>vga</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>grab_x</samp>’</dt> |
|
<dt>‘<samp>grab_y</samp>’</dt> |
|
<dd><p>Set the grabbing region coordinates. They are expressed as offset from |
|
the top left corner of the X11 window and correspond to the |
|
<var>x_offset</var> and <var>y_offset</var> parameters in the device name. The |
|
default value for both options is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Resampler-Options"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Resampler-Options">19 Resampler Options</a></h1> |
|
|
|
<p>The audio resampler supports the following named options. |
|
</p> |
|
<p>Options may be set by specifying -<var>option</var> <var>value</var> in the |
|
FFmpeg tools, <var>option</var>=<var>value</var> for the aresample filter, |
|
by setting the value explicitly in the |
|
<code>SwrContext</code> options or using the ‘<tt>libavutil/opt.h</tt>’ API for |
|
programmatic use. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>ich, in_channel_count</samp>’</dt> |
|
<dd><p>Set the number of input channels. Default value is 0. Setting this |
|
value is not mandatory if the corresponding channel layout |
|
‘<samp>in_channel_layout</samp>’ is set. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>och, out_channel_count</samp>’</dt> |
|
<dd><p>Set the number of output channels. Default value is 0. Setting this |
|
value is not mandatory if the corresponding channel layout |
|
‘<samp>out_channel_layout</samp>’ is set. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>uch, used_channel_count</samp>’</dt> |
|
<dd><p>Set the number of used input channels. Default value is 0. This option is |
|
only used for special remapping. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>isr, in_sample_rate</samp>’</dt> |
|
<dd><p>Set the input sample rate. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>osr, out_sample_rate</samp>’</dt> |
|
<dd><p>Set the output sample rate. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>isf, in_sample_fmt</samp>’</dt> |
|
<dd><p>Specify the input sample format. It is set by default to <code>none</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>osf, out_sample_fmt</samp>’</dt> |
|
<dd><p>Specify the output sample format. It is set by default to <code>none</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tsf, internal_sample_fmt</samp>’</dt> |
|
<dd><p>Set the internal sample format. Default value is <code>none</code>. |
|
This will automatically be chosen when it is not explicitly set. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>icl, in_channel_layout</samp>’</dt> |
|
<dt>‘<samp>ocl, out_channel_layout</samp>’</dt> |
|
<dd><p>Set the input/output channel layout. |
|
</p> |
|
<p>See <a href="ffmpeg-utils.html#channel-layout-syntax">(ffmpeg-utils)the Channel Layout section in the ffmpeg-utils(1) manual</a> |
|
for the required syntax. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>clev, center_mix_level</samp>’</dt> |
|
<dd><p>Set the center mix level. It is a value expressed in deciBel, and must be |
|
in the interval [-32,32]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>slev, surround_mix_level</samp>’</dt> |
|
<dd><p>Set the surround mix level. It is a value expressed in deciBel, and must |
|
be in the interval [-32,32]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfe_mix_level</samp>’</dt> |
|
<dd><p>Set LFE mix into non LFE level. It is used when there is a LFE input but no |
|
LFE output. It is a value expressed in deciBel, and must |
|
be in the interval [-32,32]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rmvol, rematrix_volume</samp>’</dt> |
|
<dd><p>Set rematrix volume. Default value is 1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rematrix_maxval</samp>’</dt> |
|
<dd><p>Set maximum output value for rematrixing. |
|
This can be used to prevent clipping vs. preventing volume reduction. |
|
A value of 1.0 prevents clipping. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flags, swr_flags</samp>’</dt> |
|
<dd><p>Set flags used by the converter. Default value is 0. |
|
</p> |
|
<p>It supports the following individual flags: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>res</samp>’</dt> |
|
<dd><p>force resampling, this flag forces resampling to be used even when the |
|
input and output sample rates match. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>dither_scale</samp>’</dt> |
|
<dd><p>Set the dither scale. Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dither_method</samp>’</dt> |
|
<dd><p>Set dither method. Default value is 0. |
|
</p> |
|
<p>Supported values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>rectangular</samp>’</dt> |
|
<dd><p>select rectangular dither |
|
</p></dd> |
|
<dt>‘<samp>triangular</samp>’</dt> |
|
<dd><p>select triangular dither |
|
</p></dd> |
|
<dt>‘<samp>triangular_hp</samp>’</dt> |
|
<dd><p>select triangular dither with high pass |
|
</p></dd> |
|
<dt>‘<samp>lipshitz</samp>’</dt> |
|
<dd><p>select Lipshitz noise shaping dither. |
|
</p></dd> |
|
<dt>‘<samp>shibata</samp>’</dt> |
|
<dd><p>select Shibata noise shaping dither. |
|
</p></dd> |
|
<dt>‘<samp>low_shibata</samp>’</dt> |
|
<dd><p>select low Shibata noise shaping dither. |
|
</p></dd> |
|
<dt>‘<samp>high_shibata</samp>’</dt> |
|
<dd><p>select high Shibata noise shaping dither. |
|
</p></dd> |
|
<dt>‘<samp>f_weighted</samp>’</dt> |
|
<dd><p>select f-weighted noise shaping dither |
|
</p></dd> |
|
<dt>‘<samp>modified_e_weighted</samp>’</dt> |
|
<dd><p>select modified-e-weighted noise shaping dither |
|
</p></dd> |
|
<dt>‘<samp>improved_e_weighted</samp>’</dt> |
|
<dd><p>select improved-e-weighted noise shaping dither |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>resampler</samp>’</dt> |
|
<dd><p>Set resampling engine. Default value is swr. |
|
</p> |
|
<p>Supported values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>swr</samp>’</dt> |
|
<dd><p>select the native SW Resampler; filter options precision and cheby are not |
|
applicable in this case. |
|
</p></dd> |
|
<dt>‘<samp>soxr</samp>’</dt> |
|
<dd><p>select the SoX Resampler (where available); compensation, and filter options |
|
filter_size, phase_shift, exact_rational, filter_type & kaiser_beta, are not |
|
applicable in this case. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>filter_size</samp>’</dt> |
|
<dd><p>For swr only, set resampling filter size, default value is 32. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>phase_shift</samp>’</dt> |
|
<dd><p>For swr only, set resampling phase shift, default value is 10, and must be in |
|
the interval [0,30]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>linear_interp</samp>’</dt> |
|
<dd><p>Use linear interpolation when enabled (the default). Disable it if you want |
|
to preserve speed instead of quality when exact_rational fails. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>exact_rational</samp>’</dt> |
|
<dd><p>For swr only, when enabled, try to use exact phase_count based on input and |
|
output sample rate. However, if it is larger than <code>1 << phase_shift</code>, |
|
the phase_count will be <code>1 << phase_shift</code> as fallback. Default is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cutoff</samp>’</dt> |
|
<dd><p>Set cutoff frequency (swr: 6dB point; soxr: 0dB point) ratio; must be a float |
|
value between 0 and 1. Default value is 0.97 with swr, and 0.91 with soxr |
|
(which, with a sample-rate of 44100, preserves the entire audio band to 20kHz). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>precision</samp>’</dt> |
|
<dd><p>For soxr only, the precision in bits to which the resampled signal will be |
|
calculated. The default value of 20 (which, with suitable dithering, is |
|
appropriate for a destination bit-depth of 16) gives SoX’s ’High Quality’; a |
|
value of 28 gives SoX’s ’Very High Quality’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cheby</samp>’</dt> |
|
<dd><p>For soxr only, selects passband rolloff none (Chebyshev) & higher-precision |
|
approximation for ’irrational’ ratios. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>async</samp>’</dt> |
|
<dd><p>For swr only, simple 1 parameter audio sync to timestamps using stretching, |
|
squeezing, filling and trimming. Setting this to 1 will enable filling and |
|
trimming, larger values represent the maximum amount in samples that the data |
|
may be stretched or squeezed for each second. |
|
Default value is 0, thus no compensation is applied to make the samples match |
|
the audio timestamps. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>first_pts</samp>’</dt> |
|
<dd><p>For swr only, assume the first pts should be this value. The time unit is 1 / sample rate. |
|
This allows for padding/trimming at the start of stream. By default, no |
|
assumption is made about the first frame’s expected pts, so no padding or |
|
trimming is done. For example, this could be set to 0 to pad the beginning with |
|
silence if an audio stream starts after the video stream or to trim any samples |
|
with a negative pts due to encoder delay. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>min_comp</samp>’</dt> |
|
<dd><p>For swr only, set the minimum difference between timestamps and audio data (in |
|
seconds) to trigger stretching/squeezing/filling or trimming of the |
|
data to make it match the timestamps. The default is that |
|
stretching/squeezing/filling and trimming is disabled |
|
(‘<samp>min_comp</samp>’ = <code>FLT_MAX</code>). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>min_hard_comp</samp>’</dt> |
|
<dd><p>For swr only, set the minimum difference between timestamps and audio data (in |
|
seconds) to trigger adding/dropping samples to make it match the |
|
timestamps. This option effectively is a threshold to select between |
|
hard (trim/fill) and soft (squeeze/stretch) compensation. Note that |
|
all compensation is by default disabled through ‘<samp>min_comp</samp>’. |
|
The default is 0.1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>comp_duration</samp>’</dt> |
|
<dd><p>For swr only, set duration (in seconds) over which data is stretched/squeezed |
|
to make it match the timestamps. Must be a non-negative double float value, |
|
default value is 1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_soft_comp</samp>’</dt> |
|
<dd><p>For swr only, set maximum factor by which data is stretched/squeezed to make it |
|
match the timestamps. Must be a non-negative double float value, default value |
|
is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>matrix_encoding</samp>’</dt> |
|
<dd><p>Select matrixed stereo encoding. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>select none |
|
</p></dd> |
|
<dt>‘<samp>dolby</samp>’</dt> |
|
<dd><p>select Dolby |
|
</p></dd> |
|
<dt>‘<samp>dplii</samp>’</dt> |
|
<dd><p>select Dolby Pro Logic II |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <code>none</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filter_type</samp>’</dt> |
|
<dd><p>For swr only, select resampling filter type. This only affects resampling |
|
operations. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>cubic</samp>’</dt> |
|
<dd><p>select cubic |
|
</p></dd> |
|
<dt>‘<samp>blackman_nuttall</samp>’</dt> |
|
<dd><p>select Blackman Nuttall windowed sinc |
|
</p></dd> |
|
<dt>‘<samp>kaiser</samp>’</dt> |
|
<dd><p>select Kaiser windowed sinc |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>kaiser_beta</samp>’</dt> |
|
<dd><p>For swr only, set Kaiser window beta value. Must be a double float value in the |
|
interval [2,16], default value is 9. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>output_sample_bits</samp>’</dt> |
|
<dd><p>For swr only, set number of used output sample bits for dithering. Must be an integer in the |
|
interval [0,64], default value is 0, which means it’s not used. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p><a name="scaler_005foptions"></a> |
|
</p><a name="Scaler-Options"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Scaler-Options">20 Scaler Options</a></h1> |
|
|
|
<p>The video scaler supports the following named options. |
|
</p> |
|
<p>Options may be set by specifying -<var>option</var> <var>value</var> in the |
|
FFmpeg tools. For programmatic use, they can be set explicitly in the |
|
<code>SwsContext</code> options or through the ‘<tt>libavutil/opt.h</tt>’ API. |
|
</p> |
|
<dl compact="compact"> |
|
<dd> |
|
<p><a name="sws_005fflags"></a> |
|
</p></dd> |
|
<dt>‘<samp>sws_flags</samp>’</dt> |
|
<dd><p>Set the scaler flags. This is also used to set the scaling |
|
algorithm. Only a single algorithm should be selected. Default |
|
value is ‘<samp>bicubic</samp>’. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>fast_bilinear</samp>’</dt> |
|
<dd><p>Select fast bilinear scaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bilinear</samp>’</dt> |
|
<dd><p>Select bilinear scaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bicubic</samp>’</dt> |
|
<dd><p>Select bicubic scaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>experimental</samp>’</dt> |
|
<dd><p>Select experimental scaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>neighbor</samp>’</dt> |
|
<dd><p>Select nearest neighbor rescaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>area</samp>’</dt> |
|
<dd><p>Select averaging area rescaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bicublin</samp>’</dt> |
|
<dd><p>Select bicubic scaling algorithm for the luma component, bilinear for |
|
chroma components. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gauss</samp>’</dt> |
|
<dd><p>Select Gaussian rescaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sinc</samp>’</dt> |
|
<dd><p>Select sinc rescaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lanczos</samp>’</dt> |
|
<dd><p>Select Lanczos rescaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>spline</samp>’</dt> |
|
<dd><p>Select natural bicubic spline rescaling algorithm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>print_info</samp>’</dt> |
|
<dd><p>Enable printing/debug logging. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>accurate_rnd</samp>’</dt> |
|
<dd><p>Enable accurate rounding. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>full_chroma_int</samp>’</dt> |
|
<dd><p>Enable full chroma interpolation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>full_chroma_inp</samp>’</dt> |
|
<dd><p>Select full chroma input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bitexact</samp>’</dt> |
|
<dd><p>Enable bitexact output. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>srcw</samp>’</dt> |
|
<dd><p>Set source width. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>srch</samp>’</dt> |
|
<dd><p>Set source height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dstw</samp>’</dt> |
|
<dd><p>Set destination width. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dsth</samp>’</dt> |
|
<dd><p>Set destination height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>src_format</samp>’</dt> |
|
<dd><p>Set source pixel format (must be expressed as an integer). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dst_format</samp>’</dt> |
|
<dd><p>Set destination pixel format (must be expressed as an integer). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>src_range</samp>’</dt> |
|
<dd><p>Select source range. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dst_range</samp>’</dt> |
|
<dd><p>Select destination range. |
|
</p> |
|
<p><a name="sws_005fparams"></a> |
|
</p></dd> |
|
<dt>‘<samp>param0, param1</samp>’</dt> |
|
<dd><p>Set scaling algorithm parameters. The specified values are specific of |
|
some scaling algorithms and ignored by others. The specified values |
|
are floating point number values. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sws_dither</samp>’</dt> |
|
<dd><p>Set the dithering algorithm. Accepts one of the following |
|
values. Default value is ‘<samp>auto</samp>’. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>automatic choice |
|
</p> |
|
</dd> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>no dithering |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bayer</samp>’</dt> |
|
<dd><p>bayer dither |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ed</samp>’</dt> |
|
<dd><p>error diffusion dither |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a_dither</samp>’</dt> |
|
<dd><p>arithmetic dither, based using addition |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x_dither</samp>’</dt> |
|
<dd><p>arithmetic dither, based using xor (more random/less apparent patterning that |
|
a_dither). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>alphablend</samp>’</dt> |
|
<dd><p>Set the alpha blending to use when the input has alpha but the output does not. |
|
Default value is ‘<samp>none</samp>’. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>uniform_color</samp>’</dt> |
|
<dd><p>Blend onto a uniform background color |
|
</p> |
|
</dd> |
|
<dt>‘<samp>checkerboard</samp>’</dt> |
|
<dd><p>Blend onto a checkerboard |
|
</p> |
|
</dd> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>No blending |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<a name="Filtering-Introduction"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Filtering-Introduction">21 Filtering Introduction</a></h1> |
|
|
|
<p>Filtering in FFmpeg is enabled through the libavfilter library. |
|
</p> |
|
<p>In libavfilter, a filter can have multiple inputs and multiple |
|
outputs. |
|
To illustrate the sorts of things that are possible, we consider the |
|
following filtergraph. |
|
</p> |
|
<pre class="verbatim"> [main] |
|
input --> split ---------------------> overlay --> output |
|
| ^ |
|
|[tmp] [flip]| |
|
+-----> crop --> vflip -------+ |
|
</pre> |
|
<p>This filtergraph splits the input stream in two streams, then sends one |
|
stream through the crop filter and the vflip filter, before merging it |
|
back with the other stream by overlaying it on top. You can use the |
|
following command to achieve this: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -vf "split [main][tmp]; [tmp] crop=iw:ih/2:0:0, vflip [flip]; [main][flip] overlay=0:H/2" OUTPUT |
|
</pre></div> |
|
|
|
<p>The result will be that the top half of the video is mirrored |
|
onto the bottom half of the output video. |
|
</p> |
|
<p>Filters in the same linear chain are separated by commas, and distinct |
|
linear chains of filters are separated by semicolons. In our example, |
|
<var>crop,vflip</var> are in one linear chain, <var>split</var> and |
|
<var>overlay</var> are separately in another. The points where the linear |
|
chains join are labelled by names enclosed in square brackets. In the |
|
example, the split filter generates two outputs that are associated to |
|
the labels <var>[main]</var> and <var>[tmp]</var>. |
|
</p> |
|
<p>The stream sent to the second output of <var>split</var>, labelled as |
|
<var>[tmp]</var>, is processed through the <var>crop</var> filter, which crops |
|
away the lower half part of the video, and then vertically flipped. The |
|
<var>overlay</var> filter takes in input the first unchanged output of the |
|
split filter (which was labelled as <var>[main]</var>), and overlay on its |
|
lower half the output generated by the <var>crop,vflip</var> filterchain. |
|
</p> |
|
<p>Some filters take in input a list of parameters: they are specified |
|
after the filter name and an equal sign, and are separated from each other |
|
by a colon. |
|
</p> |
|
<p>There exist so-called <var>source filters</var> that do not have an |
|
audio/video input, and <var>sink filters</var> that will not have audio/video |
|
output. |
|
</p> |
|
|
|
<a name="graph2dot"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-graph2dot">22 graph2dot</a></h1> |
|
|
|
<p>The ‘<tt>graph2dot</tt>’ program included in the FFmpeg ‘<tt>tools</tt>’ |
|
directory can be used to parse a filtergraph description and issue a |
|
corresponding textual representation in the dot language. |
|
</p> |
|
<p>Invoke the command: |
|
</p><div class="example"> |
|
<pre class="example">graph2dot -h |
|
</pre></div> |
|
|
|
<p>to see how to use ‘<tt>graph2dot</tt>’. |
|
</p> |
|
<p>You can then pass the dot description to the ‘<tt>dot</tt>’ program (from |
|
the graphviz suite of programs) and obtain a graphical representation |
|
of the filtergraph. |
|
</p> |
|
<p>For example the sequence of commands: |
|
</p><div class="example"> |
|
<pre class="example">echo <var>GRAPH_DESCRIPTION</var> | \ |
|
tools/graph2dot -o graph.tmp && \ |
|
dot -Tpng graph.tmp -o graph.png && \ |
|
display graph.png |
|
</pre></div> |
|
|
|
<p>can be used to create and display an image representing the graph |
|
described by the <var>GRAPH_DESCRIPTION</var> string. Note that this string must be |
|
a complete self-contained graph, with its inputs and outputs explicitly defined. |
|
For example if your command line is of the form: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i infile -vf scale=640:360 outfile |
|
</pre></div> |
|
<p>your <var>GRAPH_DESCRIPTION</var> string will need to be of the form: |
|
</p><div class="example"> |
|
<pre class="example">nullsrc,scale=640:360,nullsink |
|
</pre></div> |
|
<p>you may also need to set the <var>nullsrc</var> parameters and add a <var>format</var> |
|
filter in order to simulate a specific input file. |
|
</p> |
|
|
|
<a name="Filtergraph-description"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Filtergraph-description">23 Filtergraph description</a></h1> |
|
|
|
<p>A filtergraph is a directed graph of connected filters. It can contain |
|
cycles, and there can be multiple links between a pair of |
|
filters. Each link has one input pad on one side connecting it to one |
|
filter from which it takes its input, and one output pad on the other |
|
side connecting it to one filter accepting its output. |
|
</p> |
|
<p>Each filter in a filtergraph is an instance of a filter class |
|
registered in the application, which defines the features and the |
|
number of input and output pads of the filter. |
|
</p> |
|
<p>A filter with no input pads is called a "source", and a filter with no |
|
output pads is called a "sink". |
|
</p> |
|
<p><a name="Filtergraph-syntax"></a> |
|
</p><a name="Filtergraph-syntax-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Filtergraph-syntax-1">23.1 Filtergraph syntax</a></h2> |
|
|
|
<p>A filtergraph has a textual representation, which is recognized by the |
|
‘<samp>-filter</samp>’/‘<samp>-vf</samp>’/‘<samp>-af</samp>’ and |
|
‘<samp>-filter_complex</samp>’ options in <code>ffmpeg</code> and |
|
‘<samp>-vf</samp>’/‘<samp>-af</samp>’ in <code>ffplay</code>, and by the |
|
<code>avfilter_graph_parse_ptr()</code> function defined in |
|
‘<tt>libavfilter/avfilter.h</tt>’. |
|
</p> |
|
<p>A filterchain consists of a sequence of connected filters, each one |
|
connected to the previous one in the sequence. A filterchain is |
|
represented by a list of ","-separated filter descriptions. |
|
</p> |
|
<p>A filtergraph consists of a sequence of filterchains. A sequence of |
|
filterchains is represented by a list of ";"-separated filterchain |
|
descriptions. |
|
</p> |
|
<p>A filter is represented by a string of the form: |
|
[<var>in_link_1</var>]...[<var>in_link_N</var>]<var>filter_name</var>@<var>id</var>=<var>arguments</var>[<var>out_link_1</var>]...[<var>out_link_M</var>] |
|
</p> |
|
<p><var>filter_name</var> is the name of the filter class of which the |
|
described filter is an instance of, and has to be the name of one of |
|
the filter classes registered in the program optionally followed by "@<var>id</var>". |
|
The name of the filter class is optionally followed by a string |
|
"=<var>arguments</var>". |
|
</p> |
|
<p><var>arguments</var> is a string which contains the parameters used to |
|
initialize the filter instance. It may have one of two forms: |
|
</p><ul> |
|
<li> |
|
A ’:’-separated list of <var>key=value</var> pairs. |
|
|
|
</li><li> |
|
A ’:’-separated list of <var>value</var>. In this case, the keys are assumed to be |
|
the option names in the order they are declared. E.g. the <code>fade</code> filter |
|
declares three options in this order – ‘<samp>type</samp>’, ‘<samp>start_frame</samp>’ and |
|
‘<samp>nb_frames</samp>’. Then the parameter list <var>in:0:30</var> means that the value |
|
<var>in</var> is assigned to the option ‘<samp>type</samp>’, <var>0</var> to |
|
‘<samp>start_frame</samp>’ and <var>30</var> to ‘<samp>nb_frames</samp>’. |
|
|
|
</li><li> |
|
A ’:’-separated list of mixed direct <var>value</var> and long <var>key=value</var> |
|
pairs. The direct <var>value</var> must precede the <var>key=value</var> pairs, and |
|
follow the same constraints order of the previous point. The following |
|
<var>key=value</var> pairs can be set in any preferred order. |
|
|
|
</li></ul> |
|
|
|
<p>If the option value itself is a list of items (e.g. the <code>format</code> filter |
|
takes a list of pixel formats), the items in the list are usually separated by |
|
‘<samp>|</samp>’. |
|
</p> |
|
<p>The list of arguments can be quoted using the character ‘<samp>'</samp>’ as initial |
|
and ending mark, and the character ‘<samp>\</samp>’ for escaping the characters |
|
within the quoted text; otherwise the argument string is considered |
|
terminated when the next special character (belonging to the set |
|
‘<samp>[]=;,</samp>’) is encountered. |
|
</p> |
|
<p>The name and arguments of the filter are optionally preceded and |
|
followed by a list of link labels. |
|
A link label allows one to name a link and associate it to a filter output |
|
or input pad. The preceding labels <var>in_link_1</var> |
|
... <var>in_link_N</var>, are associated to the filter input pads, |
|
the following labels <var>out_link_1</var> ... <var>out_link_M</var>, are |
|
associated to the output pads. |
|
</p> |
|
<p>When two link labels with the same name are found in the |
|
filtergraph, a link between the corresponding input and output pad is |
|
created. |
|
</p> |
|
<p>If an output pad is not labelled, it is linked by default to the first |
|
unlabelled input pad of the next filter in the filterchain. |
|
For example in the filterchain |
|
</p><div class="example"> |
|
<pre class="example">nullsrc, split[L1], [L2]overlay, nullsink |
|
</pre></div> |
|
<p>the split filter instance has two output pads, and the overlay filter |
|
instance two input pads. The first output pad of split is labelled |
|
"L1", the first input pad of overlay is labelled "L2", and the second |
|
output pad of split is linked to the second input pad of overlay, |
|
which are both unlabelled. |
|
</p> |
|
<p>In a filter description, if the input label of the first filter is not |
|
specified, "in" is assumed; if the output label of the last filter is not |
|
specified, "out" is assumed. |
|
</p> |
|
<p>In a complete filterchain all the unlabelled filter input and output |
|
pads must be connected. A filtergraph is considered valid if all the |
|
filter input and output pads of all the filterchains are connected. |
|
</p> |
|
<p>Libavfilter will automatically insert <a href="#scale">scale</a> filters where format |
|
conversion is required. It is possible to specify swscale flags |
|
for those automatically inserted scalers by prepending |
|
<code>sws_flags=<var>flags</var>;</code> |
|
to the filtergraph description. |
|
</p> |
|
<p>Here is a BNF description of the filtergraph syntax: |
|
</p><div class="example"> |
|
<pre class="example"><var>NAME</var> ::= sequence of alphanumeric characters and '_' |
|
<var>FILTER_NAME</var> ::= <var>NAME</var>["@"<var>NAME</var>] |
|
<var>LINKLABEL</var> ::= "[" <var>NAME</var> "]" |
|
<var>LINKLABELS</var> ::= <var>LINKLABEL</var> [<var>LINKLABELS</var>] |
|
<var>FILTER_ARGUMENTS</var> ::= sequence of chars (possibly quoted) |
|
<var>FILTER</var> ::= [<var>LINKLABELS</var>] <var>FILTER_NAME</var> ["=" <var>FILTER_ARGUMENTS</var>] [<var>LINKLABELS</var>] |
|
<var>FILTERCHAIN</var> ::= <var>FILTER</var> [,<var>FILTERCHAIN</var>] |
|
<var>FILTERGRAPH</var> ::= [sws_flags=<var>flags</var>;] <var>FILTERCHAIN</var> [;<var>FILTERGRAPH</var>] |
|
</pre></div> |
|
|
|
<p><a name="filtergraph-escaping"></a> |
|
</p><a name="Notes-on-filtergraph-escaping"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-Notes-on-filtergraph-escaping">23.2 Notes on filtergraph escaping</a></h2> |
|
|
|
<p>Filtergraph description composition entails several levels of |
|
escaping. See <a href="ffmpeg-utils.html#quoting_005fand_005fescaping">(ffmpeg-utils)the "Quoting and escaping" section in the ffmpeg-utils(1) manual</a> for more |
|
information about the employed escaping procedure. |
|
</p> |
|
<p>A first level escaping affects the content of each filter option |
|
value, which may contain the special character <code>:</code> used to |
|
separate values, or one of the escaping characters <code>\'</code>. |
|
</p> |
|
<p>A second level escaping affects the whole filter description, which |
|
may contain the escaping characters <code>\'</code> or the special |
|
characters <code>[],;</code> used by the filtergraph description. |
|
</p> |
|
<p>Finally, when you specify a filtergraph on a shell commandline, you |
|
need to perform a third level escaping for the shell special |
|
characters contained within it. |
|
</p> |
|
<p>For example, consider the following string to be embedded in |
|
the <a href="#drawtext">drawtext</a> filter description ‘<samp>text</samp>’ value: |
|
</p><div class="example"> |
|
<pre class="example">this is a 'string': may contain one, or more, special characters |
|
</pre></div> |
|
|
|
<p>This string contains the <code>'</code> special escaping character, and the |
|
<code>:</code> special character, so it needs to be escaped in this way: |
|
</p><div class="example"> |
|
<pre class="example">text=this is a \'string\'\: may contain one, or more, special characters |
|
</pre></div> |
|
|
|
<p>A second level of escaping is required when embedding the filter |
|
description in a filtergraph description, in order to escape all the |
|
filtergraph special characters. Thus the example above becomes: |
|
</p><div class="example"> |
|
<pre class="example">drawtext=text=this is a \\\'string\\\'\\: may contain one\, or more\, special characters |
|
</pre></div> |
|
<p>(note that in addition to the <code>\'</code> escaping special characters, |
|
also <code>,</code> needs to be escaped). |
|
</p> |
|
<p>Finally an additional level of escaping is needed when writing the |
|
filtergraph description in a shell command, which depends on the |
|
escaping rules of the adopted shell. For example, assuming that |
|
<code>\</code> is special and needs to be escaped with another <code>\</code>, the |
|
previous string will finally result in: |
|
</p><div class="example"> |
|
<pre class="example">-vf "drawtext=text=this is a \\\\\\'string\\\\\\'\\\\: may contain one\\, or more\\, special characters" |
|
</pre></div> |
|
|
|
<a name="Timeline-editing"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Timeline-editing">24 Timeline editing</a></h1> |
|
|
|
<p>Some filters support a generic ‘<samp>enable</samp>’ option. For the filters |
|
supporting timeline editing, this option can be set to an expression which is |
|
evaluated before sending a frame to the filter. If the evaluation is non-zero, |
|
the filter will be enabled, otherwise the frame will be sent unchanged to the |
|
next filter in the filtergraph. |
|
</p> |
|
<p>The expression accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>timestamp expressed in seconds, NAN if the input timestamp is unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>sequential number of the input frame, starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>the position in the file of the input frame, NAN if unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>width and height of the input frame if video |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Additionally, these filters support an ‘<samp>enable</samp>’ command that can be used |
|
to re-define the expression. |
|
</p> |
|
<p>Like any other filtering option, the ‘<samp>enable</samp>’ option follows the same |
|
rules. |
|
</p> |
|
<p>For example, to enable a blur filter (<a href="#smartblur">smartblur</a>) from 10 seconds to 3 |
|
minutes, and a <a href="#curves">curves</a> filter starting at 3 seconds: |
|
</p><div class="example"> |
|
<pre class="example">smartblur = enable='between(t,10,3*60)', |
|
curves = enable='gte(t,3)' : preset=cross_process |
|
</pre></div> |
|
|
|
<p>See <code>ffmpeg -filters</code> to view which filters have timeline support. |
|
</p> |
|
|
|
<p><a name="framesync"></a> |
|
</p><a name="Options-for-filters-with-several-inputs-_0028framesync_0029"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Options-for-filters-with-several-inputs-_0028framesync_0029">25 Options for filters with several inputs (framesync)</a></h1> |
|
|
|
<p>Some filters with several inputs support a common set of options. |
|
These options can only be set by name, not with the short notation. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>eof_action</samp>’</dt> |
|
<dd><p>The action to take when EOF is encountered on the secondary input; it accepts |
|
one of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>repeat</samp>’</dt> |
|
<dd><p>Repeat the last frame (the default). |
|
</p></dd> |
|
<dt>‘<samp>endall</samp>’</dt> |
|
<dd><p>End both streams. |
|
</p></dd> |
|
<dt>‘<samp>pass</samp>’</dt> |
|
<dd><p>Pass the main input through. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>shortest</samp>’</dt> |
|
<dd><p>If set to 1, force the output to terminate when the shortest input |
|
terminates. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>repeatlast</samp>’</dt> |
|
<dd><p>If set to 1, force the filter to extend the last frame of secondary streams |
|
until the end of the primary stream. A value of 0 disables this behavior. |
|
Default value is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
|
|
<a name="Audio-Filters"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Audio-Filters">26 Audio Filters</a></h1> |
|
|
|
<p>When you configure your FFmpeg build, you can disable any of the |
|
existing filters using <code>--disable-filters</code>. |
|
The configure output will show the audio filters included in your |
|
build. |
|
</p> |
|
<p>Below is a description of the currently available audio filters. |
|
</p> |
|
<a name="acompressor"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-acompressor">26.1 acompressor</a></h2> |
|
|
|
<p>A compressor is mainly used to reduce the dynamic range of a signal. |
|
Especially modern music is mostly compressed at a high ratio to |
|
improve the overall loudness. It’s done to get the highest attention |
|
of a listener, "fatten" the sound and bring more "power" to the track. |
|
If a signal is compressed too much it may sound dull or "dead" |
|
afterwards or it may start to "pump" (which could be a powerful effect |
|
but can also destroy a track completely). |
|
The right compression is the key to reach a professional sound and is |
|
the high art of mixing and mastering. Because of its complex settings |
|
it may take a long time to get the right feeling for this kind of effect. |
|
</p> |
|
<p>Compression is done by detecting the volume above a chosen level |
|
<code>threshold</code> and dividing it by the factor set with <code>ratio</code>. |
|
So if you set the threshold to -12dB and your signal reaches -6dB a ratio |
|
of 2:1 will result in a signal at -9dB. Because an exact manipulation of |
|
the signal would cause distortion of the waveform the reduction can be |
|
levelled over the time. This is done by setting "Attack" and "Release". |
|
<code>attack</code> determines how long the signal has to rise above the threshold |
|
before any reduction will occur and <code>release</code> sets the time the signal |
|
has to fall below the threshold to reduce the reduction again. Shorter signals |
|
than the chosen attack time will be left untouched. |
|
The overall reduction of the signal can be made up afterwards with the |
|
<code>makeup</code> setting. So compressing the peaks of a signal about 6dB and |
|
raising the makeup to this level results in a signal twice as loud than the |
|
source. To gain a softer entry in the compression the <code>knee</code> flattens the |
|
hard edge at the threshold in the range of the chosen decibels. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input gain. Default is 1. Range is between 0.015625 and 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>If a signal of stream rises above this level it will affect the gain |
|
reduction. |
|
By default it is 0.125. Range is between 0.00097563 and 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ratio</samp>’</dt> |
|
<dd><p>Set a ratio by which the signal is reduced. 1:2 means that if the level |
|
rose 4dB above the threshold, it will be only 2dB above after the reduction. |
|
Default is 2. Range is between 1 and 20. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>attack</samp>’</dt> |
|
<dd><p>Amount of milliseconds the signal has to rise above the threshold before gain |
|
reduction starts. Default is 20. Range is between 0.01 and 2000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>release</samp>’</dt> |
|
<dd><p>Amount of milliseconds the signal has to fall below the threshold before |
|
reduction is decreased again. Default is 250. Range is between 0.01 and 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>makeup</samp>’</dt> |
|
<dd><p>Set the amount by how much signal will be amplified after processing. |
|
Default is 1. Range is from 1 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>knee</samp>’</dt> |
|
<dd><p>Curve the sharp knee around the threshold to enter gain reduction more softly. |
|
Default is 2.82843. Range is between 1 and 8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>link</samp>’</dt> |
|
<dd><p>Choose if the <code>average</code> level between all channels of input stream |
|
or the louder(<code>maximum</code>) channel of input stream affects the |
|
reduction. Default is <code>average</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>detection</samp>’</dt> |
|
<dd><p>Should the exact signal be taken in case of <code>peak</code> or an RMS one in case |
|
of <code>rms</code>. Default is <code>rms</code> which is mostly smoother. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mix</samp>’</dt> |
|
<dd><p>How much to use compressed signal in output. Default is 1. |
|
Range is between 0 and 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="acontrast"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-acontrast">26.2 acontrast</a></h2> |
|
<p>Simple audio dynamic range commpression/expansion filter. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>contrast</samp>’</dt> |
|
<dd><p>Set contrast. Default is 33. Allowed range is between 0 and 100. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="acopy"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-acopy">26.3 acopy</a></h2> |
|
|
|
<p>Copy the input audio source unchanged to the output. This is mainly useful for |
|
testing purposes. |
|
</p> |
|
<a name="acrossfade"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-acrossfade">26.4 acrossfade</a></h2> |
|
|
|
<p>Apply cross fade from one input audio stream to another input audio stream. |
|
The cross fade is applied for specified duration near the end of first stream. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>nb_samples, ns</samp>’</dt> |
|
<dd><p>Specify the number of samples for which the cross fade effect has to last. |
|
At the end of the cross fade effect the first input audio will be completely |
|
silent. Default is 44100. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Specify the duration of the cross fade effect. See |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
By default the duration is determined by <var>nb_samples</var>. |
|
If set this option is used instead of <var>nb_samples</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlap, o</samp>’</dt> |
|
<dd><p>Should first stream end overlap with second stream start. Default is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>curve1</samp>’</dt> |
|
<dd><p>Set curve for cross fade transition for first stream. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>curve2</samp>’</dt> |
|
<dd><p>Set curve for cross fade transition for second stream. |
|
</p> |
|
<p>For description of available curve types see <a href="#afade">afade</a> filter description. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-76"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-76">26.4.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Cross fade from one input to another: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i first.flac -i second.flac -filter_complex acrossfade=d=10:c1=exp:c2=exp output.flac |
|
</pre></div> |
|
|
|
</li><li> |
|
Cross fade from one input to another but without overlapping: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i first.flac -i second.flac -filter_complex acrossfade=d=10:o=0:c1=exp:c2=exp output.flac |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="acrusher"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-acrusher">26.5 acrusher</a></h2> |
|
|
|
<p>Reduce audio bit resolution. |
|
</p> |
|
<p>This filter is bit crusher with enhanced functionality. A bit crusher |
|
is used to audibly reduce number of bits an audio signal is sampled |
|
with. This doesn’t change the bit depth at all, it just produces the |
|
effect. Material reduced in bit depth sounds more harsh and "digital". |
|
This filter is able to even round to continuous values instead of discrete |
|
bit depths. |
|
Additionally it has a D/C offset which results in different crushing of |
|
the lower and the upper half of the signal. |
|
An Anti-Aliasing setting is able to produce "softer" crushing sounds. |
|
</p> |
|
<p>Another feature of this filter is the logarithmic mode. |
|
This setting switches from linear distances between bits to logarithmic ones. |
|
The result is a much more "natural" sounding crusher which doesn’t gate low |
|
signals for example. The human ear has a logarithmic perception, |
|
so this kind of crushing is much more pleasant. |
|
Logarithmic crushing is also able to get anti-aliased. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set level in. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_out</samp>’</dt> |
|
<dd><p>Set level out. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bits</samp>’</dt> |
|
<dd><p>Set bit reduction. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mix</samp>’</dt> |
|
<dd><p>Set mixing amount. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Can be linear: <code>lin</code> or logarithmic: <code>log</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dc</samp>’</dt> |
|
<dd><p>Set DC. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>aa</samp>’</dt> |
|
<dd><p>Set anti-aliasing. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>samples</samp>’</dt> |
|
<dd><p>Set sample reduction. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfo</samp>’</dt> |
|
<dd><p>Enable LFO. By default disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lforange</samp>’</dt> |
|
<dd><p>Set LFO range. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lforate</samp>’</dt> |
|
<dd><p>Set LFO rate. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="adeclick"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-adeclick">26.6 adeclick</a></h2> |
|
<p>Remove impulsive noise from input audio. |
|
</p> |
|
<p>Samples detected as impulsive noise are replaced by interpolated samples using |
|
autoregressive modelling. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dd><p>Set window size, in milliseconds. Allowed range is from <code>10</code> to |
|
<code>100</code>. Default value is <code>55</code> milliseconds. |
|
This sets size of window which will be processed at once. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>Set window overlap, in percentage of window size. Allowed range is from |
|
<code>50</code> to <code>95</code>. Default value is <code>75</code> percent. |
|
Setting this to a very high value increases impulsive noise removal but makes |
|
whole process much slower. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>Set autoregression order, in percentage of window size. Allowed range is from |
|
<code>0</code> to <code>25</code>. Default value is <code>2</code> percent. This option also |
|
controls quality of interpolated samples using neighbour good samples. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>Set threshold value. Allowed range is from <code>1</code> to <code>100</code>. |
|
Default value is <code>2</code>. |
|
This controls the strength of impulsive noise which is going to be removed. |
|
The lower value, the more samples will be detected as impulsive noise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dd><p>Set burst fusion, in percentage of window size. Allowed range is <code>0</code> to |
|
<code>10</code>. Default value is <code>2</code>. |
|
If any two samples deteced as noise are spaced less than this value then any |
|
sample inbetween those two samples will be also detected as noise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m</samp>’</dt> |
|
<dd><p>Set overlap method. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>Select overlap-add method. Even not interpolated samples are slightly |
|
changed with this method. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Select overlap-save method. Not interpolated samples remain unchanged. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <code>a</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="adeclip"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-adeclip">26.7 adeclip</a></h2> |
|
<p>Remove clipped samples from input audio. |
|
</p> |
|
<p>Samples detected as clipped are replaced by interpolated samples using |
|
autoregressive modelling. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dd><p>Set window size, in milliseconds. Allowed range is from <code>10</code> to <code>100</code>. |
|
Default value is <code>55</code> milliseconds. |
|
This sets size of window which will be processed at once. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>Set window overlap, in percentage of window size. Allowed range is from <code>50</code> |
|
to <code>95</code>. Default value is <code>75</code> percent. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>Set autoregression order, in percentage of window size. Allowed range is from |
|
<code>0</code> to <code>25</code>. Default value is <code>8</code> percent. This option also controls |
|
quality of interpolated samples using neighbour good samples. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>Set threshold value. Allowed range is from <code>1</code> to <code>100</code>. |
|
Default value is <code>10</code>. Higher values make clip detection less aggressive. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>Set size of histogram used to detect clips. Allowed range is from <code>100</code> to <code>9999</code>. |
|
Default value is <code>1000</code>. Higher values make clip detection less aggressive. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m</samp>’</dt> |
|
<dd><p>Set overlap method. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>Select overlap-add method. Even not interpolated samples are slightly changed |
|
with this method. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Select overlap-save method. Not interpolated samples remain unchanged. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <code>a</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="adelay"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-adelay">26.8 adelay</a></h2> |
|
|
|
<p>Delay one or more audio channels. |
|
</p> |
|
<p>Samples in delayed channel are filled with silence. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>delays</samp>’</dt> |
|
<dd><p>Set list of delays in milliseconds for each channel separated by ’|’. |
|
Unused delays will be silently ignored. If number of given delays is |
|
smaller than number of channels all remaining channels will not be delayed. |
|
If you want to delay exact number of samples, append ’S’ to number. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-81"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-81">26.8.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Delay first channel by 1.5 seconds, the third channel by 0.5 seconds and leave |
|
the second channel (and any other channels that may be present) unchanged. |
|
<div class="example"> |
|
<pre class="example">adelay=1500|0|500 |
|
</pre></div> |
|
|
|
</li><li> |
|
Delay second channel by 500 samples, the third channel by 700 samples and leave |
|
the first channel (and any other channels that may be present) unchanged. |
|
<div class="example"> |
|
<pre class="example">adelay=0|500S|700S |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="aderivative_002c-aintegral"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aderivative_002c-aintegral">26.9 aderivative, aintegral</a></h2> |
|
|
|
<p>Compute derivative/integral of audio stream. |
|
</p> |
|
<p>Applying both filters one after another produces original audio. |
|
</p> |
|
<a name="aecho"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aecho">26.10 aecho</a></h2> |
|
|
|
<p>Apply echoing to the input audio. |
|
</p> |
|
<p>Echoes are reflected sound and can occur naturally amongst mountains |
|
(and sometimes large buildings) when talking or shouting; digital echo |
|
effects emulate this behaviour and are often used to help fill out the |
|
sound of a single instrument or vocal. The time difference between the |
|
original signal and the reflection is the <code>delay</code>, and the |
|
loudness of the reflected signal is the <code>decay</code>. |
|
Multiple echoes can have different delays and decays. |
|
</p> |
|
<p>A description of the accepted parameters follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>in_gain</samp>’</dt> |
|
<dd><p>Set input gain of reflected signal. Default is <code>0.6</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_gain</samp>’</dt> |
|
<dd><p>Set output gain of reflected signal. Default is <code>0.3</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delays</samp>’</dt> |
|
<dd><p>Set list of time intervals in milliseconds between original signal and reflections |
|
separated by ’|’. Allowed range for each <code>delay</code> is <code>(0 - 90000.0]</code>. |
|
Default is <code>1000</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>decays</samp>’</dt> |
|
<dd><p>Set list of loudness of reflected signals separated by ’|’. |
|
Allowed range for each <code>decay</code> is <code>(0 - 1.0]</code>. |
|
Default is <code>0.5</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-121"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-121">26.10.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Make it sound as if there are twice as many instruments as are actually playing: |
|
<div class="example"> |
|
<pre class="example">aecho=0.8:0.88:60:0.4 |
|
</pre></div> |
|
|
|
</li><li> |
|
If delay is very short, then it sound like a (metallic) robot playing music: |
|
<div class="example"> |
|
<pre class="example">aecho=0.8:0.88:6:0.4 |
|
</pre></div> |
|
|
|
</li><li> |
|
A longer delay will sound like an open air concert in the mountains: |
|
<div class="example"> |
|
<pre class="example">aecho=0.8:0.9:1000:0.3 |
|
</pre></div> |
|
|
|
</li><li> |
|
Same as above but with one more mountain: |
|
<div class="example"> |
|
<pre class="example">aecho=0.8:0.9:1000|1800:0.3|0.25 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="aemphasis"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aemphasis">26.11 aemphasis</a></h2> |
|
<p>Audio emphasis filter creates or restores material directly taken from LPs or |
|
emphased CDs with different filter curves. E.g. to store music on vinyl the |
|
signal has to be altered by a filter first to even out the disadvantages of |
|
this recording medium. |
|
Once the material is played back the inverse filter has to be applied to |
|
restore the distortion of the frequency response. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_out</samp>’</dt> |
|
<dd><p>Set output gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set filter mode. For restoring material use <code>reproduction</code> mode, otherwise |
|
use <code>production</code> mode. Default is <code>reproduction</code> mode. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>type</samp>’</dt> |
|
<dd><p>Set filter type. Selects medium. Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>col</samp>’</dt> |
|
<dd><p>select Columbia. |
|
</p></dd> |
|
<dt>‘<samp>emi</samp>’</dt> |
|
<dd><p>select EMI. |
|
</p></dd> |
|
<dt>‘<samp>bsi</samp>’</dt> |
|
<dd><p>select BSI (78RPM). |
|
</p></dd> |
|
<dt>‘<samp>riaa</samp>’</dt> |
|
<dd><p>select RIAA. |
|
</p></dd> |
|
<dt>‘<samp>cd</samp>’</dt> |
|
<dd><p>select Compact Disc (CD). |
|
</p></dd> |
|
<dt>‘<samp>50fm</samp>’</dt> |
|
<dd><p>select 50µs (FM). |
|
</p></dd> |
|
<dt>‘<samp>75fm</samp>’</dt> |
|
<dd><p>select 75µs (FM). |
|
</p></dd> |
|
<dt>‘<samp>50kf</samp>’</dt> |
|
<dd><p>select 50µs (FM-KF). |
|
</p></dd> |
|
<dt>‘<samp>75kf</samp>’</dt> |
|
<dd><p>select 75µs (FM-KF). |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="aeval"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aeval">26.12 aeval</a></h2> |
|
|
|
<p>Modify an audio signal according to the specified expressions. |
|
</p> |
|
<p>This filter accepts one or more expressions (one for each channel), |
|
which are evaluated and used to modify a corresponding audio signal. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>exprs</samp>’</dt> |
|
<dd><p>Set the ’|’-separated expressions list for each separate channel. If |
|
the number of input channels is greater than the number of |
|
expressions, the last specified expression is used for the remaining |
|
output channels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel_layout, c</samp>’</dt> |
|
<dd><p>Set output channel layout. If not specified, the channel layout is |
|
specified by the number of expressions. If set to ‘<samp>same</samp>’, it will |
|
use by default the same input channel layout. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Each expression in <var>exprs</var> can contain the following constants and functions: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>ch</samp>’</dt> |
|
<dd><p>channel number of the current expression |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>number of the evaluated sample, starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>sample rate |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>time of the evaluated sample expressed in seconds |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_in_channels</samp>’</dt> |
|
<dt>‘<samp>nb_out_channels</samp>’</dt> |
|
<dd><p>input and output number of channels |
|
</p> |
|
</dd> |
|
<dt>‘<samp>val(CH)</samp>’</dt> |
|
<dd><p>the value of input channel with number <var>CH</var> |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Note: this filter is slow. For faster processing you should use a |
|
dedicated filter. |
|
</p> |
|
<a name="Examples-128"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-128">26.12.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Half volume: |
|
<div class="example"> |
|
<pre class="example">aeval=val(ch)/2:c=same |
|
</pre></div> |
|
|
|
</li><li> |
|
Invert phase of the second channel: |
|
<div class="example"> |
|
<pre class="example">aeval=val(0)|-val(1) |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="afade"></a> |
|
</p><a name="afade-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-afade-1">26.13 afade</a></h2> |
|
|
|
<p>Apply fade-in/out effect to input audio. |
|
</p> |
|
<p>A description of the accepted parameters follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>type, t</samp>’</dt> |
|
<dd><p>Specify the effect type, can be either <code>in</code> for fade-in, or |
|
<code>out</code> for a fade-out effect. Default is <code>in</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_sample, ss</samp>’</dt> |
|
<dd><p>Specify the number of the start sample for starting to apply the fade |
|
effect. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples, ns</samp>’</dt> |
|
<dd><p>Specify the number of samples for which the fade effect has to last. At |
|
the end of the fade-in effect the output audio will have the same |
|
volume as the input audio, at the end of the fade-out transition |
|
the output audio will be silence. Default is 44100. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_time, st</samp>’</dt> |
|
<dd><p>Specify the start time of the fade effect. Default is 0. |
|
The value must be specified as a time duration; see |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
If set this option is used instead of <var>start_sample</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Specify the duration of the fade effect. See |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
At the end of the fade-in effect the output audio will have the same |
|
volume as the input audio, at the end of the fade-out transition |
|
the output audio will be silence. |
|
By default the duration is determined by <var>nb_samples</var>. |
|
If set this option is used instead of <var>nb_samples</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>curve</samp>’</dt> |
|
<dd><p>Set curve for fade transition. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>tri</samp>’</dt> |
|
<dd><p>select triangular, linear slope (default) |
|
</p></dd> |
|
<dt>‘<samp>qsin</samp>’</dt> |
|
<dd><p>select quarter of sine wave |
|
</p></dd> |
|
<dt>‘<samp>hsin</samp>’</dt> |
|
<dd><p>select half of sine wave |
|
</p></dd> |
|
<dt>‘<samp>esin</samp>’</dt> |
|
<dd><p>select exponential sine wave |
|
</p></dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>select logarithmic |
|
</p></dd> |
|
<dt>‘<samp>ipar</samp>’</dt> |
|
<dd><p>select inverted parabola |
|
</p></dd> |
|
<dt>‘<samp>qua</samp>’</dt> |
|
<dd><p>select quadratic |
|
</p></dd> |
|
<dt>‘<samp>cub</samp>’</dt> |
|
<dd><p>select cubic |
|
</p></dd> |
|
<dt>‘<samp>squ</samp>’</dt> |
|
<dd><p>select square root |
|
</p></dd> |
|
<dt>‘<samp>cbr</samp>’</dt> |
|
<dd><p>select cubic root |
|
</p></dd> |
|
<dt>‘<samp>par</samp>’</dt> |
|
<dd><p>select parabola |
|
</p></dd> |
|
<dt>‘<samp>exp</samp>’</dt> |
|
<dd><p>select exponential |
|
</p></dd> |
|
<dt>‘<samp>iqsin</samp>’</dt> |
|
<dd><p>select inverted quarter of sine wave |
|
</p></dd> |
|
<dt>‘<samp>ihsin</samp>’</dt> |
|
<dd><p>select inverted half of sine wave |
|
</p></dd> |
|
<dt>‘<samp>dese</samp>’</dt> |
|
<dd><p>select double-exponential seat |
|
</p></dd> |
|
<dt>‘<samp>desi</samp>’</dt> |
|
<dd><p>select double-exponential sigmoid |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-38"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-38">26.13.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Fade in first 15 seconds of audio: |
|
<div class="example"> |
|
<pre class="example">afade=t=in:ss=0:d=15 |
|
</pre></div> |
|
|
|
</li><li> |
|
Fade out last 25 seconds of a 900 seconds audio: |
|
<div class="example"> |
|
<pre class="example">afade=t=out:st=875:d=25 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="afftfilt"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-afftfilt">26.14 afftfilt</a></h2> |
|
<p>Apply arbitrary expressions to samples in frequency domain. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>real</samp>’</dt> |
|
<dd><p>Set frequency domain real expression for each separate channel separated |
|
by ’|’. Default is "1". |
|
If the number of input channels is greater than the number of |
|
expressions, the last specified expression is used for the remaining |
|
output channels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>imag</samp>’</dt> |
|
<dd><p>Set frequency domain imaginary expression for each separate channel |
|
separated by ’|’. If not set, <var>real</var> option is used. |
|
</p> |
|
<p>Each expression in <var>real</var> and <var>imag</var> can contain the following |
|
constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sr</samp>’</dt> |
|
<dd><p>sample rate |
|
</p> |
|
</dd> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dd><p>current frequency bin number |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb</samp>’</dt> |
|
<dd><p>number of available bins |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ch</samp>’</dt> |
|
<dd><p>channel number of the current expression |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chs</samp>’</dt> |
|
<dd><p>number of channels |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts</samp>’</dt> |
|
<dd><p>current frame pts |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>win_size</samp>’</dt> |
|
<dd><p>Set window size. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>w16</samp>’</dt> |
|
<dt>‘<samp>w32</samp>’</dt> |
|
<dt>‘<samp>w64</samp>’</dt> |
|
<dt>‘<samp>w128</samp>’</dt> |
|
<dt>‘<samp>w256</samp>’</dt> |
|
<dt>‘<samp>w512</samp>’</dt> |
|
<dt>‘<samp>w1024</samp>’</dt> |
|
<dt>‘<samp>w2048</samp>’</dt> |
|
<dt>‘<samp>w4096</samp>’</dt> |
|
<dt>‘<samp>w8192</samp>’</dt> |
|
<dt>‘<samp>w16384</samp>’</dt> |
|
<dt>‘<samp>w32768</samp>’</dt> |
|
<dt>‘<samp>w65536</samp>’</dt> |
|
</dl> |
|
<p>Default is <code>w4096</code> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>win_func</samp>’</dt> |
|
<dd><p>Set window function. Default is <code>hann</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlap</samp>’</dt> |
|
<dd><p>Set window overlap. If set to 1, the recommended overlap for selected |
|
window function will be picked. Default is <code>0.75</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-63"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-63">26.14.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Leave almost only low frequencies in audio: |
|
<div class="example"> |
|
<pre class="example">afftfilt="1-clip((b/nb)*b,0,1)" |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="afir"></a> |
|
</p><a name="afir-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-afir-1">26.15 afir</a></h2> |
|
|
|
<p>Apply an arbitrary Frequency Impulse Response filter. |
|
</p> |
|
<p>This filter is designed for applying long FIR filters, |
|
up to 30 seconds long. |
|
</p> |
|
<p>It can be used as component for digital crossover filters, |
|
room equalization, cross talk cancellation, wavefield synthesis, |
|
auralization, ambiophonics and ambisonics. |
|
</p> |
|
<p>This filter uses second stream as FIR coefficients. |
|
If second stream holds single channel, it will be used |
|
for all input channels in first stream, otherwise |
|
number of channels in second stream must be same as |
|
number of channels in first stream. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dry</samp>’</dt> |
|
<dd><p>Set dry gain. This sets input gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wet</samp>’</dt> |
|
<dd><p>Set wet gain. This sets final output gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>length</samp>’</dt> |
|
<dd><p>Set Impulse Response filter length. Default is 1, which means whole IR is processed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>again</samp>’</dt> |
|
<dd><p>Enable applying gain measured from power of IR. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>maxir</samp>’</dt> |
|
<dd><p>Set max allowed Impulse Response filter duration in seconds. Default is 30 seconds. |
|
Allowed range is 0.1 to 60 seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>response</samp>’</dt> |
|
<dd><p>Show IR frequency reponse, magnitude and phase in additional video stream. |
|
By default it is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel</samp>’</dt> |
|
<dd><p>Set for which IR channel to display frequency response. By default is first channel |
|
displayed. This option is used only when <var>response</var> is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>Set video stream size. This option is used only when <var>response</var> is enabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples">26.15.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply reverb to stream using mono IR file as second input, complete command using ffmpeg: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.wav -i middle_tunnel_1way_mono.wav -lavfi afir output.wav |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="aformat"></a> |
|
</p><a name="aformat-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aformat-1">26.16 aformat</a></h2> |
|
|
|
<p>Set output format constraints for the input audio. The framework will |
|
negotiate the most appropriate format to minimize conversions. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sample_fmts</samp>’</dt> |
|
<dd><p>A ’|’-separated list of requested sample formats. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rates</samp>’</dt> |
|
<dd><p>A ’|’-separated list of requested sample rates. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel_layouts</samp>’</dt> |
|
<dd><p>A ’|’-separated list of requested channel layouts. |
|
</p> |
|
<p>See <a href="ffmpeg-utils.html#channel-layout-syntax">(ffmpeg-utils)the Channel Layout section in the ffmpeg-utils(1) manual</a> |
|
for the required syntax. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>If a parameter is omitted, all values are allowed. |
|
</p> |
|
<p>Force the output to either unsigned 8-bit or signed 16-bit stereo |
|
</p><div class="example"> |
|
<pre class="example">aformat=sample_fmts=u8|s16:channel_layouts=stereo |
|
</pre></div> |
|
|
|
<a name="agate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-agate">26.17 agate</a></h2> |
|
|
|
<p>A gate is mainly used to reduce lower parts of a signal. This kind of signal |
|
processing reduces disturbing noise between useful signals. |
|
</p> |
|
<p>Gating is done by detecting the volume below a chosen level <var>threshold</var> |
|
and dividing it by the factor set with <var>ratio</var>. The bottom of the noise |
|
floor is set via <var>range</var>. Because an exact manipulation of the signal |
|
would cause distortion of the waveform the reduction can be levelled over |
|
time. This is done by setting <var>attack</var> and <var>release</var>. |
|
</p> |
|
<p><var>attack</var> determines how long the signal has to fall below the threshold |
|
before any reduction will occur and <var>release</var> sets the time the signal |
|
has to rise above the threshold to reduce the reduction again. |
|
Shorter signals than the chosen attack time will be left untouched. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input level before filtering. |
|
Default is 1. Allowed range is from 0.015625 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>range</samp>’</dt> |
|
<dd><p>Set the level of gain reduction when the signal is below the threshold. |
|
Default is 0.06125. Allowed range is from 0 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>If a signal rises above this level the gain reduction is released. |
|
Default is 0.125. Allowed range is from 0 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ratio</samp>’</dt> |
|
<dd><p>Set a ratio by which the signal is reduced. |
|
Default is 2. Allowed range is from 1 to 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>attack</samp>’</dt> |
|
<dd><p>Amount of milliseconds the signal has to rise above the threshold before gain |
|
reduction stops. |
|
Default is 20 milliseconds. Allowed range is from 0.01 to 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>release</samp>’</dt> |
|
<dd><p>Amount of milliseconds the signal has to fall below the threshold before the |
|
reduction is increased again. Default is 250 milliseconds. |
|
Allowed range is from 0.01 to 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>makeup</samp>’</dt> |
|
<dd><p>Set amount of amplification of signal after processing. |
|
Default is 1. Allowed range is from 1 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>knee</samp>’</dt> |
|
<dd><p>Curve the sharp knee around the threshold to enter gain reduction more softly. |
|
Default is 2.828427125. Allowed range is from 1 to 8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>detection</samp>’</dt> |
|
<dd><p>Choose if exact signal should be taken for detection or an RMS like one. |
|
Default is <code>rms</code>. Can be <code>peak</code> or <code>rms</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>link</samp>’</dt> |
|
<dd><p>Choose if the average level between all channels or the louder channel affects |
|
the reduction. |
|
Default is <code>average</code>. Can be <code>average</code> or <code>maximum</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="aiir"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aiir">26.18 aiir</a></h2> |
|
|
|
<p>Apply an arbitrary Infinite Impulse Response filter. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>z</samp>’</dt> |
|
<dd><p>Set numerator/zeros coefficients. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p</samp>’</dt> |
|
<dd><p>Set denominator/poles coefficients. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>Set channels gains. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dry_gain</samp>’</dt> |
|
<dd><p>Set input gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wet_gain</samp>’</dt> |
|
<dd><p>Set output gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>f</samp>’</dt> |
|
<dd><p>Set coefficients format. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>tf</samp>’</dt> |
|
<dd><p>transfer function |
|
</p></dd> |
|
<dt>‘<samp>zp</samp>’</dt> |
|
<dd><p>Z-plane zeros/poles, cartesian (default) |
|
</p></dd> |
|
<dt>‘<samp>pr</samp>’</dt> |
|
<dd><p>Z-plane zeros/poles, polar radians |
|
</p></dd> |
|
<dt>‘<samp>pd</samp>’</dt> |
|
<dd><p>Z-plane zeros/poles, polar degrees |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>r</samp>’</dt> |
|
<dd><p>Set kind of processing. |
|
Can be <code>d</code> - direct or <code>s</code> - serial cascading. Defauls is <code>s</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>e</samp>’</dt> |
|
<dd><p>Set filtering precision. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dbl</samp>’</dt> |
|
<dd><p>double-precision floating-point (default) |
|
</p></dd> |
|
<dt>‘<samp>flt</samp>’</dt> |
|
<dd><p>single-precision floating-point |
|
</p></dd> |
|
<dt>‘<samp>i32</samp>’</dt> |
|
<dd><p>32-bit integers |
|
</p></dd> |
|
<dt>‘<samp>i16</samp>’</dt> |
|
<dd><p>16-bit integers |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>response</samp>’</dt> |
|
<dd><p>Show IR frequency reponse, magnitude and phase in additional video stream. |
|
By default it is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel</samp>’</dt> |
|
<dd><p>Set for which IR channel to display frequency response. By default is first channel |
|
displayed. This option is used only when <var>response</var> is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>Set video stream size. This option is used only when <var>response</var> is enabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Coefficients in <code>tf</code> format are separated by spaces and are in ascending |
|
order. |
|
</p> |
|
<p>Coefficients in <code>zp</code> format are separated by spaces and order of coefficients |
|
doesn’t matter. Coefficients in <code>zp</code> format are complex numbers with <var>i</var> |
|
imaginary unit. |
|
</p> |
|
<p>Different coefficients and gains can be provided for every channel, in such case |
|
use ’|’ to separate coefficients or gains. Last provided coefficients will be |
|
used for all remaining channels. |
|
</p> |
|
<a name="Examples-98"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-98">26.18.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply 2 pole elliptic notch at arround 5000Hz for 48000 Hz sample rate: |
|
<div class="example"> |
|
<pre class="example">aiir=k=1:z=7.957584807809675810E-1 -2.575128568908332300 3.674839853930788710 -2.57512875289799137 7.957586296317130880E-1:p=1 -2.86950072432325953 3.63022088054647218 -2.28075678147272232 6.361362326477423500E-1:f=tf:r=d |
|
</pre></div> |
|
|
|
</li><li> |
|
Same as above but in <code>zp</code> format: |
|
<div class="example"> |
|
<pre class="example">aiir=k=0.79575848078096756:z=0.80918701+0.58773007i 0.80918701-0.58773007i 0.80884700+0.58784055i 0.80884700-0.58784055i:p=0.63892345+0.59951235i 0.63892345-0.59951235i 0.79582691+0.44198673i 0.79582691-0.44198673i:f=zp:r=s |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="alimiter"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-alimiter">26.19 alimiter</a></h2> |
|
|
|
<p>The limiter prevents an input signal from rising over a desired threshold. |
|
This limiter uses lookahead technology to prevent your signal from distorting. |
|
It means that there is a small delay after the signal is processed. Keep in mind |
|
that the delay it produces is the attack time you set. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input gain. Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_out</samp>’</dt> |
|
<dd><p>Set output gain. Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>limit</samp>’</dt> |
|
<dd><p>Don’t let signals above this level pass the limiter. Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>attack</samp>’</dt> |
|
<dd><p>The limiter will reach its attenuation level in this amount of time in |
|
milliseconds. Default is 5 milliseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>release</samp>’</dt> |
|
<dd><p>Come back from limiting to attenuation 1.0 in this amount of milliseconds. |
|
Default is 50 milliseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>asc</samp>’</dt> |
|
<dd><p>When gain reduction is always needed ASC takes care of releasing to an |
|
average reduction level rather than reaching a reduction of 0 in the release |
|
time. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>asc_level</samp>’</dt> |
|
<dd><p>Select how much the release time is affected by ASC, 0 means nearly no changes |
|
in release time while 1 produces higher release times. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level</samp>’</dt> |
|
<dd><p>Auto level output signal. Default is enabled. |
|
This normalizes audio back to 0dB if enabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Depending on picked setting it is recommended to upsample input 2x or 4x times |
|
with <a href="#aresample">aresample</a> before applying this filter. |
|
</p> |
|
<a name="allpass"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-allpass">26.20 allpass</a></h2> |
|
|
|
<p>Apply a two-pole all-pass filter with central frequency (in Hz) |
|
<var>frequency</var>, and filter-width <var>width</var>. |
|
An all-pass filter changes the audio’s frequency to phase relationship |
|
without changing its frequency to amplitude relationship. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set frequency in Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Set method to specify band-width of filter. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Hz |
|
</p></dd> |
|
<dt>‘<samp>q</samp>’</dt> |
|
<dd><p>Q-Factor |
|
</p></dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>octave |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>slope |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>kHz |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Specify the band-width of a filter in width_type units. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels, c</samp>’</dt> |
|
<dd><p>Specify which channels to filter, by default all available are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-13"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-13">26.20.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Change allpass frequency. |
|
Syntax for the command is : "<var>frequency</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Change allpass width_type. |
|
Syntax for the command is : "<var>width_type</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Change allpass width. |
|
Syntax for the command is : "<var>width</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="aloop"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aloop">26.21 aloop</a></h2> |
|
|
|
<p>Loop audio samples. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>loop</samp>’</dt> |
|
<dd><p>Set the number of loops. Setting this value to -1 will result in infinite loops. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>Set maximal number of samples. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start</samp>’</dt> |
|
<dd><p>Set first sample of loop. Default is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="amerge"></a> |
|
</p><a name="amerge-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-amerge-1">26.22 amerge</a></h2> |
|
|
|
<p>Merge two or more audio streams into a single multi-channel stream. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>inputs</samp>’</dt> |
|
<dd><p>Set the number of inputs. Default is 2. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>If the channel layouts of the inputs are disjoint, and therefore compatible, |
|
the channel layout of the output will be set accordingly and the channels |
|
will be reordered as necessary. If the channel layouts of the inputs are not |
|
disjoint, the output will have all the channels of the first input then all |
|
the channels of the second input, in that order, and the channel layout of |
|
the output will be the default value corresponding to the total number of |
|
channels. |
|
</p> |
|
<p>For example, if the first input is in 2.1 (FL+FR+LF) and the second input |
|
is FC+BL+BR, then the output will be in 5.1, with the channels in the |
|
following order: a1, a2, b1, a3, b2, b3 (a1 is the first channel of the |
|
first input, b1 is the first channel of the second input). |
|
</p> |
|
<p>On the other hand, if both input are in stereo, the output channels will be |
|
in the default order: a1, a2, b1, b2, and the channel layout will be |
|
arbitrarily set to 4.0, which may or may not be the expected value. |
|
</p> |
|
<p>All inputs must have the same sample rate, and format. |
|
</p> |
|
<p>If inputs do not have the same duration, the output will stop with the |
|
shortest. |
|
</p> |
|
<a name="Examples-80"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-80">26.22.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Merge two mono files into a stereo stream: |
|
<div class="example"> |
|
<pre class="example">amovie=left.wav [l] ; amovie=right.mp3 [r] ; [l] [r] amerge |
|
</pre></div> |
|
|
|
</li><li> |
|
Multiple merges assuming 1 video stream and 6 audio streams in ‘<tt>input.mkv</tt>’: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.mkv -filter_complex "[0:1][0:2][0:3][0:4][0:5][0:6] amerge=inputs=6" -c:a pcm_s16le output.mkv |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="amix"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-amix">26.23 amix</a></h2> |
|
|
|
<p>Mixes multiple audio inputs into a single output. |
|
</p> |
|
<p>Note that this filter only supports float samples (the <var>amerge</var> |
|
and <var>pan</var> audio filters support many formats). If the <var>amix</var> |
|
input has integer samples then <a href="#aresample">aresample</a> will be automatically |
|
inserted to perform the conversion to float samples. |
|
</p> |
|
<p>For example |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i INPUT1 -i INPUT2 -i INPUT3 -filter_complex amix=inputs=3:duration=first:dropout_transition=3 OUTPUT |
|
</pre></div> |
|
<p>will mix 3 input audio streams to a single output with the same duration as the |
|
first input and a dropout transition time of 3 seconds. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>inputs</samp>’</dt> |
|
<dd><p>The number of inputs. If unspecified, it defaults to 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration</samp>’</dt> |
|
<dd><p>How to determine the end-of-stream. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>longest</samp>’</dt> |
|
<dd><p>The duration of the longest input. (default) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shortest</samp>’</dt> |
|
<dd><p>The duration of the shortest input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>first</samp>’</dt> |
|
<dd><p>The duration of the first input. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>dropout_transition</samp>’</dt> |
|
<dd><p>The transition time, in seconds, for volume renormalization when an input |
|
stream ends. The default value is 2 seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>weights</samp>’</dt> |
|
<dd><p>Specify weight of each input audio stream as sequence. |
|
Each weight is separated by space. By default all inputs have same weight. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="anequalizer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-anequalizer">26.24 anequalizer</a></h2> |
|
|
|
<p>High-order parametric multiband equalizer for each channel. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>params</samp>’</dt> |
|
<dd> |
|
<p>This option string is in format: |
|
"c<var>chn</var> f=<var>cf</var> w=<var>w</var> g=<var>g</var> t=<var>f</var> | ..." |
|
Each equalizer band is separated by ’|’. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>chn</samp>’</dt> |
|
<dd><p>Set channel number to which equalization will be applied. |
|
If input doesn’t have that channel the entry is ignored. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>f</samp>’</dt> |
|
<dd><p>Set central frequency for band. |
|
If input doesn’t have that frequency the entry is ignored. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dd><p>Set band width in hertz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>g</samp>’</dt> |
|
<dd><p>Set band gain in dB. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>Set filter type for band, optional, can be: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0</samp>’</dt> |
|
<dd><p>Butterworth, this is default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>1</samp>’</dt> |
|
<dd><p>Chebyshev type 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>2</samp>’</dt> |
|
<dd><p>Chebyshev type 2. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>curves</samp>’</dt> |
|
<dd><p>With this option activated frequency response of anequalizer is displayed |
|
in video stream. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>Set video stream size. Only useful if curves option is activated. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mgain</samp>’</dt> |
|
<dd><p>Set max gain that will be displayed. Only useful if curves option is activated. |
|
Setting this to a reasonable value makes it possible to display gain which is derived from |
|
neighbour bands which are too close to each other and thus produce higher gain |
|
when both are activated. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fscale</samp>’</dt> |
|
<dd><p>Set frequency scale used to draw frequency response in video output. |
|
Can be linear or logarithmic. Default is logarithmic. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colors</samp>’</dt> |
|
<dd><p>Set color for each channel curve which is going to be displayed in video stream. |
|
This is list of color names separated by space or by ’|’. |
|
Unrecognised or missing colors will be replaced by white color. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-107"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-107">26.24.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Lower gain by 10 of central frequency 200Hz and width 100 Hz |
|
for first 2 channels using Chebyshev type 1 filter: |
|
<div class="example"> |
|
<pre class="example">anequalizer=c0 f=200 w=100 g=-10 t=1|c1 f=200 w=100 g=-10 t=1 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-2"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-2">26.24.2 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>change</samp>’</dt> |
|
<dd><p>Alter existing filter parameters. |
|
Syntax for the commands is : "<var>fN</var>|f=<var>freq</var>|w=<var>width</var>|g=<var>gain</var>" |
|
</p> |
|
<p><var>fN</var> is existing filter number, starting from 0, if no such filter is available |
|
error is returned. |
|
<var>freq</var> set new frequency parameter. |
|
<var>width</var> set new width parameter in herz. |
|
<var>gain</var> set new gain parameter in dB. |
|
</p> |
|
<p>Full filter invocation with asendcmd may look like this: |
|
asendcmd=c=’4.0 anequalizer change 0|f=200|w=50|g=1’,anequalizer=... |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="anull"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-anull">26.25 anull</a></h2> |
|
|
|
<p>Pass the audio source unchanged to the output. |
|
</p> |
|
<a name="apad"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-apad">26.26 apad</a></h2> |
|
|
|
<p>Pad the end of an audio stream with silence. |
|
</p> |
|
<p>This can be used together with <code>ffmpeg</code> ‘<samp>-shortest</samp>’ to |
|
extend audio streams to the same length as the video stream. |
|
</p> |
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>packet_size</samp>’</dt> |
|
<dd><p>Set silence packet size. Default value is 4096. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pad_len</samp>’</dt> |
|
<dd><p>Set the number of samples of silence to add to the end. After the |
|
value is reached, the stream is terminated. This option is mutually |
|
exclusive with ‘<samp>whole_len</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>whole_len</samp>’</dt> |
|
<dd><p>Set the minimum total number of samples in the output audio stream. If |
|
the value is longer than the input audio length, silence is added to |
|
the end, until the value is reached. This option is mutually exclusive |
|
with ‘<samp>pad_len</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>If neither the ‘<samp>pad_len</samp>’ nor the ‘<samp>whole_len</samp>’ option is |
|
set, the filter will add silence to the end of the input stream |
|
indefinitely. |
|
</p> |
|
<a name="Examples-37"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-37">26.26.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Add 1024 samples of silence to the end of the input: |
|
<div class="example"> |
|
<pre class="example">apad=pad_len=1024 |
|
</pre></div> |
|
|
|
</li><li> |
|
Make sure the audio output will contain at least 10000 samples, pad |
|
the input with silence if required: |
|
<div class="example"> |
|
<pre class="example">apad=whole_len=10000 |
|
</pre></div> |
|
|
|
</li><li> |
|
Use <code>ffmpeg</code> to pad the audio input with silence, so that the |
|
video stream will always result the shortest and will be converted |
|
until the end in the output file when using the ‘<samp>shortest</samp>’ |
|
option: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i VIDEO -i AUDIO -filter_complex "[1:0]apad" -shortest OUTPUT |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="aphaser"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aphaser">26.27 aphaser</a></h2> |
|
<p>Add a phasing effect to the input audio. |
|
</p> |
|
<p>A phaser filter creates series of peaks and troughs in the frequency spectrum. |
|
The position of the peaks and troughs are modulated so that they vary over time, creating a sweeping effect. |
|
</p> |
|
<p>A description of the accepted parameters follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>in_gain</samp>’</dt> |
|
<dd><p>Set input gain. Default is 0.4. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_gain</samp>’</dt> |
|
<dd><p>Set output gain. Default is 0.74 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delay</samp>’</dt> |
|
<dd><p>Set delay in milliseconds. Default is 3.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>decay</samp>’</dt> |
|
<dd><p>Set decay. Default is 0.4. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>speed</samp>’</dt> |
|
<dd><p>Set modulation speed in Hz. Default is 0.5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>type</samp>’</dt> |
|
<dd><p>Set modulation type. Default is triangular. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>triangular, t</samp>’</dt> |
|
<dt>‘<samp>sinusoidal, s</samp>’</dt> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="apulsator"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-apulsator">26.28 apulsator</a></h2> |
|
|
|
<p>Audio pulsator is something between an autopanner and a tremolo. |
|
But it can produce funny stereo effects as well. Pulsator changes the volume |
|
of the left and right channel based on a LFO (low frequency oscillator) with |
|
different waveforms and shifted phases. |
|
This filter have the ability to define an offset between left and right |
|
channel. An offset of 0 means that both LFO shapes match each other. |
|
The left and right channel are altered equally - a conventional tremolo. |
|
An offset of 50% means that the shape of the right channel is exactly shifted |
|
in phase (or moved backwards about half of the frequency) - pulsator acts as |
|
an autopanner. At 1 both curves match again. Every setting in between moves the |
|
phase shift gapless between all stages and produces some "bypassing" sounds with |
|
sine and triangle waveforms. The more you set the offset near 1 (starting from |
|
the 0.5) the faster the signal passes from the left to the right speaker. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input gain. By default it is 1. Range is [0.015625 - 64]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_out</samp>’</dt> |
|
<dd><p>Set output gain. By default it is 1. Range is [0.015625 - 64]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set waveform shape the LFO will use. Can be one of: sine, triangle, square, |
|
sawup or sawdown. Default is sine. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>amount</samp>’</dt> |
|
<dd><p>Set modulation. Define how much of original signal is affected by the LFO. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>offset_l</samp>’</dt> |
|
<dd><p>Set left channel offset. Default is 0. Allowed range is [0 - 1]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>offset_r</samp>’</dt> |
|
<dd><p>Set right channel offset. Default is 0.5. Allowed range is [0 - 1]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width</samp>’</dt> |
|
<dd><p>Set pulse width. Default is 1. Allowed range is [0 - 2]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timing</samp>’</dt> |
|
<dd><p>Set possible timing mode. Can be one of: bpm, ms or hz. Default is hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bpm</samp>’</dt> |
|
<dd><p>Set bpm. Default is 120. Allowed range is [30 - 300]. Only used if timing |
|
is set to bpm. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ms</samp>’</dt> |
|
<dd><p>Set ms. Default is 500. Allowed range is [10 - 2000]. Only used if timing |
|
is set to ms. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hz</samp>’</dt> |
|
<dd><p>Set frequency in Hz. Default is 2. Allowed range is [0.01 - 100]. Only used |
|
if timing is set to hz. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="aresample"></a> |
|
</p><a name="aresample-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aresample-1">26.29 aresample</a></h2> |
|
|
|
<p>Resample the input audio to the specified parameters, using the |
|
libswresample library. If none are specified then the filter will |
|
automatically convert between its input and output. |
|
</p> |
|
<p>This filter is also able to stretch/squeeze the audio data to make it match |
|
the timestamps or to inject silence / cut out audio to make it match the |
|
timestamps, do a combination of both or do neither. |
|
</p> |
|
<p>The filter accepts the syntax |
|
[<var>sample_rate</var>:]<var>resampler_options</var>, where <var>sample_rate</var> |
|
expresses a sample rate and <var>resampler_options</var> is a list of |
|
<var>key</var>=<var>value</var> pairs, separated by ":". See the |
|
<a href="ffmpeg-resampler.html#Resampler-Options">(ffmpeg-resampler)"Resampler Options" section in the ffmpeg-resampler(1) manual</a> |
|
for the complete list of supported options. |
|
</p> |
|
<a name="Examples-79"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-79">26.29.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Resample the input audio to 44100Hz: |
|
<div class="example"> |
|
<pre class="example">aresample=44100 |
|
</pre></div> |
|
|
|
</li><li> |
|
Stretch/squeeze samples to the given timestamps, with a maximum of 1000 |
|
samples per second compensation: |
|
<div class="example"> |
|
<pre class="example">aresample=async=1000 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="areverse"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-areverse">26.30 areverse</a></h2> |
|
|
|
<p>Reverse an audio clip. |
|
</p> |
|
<p>Warning: This filter requires memory to buffer the entire clip, so trimming |
|
is suggested. |
|
</p> |
|
<a name="Examples-118"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-118">26.30.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Take the first 5 seconds of a clip, and reverse it. |
|
<div class="example"> |
|
<pre class="example">atrim=end=5,areverse |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="asetnsamples"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-asetnsamples">26.31 asetnsamples</a></h2> |
|
|
|
<p>Set the number of samples per each output audio frame. |
|
</p> |
|
<p>The last output packet may contain a different number of samples, as |
|
the filter will flush all the remaining samples when the input audio |
|
signals its end. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>nb_out_samples, n</samp>’</dt> |
|
<dd><p>Set the number of frames per each output audio frame. The number is |
|
intended as the number of samples <em>per each channel</em>. |
|
Default value is 1024. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pad, p</samp>’</dt> |
|
<dd><p>If set to 1, the filter will pad the last audio frame with zeroes, so |
|
that the last frame will contain the same number of samples as the |
|
previous ones. Default value is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example, to set the number of per-frame samples to 1234 and |
|
disable padding for the last frame, use: |
|
</p><div class="example"> |
|
<pre class="example">asetnsamples=n=1234:p=0 |
|
</pre></div> |
|
|
|
<a name="asetrate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-asetrate">26.32 asetrate</a></h2> |
|
|
|
<p>Set the sample rate without altering the PCM data. |
|
This will result in a change of speed and pitch. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sample_rate, r</samp>’</dt> |
|
<dd><p>Set the output sample rate. Default is 44100 Hz. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="ashowinfo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ashowinfo">26.33 ashowinfo</a></h2> |
|
|
|
<p>Show a line containing various information for each input audio frame. |
|
The input audio is not modified. |
|
</p> |
|
<p>The shown line contains a sequence of key/value pairs of the form |
|
<var>key</var>:<var>value</var>. |
|
</p> |
|
<p>The following values are shown in the output: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>The (sequential) number of the input frame, starting from 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts</samp>’</dt> |
|
<dd><p>The presentation timestamp of the input frame, in time base units; the time base |
|
depends on the filter input pad, and is usually 1/<var>sample_rate</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts_time</samp>’</dt> |
|
<dd><p>The presentation timestamp of the input frame in seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>position of the frame in the input stream, -1 if this information in |
|
unavailable and/or meaningless (for example in case of synthetic audio) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fmt</samp>’</dt> |
|
<dd><p>The sample format. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chlayout</samp>’</dt> |
|
<dd><p>The channel layout. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate</samp>’</dt> |
|
<dd><p>The sample rate for the audio frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples</samp>’</dt> |
|
<dd><p>The number of samples (per channel) in the frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>checksum</samp>’</dt> |
|
<dd><p>The Adler-32 checksum (printed in hexadecimal) of the audio data. For planar |
|
audio, the data is treated as if all the planes were concatenated. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>plane_checksums</samp>’</dt> |
|
<dd><p>A list of Adler-32 checksums for each data plane. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="astats"></a> |
|
</p><a name="astats-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-astats-1">26.34 astats</a></h2> |
|
|
|
<p>Display time domain statistical information about the audio channels. |
|
Statistics are calculated and displayed for each audio channel and, |
|
where applicable, an overall figure is also given. |
|
</p> |
|
<p>It accepts the following option: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>length</samp>’</dt> |
|
<dd><p>Short window length in seconds, used for peak and trough RMS measurement. |
|
Default is <code>0.05</code> (50 milliseconds). Allowed range is <code>[0.01 - 10]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>metadata</samp>’</dt> |
|
<dd> |
|
<p>Set metadata injection. All the metadata keys are prefixed with <code>lavfi.astats.X</code>, |
|
where <code>X</code> is channel number starting from 1 or string <code>Overall</code>. Default is |
|
disabled. |
|
</p> |
|
<p>Available keys for each channel are: |
|
DC_offset |
|
Min_level |
|
Max_level |
|
Min_difference |
|
Max_difference |
|
Mean_difference |
|
RMS_difference |
|
Peak_level |
|
RMS_peak |
|
RMS_trough |
|
Crest_factor |
|
Flat_factor |
|
Peak_count |
|
Bit_depth |
|
Dynamic_range |
|
</p> |
|
<p>and for Overall: |
|
DC_offset |
|
Min_level |
|
Max_level |
|
Min_difference |
|
Max_difference |
|
Mean_difference |
|
RMS_difference |
|
Peak_level |
|
RMS_level |
|
RMS_peak |
|
RMS_trough |
|
Flat_factor |
|
Peak_count |
|
Bit_depth |
|
Number_of_samples |
|
</p> |
|
<p>For example full key look like this <code>lavfi.astats.1.DC_offset</code> or |
|
this <code>lavfi.astats.Overall.Peak_count</code>. |
|
</p> |
|
<p>For description what each key means read below. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reset</samp>’</dt> |
|
<dd><p>Set number of frame after which stats are going to be recalculated. |
|
Default is disabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>A description of each shown parameter follows: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>DC offset</samp>’</dt> |
|
<dd><p>Mean amplitude displacement from zero. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Min level</samp>’</dt> |
|
<dd><p>Minimal sample level. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Max level</samp>’</dt> |
|
<dd><p>Maximal sample level. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Min difference</samp>’</dt> |
|
<dd><p>Minimal difference between two consecutive samples. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Max difference</samp>’</dt> |
|
<dd><p>Maximal difference between two consecutive samples. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Mean difference</samp>’</dt> |
|
<dd><p>Mean difference between two consecutive samples. |
|
The average of each difference between two consecutive samples. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>RMS difference</samp>’</dt> |
|
<dd><p>Root Mean Square difference between two consecutive samples. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Peak level dB</samp>’</dt> |
|
<dt>‘<samp>RMS level dB</samp>’</dt> |
|
<dd><p>Standard peak and RMS level measured in dBFS. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>RMS peak dB</samp>’</dt> |
|
<dt>‘<samp>RMS trough dB</samp>’</dt> |
|
<dd><p>Peak and trough values for RMS level measured over a short window. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Crest factor</samp>’</dt> |
|
<dd><p>Standard ratio of peak to RMS level (note: not in dB). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Flat factor</samp>’</dt> |
|
<dd><p>Flatness (i.e. consecutive samples with the same value) of the signal at its peak levels |
|
(i.e. either <var>Min level</var> or <var>Max level</var>). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Peak count</samp>’</dt> |
|
<dd><p>Number of occasions (not the number of samples) that the signal attained either |
|
<var>Min level</var> or <var>Max level</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Bit depth</samp>’</dt> |
|
<dd><p>Overall bit depth of audio. Number of bits used for each sample. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Dynamic range</samp>’</dt> |
|
<dd><p>Measured dynamic range of audio in dB. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="atempo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-atempo">26.35 atempo</a></h2> |
|
|
|
<p>Adjust audio tempo. |
|
</p> |
|
<p>The filter accepts exactly one parameter, the audio tempo. If not |
|
specified then the filter will assume nominal 1.0 tempo. Tempo must |
|
be in the [0.5, 100.0] range. |
|
</p> |
|
<p>Note that tempo greater than 2 will skip some samples rather than |
|
blend them in. If for any reason this is a concern it is always |
|
possible to daisy-chain several instances of atempo to achieve the |
|
desired product tempo. |
|
</p> |
|
<a name="Examples-36"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-36">26.35.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Slow down audio to 80% tempo: |
|
<div class="example"> |
|
<pre class="example">atempo=0.8 |
|
</pre></div> |
|
|
|
</li><li> |
|
To speed up audio to 300% tempo: |
|
<div class="example"> |
|
<pre class="example">atempo=3 |
|
</pre></div> |
|
|
|
</li><li> |
|
To speed up audio to 300% tempo by daisy-chaining two atempo instances: |
|
<div class="example"> |
|
<pre class="example">atempo=sqrt(3),atempo=sqrt(3) |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="atrim"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-atrim">26.36 atrim</a></h2> |
|
|
|
<p>Trim the input so that the output contains one continuous subpart of the input. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>start</samp>’</dt> |
|
<dd><p>Timestamp (in seconds) of the start of the section to keep. I.e. the audio |
|
sample with the timestamp <var>start</var> will be the first sample in the output. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>end</samp>’</dt> |
|
<dd><p>Specify time of the first audio sample that will be dropped, i.e. the |
|
audio sample immediately preceding the one with the timestamp <var>end</var> will be |
|
the last sample in the output. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_pts</samp>’</dt> |
|
<dd><p>Same as <var>start</var>, except this option sets the start timestamp in samples |
|
instead of seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>end_pts</samp>’</dt> |
|
<dd><p>Same as <var>end</var>, except this option sets the end timestamp in samples instead |
|
of seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration</samp>’</dt> |
|
<dd><p>The maximum duration of the output in seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_sample</samp>’</dt> |
|
<dd><p>The number of the first sample that should be output. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>end_sample</samp>’</dt> |
|
<dd><p>The number of the first sample that should be dropped. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>‘<samp>start</samp>’, ‘<samp>end</samp>’, and ‘<samp>duration</samp>’ are expressed as time |
|
duration specifications; see |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a>. |
|
</p> |
|
<p>Note that the first two sets of the start/end options and the ‘<samp>duration</samp>’ |
|
option look at the frame timestamp, while the _sample options simply count the |
|
samples that pass through the filter. So start/end_pts and start/end_sample will |
|
give different results when the timestamps are wrong, inexact or do not start at |
|
zero. Also note that this filter does not modify the timestamps. If you wish |
|
to have the output timestamps start at zero, insert the asetpts filter after the |
|
atrim filter. |
|
</p> |
|
<p>If multiple start or end options are set, this filter tries to be greedy and |
|
keep all samples that match at least one of the specified constraints. To keep |
|
only the part that matches all the constraints at once, chain multiple atrim |
|
filters. |
|
</p> |
|
<p>The defaults are such that all the input is kept. So it is possible to set e.g. |
|
just the end values to keep everything before the specified time. |
|
</p> |
|
<p>Examples: |
|
</p><ul> |
|
<li> |
|
Drop everything except the second minute of input: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -af atrim=60:120 |
|
</pre></div> |
|
|
|
</li><li> |
|
Keep only the first 1000 samples: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -af atrim=end_sample=1000 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="bandpass"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bandpass">26.37 bandpass</a></h2> |
|
|
|
<p>Apply a two-pole Butterworth band-pass filter with central |
|
frequency <var>frequency</var>, and (3dB-point) band-width width. |
|
The <var>csg</var> option selects a constant skirt gain (peak gain = Q) |
|
instead of the default: constant 0dB peak gain. |
|
The filter roll off at 6dB per octave (20dB per decade). |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set the filter’s central frequency. Default is <code>3000</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>csg</samp>’</dt> |
|
<dd><p>Constant skirt gain if set to 1. Defaults to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Set method to specify band-width of filter. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Hz |
|
</p></dd> |
|
<dt>‘<samp>q</samp>’</dt> |
|
<dd><p>Q-Factor |
|
</p></dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>octave |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>slope |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>kHz |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Specify the band-width of a filter in width_type units. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels, c</samp>’</dt> |
|
<dd><p>Specify which channels to filter, by default all available are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-6"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-6">26.37.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Change bandpass frequency. |
|
Syntax for the command is : "<var>frequency</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Change bandpass width_type. |
|
Syntax for the command is : "<var>width_type</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Change bandpass width. |
|
Syntax for the command is : "<var>width</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="bandreject"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bandreject">26.38 bandreject</a></h2> |
|
|
|
<p>Apply a two-pole Butterworth band-reject filter with central |
|
frequency <var>frequency</var>, and (3dB-point) band-width <var>width</var>. |
|
The filter roll off at 6dB per octave (20dB per decade). |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set the filter’s central frequency. Default is <code>3000</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Set method to specify band-width of filter. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Hz |
|
</p></dd> |
|
<dt>‘<samp>q</samp>’</dt> |
|
<dd><p>Q-Factor |
|
</p></dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>octave |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>slope |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>kHz |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Specify the band-width of a filter in width_type units. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels, c</samp>’</dt> |
|
<dd><p>Specify which channels to filter, by default all available are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-16"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-16">26.38.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Change bandreject frequency. |
|
Syntax for the command is : "<var>frequency</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Change bandreject width_type. |
|
Syntax for the command is : "<var>width_type</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Change bandreject width. |
|
Syntax for the command is : "<var>width</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="bass_002c-lowshelf"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bass_002c-lowshelf">26.39 bass, lowshelf</a></h2> |
|
|
|
<p>Boost or cut the bass (lower) frequencies of the audio using a two-pole |
|
shelving filter with a response similar to that of a standard |
|
hi-fi’s tone-controls. This is also known as shelving equalisation (EQ). |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>gain, g</samp>’</dt> |
|
<dd><p>Give the gain at 0 Hz. Its useful range is about -20 |
|
(for a large cut) to +20 (for a large boost). |
|
Beware of clipping when using a positive gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set the filter’s central frequency and so can be used |
|
to extend or reduce the frequency range to be boosted or cut. |
|
The default value is <code>100</code> Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Set method to specify band-width of filter. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Hz |
|
</p></dd> |
|
<dt>‘<samp>q</samp>’</dt> |
|
<dd><p>Q-Factor |
|
</p></dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>octave |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>slope |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>kHz |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Determine how steep is the filter’s shelf transition. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels, c</samp>’</dt> |
|
<dd><p>Specify which channels to filter, by default all available are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-18"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-18">26.39.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Change bass frequency. |
|
Syntax for the command is : "<var>frequency</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Change bass width_type. |
|
Syntax for the command is : "<var>width_type</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Change bass width. |
|
Syntax for the command is : "<var>width</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain, g</samp>’</dt> |
|
<dd><p>Change bass gain. |
|
Syntax for the command is : "<var>gain</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="biquad"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-biquad">26.40 biquad</a></h2> |
|
|
|
<p>Apply a biquad IIR filter with the given coefficients. |
|
Where <var>b0</var>, <var>b1</var>, <var>b2</var> and <var>a0</var>, <var>a1</var>, <var>a2</var> |
|
are the numerator and denominator coefficients respectively. |
|
and <var>channels</var>, <var>c</var> specify which channels to filter, by default all |
|
available are filtered. |
|
</p> |
|
<a name="Commands-17"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-17">26.40.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>a0</samp>’</dt> |
|
<dt>‘<samp>a1</samp>’</dt> |
|
<dt>‘<samp>a2</samp>’</dt> |
|
<dt>‘<samp>b0</samp>’</dt> |
|
<dt>‘<samp>b1</samp>’</dt> |
|
<dt>‘<samp>b2</samp>’</dt> |
|
<dd><p>Change biquad parameter. |
|
Syntax for the command is : "<var>value</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="bs2b"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bs2b">26.41 bs2b</a></h2> |
|
<p>Bauer stereo to binaural transformation, which improves headphone listening of |
|
stereo audio records. |
|
</p> |
|
<p>To enable compilation of this filter you need to configure FFmpeg with |
|
<code>--enable-libbs2b</code>. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>profile</samp>’</dt> |
|
<dd><p>Pre-defined crossfeed level. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>default</samp>’</dt> |
|
<dd><p>Default level (fcut=700, feed=50). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cmoy</samp>’</dt> |
|
<dd><p>Chu Moy circuit (fcut=700, feed=60). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>jmeier</samp>’</dt> |
|
<dd><p>Jan Meier circuit (fcut=650, feed=95). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>fcut</samp>’</dt> |
|
<dd><p>Cut frequency (in Hz). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>feed</samp>’</dt> |
|
<dd><p>Feed level (in Hz). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="channelmap"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-channelmap">26.42 channelmap</a></h2> |
|
|
|
<p>Remap input channels to new locations. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>map</samp>’</dt> |
|
<dd><p>Map channels from input to output. The argument is a ’|’-separated list of |
|
mappings, each in the <code><var>in_channel</var>-<var>out_channel</var></code> or |
|
<var>in_channel</var> form. <var>in_channel</var> can be either the name of the input |
|
channel (e.g. FL for front left) or its index in the input channel layout. |
|
<var>out_channel</var> is the name of the output channel or its index in the output |
|
channel layout. If <var>out_channel</var> is not given then it is implicitly an |
|
index, starting with zero and increasing by one for each mapping. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel_layout</samp>’</dt> |
|
<dd><p>The channel layout of the output stream. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>If no mapping is present, the filter will implicitly map input channels to |
|
output channels, preserving indices. |
|
</p> |
|
<a name="Examples-14"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-14">26.42.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
For example, assuming a 5.1+downmix input MOV file, |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i in.mov -filter 'channelmap=map=DL-FL|DR-FR' out.wav |
|
</pre></div> |
|
<p>will create an output WAV file tagged as stereo from the downmix channels of |
|
the input. |
|
</p> |
|
</li><li> |
|
To fix a 5.1 WAV improperly encoded in AAC’s native channel order |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i in.wav -filter 'channelmap=1|2|0|5|3|4:5.1' out.wav |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="channelsplit"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-channelsplit">26.43 channelsplit</a></h2> |
|
|
|
<p>Split each channel from an input audio stream into a separate output stream. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>channel_layout</samp>’</dt> |
|
<dd><p>The channel layout of the input stream. The default is "stereo". |
|
</p></dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>A channel layout describing the channels to be extracted as separate output streams |
|
or "all" to extract each input channel as a separate stream. The default is "all". |
|
</p> |
|
<p>Choosing channels not present in channel layout in the input will result in an error. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-33"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-33">26.43.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
For example, assuming a stereo input MP3 file, |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i in.mp3 -filter_complex channelsplit out.mkv |
|
</pre></div> |
|
<p>will create an output Matroska file with two audio streams, one containing only |
|
the left channel and the other the right channel. |
|
</p> |
|
</li><li> |
|
Split a 5.1 WAV file into per-channel files: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i in.wav -filter_complex |
|
'channelsplit=channel_layout=5.1[FL][FR][FC][LFE][SL][SR]' |
|
-map '[FL]' front_left.wav -map '[FR]' front_right.wav -map '[FC]' |
|
front_center.wav -map '[LFE]' lfe.wav -map '[SL]' side_left.wav -map '[SR]' |
|
side_right.wav |
|
</pre></div> |
|
|
|
</li><li> |
|
Extract only LFE from a 5.1 WAV file: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i in.wav -filter_complex 'channelsplit=channel_layout=5.1:channels=LFE[LFE]' |
|
-map '[LFE]' lfe.wav |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="chorus"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-chorus">26.44 chorus</a></h2> |
|
<p>Add a chorus effect to the audio. |
|
</p> |
|
<p>Can make a single vocal sound like a chorus, but can also be applied to instrumentation. |
|
</p> |
|
<p>Chorus resembles an echo effect with a short delay, but whereas with echo the delay is |
|
constant, with chorus, it is varied using using sinusoidal or triangular modulation. |
|
The modulation depth defines the range the modulated delay is played before or after |
|
the delay. Hence the delayed sound will sound slower or faster, that is the delayed |
|
sound tuned around the original one, like in a chorus where some vocals are slightly |
|
off key. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>in_gain</samp>’</dt> |
|
<dd><p>Set input gain. Default is 0.4. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_gain</samp>’</dt> |
|
<dd><p>Set output gain. Default is 0.4. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delays</samp>’</dt> |
|
<dd><p>Set delays. A typical delay is around 40ms to 60ms. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>decays</samp>’</dt> |
|
<dd><p>Set decays. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>speeds</samp>’</dt> |
|
<dd><p>Set speeds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>depths</samp>’</dt> |
|
<dd><p>Set depths. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-91"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-91">26.44.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
A single delay: |
|
<div class="example"> |
|
<pre class="example">chorus=0.7:0.9:55:0.4:0.25:2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Two delays: |
|
<div class="example"> |
|
<pre class="example">chorus=0.6:0.9:50|60:0.4|0.32:0.25|0.4:2|1.3 |
|
</pre></div> |
|
|
|
</li><li> |
|
Fuller sounding chorus with three delays: |
|
<div class="example"> |
|
<pre class="example">chorus=0.5:0.9:50|60|40:0.4|0.32|0.3:0.25|0.4|0.3:2|2.3|1.3 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="compand"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-compand">26.45 compand</a></h2> |
|
<p>Compress or expand the audio’s dynamic range. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>attacks</samp>’</dt> |
|
<dt>‘<samp>decays</samp>’</dt> |
|
<dd><p>A list of times in seconds for each channel over which the instantaneous level |
|
of the input signal is averaged to determine its volume. <var>attacks</var> refers to |
|
increase of volume and <var>decays</var> refers to decrease of volume. For most |
|
situations, the attack time (response to the audio getting louder) should be |
|
shorter than the decay time, because the human ear is more sensitive to sudden |
|
loud audio than sudden soft audio. A typical value for attack is 0.3 seconds and |
|
a typical value for decay is 0.8 seconds. |
|
If specified number of attacks & decays is lower than number of channels, the last |
|
set attack/decay will be used for all remaining channels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>points</samp>’</dt> |
|
<dd><p>A list of points for the transfer function, specified in dB relative to the |
|
maximum possible signal amplitude. Each key points list must be defined using |
|
the following syntax: <code>x0/y0|x1/y1|x2/y2|....</code> or |
|
<code>x0/y0 x1/y1 x2/y2 ....</code> |
|
</p> |
|
<p>The input values must be in strictly increasing order but the transfer function |
|
does not have to be monotonically rising. The point <code>0/0</code> is assumed but |
|
may be overridden (by <code>0/out-dBn</code>). Typical values for the transfer |
|
function are <code>-70/-70|-60/-20|1/0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>soft-knee</samp>’</dt> |
|
<dd><p>Set the curve radius in dB for all joints. It defaults to 0.01. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain</samp>’</dt> |
|
<dd><p>Set the additional gain in dB to be applied at all points on the transfer |
|
function. This allows for easy adjustment of the overall gain. |
|
It defaults to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>volume</samp>’</dt> |
|
<dd><p>Set an initial volume, in dB, to be assumed for each channel when filtering |
|
starts. This permits the user to supply a nominal level initially, so that, for |
|
example, a very large gain is not applied to initial signal levels before the |
|
companding has begun to operate. A typical value for audio which is initially |
|
quiet is -90 dB. It defaults to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delay</samp>’</dt> |
|
<dd><p>Set a delay, in seconds. The input audio is analyzed immediately, but audio is |
|
delayed before being fed to the volume adjuster. Specifying a delay |
|
approximately equal to the attack/decay times allows the filter to effectively |
|
operate in predictive rather than reactive mode. It defaults to 0. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-86"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-86">26.45.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Make music with both quiet and loud passages suitable for listening to in a |
|
noisy environment: |
|
<div class="example"> |
|
<pre class="example">compand=.3|.3:1|1:-90/-60|-60/-40|-40/-30|-20/-20:6:0:-90:0.2 |
|
</pre></div> |
|
|
|
<p>Another example for audio with whisper and explosion parts: |
|
</p><div class="example"> |
|
<pre class="example">compand=0|0:1|1:-90/-900|-70/-70|-30/-9|0/-3:6:0:0:0 |
|
</pre></div> |
|
|
|
</li><li> |
|
A noise gate for when the noise is at a lower level than the signal: |
|
<div class="example"> |
|
<pre class="example">compand=.1|.1:.2|.2:-900/-900|-50.1/-900|-50/-50:.01:0:-90:.1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Here is another noise gate, this time for when the noise is at a higher level |
|
than the signal (making it, in some ways, similar to squelch): |
|
<div class="example"> |
|
<pre class="example">compand=.1|.1:.1|.1:-45.1/-45.1|-45/-900|0/-900:.01:45:-90:.1 |
|
</pre></div> |
|
|
|
</li><li> |
|
2:1 compression starting at -6dB: |
|
<div class="example"> |
|
<pre class="example">compand=points=-80/-80|-6/-6|0/-3.8|20/3.5 |
|
</pre></div> |
|
|
|
</li><li> |
|
2:1 compression starting at -9dB: |
|
<div class="example"> |
|
<pre class="example">compand=points=-80/-80|-9/-9|0/-5.3|20/2.9 |
|
</pre></div> |
|
|
|
</li><li> |
|
2:1 compression starting at -12dB: |
|
<div class="example"> |
|
<pre class="example">compand=points=-80/-80|-12/-12|0/-6.8|20/1.9 |
|
</pre></div> |
|
|
|
</li><li> |
|
2:1 compression starting at -18dB: |
|
<div class="example"> |
|
<pre class="example">compand=points=-80/-80|-18/-18|0/-9.8|20/0.7 |
|
</pre></div> |
|
|
|
</li><li> |
|
3:1 compression starting at -15dB: |
|
<div class="example"> |
|
<pre class="example">compand=points=-80/-80|-15/-15|0/-10.8|20/-5.2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Compressor/Gate: |
|
<div class="example"> |
|
<pre class="example">compand=points=-80/-105|-62/-80|-15.4/-15.4|0/-12|20/-7.6 |
|
</pre></div> |
|
|
|
</li><li> |
|
Expander: |
|
<div class="example"> |
|
<pre class="example">compand=attacks=0:points=-80/-169|-54/-80|-49.5/-64.6|-41.1/-41.1|-25.8/-15|-10.8/-4.5|0/0|20/8.3 |
|
</pre></div> |
|
|
|
</li><li> |
|
Hard limiter at -6dB: |
|
<div class="example"> |
|
<pre class="example">compand=attacks=0:points=-80/-80|-6/-6|20/-6 |
|
</pre></div> |
|
|
|
</li><li> |
|
Hard limiter at -12dB: |
|
<div class="example"> |
|
<pre class="example">compand=attacks=0:points=-80/-80|-12/-12|20/-12 |
|
</pre></div> |
|
|
|
</li><li> |
|
Hard noise gate at -35 dB: |
|
<div class="example"> |
|
<pre class="example">compand=attacks=0:points=-80/-115|-35.1/-80|-35/-35|20/20 |
|
</pre></div> |
|
|
|
</li><li> |
|
Soft limiter: |
|
<div class="example"> |
|
<pre class="example">compand=attacks=0:points=-80/-80|-12.4/-12.4|-6/-8|0/-6.8|20/-2.8 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="compensationdelay"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-compensationdelay">26.46 compensationdelay</a></h2> |
|
|
|
<p>Compensation Delay Line is a metric based delay to compensate differing |
|
positions of microphones or speakers. |
|
</p> |
|
<p>For example, you have recorded guitar with two microphones placed in |
|
different location. Because the front of sound wave has fixed speed in |
|
normal conditions, the phasing of microphones can vary and depends on |
|
their location and interposition. The best sound mix can be achieved when |
|
these microphones are in phase (synchronized). Note that distance of |
|
~30 cm between microphones makes one microphone to capture signal in |
|
antiphase to another microphone. That makes the final mix sounding moody. |
|
This filter helps to solve phasing problems by adding different delays |
|
to each microphone track and make them synchronized. |
|
</p> |
|
<p>The best result can be reached when you take one track as base and |
|
synchronize other tracks one by one with it. |
|
Remember that synchronization/delay tolerance depends on sample rate, too. |
|
Higher sample rates will give more tolerance. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mm</samp>’</dt> |
|
<dd><p>Set millimeters distance. This is compensation distance for fine tuning. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cm</samp>’</dt> |
|
<dd><p>Set cm distance. This is compensation distance for tightening distance setup. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m</samp>’</dt> |
|
<dd><p>Set meters distance. This is compensation distance for hard distance setup. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dry</samp>’</dt> |
|
<dd><p>Set dry amount. Amount of unprocessed (dry) signal. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wet</samp>’</dt> |
|
<dd><p>Set wet amount. Amount of processed (wet) signal. |
|
Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>temp</samp>’</dt> |
|
<dd><p>Set temperature degree in Celsius. This is the temperature of the environment. |
|
Default is 20. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="crossfeed"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-crossfeed">26.47 crossfeed</a></h2> |
|
<p>Apply headphone crossfeed filter. |
|
</p> |
|
<p>Crossfeed is the process of blending the left and right channels of stereo |
|
audio recording. |
|
It is mainly used to reduce extreme stereo separation of low frequencies. |
|
</p> |
|
<p>The intent is to produce more speaker like sound to the listener. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>strength</samp>’</dt> |
|
<dd><p>Set strength of crossfeed. Default is 0.2. Allowed range is from 0 to 1. |
|
This sets gain of low shelf filter for side part of stereo image. |
|
Default is -6dB. Max allowed is -30db when strength is set to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>range</samp>’</dt> |
|
<dd><p>Set soundstage wideness. Default is 0.5. Allowed range is from 0 to 1. |
|
This sets cut off frequency of low shelf filter. Default is cut off near |
|
1550 Hz. With range set to 1 cut off frequency is set to 2100 Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input gain. Default is 0.9. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_out</samp>’</dt> |
|
<dd><p>Set output gain. Default is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="crystalizer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-crystalizer">26.48 crystalizer</a></h2> |
|
<p>Simple algorithm to expand audio dynamic range. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>i</samp>’</dt> |
|
<dd><p>Sets the intensity of effect (default: 2.0). Must be in range between 0.0 |
|
(unchanged sound) to 10.0 (maximum effect). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c</samp>’</dt> |
|
<dd><p>Enable clipping. By default is enabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="dcshift"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dcshift">26.49 dcshift</a></h2> |
|
<p>Apply a DC shift to the audio. |
|
</p> |
|
<p>This can be useful to remove a DC offset (caused perhaps by a hardware problem |
|
in the recording chain) from the audio. The effect of a DC offset is reduced |
|
headroom and hence volume. The <a href="#astats">astats</a> filter can be used to determine if |
|
a signal has a DC offset. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>shift</samp>’</dt> |
|
<dd><p>Set the DC shift, allowed range is [-1, 1]. It indicates the amount to shift |
|
the audio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>limitergain</samp>’</dt> |
|
<dd><p>Optional. It should have a value much less than 1 (e.g. 0.05 or 0.02) and is |
|
used to prevent clipping. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="drmeter"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-drmeter">26.50 drmeter</a></h2> |
|
<p>Measure audio dynamic range. |
|
</p> |
|
<p>DR values of 14 and higher is found in very dynamic material. DR of 8 to 13 |
|
is found in transition material. And anything less that 8 have very poor dynamics |
|
and is very compressed. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>length</samp>’</dt> |
|
<dd><p>Set window length in seconds used to split audio into segments of equal length. |
|
Default is 3 seconds. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="dynaudnorm"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dynaudnorm">26.51 dynaudnorm</a></h2> |
|
<p>Dynamic Audio Normalizer. |
|
</p> |
|
<p>This filter applies a certain amount of gain to the input audio in order |
|
to bring its peak magnitude to a target level (e.g. 0 dBFS). However, in |
|
contrast to more "simple" normalization algorithms, the Dynamic Audio |
|
Normalizer *dynamically* re-adjusts the gain factor to the input audio. |
|
This allows for applying extra gain to the "quiet" sections of the audio |
|
while avoiding distortions or clipping the "loud" sections. In other words: |
|
The Dynamic Audio Normalizer will "even out" the volume of quiet and loud |
|
sections, in the sense that the volume of each section is brought to the |
|
same target level. Note, however, that the Dynamic Audio Normalizer achieves |
|
this goal *without* applying "dynamic range compressing". It will retain 100% |
|
of the dynamic range *within* each section of the audio file. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>f</samp>’</dt> |
|
<dd><p>Set the frame length in milliseconds. In range from 10 to 8000 milliseconds. |
|
Default is 500 milliseconds. |
|
The Dynamic Audio Normalizer processes the input audio in small chunks, |
|
referred to as frames. This is required, because a peak magnitude has no |
|
meaning for just a single sample value. Instead, we need to determine the |
|
peak magnitude for a contiguous sequence of sample values. While a "standard" |
|
normalizer would simply use the peak magnitude of the complete file, the |
|
Dynamic Audio Normalizer determines the peak magnitude individually for each |
|
frame. The length of a frame is specified in milliseconds. By default, the |
|
Dynamic Audio Normalizer uses a frame length of 500 milliseconds, which has |
|
been found to give good results with most files. |
|
Note that the exact frame length, in number of samples, will be determined |
|
automatically, based on the sampling rate of the individual input audio file. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>g</samp>’</dt> |
|
<dd><p>Set the Gaussian filter window size. In range from 3 to 301, must be odd |
|
number. Default is 31. |
|
Probably the most important parameter of the Dynamic Audio Normalizer is the |
|
<code>window size</code> of the Gaussian smoothing filter. The filter’s window size |
|
is specified in frames, centered around the current frame. For the sake of |
|
simplicity, this must be an odd number. Consequently, the default value of 31 |
|
takes into account the current frame, as well as the 15 preceding frames and |
|
the 15 subsequent frames. Using a larger window results in a stronger |
|
smoothing effect and thus in less gain variation, i.e. slower gain |
|
adaptation. Conversely, using a smaller window results in a weaker smoothing |
|
effect and thus in more gain variation, i.e. faster gain adaptation. |
|
In other words, the more you increase this value, the more the Dynamic Audio |
|
Normalizer will behave like a "traditional" normalization filter. On the |
|
contrary, the more you decrease this value, the more the Dynamic Audio |
|
Normalizer will behave like a dynamic range compressor. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p</samp>’</dt> |
|
<dd><p>Set the target peak value. This specifies the highest permissible magnitude |
|
level for the normalized audio input. This filter will try to approach the |
|
target peak magnitude as closely as possible, but at the same time it also |
|
makes sure that the normalized signal will never exceed the peak magnitude. |
|
A frame’s maximum local gain factor is imposed directly by the target peak |
|
magnitude. The default value is 0.95 and thus leaves a headroom of 5%*. |
|
It is not recommended to go above this value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m</samp>’</dt> |
|
<dd><p>Set the maximum gain factor. In range from 1.0 to 100.0. Default is 10.0. |
|
The Dynamic Audio Normalizer determines the maximum possible (local) gain |
|
factor for each input frame, i.e. the maximum gain factor that does not |
|
result in clipping or distortion. The maximum gain factor is determined by |
|
the frame’s highest magnitude sample. However, the Dynamic Audio Normalizer |
|
additionally bounds the frame’s maximum gain factor by a predetermined |
|
(global) maximum gain factor. This is done in order to avoid excessive gain |
|
factors in "silent" or almost silent frames. By default, the maximum gain |
|
factor is 10.0, For most inputs the default value should be sufficient and |
|
it usually is not recommended to increase this value. Though, for input |
|
with an extremely low overall volume level, it may be necessary to allow even |
|
higher gain factors. Note, however, that the Dynamic Audio Normalizer does |
|
not simply apply a "hard" threshold (i.e. cut off values above the threshold). |
|
Instead, a "sigmoid" threshold function will be applied. This way, the |
|
gain factors will smoothly approach the threshold value, but never exceed that |
|
value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>r</samp>’</dt> |
|
<dd><p>Set the target RMS. In range from 0.0 to 1.0. Default is 0.0 - disabled. |
|
By default, the Dynamic Audio Normalizer performs "peak" normalization. |
|
This means that the maximum local gain factor for each frame is defined |
|
(only) by the frame’s highest magnitude sample. This way, the samples can |
|
be amplified as much as possible without exceeding the maximum signal |
|
level, i.e. without clipping. Optionally, however, the Dynamic Audio |
|
Normalizer can also take into account the frame’s root mean square, |
|
abbreviated RMS. In electrical engineering, the RMS is commonly used to |
|
determine the power of a time-varying signal. It is therefore considered |
|
that the RMS is a better approximation of the "perceived loudness" than |
|
just looking at the signal’s peak magnitude. Consequently, by adjusting all |
|
frames to a constant RMS value, a uniform "perceived loudness" can be |
|
established. If a target RMS value has been specified, a frame’s local gain |
|
factor is defined as the factor that would result in exactly that RMS value. |
|
Note, however, that the maximum local gain factor is still restricted by the |
|
frame’s highest magnitude sample, in order to prevent clipping. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>Enable channels coupling. By default is enabled. |
|
By default, the Dynamic Audio Normalizer will amplify all channels by the same |
|
amount. This means the same gain factor will be applied to all channels, i.e. |
|
the maximum possible gain factor is determined by the "loudest" channel. |
|
However, in some recordings, it may happen that the volume of the different |
|
channels is uneven, e.g. one channel may be "quieter" than the other one(s). |
|
In this case, this option can be used to disable the channel coupling. This way, |
|
the gain factor will be determined independently for each channel, depending |
|
only on the individual channel’s highest magnitude sample. This allows for |
|
harmonizing the volume of the different channels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c</samp>’</dt> |
|
<dd><p>Enable DC bias correction. By default is disabled. |
|
An audio signal (in the time domain) is a sequence of sample values. |
|
In the Dynamic Audio Normalizer these sample values are represented in the |
|
-1.0 to 1.0 range, regardless of the original input format. Normally, the |
|
audio signal, or "waveform", should be centered around the zero point. |
|
That means if we calculate the mean value of all samples in a file, or in a |
|
single frame, then the result should be 0.0 or at least very close to that |
|
value. If, however, there is a significant deviation of the mean value from |
|
0.0, in either positive or negative direction, this is referred to as a |
|
DC bias or DC offset. Since a DC bias is clearly undesirable, the Dynamic |
|
Audio Normalizer provides optional DC bias correction. |
|
With DC bias correction enabled, the Dynamic Audio Normalizer will determine |
|
the mean value, or "DC correction" offset, of each input frame and subtract |
|
that value from all of the frame’s sample values which ensures those samples |
|
are centered around 0.0 again. Also, in order to avoid "gaps" at the frame |
|
boundaries, the DC correction offset values will be interpolated smoothly |
|
between neighbouring frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dd><p>Enable alternative boundary mode. By default is disabled. |
|
The Dynamic Audio Normalizer takes into account a certain neighbourhood |
|
around each frame. This includes the preceding frames as well as the |
|
subsequent frames. However, for the "boundary" frames, located at the very |
|
beginning and at the very end of the audio file, not all neighbouring |
|
frames are available. In particular, for the first few frames in the audio |
|
file, the preceding frames are not known. And, similarly, for the last few |
|
frames in the audio file, the subsequent frames are not known. Thus, the |
|
question arises which gain factors should be assumed for the missing frames |
|
in the "boundary" region. The Dynamic Audio Normalizer implements two modes |
|
to deal with this situation. The default boundary mode assumes a gain factor |
|
of exactly 1.0 for the missing frames, resulting in a smooth "fade in" and |
|
"fade out" at the beginning and at the end of the input, respectively. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Set the compress factor. In range from 0.0 to 30.0. Default is 0.0. |
|
By default, the Dynamic Audio Normalizer does not apply "traditional" |
|
compression. This means that signal peaks will not be pruned and thus the |
|
full dynamic range will be retained within each local neighbourhood. However, |
|
in some cases it may be desirable to combine the Dynamic Audio Normalizer’s |
|
normalization algorithm with a more "traditional" compression. |
|
For this purpose, the Dynamic Audio Normalizer provides an optional compression |
|
(thresholding) function. If (and only if) the compression feature is enabled, |
|
all input frames will be processed by a soft knee thresholding function prior |
|
to the actual normalization process. Put simply, the thresholding function is |
|
going to prune all samples whose magnitude exceeds a certain threshold value. |
|
However, the Dynamic Audio Normalizer does not simply apply a fixed threshold |
|
value. Instead, the threshold value will be adjusted for each individual |
|
frame. |
|
In general, smaller parameters result in stronger compression, and vice versa. |
|
Values below 3.0 are not recommended, because audible distortion may appear. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="earwax"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-earwax">26.52 earwax</a></h2> |
|
|
|
<p>Make audio easier to listen to on headphones. |
|
</p> |
|
<p>This filter adds ‘cues’ to 44.1kHz stereo (i.e. audio CD format) audio |
|
so that when listened to on headphones the stereo image is moved from |
|
inside your head (standard for headphones) to outside and in front of |
|
the listener (standard for speakers). |
|
</p> |
|
<p>Ported from SoX. |
|
</p> |
|
<a name="equalizer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-equalizer">26.53 equalizer</a></h2> |
|
|
|
<p>Apply a two-pole peaking equalisation (EQ) filter. With this |
|
filter, the signal-level at and around a selected frequency can |
|
be increased or decreased, whilst (unlike bandpass and bandreject |
|
filters) that at all other frequencies is unchanged. |
|
</p> |
|
<p>In order to produce complex equalisation curves, this filter can |
|
be given several times, each with a different central frequency. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set the filter’s central frequency in Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Set method to specify band-width of filter. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Hz |
|
</p></dd> |
|
<dt>‘<samp>q</samp>’</dt> |
|
<dd><p>Q-Factor |
|
</p></dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>octave |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>slope |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>kHz |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Specify the band-width of a filter in width_type units. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain, g</samp>’</dt> |
|
<dd><p>Set the required gain or attenuation in dB. |
|
Beware of clipping when using a positive gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels, c</samp>’</dt> |
|
<dd><p>Specify which channels to filter, by default all available are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-95"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-95">26.53.1 Examples</a></h3> |
|
<ul> |
|
<li> |
|
Attenuate 10 dB at 1000 Hz, with a bandwidth of 200 Hz: |
|
<div class="example"> |
|
<pre class="example">equalizer=f=1000:t=h:width=200:g=-10 |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply 2 dB gain at 1000 Hz with Q 1 and attenuate 5 dB at 100 Hz with Q 2: |
|
<div class="example"> |
|
<pre class="example">equalizer=f=1000:t=q:w=1:g=2,equalizer=f=100:t=q:w=2:g=-5 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-10"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-10">26.53.2 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Change equalizer frequency. |
|
Syntax for the command is : "<var>frequency</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Change equalizer width_type. |
|
Syntax for the command is : "<var>width_type</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Change equalizer width. |
|
Syntax for the command is : "<var>width</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain, g</samp>’</dt> |
|
<dd><p>Change equalizer gain. |
|
Syntax for the command is : "<var>gain</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="extrastereo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-extrastereo">26.54 extrastereo</a></h2> |
|
|
|
<p>Linearly increases the difference between left and right channels which |
|
adds some sort of "live" effect to playback. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>m</samp>’</dt> |
|
<dd><p>Sets the difference coefficient (default: 2.5). 0.0 means mono sound |
|
(average of both channels), with 1.0 sound will be unchanged, with |
|
-1.0 left and right channels will be swapped. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c</samp>’</dt> |
|
<dd><p>Enable clipping. By default is enabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="firequalizer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-firequalizer">26.55 firequalizer</a></h2> |
|
<p>Apply FIR Equalization using arbitrary frequency response. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>gain</samp>’</dt> |
|
<dd><p>Set gain curve equation (in dB). The expression can contain variables: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>f</samp>’</dt> |
|
<dd><p>the evaluated frequency |
|
</p></dd> |
|
<dt>‘<samp>sr</samp>’</dt> |
|
<dd><p>sample rate |
|
</p></dd> |
|
<dt>‘<samp>ch</samp>’</dt> |
|
<dd><p>channel number, set to 0 when multichannels evaluation is disabled |
|
</p></dd> |
|
<dt>‘<samp>chid</samp>’</dt> |
|
<dd><p>channel id, see libavutil/channel_layout.h, set to the first channel id when |
|
multichannels evaluation is disabled |
|
</p></dd> |
|
<dt>‘<samp>chs</samp>’</dt> |
|
<dd><p>number of channels |
|
</p></dd> |
|
<dt>‘<samp>chlayout</samp>’</dt> |
|
<dd><p>channel_layout, see libavutil/channel_layout.h |
|
</p> |
|
</dd> |
|
</dl> |
|
<p>and functions: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>gain_interpolate(f)</samp>’</dt> |
|
<dd><p>interpolate gain on frequency f based on gain_entry |
|
</p></dd> |
|
<dt>‘<samp>cubic_interpolate(f)</samp>’</dt> |
|
<dd><p>same as gain_interpolate, but smoother |
|
</p></dd> |
|
</dl> |
|
<p>This option is also available as command. Default is <code>gain_interpolate(f)</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain_entry</samp>’</dt> |
|
<dd><p>Set gain entry for gain_interpolate function. The expression can |
|
contain functions: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>entry(f, g)</samp>’</dt> |
|
<dd><p>store gain entry at frequency f with value g |
|
</p></dd> |
|
</dl> |
|
<p>This option is also available as command. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delay</samp>’</dt> |
|
<dd><p>Set filter delay in seconds. Higher value means more accurate. |
|
Default is <code>0.01</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>accuracy</samp>’</dt> |
|
<dd><p>Set filter accuracy in Hz. Lower value means more accurate. |
|
Default is <code>5</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wfunc</samp>’</dt> |
|
<dd><p>Set window function. Acceptable values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>rectangular</samp>’</dt> |
|
<dd><p>rectangular window, useful when gain curve is already smooth |
|
</p></dd> |
|
<dt>‘<samp>hann</samp>’</dt> |
|
<dd><p>hann window (default) |
|
</p></dd> |
|
<dt>‘<samp>hamming</samp>’</dt> |
|
<dd><p>hamming window |
|
</p></dd> |
|
<dt>‘<samp>blackman</samp>’</dt> |
|
<dd><p>blackman window |
|
</p></dd> |
|
<dt>‘<samp>nuttall3</samp>’</dt> |
|
<dd><p>3-terms continuous 1st derivative nuttall window |
|
</p></dd> |
|
<dt>‘<samp>mnuttall3</samp>’</dt> |
|
<dd><p>minimum 3-terms discontinuous nuttall window |
|
</p></dd> |
|
<dt>‘<samp>nuttall</samp>’</dt> |
|
<dd><p>4-terms continuous 1st derivative nuttall window |
|
</p></dd> |
|
<dt>‘<samp>bnuttall</samp>’</dt> |
|
<dd><p>minimum 4-terms discontinuous nuttall (blackman-nuttall) window |
|
</p></dd> |
|
<dt>‘<samp>bharris</samp>’</dt> |
|
<dd><p>blackman-harris window |
|
</p></dd> |
|
<dt>‘<samp>tukey</samp>’</dt> |
|
<dd><p>tukey window |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>fixed</samp>’</dt> |
|
<dd><p>If enabled, use fixed number of audio samples. This improves speed when |
|
filtering with large delay. Default is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>multi</samp>’</dt> |
|
<dd><p>Enable multichannels evaluation on gain. Default is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>zero_phase</samp>’</dt> |
|
<dd><p>Enable zero phase mode by subtracting timestamp to compensate delay. |
|
Default is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Set scale used by gain. Acceptable values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>linlin</samp>’</dt> |
|
<dd><p>linear frequency, linear gain |
|
</p></dd> |
|
<dt>‘<samp>linlog</samp>’</dt> |
|
<dd><p>linear frequency, logarithmic (in dB) gain (default) |
|
</p></dd> |
|
<dt>‘<samp>loglin</samp>’</dt> |
|
<dd><p>logarithmic (in octave scale where 20 Hz is 0) frequency, linear gain |
|
</p></dd> |
|
<dt>‘<samp>loglog</samp>’</dt> |
|
<dd><p>logarithmic frequency, logarithmic gain |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>dumpfile</samp>’</dt> |
|
<dd><p>Set file for dumping, suitable for gnuplot. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dumpscale</samp>’</dt> |
|
<dd><p>Set scale for dumpfile. Acceptable values are same with scale option. |
|
Default is linlog. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fft2</samp>’</dt> |
|
<dd><p>Enable 2-channel convolution using complex FFT. This improves speed significantly. |
|
Default is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>min_phase</samp>’</dt> |
|
<dd><p>Enable minimum phase impulse response. Default is disabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-133"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-133">26.55.1 Examples</a></h3> |
|
<ul> |
|
<li> |
|
lowpass at 1000 Hz: |
|
<div class="example"> |
|
<pre class="example">firequalizer=gain='if(lt(f,1000), 0, -INF)' |
|
</pre></div> |
|
</li><li> |
|
lowpass at 1000 Hz with gain_entry: |
|
<div class="example"> |
|
<pre class="example">firequalizer=gain_entry='entry(1000,0); entry(1001, -INF)' |
|
</pre></div> |
|
</li><li> |
|
custom equalization: |
|
<div class="example"> |
|
<pre class="example">firequalizer=gain_entry='entry(100,0); entry(400, -4); entry(1000, -6); entry(2000, 0)' |
|
</pre></div> |
|
</li><li> |
|
higher delay with zero phase to compensate delay: |
|
<div class="example"> |
|
<pre class="example">firequalizer=delay=0.1:fixed=on:zero_phase=on |
|
</pre></div> |
|
</li><li> |
|
lowpass on left channel, highpass on right channel: |
|
<div class="example"> |
|
<pre class="example">firequalizer=gain='if(eq(chid,1), gain_interpolate(f), if(eq(chid,2), gain_interpolate(1e6+f), 0))' |
|
:gain_entry='entry(1000, 0); entry(1001,-INF); entry(1e6+1000,0)':multi=on |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="flanger"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-flanger">26.56 flanger</a></h2> |
|
<p>Apply a flanging effect to the audio. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>delay</samp>’</dt> |
|
<dd><p>Set base delay in milliseconds. Range from 0 to 30. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>depth</samp>’</dt> |
|
<dd><p>Set added sweep delay in milliseconds. Range from 0 to 10. Default value is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>regen</samp>’</dt> |
|
<dd><p>Set percentage regeneration (delayed signal feedback). Range from -95 to 95. |
|
Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width</samp>’</dt> |
|
<dd><p>Set percentage of delayed signal mixed with original. Range from 0 to 100. |
|
Default value is 71. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>speed</samp>’</dt> |
|
<dd><p>Set sweeps per second (Hz). Range from 0.1 to 10. Default value is 0.5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shape</samp>’</dt> |
|
<dd><p>Set swept wave shape, can be <var>triangular</var> or <var>sinusoidal</var>. |
|
Default value is <var>sinusoidal</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>phase</samp>’</dt> |
|
<dd><p>Set swept wave percentage-shift for multi channel. Range from 0 to 100. |
|
Default value is 25. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>interp</samp>’</dt> |
|
<dd><p>Set delay-line interpolation, <var>linear</var> or <var>quadratic</var>. |
|
Default is <var>linear</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="haas"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-haas">26.57 haas</a></h2> |
|
<p>Apply Haas effect to audio. |
|
</p> |
|
<p>Note that this makes most sense to apply on mono signals. |
|
With this filter applied to mono signals it give some directionality and |
|
stretches its stereo image. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input level. By default is <var>1</var>, or 0dB |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_out</samp>’</dt> |
|
<dd><p>Set output level. By default is <var>1</var>, or 0dB. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>side_gain</samp>’</dt> |
|
<dd><p>Set gain applied to side part of signal. By default is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>middle_source</samp>’</dt> |
|
<dd><p>Set kind of middle source. Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>left</samp>’</dt> |
|
<dd><p>Pick left channel. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>right</samp>’</dt> |
|
<dd><p>Pick right channel. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mid</samp>’</dt> |
|
<dd><p>Pick middle part signal of stereo image. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>side</samp>’</dt> |
|
<dd><p>Pick side part signal of stereo image. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>middle_phase</samp>’</dt> |
|
<dd><p>Change middle phase. By default is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>left_delay</samp>’</dt> |
|
<dd><p>Set left channel delay. By default is <var>2.05</var> milliseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>left_balance</samp>’</dt> |
|
<dd><p>Set left channel balance. By default is <var>-1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>left_gain</samp>’</dt> |
|
<dd><p>Set left channel gain. By default is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>left_phase</samp>’</dt> |
|
<dd><p>Change left phase. By default is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>right_delay</samp>’</dt> |
|
<dd><p>Set right channel delay. By defaults is <var>2.12</var> milliseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>right_balance</samp>’</dt> |
|
<dd><p>Set right channel balance. By default is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>right_gain</samp>’</dt> |
|
<dd><p>Set right channel gain. By default is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>right_phase</samp>’</dt> |
|
<dd><p>Change right phase. By default is enabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="hdcd"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hdcd">26.58 hdcd</a></h2> |
|
|
|
<p>Decodes High Definition Compatible Digital (HDCD) data. A 16-bit PCM stream with |
|
embedded HDCD codes is expanded into a 20-bit PCM stream. |
|
</p> |
|
<p>The filter supports the Peak Extend and Low-level Gain Adjustment features |
|
of HDCD, and detects the Transient Filter flag. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i HDCD16.flac -af hdcd OUT24.flac |
|
</pre></div> |
|
|
|
<p>When using the filter with wav, note the default encoding for wav is 16-bit, |
|
so the resulting 20-bit stream will be truncated back to 16-bit. Use something |
|
like <code>-acodec pcm_s24le</code> after the filter to get 24-bit PCM output. |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i HDCD16.wav -af hdcd OUT16.wav |
|
ffmpeg -i HDCD16.wav -af hdcd -c:a pcm_s24le OUT24.wav |
|
</pre></div> |
|
|
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>disable_autoconvert</samp>’</dt> |
|
<dd><p>Disable any automatic format conversion or resampling in the filter graph. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>process_stereo</samp>’</dt> |
|
<dd><p>Process the stereo channels together. If target_gain does not match between |
|
channels, consider it invalid and use the last valid target_gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cdt_ms</samp>’</dt> |
|
<dd><p>Set the code detect timer period in ms. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>force_pe</samp>’</dt> |
|
<dd><p>Always extend peaks above -3dBFS even if PE isn’t signaled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>analyze_mode</samp>’</dt> |
|
<dd><p>Replace audio with a solid tone and adjust the amplitude to signal some |
|
specific aspect of the decoding process. The output file can be loaded in |
|
an audio editor alongside the original to aid analysis. |
|
</p> |
|
<p><code>analyze_mode=pe:force_pe=true</code> can be used to see all samples above the PE level. |
|
</p> |
|
<p>Modes are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>0, off</samp>’</dt> |
|
<dd><p>Disabled |
|
</p></dd> |
|
<dt>‘<samp>1, lle</samp>’</dt> |
|
<dd><p>Gain adjustment level at each sample |
|
</p></dd> |
|
<dt>‘<samp>2, pe</samp>’</dt> |
|
<dd><p>Samples where peak extend occurs |
|
</p></dd> |
|
<dt>‘<samp>3, cdt</samp>’</dt> |
|
<dd><p>Samples where the code detect timer is active |
|
</p></dd> |
|
<dt>‘<samp>4, tgm</samp>’</dt> |
|
<dd><p>Samples where the target gain does not match between channels |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="headphone"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-headphone">26.59 headphone</a></h2> |
|
|
|
<p>Apply head-related transfer functions (HRTFs) to create virtual |
|
loudspeakers around the user for binaural listening via headphones. |
|
The HRIRs are provided via additional streams, for each channel |
|
one stereo input stream is needed. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>map</samp>’</dt> |
|
<dd><p>Set mapping of input streams for convolution. |
|
The argument is a ’|’-separated list of channel names in order as they |
|
are given as additional stream inputs for filter. |
|
This also specify number of input streams. Number of input streams |
|
must be not less than number of channels in first stream plus one. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain</samp>’</dt> |
|
<dd><p>Set gain applied to audio. Value is in dB. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>type</samp>’</dt> |
|
<dd><p>Set processing type. Can be <var>time</var> or <var>freq</var>. <var>time</var> is |
|
processing audio in time domain which is slow. |
|
<var>freq</var> is processing audio in frequency domain which is fast. |
|
Default is <var>freq</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfe</samp>’</dt> |
|
<dd><p>Set custom gain for LFE channels. Value is in dB. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>Set size of frame in number of samples which will be processed at once. |
|
Default value is <var>1024</var>. Allowed range is from 1024 to 96000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hrir</samp>’</dt> |
|
<dd><p>Set format of hrir stream. |
|
Default value is <var>stereo</var>. Alternative value is <var>multich</var>. |
|
If value is set to <var>stereo</var>, number of additional streams should |
|
be greater or equal to number of input channels in first input stream. |
|
Also each additional stream should have stereo number of channels. |
|
If value is set to <var>multich</var>, number of additional streams should |
|
be exactly one. Also number of input channels of additional stream |
|
should be equal or greater than twice number of channels of first input |
|
stream. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-75"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-75">26.59.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Full example using wav files as coefficients with amovie filters for 7.1 downmix, |
|
each amovie filter use stereo file with IR coefficients as input. |
|
The files give coefficients for each position of virtual loudspeaker: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.wav -lavfi-complex "amovie=azi_270_ele_0_DFC.wav[sr],amovie=azi_90_ele_0_DFC.wav[sl],amovie=azi_225_ele_0_DFC.wav[br],amovie=azi_135_ele_0_DFC.wav[bl],amovie=azi_0_ele_0_DFC.wav,asplit[fc][lfe],amovie=azi_35_ele_0_DFC.wav[fl],amovie=azi_325_ele_0_DFC.wav[fr],[a:0][fl][fr][fc][lfe][bl][br][sl][sr]headphone=FL|FR|FC|LFE|BL|BR|SL|SR" |
|
output.wav |
|
</pre></div> |
|
|
|
</li><li> |
|
Full example using wav files as coefficients with amovie filters for 7.1 downmix, |
|
but now in <var>multich</var> <var>hrir</var> format. |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.wav -lavfi-complex "amovie=minp.wav[hrirs],[a:0][hrirs]headphone=map=FL|FR|FC|LFE|BL|BR|SL|SR:hrir=multich" |
|
output.wav |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="highpass"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-highpass">26.60 highpass</a></h2> |
|
|
|
<p>Apply a high-pass filter with 3dB point frequency. |
|
The filter can be either single-pole, or double-pole (the default). |
|
The filter roll off at 6dB per pole per octave (20dB per pole per decade). |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set frequency in Hz. Default is 3000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>poles, p</samp>’</dt> |
|
<dd><p>Set number of poles. Default is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Set method to specify band-width of filter. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Hz |
|
</p></dd> |
|
<dt>‘<samp>q</samp>’</dt> |
|
<dd><p>Q-Factor |
|
</p></dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>octave |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>slope |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>kHz |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Specify the band-width of a filter in width_type units. |
|
Applies only to double-pole filter. |
|
The default is 0.707q and gives a Butterworth response. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels, c</samp>’</dt> |
|
<dd><p>Specify which channels to filter, by default all available are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-15"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-15">26.60.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Change highpass frequency. |
|
Syntax for the command is : "<var>frequency</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Change highpass width_type. |
|
Syntax for the command is : "<var>width_type</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Change highpass width. |
|
Syntax for the command is : "<var>width</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="join"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-join">26.61 join</a></h2> |
|
|
|
<p>Join multiple input streams into one multi-channel stream. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>inputs</samp>’</dt> |
|
<dd><p>The number of input streams. It defaults to 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel_layout</samp>’</dt> |
|
<dd><p>The desired output channel layout. It defaults to stereo. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>map</samp>’</dt> |
|
<dd><p>Map channels from inputs to output. The argument is a ’|’-separated list of |
|
mappings, each in the <code><var>input_idx</var>.<var>in_channel</var>-<var>out_channel</var></code> |
|
form. <var>input_idx</var> is the 0-based index of the input stream. <var>in_channel</var> |
|
can be either the name of the input channel (e.g. FL for front left) or its |
|
index in the specified input stream. <var>out_channel</var> is the name of the output |
|
channel. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The filter will attempt to guess the mappings when they are not specified |
|
explicitly. It does so by first trying to find an unused matching input channel |
|
and if that fails it picks the first unused input channel. |
|
</p> |
|
<p>Join 3 inputs (with properly set channel layouts): |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i INPUT1 -i INPUT2 -i INPUT3 -filter_complex join=inputs=3 OUTPUT |
|
</pre></div> |
|
|
|
<p>Build a 5.1 output from 6 single-channel streams: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i fl -i fr -i fc -i sl -i sr -i lfe -filter_complex |
|
'join=inputs=6:channel_layout=5.1:map=0.0-FL|1.0-FR|2.0-FC|3.0-SL|4.0-SR|5.0-LFE' |
|
out |
|
</pre></div> |
|
|
|
<a name="ladspa"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ladspa">26.62 ladspa</a></h2> |
|
|
|
<p>Load a LADSPA (Linux Audio Developer’s Simple Plugin API) plugin. |
|
</p> |
|
<p>To enable compilation of this filter you need to configure FFmpeg with |
|
<code>--enable-ladspa</code>. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>file, f</samp>’</dt> |
|
<dd><p>Specifies the name of LADSPA plugin library to load. If the environment |
|
variable <code>LADSPA_PATH</code> is defined, the LADSPA plugin is searched in |
|
each one of the directories specified by the colon separated list in |
|
<code>LADSPA_PATH</code>, otherwise in the standard LADSPA paths, which are in |
|
this order: ‘<tt>HOME/.ladspa/lib/</tt>’, ‘<tt>/usr/local/lib/ladspa/</tt>’, |
|
‘<tt>/usr/lib/ladspa/</tt>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>plugin, p</samp>’</dt> |
|
<dd><p>Specifies the plugin within the library. Some libraries contain only |
|
one plugin, but others contain many of them. If this is not set filter |
|
will list all available plugins within the specified library. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>controls, c</samp>’</dt> |
|
<dd><p>Set the ’|’ separated list of controls which are zero or more floating point |
|
values that determine the behavior of the loaded plugin (for example delay, |
|
threshold or gain). |
|
Controls need to be defined using the following syntax: |
|
c0=<var>value0</var>|c1=<var>value1</var>|c2=<var>value2</var>|..., where |
|
<var>valuei</var> is the value set on the <var>i</var>-th control. |
|
Alternatively they can be also defined using the following syntax: |
|
<var>value0</var>|<var>value1</var>|<var>value2</var>|..., where |
|
<var>valuei</var> is the value set on the <var>i</var>-th control. |
|
If ‘<samp>controls</samp>’ is set to <code>help</code>, all available controls and |
|
their valid ranges are printed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate, s</samp>’</dt> |
|
<dd><p>Specify the sample rate, default to 44100. Only used if plugin have |
|
zero inputs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples, n</samp>’</dt> |
|
<dd><p>Set the number of samples per channel per each output frame, default |
|
is 1024. Only used if plugin have zero inputs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Set the minimum duration of the sourced audio. See |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
Note that the resulting duration may be greater than the specified duration, |
|
as the generated audio is always cut at the end of a complete frame. |
|
If not specified, or the expressed duration is negative, the audio is |
|
supposed to be generated forever. |
|
Only used if plugin have zero inputs. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-16"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-16">26.62.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
List all available plugins within amp (LADSPA example plugin) library: |
|
<div class="example"> |
|
<pre class="example">ladspa=file=amp |
|
</pre></div> |
|
|
|
</li><li> |
|
List all available controls and their valid ranges for <code>vcf_notch</code> |
|
plugin from <code>VCF</code> library: |
|
<div class="example"> |
|
<pre class="example">ladspa=f=vcf:p=vcf_notch:c=help |
|
</pre></div> |
|
|
|
</li><li> |
|
Simulate low quality audio equipment using <code>Computer Music Toolkit</code> (CMT) |
|
plugin library: |
|
<div class="example"> |
|
<pre class="example">ladspa=file=cmt:plugin=lofi:controls=c0=22|c1=12|c2=12 |
|
</pre></div> |
|
|
|
</li><li> |
|
Add reverberation to the audio using TAP-plugins |
|
(Tom’s Audio Processing plugins): |
|
<div class="example"> |
|
<pre class="example">ladspa=file=tap_reverb:tap_reverb |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate white noise, with 0.2 amplitude: |
|
<div class="example"> |
|
<pre class="example">ladspa=file=cmt:noise_source_white:c=c0=.2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate 20 bpm clicks using plugin <code>C* Click - Metronome</code> from the |
|
<code>C* Audio Plugin Suite</code> (CAPS) library: |
|
<div class="example"> |
|
<pre class="example">ladspa=file=caps:Click:c=c1=20' |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply <code>C* Eq10X2 - Stereo 10-band equaliser</code> effect: |
|
<div class="example"> |
|
<pre class="example">ladspa=caps:Eq10X2:c=c0=-48|c9=-24|c3=12|c4=2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Increase volume by 20dB using fast lookahead limiter from Steve Harris |
|
<code>SWH Plugins</code> collection: |
|
<div class="example"> |
|
<pre class="example">ladspa=fast_lookahead_limiter_1913:fastLookaheadLimiter:20|0|2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Attenuate low frequencies using Multiband EQ from Steve Harris |
|
<code>SWH Plugins</code> collection: |
|
<div class="example"> |
|
<pre class="example">ladspa=mbeq_1197:mbeq:-24|-24|-24|0|0|0|0|0|0|0|0|0|0|0|0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Reduce stereo image using <code>Narrower</code> from the <code>C* Audio Plugin Suite</code> |
|
(CAPS) library: |
|
<div class="example"> |
|
<pre class="example">ladspa=caps:Narrower |
|
</pre></div> |
|
|
|
</li><li> |
|
Another white noise, now using <code>C* Audio Plugin Suite</code> (CAPS) library: |
|
<div class="example"> |
|
<pre class="example">ladspa=caps:White:.2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Some fractal noise, using <code>C* Audio Plugin Suite</code> (CAPS) library: |
|
<div class="example"> |
|
<pre class="example">ladspa=caps:Fractal:c=c1=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Dynamic volume normalization using <code>VLevel</code> plugin: |
|
<div class="example"> |
|
<pre class="example">ladspa=vlevel-ladspa:vlevel_mono |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-12"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-12">26.62.2 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>cN</samp>’</dt> |
|
<dd><p>Modify the <var>N</var>-th control value. |
|
</p> |
|
<p>If the specified value is not valid, it is ignored and prior one is kept. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="loudnorm"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-loudnorm">26.63 loudnorm</a></h2> |
|
|
|
<p>EBU R128 loudness normalization. Includes both dynamic and linear normalization modes. |
|
Support for both single pass (livestreams, files) and double pass (files) modes. |
|
This algorithm can target IL, LRA, and maximum true peak. To accurately detect true peaks, |
|
the audio stream will be upsampled to 192 kHz unless the normalization mode is linear. |
|
Use the <code>-ar</code> option or <code>aresample</code> filter to explicitly set an output sample rate. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>I, i</samp>’</dt> |
|
<dd><p>Set integrated loudness target. |
|
Range is -70.0 - -5.0. Default value is -24.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>LRA, lra</samp>’</dt> |
|
<dd><p>Set loudness range target. |
|
Range is 1.0 - 20.0. Default value is 7.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>TP, tp</samp>’</dt> |
|
<dd><p>Set maximum true peak. |
|
Range is -9.0 - +0.0. Default value is -2.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>measured_I, measured_i</samp>’</dt> |
|
<dd><p>Measured IL of input file. |
|
Range is -99.0 - +0.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>measured_LRA, measured_lra</samp>’</dt> |
|
<dd><p>Measured LRA of input file. |
|
Range is 0.0 - 99.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>measured_TP, measured_tp</samp>’</dt> |
|
<dd><p>Measured true peak of input file. |
|
Range is -99.0 - +99.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>measured_thresh</samp>’</dt> |
|
<dd><p>Measured threshold of input file. |
|
Range is -99.0 - +0.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>offset</samp>’</dt> |
|
<dd><p>Set offset gain. Gain is applied before the true-peak limiter. |
|
Range is -99.0 - +99.0. Default is +0.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>linear</samp>’</dt> |
|
<dd><p>Normalize linearly if possible. |
|
measured_I, measured_LRA, measured_TP, and measured_thresh must also |
|
to be specified in order to use this mode. |
|
Options are true or false. Default is true. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dual_mono</samp>’</dt> |
|
<dd><p>Treat mono input files as "dual-mono". If a mono file is intended for playback |
|
on a stereo system, its EBU R128 measurement will be perceptually incorrect. |
|
If set to <code>true</code>, this option will compensate for this effect. |
|
Multi-channel input files are not affected by this option. |
|
Options are true or false. Default is false. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>print_format</samp>’</dt> |
|
<dd><p>Set print format for stats. Options are summary, json, or none. |
|
Default value is none. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="lowpass"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-lowpass">26.64 lowpass</a></h2> |
|
|
|
<p>Apply a low-pass filter with 3dB point frequency. |
|
The filter can be either single-pole or double-pole (the default). |
|
The filter roll off at 6dB per pole per octave (20dB per pole per decade). |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set frequency in Hz. Default is 500. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>poles, p</samp>’</dt> |
|
<dd><p>Set number of poles. Default is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Set method to specify band-width of filter. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Hz |
|
</p></dd> |
|
<dt>‘<samp>q</samp>’</dt> |
|
<dd><p>Q-Factor |
|
</p></dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>octave |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>slope |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>kHz |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Specify the band-width of a filter in width_type units. |
|
Applies only to double-pole filter. |
|
The default is 0.707q and gives a Butterworth response. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels, c</samp>’</dt> |
|
<dd><p>Specify which channels to filter, by default all available are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-1"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-1">26.64.1 Examples</a></h3> |
|
<ul> |
|
<li> |
|
Lowpass only LFE channel, it LFE is not present it does nothing: |
|
<div class="example"> |
|
<pre class="example">lowpass=c=LFE |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-21"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-21">26.64.2 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Change lowpass frequency. |
|
Syntax for the command is : "<var>frequency</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Change lowpass width_type. |
|
Syntax for the command is : "<var>width_type</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Change lowpass width. |
|
Syntax for the command is : "<var>width</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="lv2"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-lv2">26.65 lv2</a></h2> |
|
|
|
<p>Load a LV2 (LADSPA Version 2) plugin. |
|
</p> |
|
<p>To enable compilation of this filter you need to configure FFmpeg with |
|
<code>--enable-lv2</code>. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>plugin, p</samp>’</dt> |
|
<dd><p>Specifies the plugin URI. You may need to escape ’:’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>controls, c</samp>’</dt> |
|
<dd><p>Set the ’|’ separated list of controls which are zero or more floating point |
|
values that determine the behavior of the loaded plugin (for example delay, |
|
threshold or gain). |
|
If ‘<samp>controls</samp>’ is set to <code>help</code>, all available controls and |
|
their valid ranges are printed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate, s</samp>’</dt> |
|
<dd><p>Specify the sample rate, default to 44100. Only used if plugin have |
|
zero inputs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples, n</samp>’</dt> |
|
<dd><p>Set the number of samples per channel per each output frame, default |
|
is 1024. Only used if plugin have zero inputs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Set the minimum duration of the sourced audio. See |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
Note that the resulting duration may be greater than the specified duration, |
|
as the generated audio is always cut at the end of a complete frame. |
|
If not specified, or the expressed duration is negative, the audio is |
|
supposed to be generated forever. |
|
Only used if plugin have zero inputs. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-127"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-127">26.65.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply bass enhancer plugin from Calf: |
|
<div class="example"> |
|
<pre class="example">lv2=p=http\\\\://calf.sourceforge.net/plugins/BassEnhancer:c=amount=2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply vinyl plugin from Calf: |
|
<div class="example"> |
|
<pre class="example">lv2=p=http\\\\://calf.sourceforge.net/plugins/Vinyl:c=drone=0.2|aging=0.5 |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply bit crusher plugin from ArtyFX: |
|
<div class="example"> |
|
<pre class="example">lv2=p=http\\\\://www.openavproductions.com/artyfx#bitta:c=crush=0.3 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="mcompand"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mcompand">26.66 mcompand</a></h2> |
|
<p>Multiband Compress or expand the audio’s dynamic range. |
|
</p> |
|
<p>The input audio is divided into bands using 4th order Linkwitz-Riley IIRs. |
|
This is akin to the crossover of a loudspeaker, and results in flat frequency |
|
response when absent compander action. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>args</samp>’</dt> |
|
<dd><p>This option syntax is: |
|
attack,decay,[attack,decay..] soft-knee points crossover_frequency [delay [initial_volume [gain]]] | attack,decay ... |
|
For explanation of each item refer to compand filter documentation. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="pan"></a> |
|
</p><a name="pan-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pan-1">26.67 pan</a></h2> |
|
|
|
<p>Mix channels with specific gain levels. The filter accepts the output |
|
channel layout followed by a set of channels definitions. |
|
</p> |
|
<p>This filter is also designed to efficiently remap the channels of an audio |
|
stream. |
|
</p> |
|
<p>The filter accepts parameters of the form: |
|
"<var>l</var>|<var>outdef</var>|<var>outdef</var>|..." |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>l</samp>’</dt> |
|
<dd><p>output channel layout or number of channels |
|
</p> |
|
</dd> |
|
<dt>‘<samp>outdef</samp>’</dt> |
|
<dd><p>output channel specification, of the form: |
|
"<var>out_name</var>=[<var>gain</var>*]<var>in_name</var>[(+-)[<var>gain</var>*]<var>in_name</var>...]" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_name</samp>’</dt> |
|
<dd><p>output channel to define, either a channel name (FL, FR, etc.) or a channel |
|
number (c0, c1, etc.) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain</samp>’</dt> |
|
<dd><p>multiplicative coefficient for the channel, 1 leaving the volume unchanged |
|
</p> |
|
</dd> |
|
<dt>‘<samp>in_name</samp>’</dt> |
|
<dd><p>input channel to use, see out_name for details; it is not possible to mix |
|
named and numbered input channels |
|
</p></dd> |
|
</dl> |
|
|
|
<p>If the ‘=’ in a channel specification is replaced by ‘<’, then the gains for |
|
that specification will be renormalized so that the total is 1, thus |
|
avoiding clipping noise. |
|
</p> |
|
<a name="Mixing-examples"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Mixing-examples">26.67.1 Mixing examples</a></h3> |
|
|
|
<p>For example, if you want to down-mix from stereo to mono, but with a bigger |
|
factor for the left channel: |
|
</p><div class="example"> |
|
<pre class="example">pan=1c|c0=0.9*c0+0.1*c1 |
|
</pre></div> |
|
|
|
<p>A customized down-mix to stereo that works automatically for 3-, 4-, 5- and |
|
7-channels surround: |
|
</p><div class="example"> |
|
<pre class="example">pan=stereo| FL < FL + 0.5*FC + 0.6*BL + 0.6*SL | FR < FR + 0.5*FC + 0.6*BR + 0.6*SR |
|
</pre></div> |
|
|
|
<p>Note that <code>ffmpeg</code> integrates a default down-mix (and up-mix) system |
|
that should be preferred (see "-ac" option) unless you have very specific |
|
needs. |
|
</p> |
|
<a name="Remapping-examples"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Remapping-examples">26.67.2 Remapping examples</a></h3> |
|
|
|
<p>The channel remapping will be effective if, and only if: |
|
</p> |
|
<ul> |
|
<li> gain coefficients are zeroes or ones, |
|
</li><li> only one input per channel output, |
|
</li></ul> |
|
|
|
<p>If all these conditions are satisfied, the filter will notify the user ("Pure |
|
channel mapping detected"), and use an optimized and lossless method to do the |
|
remapping. |
|
</p> |
|
<p>For example, if you have a 5.1 source and want a stereo audio stream by |
|
dropping the extra channels: |
|
</p><div class="example"> |
|
<pre class="example">pan="stereo| c0=FL | c1=FR" |
|
</pre></div> |
|
|
|
<p>Given the same source, you can also switch front left and front right channels |
|
and keep the input channel layout: |
|
</p><div class="example"> |
|
<pre class="example">pan="5.1| c0=c1 | c1=c0 | c2=c2 | c3=c3 | c4=c4 | c5=c5" |
|
</pre></div> |
|
|
|
<p>If the input is a stereo audio stream, you can mute the front left channel (and |
|
still keep the stereo channel layout) with: |
|
</p><div class="example"> |
|
<pre class="example">pan="stereo|c1=c1" |
|
</pre></div> |
|
|
|
<p>Still with a stereo audio stream input, you can copy the right channel in both |
|
front left and right: |
|
</p><div class="example"> |
|
<pre class="example">pan="stereo| c0=FR | c1=FR" |
|
</pre></div> |
|
|
|
<a name="replaygain"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-replaygain">26.68 replaygain</a></h2> |
|
|
|
<p>ReplayGain scanner filter. This filter takes an audio stream as an input and |
|
outputs it unchanged. |
|
At end of filtering it displays <code>track_gain</code> and <code>track_peak</code>. |
|
</p> |
|
<a name="resample"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-resample">26.69 resample</a></h2> |
|
|
|
<p>Convert the audio sample format, sample rate and channel layout. It is |
|
not meant to be used directly. |
|
</p> |
|
<a name="rubberband"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rubberband">26.70 rubberband</a></h2> |
|
<p>Apply time-stretching and pitch-shifting with librubberband. |
|
</p> |
|
<p>To enable compilation of this filter, you need to configure FFmpeg with |
|
<code>--enable-librubberband</code>. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>tempo</samp>’</dt> |
|
<dd><p>Set tempo scale factor. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pitch</samp>’</dt> |
|
<dd><p>Set pitch scale factor. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>transients</samp>’</dt> |
|
<dd><p>Set transients detector. |
|
Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>crisp</var></dt> |
|
<dt><var>mixed</var></dt> |
|
<dt><var>smooth</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>detector</samp>’</dt> |
|
<dd><p>Set detector. |
|
Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>compound</var></dt> |
|
<dt><var>percussive</var></dt> |
|
<dt><var>soft</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>phase</samp>’</dt> |
|
<dd><p>Set phase. |
|
Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>laminar</var></dt> |
|
<dt><var>independent</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>window</samp>’</dt> |
|
<dd><p>Set processing window size. |
|
Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>standard</var></dt> |
|
<dt><var>short</var></dt> |
|
<dt><var>long</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>smoothing</samp>’</dt> |
|
<dd><p>Set smoothing. |
|
Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>off</var></dt> |
|
<dt><var>on</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>formant</samp>’</dt> |
|
<dd><p>Enable formant preservation when shift pitching. |
|
Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>shifted</var></dt> |
|
<dt><var>preserved</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>pitchq</samp>’</dt> |
|
<dd><p>Set pitch quality. |
|
Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>quality</var></dt> |
|
<dt><var>speed</var></dt> |
|
<dt><var>consistency</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Set channels. |
|
Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>apart</var></dt> |
|
<dt><var>together</var></dt> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="sidechaincompress"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sidechaincompress">26.71 sidechaincompress</a></h2> |
|
|
|
<p>This filter acts like normal compressor but has the ability to compress |
|
detected signal using second input signal. |
|
It needs two input streams and returns one output stream. |
|
First input stream will be processed depending on second stream signal. |
|
The filtered signal then can be filtered with other filters in later stages of |
|
processing. See <a href="#pan">pan</a> and <a href="#amerge">amerge</a> filter. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input gain. Default is 1. Range is between 0.015625 and 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>If a signal of second stream raises above this level it will affect the gain |
|
reduction of first stream. |
|
By default is 0.125. Range is between 0.00097563 and 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ratio</samp>’</dt> |
|
<dd><p>Set a ratio about which the signal is reduced. 1:2 means that if the level |
|
raised 4dB above the threshold, it will be only 2dB above after the reduction. |
|
Default is 2. Range is between 1 and 20. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>attack</samp>’</dt> |
|
<dd><p>Amount of milliseconds the signal has to rise above the threshold before gain |
|
reduction starts. Default is 20. Range is between 0.01 and 2000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>release</samp>’</dt> |
|
<dd><p>Amount of milliseconds the signal has to fall below the threshold before |
|
reduction is decreased again. Default is 250. Range is between 0.01 and 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>makeup</samp>’</dt> |
|
<dd><p>Set the amount by how much signal will be amplified after processing. |
|
Default is 1. Range is from 1 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>knee</samp>’</dt> |
|
<dd><p>Curve the sharp knee around the threshold to enter gain reduction more softly. |
|
Default is 2.82843. Range is between 1 and 8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>link</samp>’</dt> |
|
<dd><p>Choose if the <code>average</code> level between all channels of side-chain stream |
|
or the louder(<code>maximum</code>) channel of side-chain stream affects the |
|
reduction. Default is <code>average</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>detection</samp>’</dt> |
|
<dd><p>Should the exact signal be taken in case of <code>peak</code> or an RMS one in case |
|
of <code>rms</code>. Default is <code>rms</code> which is mainly smoother. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_sc</samp>’</dt> |
|
<dd><p>Set sidechain gain. Default is 1. Range is between 0.015625 and 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mix</samp>’</dt> |
|
<dd><p>How much to use compressed signal in output. Default is 1. |
|
Range is between 0 and 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-131"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-131">26.71.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Full ffmpeg example taking 2 audio inputs, 1st input to be compressed |
|
depending on the signal of 2nd input and later compressed signal to be |
|
merged with 2nd input: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i main.flac -i sidechain.flac -filter_complex "[1:a]asplit=2[sc][mix];[0:a][sc]sidechaincompress[compr];[compr][mix]amerge" |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="sidechaingate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sidechaingate">26.72 sidechaingate</a></h2> |
|
|
|
<p>A sidechain gate acts like a normal (wideband) gate but has the ability to |
|
filter the detected signal before sending it to the gain reduction stage. |
|
Normally a gate uses the full range signal to detect a level above the |
|
threshold. |
|
For example: If you cut all lower frequencies from your sidechain signal |
|
the gate will decrease the volume of your track only if not enough highs |
|
appear. With this technique you are able to reduce the resonation of a |
|
natural drum or remove "rumbling" of muted strokes from a heavily distorted |
|
guitar. |
|
It needs two input streams and returns one output stream. |
|
First input stream will be processed depending on second stream signal. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input level before filtering. |
|
Default is 1. Allowed range is from 0.015625 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>range</samp>’</dt> |
|
<dd><p>Set the level of gain reduction when the signal is below the threshold. |
|
Default is 0.06125. Allowed range is from 0 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>If a signal rises above this level the gain reduction is released. |
|
Default is 0.125. Allowed range is from 0 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ratio</samp>’</dt> |
|
<dd><p>Set a ratio about which the signal is reduced. |
|
Default is 2. Allowed range is from 1 to 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>attack</samp>’</dt> |
|
<dd><p>Amount of milliseconds the signal has to rise above the threshold before gain |
|
reduction stops. |
|
Default is 20 milliseconds. Allowed range is from 0.01 to 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>release</samp>’</dt> |
|
<dd><p>Amount of milliseconds the signal has to fall below the threshold before the |
|
reduction is increased again. Default is 250 milliseconds. |
|
Allowed range is from 0.01 to 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>makeup</samp>’</dt> |
|
<dd><p>Set amount of amplification of signal after processing. |
|
Default is 1. Allowed range is from 1 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>knee</samp>’</dt> |
|
<dd><p>Curve the sharp knee around the threshold to enter gain reduction more softly. |
|
Default is 2.828427125. Allowed range is from 1 to 8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>detection</samp>’</dt> |
|
<dd><p>Choose if exact signal should be taken for detection or an RMS like one. |
|
Default is rms. Can be peak or rms. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>link</samp>’</dt> |
|
<dd><p>Choose if the average level between all channels or the louder channel affects |
|
the reduction. |
|
Default is average. Can be average or maximum. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_sc</samp>’</dt> |
|
<dd><p>Set sidechain gain. Default is 1. Range is from 0.015625 to 64. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="silencedetect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-silencedetect">26.73 silencedetect</a></h2> |
|
|
|
<p>Detect silence in an audio stream. |
|
</p> |
|
<p>This filter logs a message when it detects that the input audio volume is less |
|
or equal to a noise tolerance value for a duration greater or equal to the |
|
minimum detected noise duration. |
|
</p> |
|
<p>The printed times and duration are expressed in seconds. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Set silence duration until notification (default is 2 seconds). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>noise, n</samp>’</dt> |
|
<dd><p>Set noise tolerance. Can be specified in dB (in case "dB" is appended to the |
|
specified value) or amplitude ratio. Default is -60dB, or 0.001. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-23"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-23">26.73.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Detect 5 seconds of silence with -50dB noise tolerance: |
|
<div class="example"> |
|
<pre class="example">silencedetect=n=-50dB:d=5 |
|
</pre></div> |
|
|
|
</li><li> |
|
Complete example with <code>ffmpeg</code> to detect silence with 0.0001 noise |
|
tolerance in ‘<tt>silence.mp3</tt>’: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i silence.mp3 -af silencedetect=noise=0.0001 -f null - |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="silenceremove"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-silenceremove">26.74 silenceremove</a></h2> |
|
|
|
<p>Remove silence from the beginning, middle or end of the audio. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>start_periods</samp>’</dt> |
|
<dd><p>This value is used to indicate if audio should be trimmed at beginning of |
|
the audio. A value of zero indicates no silence should be trimmed from the |
|
beginning. When specifying a non-zero value, it trims audio up until it |
|
finds non-silence. Normally, when trimming silence from beginning of audio |
|
the <var>start_periods</var> will be <code>1</code> but it can be increased to higher |
|
values to trim all audio up to specific count of non-silence periods. |
|
Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_duration</samp>’</dt> |
|
<dd><p>Specify the amount of time that non-silence must be detected before it stops |
|
trimming audio. By increasing the duration, bursts of noises can be treated |
|
as silence and trimmed off. Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_threshold</samp>’</dt> |
|
<dd><p>This indicates what sample value should be treated as silence. For digital |
|
audio, a value of <code>0</code> may be fine but for audio recorded from analog, |
|
you may wish to increase the value to account for background noise. |
|
Can be specified in dB (in case "dB" is appended to the specified value) |
|
or amplitude ratio. Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stop_periods</samp>’</dt> |
|
<dd><p>Set the count for trimming silence from the end of audio. |
|
To remove silence from the middle of a file, specify a <var>stop_periods</var> |
|
that is negative. This value is then treated as a positive value and is |
|
used to indicate the effect should restart processing as specified by |
|
<var>start_periods</var>, making it suitable for removing periods of silence |
|
in the middle of the audio. |
|
Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stop_duration</samp>’</dt> |
|
<dd><p>Specify a duration of silence that must exist before audio is not copied any |
|
more. By specifying a higher duration, silence that is wanted can be left in |
|
the audio. |
|
Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stop_threshold</samp>’</dt> |
|
<dd><p>This is the same as ‘<samp>start_threshold</samp>’ but for trimming silence from |
|
the end of audio. |
|
Can be specified in dB (in case "dB" is appended to the specified value) |
|
or amplitude ratio. Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>leave_silence</samp>’</dt> |
|
<dd><p>This indicates that <var>stop_duration</var> length of audio should be left intact |
|
at the beginning of each period of silence. |
|
For example, if you want to remove long pauses between words but do not want |
|
to remove the pauses completely. Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>detection</samp>’</dt> |
|
<dd><p>Set how is silence detected. Can be <code>rms</code> or <code>peak</code>. Second is faster |
|
and works better with digital silence which is exactly 0. |
|
Default value is <code>rms</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>window</samp>’</dt> |
|
<dd><p>Set ratio used to calculate size of window for detecting silence. |
|
Default value is <code>0.02</code>. Allowed range is from <code>0</code> to <code>10</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-141"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-141">26.74.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
The following example shows how this filter can be used to start a recording |
|
that does not contain the delay at the start which usually occurs between |
|
pressing the record button and the start of the performance: |
|
<div class="example"> |
|
<pre class="example">silenceremove=1:5:0.02 |
|
</pre></div> |
|
|
|
</li><li> |
|
Trim all silence encountered from beginning to end where there is more than 1 |
|
second of silence in audio: |
|
<div class="example"> |
|
<pre class="example">silenceremove=0:0:0:-1:1:-90dB |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="sofalizer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sofalizer">26.75 sofalizer</a></h2> |
|
|
|
<p>SOFAlizer uses head-related transfer functions (HRTFs) to create virtual |
|
loudspeakers around the user for binaural listening via headphones (audio |
|
formats up to 9 channels supported). |
|
The HRTFs are stored in SOFA files (see <a href="http://www.sofacoustics.org/">http://www.sofacoustics.org/</a> for a database). |
|
SOFAlizer is developed at the Acoustics Research Institute (ARI) of the |
|
Austrian Academy of Sciences. |
|
</p> |
|
<p>To enable compilation of this filter you need to configure FFmpeg with |
|
<code>--enable-libmysofa</code>. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sofa</samp>’</dt> |
|
<dd><p>Set the SOFA file used for rendering. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain</samp>’</dt> |
|
<dd><p>Set gain applied to audio. Value is in dB. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rotation</samp>’</dt> |
|
<dd><p>Set rotation of virtual loudspeakers in deg. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>elevation</samp>’</dt> |
|
<dd><p>Set elevation of virtual speakers in deg. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>radius</samp>’</dt> |
|
<dd><p>Set distance in meters between loudspeakers and the listener with near-field |
|
HRTFs. Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>type</samp>’</dt> |
|
<dd><p>Set processing type. Can be <var>time</var> or <var>freq</var>. <var>time</var> is |
|
processing audio in time domain which is slow. |
|
<var>freq</var> is processing audio in frequency domain which is fast. |
|
Default is <var>freq</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>speakers</samp>’</dt> |
|
<dd><p>Set custom positions of virtual loudspeakers. Syntax for this option is: |
|
<CH> <AZIM> <ELEV>[|<CH> <AZIM> <ELEV>|...]. |
|
Each virtual loudspeaker is described with short channel name following with |
|
azimuth and elevation in degrees. |
|
Each virtual loudspeaker description is separated by ’|’. |
|
For example to override front left and front right channel positions use: |
|
’speakers=FL 45 15|FR 345 15’. |
|
Descriptions with unrecognised channel names are ignored. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfegain</samp>’</dt> |
|
<dd><p>Set custom gain for LFE channels. Value is in dB. Default is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-77"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-77">26.75.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Using ClubFritz6 sofa file: |
|
<div class="example"> |
|
<pre class="example">sofalizer=sofa=/path/to/ClubFritz6.sofa:type=freq:radius=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Using ClubFritz12 sofa file and bigger radius with small rotation: |
|
<div class="example"> |
|
<pre class="example">sofalizer=sofa=/path/to/ClubFritz12.sofa:type=freq:radius=2:rotation=5 |
|
</pre></div> |
|
|
|
</li><li> |
|
Similar as above but with custom speaker positions for front left, front right, back left and back right |
|
and also with custom gain: |
|
<div class="example"> |
|
<pre class="example">"sofalizer=sofa=/path/to/ClubFritz6.sofa:type=freq:radius=2:speakers=FL 45|FR 315|BL 135|BR 225:gain=28" |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="stereotools"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-stereotools">26.76 stereotools</a></h2> |
|
|
|
<p>This filter has some handy utilities to manage stereo signals, for converting |
|
M/S stereo recordings to L/R signal while having control over the parameters |
|
or spreading the stereo image of master track. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input level before filtering for both channels. Defaults is 1. |
|
Allowed range is from 0.015625 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_out</samp>’</dt> |
|
<dd><p>Set output level after filtering for both channels. Defaults is 1. |
|
Allowed range is from 0.015625 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>balance_in</samp>’</dt> |
|
<dd><p>Set input balance between both channels. Default is 0. |
|
Allowed range is from -1 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>balance_out</samp>’</dt> |
|
<dd><p>Set output balance between both channels. Default is 0. |
|
Allowed range is from -1 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>softclip</samp>’</dt> |
|
<dd><p>Enable softclipping. Results in analog distortion instead of harsh digital 0dB |
|
clipping. Disabled by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mutel</samp>’</dt> |
|
<dd><p>Mute the left channel. Disabled by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>muter</samp>’</dt> |
|
<dd><p>Mute the right channel. Disabled by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>phasel</samp>’</dt> |
|
<dd><p>Change the phase of the left channel. Disabled by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>phaser</samp>’</dt> |
|
<dd><p>Change the phase of the right channel. Disabled by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set stereo mode. Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>lr>lr</samp>’</dt> |
|
<dd><p>Left/Right to Left/Right, this is default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lr>ms</samp>’</dt> |
|
<dd><p>Left/Right to Mid/Side. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ms>lr</samp>’</dt> |
|
<dd><p>Mid/Side to Left/Right. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lr>ll</samp>’</dt> |
|
<dd><p>Left/Right to Left/Left. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lr>rr</samp>’</dt> |
|
<dd><p>Left/Right to Right/Right. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lr>l+r</samp>’</dt> |
|
<dd><p>Left/Right to Left + Right. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lr>rl</samp>’</dt> |
|
<dd><p>Left/Right to Right/Left. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ms>ll</samp>’</dt> |
|
<dd><p>Mid/Side to Left/Left. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ms>rr</samp>’</dt> |
|
<dd><p>Mid/Side to Right/Right. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>slev</samp>’</dt> |
|
<dd><p>Set level of side signal. Default is 1. |
|
Allowed range is from 0.015625 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sbal</samp>’</dt> |
|
<dd><p>Set balance of side signal. Default is 0. |
|
Allowed range is from -1 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mlev</samp>’</dt> |
|
<dd><p>Set level of the middle signal. Default is 1. |
|
Allowed range is from 0.015625 to 64. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mpan</samp>’</dt> |
|
<dd><p>Set middle signal pan. Default is 0. Allowed range is from -1 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>base</samp>’</dt> |
|
<dd><p>Set stereo base between mono and inversed channels. Default is 0. |
|
Allowed range is from -1 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delay</samp>’</dt> |
|
<dd><p>Set delay in milliseconds how much to delay left from right channel and |
|
vice versa. Default is 0. Allowed range is from -20 to 20. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sclevel</samp>’</dt> |
|
<dd><p>Set S/C level. Default is 1. Allowed range is from 1 to 100. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>phase</samp>’</dt> |
|
<dd><p>Set the stereo phase in degrees. Default is 0. Allowed range is from 0 to 360. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bmode_in, bmode_out</samp>’</dt> |
|
<dd><p>Set balance mode for balance_in/balance_out option. |
|
</p> |
|
<p>Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>balance</samp>’</dt> |
|
<dd><p>Classic balance mode. Attenuate one channel at time. |
|
Gain is raised up to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>amplitude</samp>’</dt> |
|
<dd><p>Similar as classic mode above but gain is raised up to 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>power</samp>’</dt> |
|
<dd><p>Equal power distribution, from -6dB to +6dB range. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-26"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-26">26.76.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply karaoke like effect: |
|
<div class="example"> |
|
<pre class="example">stereotools=mlev=0.015625 |
|
</pre></div> |
|
|
|
</li><li> |
|
Convert M/S signal to L/R: |
|
<div class="example"> |
|
<pre class="example">"stereotools=mode=ms>lr" |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="stereowiden"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-stereowiden">26.77 stereowiden</a></h2> |
|
|
|
<p>This filter enhance the stereo effect by suppressing signal common to both |
|
channels and by delaying the signal of left into right and vice versa, |
|
thereby widening the stereo effect. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>delay</samp>’</dt> |
|
<dd><p>Time in milliseconds of the delay of left signal into right and vice versa. |
|
Default is 20 milliseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>feedback</samp>’</dt> |
|
<dd><p>Amount of gain in delayed signal into right and vice versa. Gives a delay |
|
effect of left signal in right output and vice versa which gives widening |
|
effect. Default is 0.3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>crossfeed</samp>’</dt> |
|
<dd><p>Cross feed of left into right with inverted phase. This helps in suppressing |
|
the mono. If the value is 1 it will cancel all the signal common to both |
|
channels. Default is 0.3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>drymix</samp>’</dt> |
|
<dd><p>Set level of input signal of original channel. Default is 0.8. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="superequalizer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-superequalizer">26.78 superequalizer</a></h2> |
|
<p>Apply 18 band equalizer. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>1b</samp>’</dt> |
|
<dd><p>Set 65Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>2b</samp>’</dt> |
|
<dd><p>Set 92Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>3b</samp>’</dt> |
|
<dd><p>Set 131Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>4b</samp>’</dt> |
|
<dd><p>Set 185Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>5b</samp>’</dt> |
|
<dd><p>Set 262Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>6b</samp>’</dt> |
|
<dd><p>Set 370Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>7b</samp>’</dt> |
|
<dd><p>Set 523Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>8b</samp>’</dt> |
|
<dd><p>Set 740Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>9b</samp>’</dt> |
|
<dd><p>Set 1047Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>10b</samp>’</dt> |
|
<dd><p>Set 1480Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>11b</samp>’</dt> |
|
<dd><p>Set 2093Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>12b</samp>’</dt> |
|
<dd><p>Set 2960Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>13b</samp>’</dt> |
|
<dd><p>Set 4186Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>14b</samp>’</dt> |
|
<dd><p>Set 5920Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>15b</samp>’</dt> |
|
<dd><p>Set 8372Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>16b</samp>’</dt> |
|
<dd><p>Set 11840Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>17b</samp>’</dt> |
|
<dd><p>Set 16744Hz band gain. |
|
</p></dd> |
|
<dt>‘<samp>18b</samp>’</dt> |
|
<dd><p>Set 20000Hz band gain. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="surround"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-surround">26.79 surround</a></h2> |
|
<p>Apply audio surround upmix filter. |
|
</p> |
|
<p>This filter allows to produce multichannel output from audio stream. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>chl_out</samp>’</dt> |
|
<dd><p>Set output channel layout. By default, this is <var>5.1</var>. |
|
</p> |
|
<p>See <a href="ffmpeg-utils.html#channel-layout-syntax">(ffmpeg-utils)the Channel Layout section in the ffmpeg-utils(1) manual</a> |
|
for the required syntax. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chl_in</samp>’</dt> |
|
<dd><p>Set input channel layout. By default, this is <var>stereo</var>. |
|
</p> |
|
<p>See <a href="ffmpeg-utils.html#channel-layout-syntax">(ffmpeg-utils)the Channel Layout section in the ffmpeg-utils(1) manual</a> |
|
for the required syntax. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_in</samp>’</dt> |
|
<dd><p>Set input volume level. By default, this is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>level_out</samp>’</dt> |
|
<dd><p>Set output volume level. By default, this is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfe</samp>’</dt> |
|
<dd><p>Enable LFE channel output if output channel layout has it. By default, this is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfe_low</samp>’</dt> |
|
<dd><p>Set LFE low cut off frequency. By default, this is <var>128</var> Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfe_high</samp>’</dt> |
|
<dd><p>Set LFE high cut off frequency. By default, this is <var>256</var> Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fc_in</samp>’</dt> |
|
<dd><p>Set front center input volume. By default, this is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fc_out</samp>’</dt> |
|
<dd><p>Set front center output volume. By default, this is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfe_in</samp>’</dt> |
|
<dd><p>Set LFE input volume. By default, this is <var>1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lfe_out</samp>’</dt> |
|
<dd><p>Set LFE output volume. By default, this is <var>1</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="treble_002c-highshelf"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-treble_002c-highshelf">26.80 treble, highshelf</a></h2> |
|
|
|
<p>Boost or cut treble (upper) frequencies of the audio using a two-pole |
|
shelving filter with a response similar to that of a standard |
|
hi-fi’s tone-controls. This is also known as shelving equalisation (EQ). |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>gain, g</samp>’</dt> |
|
<dd><p>Give the gain at whichever is the lower of ~22 kHz and the |
|
Nyquist frequency. Its useful range is about -20 (for a large cut) |
|
to +20 (for a large boost). Beware of clipping when using a positive gain. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set the filter’s central frequency and so can be used |
|
to extend or reduce the frequency range to be boosted or cut. |
|
The default value is <code>3000</code> Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Set method to specify band-width of filter. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Hz |
|
</p></dd> |
|
<dt>‘<samp>q</samp>’</dt> |
|
<dd><p>Q-Factor |
|
</p></dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>octave |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>slope |
|
</p></dd> |
|
<dt>‘<samp>k</samp>’</dt> |
|
<dd><p>kHz |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Determine how steep is the filter’s shelf transition. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels, c</samp>’</dt> |
|
<dd><p>Specify which channels to filter, by default all available are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-4"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-4">26.80.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Change treble frequency. |
|
Syntax for the command is : "<var>frequency</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width_type, t</samp>’</dt> |
|
<dd><p>Change treble width_type. |
|
Syntax for the command is : "<var>width_type</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dd><p>Change treble width. |
|
Syntax for the command is : "<var>width</var>" |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain, g</samp>’</dt> |
|
<dd><p>Change treble gain. |
|
Syntax for the command is : "<var>gain</var>" |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="tremolo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tremolo">26.81 tremolo</a></h2> |
|
|
|
<p>Sinusoidal amplitude modulation. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>f</samp>’</dt> |
|
<dd><p>Modulation frequency in Hertz. Modulation frequencies in the subharmonic range |
|
(20 Hz or lower) will result in a tremolo effect. |
|
This filter may also be used as a ring modulator by specifying |
|
a modulation frequency higher than 20 Hz. |
|
Range is 0.1 - 20000.0. Default value is 5.0 Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>d</samp>’</dt> |
|
<dd><p>Depth of modulation as a percentage. Range is 0.0 - 1.0. |
|
Default value is 0.5. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="vibrato"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vibrato">26.82 vibrato</a></h2> |
|
|
|
<p>Sinusoidal phase modulation. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>f</samp>’</dt> |
|
<dd><p>Modulation frequency in Hertz. |
|
Range is 0.1 - 20000.0. Default value is 5.0 Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>d</samp>’</dt> |
|
<dd><p>Depth of modulation as a percentage. Range is 0.0 - 1.0. |
|
Default value is 0.5. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="volume"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-volume">26.83 volume</a></h2> |
|
|
|
<p>Adjust the input audio volume. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>volume</samp>’</dt> |
|
<dd><p>Set audio volume expression. |
|
</p> |
|
<p>Output values are clipped to the maximum value. |
|
</p> |
|
<p>The output audio volume is given by the relation: |
|
</p><div class="example"> |
|
<pre class="example"><var>output_volume</var> = <var>volume</var> * <var>input_volume</var> |
|
</pre></div> |
|
|
|
<p>The default value for <var>volume</var> is "1.0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>precision</samp>’</dt> |
|
<dd><p>This parameter represents the mathematical precision. |
|
</p> |
|
<p>It determines which input sample formats will be allowed, which affects the |
|
precision of the volume scaling. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>fixed</samp>’</dt> |
|
<dd><p>8-bit fixed-point; this limits input sample format to U8, S16, and S32. |
|
</p></dd> |
|
<dt>‘<samp>float</samp>’</dt> |
|
<dd><p>32-bit floating-point; this limits input sample format to FLT. (default) |
|
</p></dd> |
|
<dt>‘<samp>double</samp>’</dt> |
|
<dd><p>64-bit floating-point; this limits input sample format to DBL. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>replaygain</samp>’</dt> |
|
<dd><p>Choose the behaviour on encountering ReplayGain side data in input frames. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>drop</samp>’</dt> |
|
<dd><p>Remove ReplayGain side data, ignoring its contents (the default). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ignore</samp>’</dt> |
|
<dd><p>Ignore ReplayGain side data, but leave it in the frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>track</samp>’</dt> |
|
<dd><p>Prefer the track gain, if present. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>album</samp>’</dt> |
|
<dd><p>Prefer the album gain, if present. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>replaygain_preamp</samp>’</dt> |
|
<dd><p>Pre-amplification gain in dB to apply to the selected replaygain gain. |
|
</p> |
|
<p>Default value for <var>replaygain_preamp</var> is 0.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eval</samp>’</dt> |
|
<dd><p>Set when the volume expression is evaluated. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>once</samp>’</dt> |
|
<dd><p>only evaluate expression once during the filter initialization, or |
|
when the ‘<samp>volume</samp>’ command is sent |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>evaluate expression for each incoming frame |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>once</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The volume expression can contain the following parameters. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>frame number (starting at zero) |
|
</p></dd> |
|
<dt>‘<samp>nb_channels</samp>’</dt> |
|
<dd><p>number of channels |
|
</p></dd> |
|
<dt>‘<samp>nb_consumed_samples</samp>’</dt> |
|
<dd><p>number of samples consumed by the filter |
|
</p></dd> |
|
<dt>‘<samp>nb_samples</samp>’</dt> |
|
<dd><p>number of samples in the current frame |
|
</p></dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>original frame position in the file |
|
</p></dd> |
|
<dt>‘<samp>pts</samp>’</dt> |
|
<dd><p>frame PTS |
|
</p></dd> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>sample rate |
|
</p></dd> |
|
<dt>‘<samp>startpts</samp>’</dt> |
|
<dd><p>PTS at start of stream |
|
</p></dd> |
|
<dt>‘<samp>startt</samp>’</dt> |
|
<dd><p>time at start of stream |
|
</p></dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>frame time |
|
</p></dd> |
|
<dt>‘<samp>tb</samp>’</dt> |
|
<dd><p>timestamp timebase |
|
</p></dd> |
|
<dt>‘<samp>volume</samp>’</dt> |
|
<dd><p>last set volume value |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Note that when ‘<samp>eval</samp>’ is set to ‘<samp>once</samp>’ only the |
|
<var>sample_rate</var> and <var>tb</var> variables are available, all other |
|
variables will evaluate to NAN. |
|
</p> |
|
<a name="Commands-3"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-3">26.83.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>volume</samp>’</dt> |
|
<dd><p>Modify the volume expression. |
|
The command accepts the same syntax of the corresponding option. |
|
</p> |
|
<p>If the specified expression is not valid, it is kept at its current |
|
value. |
|
</p></dd> |
|
<dt>‘<samp>replaygain_noclip</samp>’</dt> |
|
<dd><p>Prevent clipping by limiting the gain applied. |
|
</p> |
|
<p>Default value for <var>replaygain_noclip</var> is 1. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-40"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-40">26.83.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Halve the input audio volume: |
|
<div class="example"> |
|
<pre class="example">volume=volume=0.5 |
|
volume=volume=1/2 |
|
volume=volume=-6.0206dB |
|
</pre></div> |
|
|
|
<p>In all the above example the named key for ‘<samp>volume</samp>’ can be |
|
omitted, for example like in: |
|
</p><div class="example"> |
|
<pre class="example">volume=0.5 |
|
</pre></div> |
|
|
|
</li><li> |
|
Increase input audio power by 6 decibels using fixed-point precision: |
|
<div class="example"> |
|
<pre class="example">volume=volume=6dB:precision=fixed |
|
</pre></div> |
|
|
|
</li><li> |
|
Fade volume after time 10 with an annihilation period of 5 seconds: |
|
<div class="example"> |
|
<pre class="example">volume='if(lt(t,10),1,max(1-(t-10)/5,0))':eval=frame |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="volumedetect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-volumedetect">26.84 volumedetect</a></h2> |
|
|
|
<p>Detect the volume of the input video. |
|
</p> |
|
<p>The filter has no parameters. The input is not modified. Statistics about |
|
the volume will be printed in the log when the input stream end is reached. |
|
</p> |
|
<p>In particular it will show the mean volume (root mean square), maximum |
|
volume (on a per-sample basis), and the beginning of a histogram of the |
|
registered volume values (from the maximum value to a cumulated 1/1000 of |
|
the samples). |
|
</p> |
|
<p>All volumes are in decibels relative to the maximum PCM value. |
|
</p> |
|
<a name="Examples-146"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-146">26.84.1 Examples</a></h3> |
|
|
|
<p>Here is an excerpt of the output: |
|
</p><div class="example"> |
|
<pre class="example">[Parsed_volumedetect_0 0xa23120] mean_volume: -27 dB |
|
[Parsed_volumedetect_0 0xa23120] max_volume: -4 dB |
|
[Parsed_volumedetect_0 0xa23120] histogram_4db: 6 |
|
[Parsed_volumedetect_0 0xa23120] histogram_5db: 62 |
|
[Parsed_volumedetect_0 0xa23120] histogram_6db: 286 |
|
[Parsed_volumedetect_0 0xa23120] histogram_7db: 1042 |
|
[Parsed_volumedetect_0 0xa23120] histogram_8db: 2551 |
|
[Parsed_volumedetect_0 0xa23120] histogram_9db: 4609 |
|
[Parsed_volumedetect_0 0xa23120] histogram_10db: 8409 |
|
</pre></div> |
|
|
|
<p>It means that: |
|
</p><ul> |
|
<li> |
|
The mean square energy is approximately -27 dB, or 10^-2.7. |
|
</li><li> |
|
The largest sample is at -4 dB, or more precisely between -4 dB and -5 dB. |
|
</li><li> |
|
There are 6 samples at -4 dB, 62 at -5 dB, 286 at -6 dB, etc. |
|
</li></ul> |
|
|
|
<p>In other words, raising the volume by +4 dB does not cause any clipping, |
|
raising it by +5 dB causes clipping for 6 samples, etc. |
|
</p> |
|
|
|
<a name="Audio-Sources"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Audio-Sources">27 Audio Sources</a></h1> |
|
|
|
<p>Below is a description of the currently available audio sources. |
|
</p> |
|
<a name="abuffer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-abuffer">27.1 abuffer</a></h2> |
|
|
|
<p>Buffer audio frames, and make them available to the filter chain. |
|
</p> |
|
<p>This source is mainly intended for a programmatic use, in particular |
|
through the interface defined in ‘<tt>libavfilter/asrc_abuffer.h</tt>’. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>time_base</samp>’</dt> |
|
<dd><p>The timebase which will be used for timestamps of submitted frames. It must be |
|
either a floating-point number or in <var>numerator</var>/<var>denominator</var> form. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>The sample rate of the incoming audio buffers. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_fmt</samp>’</dt> |
|
<dd><p>The sample format of the incoming audio buffers. |
|
Either a sample format name or its corresponding integer representation from |
|
the enum AVSampleFormat in ‘<tt>libavutil/samplefmt.h</tt>’ |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel_layout</samp>’</dt> |
|
<dd><p>The channel layout of the incoming audio buffers. |
|
Either a channel layout name from channel_layout_map in |
|
‘<tt>libavutil/channel_layout.c</tt>’ or its corresponding integer representation |
|
from the AV_CH_LAYOUT_* macros in ‘<tt>libavutil/channel_layout.h</tt>’ |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>The number of channels of the incoming audio buffers. |
|
If both <var>channels</var> and <var>channel_layout</var> are specified, then they |
|
must be consistent. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-94"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-94">27.1.1 Examples</a></h3> |
|
|
|
<div class="example"> |
|
<pre class="example">abuffer=sample_rate=44100:sample_fmt=s16p:channel_layout=stereo |
|
</pre></div> |
|
|
|
<p>will instruct the source to accept planar 16bit signed stereo at 44100Hz. |
|
Since the sample format with name "s16p" corresponds to the number |
|
6 and the "stereo" channel layout corresponds to the value 0x3, this is |
|
equivalent to: |
|
</p><div class="example"> |
|
<pre class="example">abuffer=sample_rate=44100:sample_fmt=6:channel_layout=0x3 |
|
</pre></div> |
|
|
|
<a name="aevalsrc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aevalsrc">27.2 aevalsrc</a></h2> |
|
|
|
<p>Generate an audio signal specified by an expression. |
|
</p> |
|
<p>This source accepts in input one or more expressions (one for each |
|
channel), which are evaluated and used to generate a corresponding |
|
audio signal. |
|
</p> |
|
<p>This source accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>exprs</samp>’</dt> |
|
<dd><p>Set the ’|’-separated expressions list for each separate channel. In case the |
|
‘<samp>channel_layout</samp>’ option is not specified, the selected channel layout |
|
depends on the number of provided expressions. Otherwise the last |
|
specified expression is applied to the remaining output channels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channel_layout, c</samp>’</dt> |
|
<dd><p>Set the channel layout. The number of channels in the specified layout |
|
must be equal to the number of specified expressions. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Set the minimum duration of the sourced audio. See |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
Note that the resulting duration may be greater than the specified |
|
duration, as the generated audio is always cut at the end of a |
|
complete frame. |
|
</p> |
|
<p>If not specified, or the expressed duration is negative, the audio is |
|
supposed to be generated forever. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples, n</samp>’</dt> |
|
<dd><p>Set the number of samples per channel per each output frame, |
|
default to 1024. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate, s</samp>’</dt> |
|
<dd><p>Specify the sample rate, default to 44100. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Each expression in <var>exprs</var> can contain the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>number of the evaluated sample, starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>time of the evaluated sample expressed in seconds, starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>sample rate |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-105"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-105">27.2.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Generate silence: |
|
<div class="example"> |
|
<pre class="example">aevalsrc=0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a sin signal with frequency of 440 Hz, set sample rate to |
|
8000 Hz: |
|
<div class="example"> |
|
<pre class="example">aevalsrc="sin(440*2*PI*t):s=8000" |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a two channels signal, specify the channel layout (Front |
|
Center + Back Center) explicitly: |
|
<div class="example"> |
|
<pre class="example">aevalsrc="sin(420*2*PI*t)|cos(430*2*PI*t):c=FC|BC" |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate white noise: |
|
<div class="example"> |
|
<pre class="example">aevalsrc="-2+random(0)" |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate an amplitude modulated signal: |
|
<div class="example"> |
|
<pre class="example">aevalsrc="sin(10*2*PI*t)*sin(880*2*PI*t)" |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate 2.5 Hz binaural beats on a 360 Hz carrier: |
|
<div class="example"> |
|
<pre class="example">aevalsrc="0.1*sin(2*PI*(360-2.5/2)*t) | 0.1*sin(2*PI*(360+2.5/2)*t)" |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="anullsrc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-anullsrc">27.3 anullsrc</a></h2> |
|
|
|
<p>The null audio source, return unprocessed audio frames. It is mainly useful |
|
as a template and to be employed in analysis / debugging tools, or as |
|
the source for filters which ignore the input data (for example the sox |
|
synth filter). |
|
</p> |
|
<p>This source accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>channel_layout, cl</samp>’</dt> |
|
<dd> |
|
<p>Specifies the channel layout, and can be either an integer or a string |
|
representing a channel layout. The default value of <var>channel_layout</var> |
|
is "stereo". |
|
</p> |
|
<p>Check the channel_layout_map definition in |
|
‘<tt>libavutil/channel_layout.c</tt>’ for the mapping between strings and |
|
channel layout values. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate, r</samp>’</dt> |
|
<dd><p>Specifies the sample rate, and defaults to 44100. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples, n</samp>’</dt> |
|
<dd><p>Set the number of samples per requested frames. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-99"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-99">27.3.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Set the sample rate to 48000 Hz and the channel layout to AV_CH_LAYOUT_MONO. |
|
<div class="example"> |
|
<pre class="example">anullsrc=r=48000:cl=4 |
|
</pre></div> |
|
|
|
</li><li> |
|
Do the same operation with a more obvious syntax: |
|
<div class="example"> |
|
<pre class="example">anullsrc=r=48000:cl=mono |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p>All the parameters need to be explicitly defined. |
|
</p> |
|
<a name="flite"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-flite">27.4 flite</a></h2> |
|
|
|
<p>Synthesize a voice utterance using the libflite library. |
|
</p> |
|
<p>To enable compilation of this filter you need to configure FFmpeg with |
|
<code>--enable-libflite</code>. |
|
</p> |
|
<p>Note that versions of the flite library prior to 2.0 are not thread-safe. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>list_voices</samp>’</dt> |
|
<dd><p>If set to 1, list the names of the available voices and exit |
|
immediately. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples, n</samp>’</dt> |
|
<dd><p>Set the maximum number of samples per frame. Default value is 512. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>textfile</samp>’</dt> |
|
<dd><p>Set the filename containing the text to speak. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>text</samp>’</dt> |
|
<dd><p>Set the text to speak. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>voice, v</samp>’</dt> |
|
<dd><p>Set the voice to use for the speech synthesis. Default value is |
|
<code>kal</code>. See also the <var>list_voices</var> option. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-109"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-109">27.4.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Read from file ‘<tt>speech.txt</tt>’, and synthesize the text using the |
|
standard flite voice: |
|
<div class="example"> |
|
<pre class="example">flite=textfile=speech.txt |
|
</pre></div> |
|
|
|
</li><li> |
|
Read the specified text selecting the <code>slt</code> voice: |
|
<div class="example"> |
|
<pre class="example">flite=text='So fare thee well, poor devil of a Sub-Sub, whose commentator I am':voice=slt |
|
</pre></div> |
|
|
|
</li><li> |
|
Input text to ffmpeg: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i flite=text='So fare thee well, poor devil of a Sub-Sub, whose commentator I am':voice=slt |
|
</pre></div> |
|
|
|
</li><li> |
|
Make ‘<tt>ffplay</tt>’ speak the specified text, using <code>flite</code> and |
|
the <code>lavfi</code> device: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi flite=text='No more be grieved for which that thou hast done.' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p>For more information about libflite, check: |
|
<a href="http://www.festvox.org/flite/">http://www.festvox.org/flite/</a> |
|
</p> |
|
<a name="anoisesrc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-anoisesrc">27.5 anoisesrc</a></h2> |
|
|
|
<p>Generate a noise audio signal. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sample_rate, r</samp>’</dt> |
|
<dd><p>Specify the sample rate. Default value is 48000 Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>amplitude, a</samp>’</dt> |
|
<dd><p>Specify the amplitude (0.0 - 1.0) of the generated audio stream. Default value |
|
is 1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Specify the duration of the generated audio stream. Not specifying this option |
|
results in noise with an infinite length. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color, colour, c</samp>’</dt> |
|
<dd><p>Specify the color of noise. Available noise colors are white, pink, brown, |
|
blue and violet. Default color is white. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>seed, s</samp>’</dt> |
|
<dd><p>Specify a value used to seed the PRNG. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples, n</samp>’</dt> |
|
<dd><p>Set the number of samples per each output frame, default is 1024. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-31"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-31">27.5.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Generate 60 seconds of pink noise, with a 44.1 kHz sampling rate and an amplitude of 0.5: |
|
<div class="example"> |
|
<pre class="example">anoisesrc=d=60:c=pink:r=44100:a=0.5 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="hilbert"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hilbert">27.6 hilbert</a></h2> |
|
|
|
<p>Generate odd-tap Hilbert transform FIR coefficients. |
|
</p> |
|
<p>The resulting stream can be used with <a href="#afir">afir</a> filter for phase-shifting |
|
the signal by 90 degrees. |
|
</p> |
|
<p>This is used in many matrix coding schemes and for analytic signal generation. |
|
The process is often written as a multiplication by i (or j), the imaginary unit. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sample_rate, s</samp>’</dt> |
|
<dd><p>Set sample rate, default is 44100. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>taps, t</samp>’</dt> |
|
<dd><p>Set length of FIR filter, default is 22051. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_samples, n</samp>’</dt> |
|
<dd><p>Set number of samples per each frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>win_func, w</samp>’</dt> |
|
<dd><p>Set window function to be used when generating FIR coefficients. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="sine"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sine">27.7 sine</a></h2> |
|
|
|
<p>Generate an audio signal made of a sine wave with amplitude 1/8. |
|
</p> |
|
<p>The audio signal is bit-exact. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frequency, f</samp>’</dt> |
|
<dd><p>Set the carrier frequency. Default is 440 Hz. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>beep_factor, b</samp>’</dt> |
|
<dd><p>Enable a periodic beep every second with frequency <var>beep_factor</var> times |
|
the carrier frequency. Default is 0, meaning the beep is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate, r</samp>’</dt> |
|
<dd><p>Specify the sample rate, default is 44100. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Specify the duration of the generated audio stream. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>samples_per_frame</samp>’</dt> |
|
<dd><p>Set the number of samples per output frame. |
|
</p> |
|
<p>The expression can contain the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>The (sequential) number of the output audio frame, starting from 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts</samp>’</dt> |
|
<dd><p>The PTS (Presentation TimeStamp) of the output audio frame, |
|
expressed in <var>TB</var> units. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>The PTS of the output audio frame, expressed in seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>TB</samp>’</dt> |
|
<dd><p>The timebase of the output audio frames. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is <code>1024</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-34"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-34">27.7.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Generate a simple 440 Hz sine wave: |
|
<div class="example"> |
|
<pre class="example">sine |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a 220 Hz sine wave with a 880 Hz beep each second, for 5 seconds: |
|
<div class="example"> |
|
<pre class="example">sine=220:4:d=5 |
|
sine=f=220:b=4:d=5 |
|
sine=frequency=220:beep_factor=4:duration=5 |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a 1 kHz sine wave following <code>1602,1601,1602,1601,1602</code> NTSC |
|
pattern: |
|
<div class="example"> |
|
<pre class="example">sine=1000:samples_per_frame='st(0,mod(n,5)); 1602-not(not(eq(ld(0),1)+eq(ld(0),3)))' |
|
</pre></div> |
|
</li></ul> |
|
|
|
|
|
<a name="Audio-Sinks"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Audio-Sinks">28 Audio Sinks</a></h1> |
|
|
|
<p>Below is a description of the currently available audio sinks. |
|
</p> |
|
<a name="abuffersink"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-abuffersink">28.1 abuffersink</a></h2> |
|
|
|
<p>Buffer audio frames, and make them available to the end of filter chain. |
|
</p> |
|
<p>This sink is mainly intended for programmatic use, in particular |
|
through the interface defined in ‘<tt>libavfilter/buffersink.h</tt>’ |
|
or the options system. |
|
</p> |
|
<p>It accepts a pointer to an AVABufferSinkContext structure, which |
|
defines the incoming buffers’ formats, to be passed as the opaque |
|
parameter to <code>avfilter_init_filter</code> for initialization. |
|
</p><a name="anullsink"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-anullsink">28.2 anullsink</a></h2> |
|
|
|
<p>Null audio sink; do absolutely nothing with the input audio. It is |
|
mainly useful as a template and for use in analysis / debugging |
|
tools. |
|
</p> |
|
|
|
<a name="Video-Filters"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Video-Filters">29 Video Filters</a></h1> |
|
|
|
<p>When you configure your FFmpeg build, you can disable any of the |
|
existing filters using <code>--disable-filters</code>. |
|
The configure output will show the video filters included in your |
|
build. |
|
</p> |
|
<p>Below is a description of the currently available video filters. |
|
</p> |
|
<a name="alphaextract"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-alphaextract">29.1 alphaextract</a></h2> |
|
|
|
<p>Extract the alpha component from the input as a grayscale video. This |
|
is especially useful with the <var>alphamerge</var> filter. |
|
</p> |
|
<a name="alphamerge"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-alphamerge">29.2 alphamerge</a></h2> |
|
|
|
<p>Add or replace the alpha component of the primary input with the |
|
grayscale value of a second input. This is intended for use with |
|
<var>alphaextract</var> to allow the transmission or storage of frame |
|
sequences that have alpha in a format that doesn’t support an alpha |
|
channel. |
|
</p> |
|
<p>For example, to reconstruct full frames from a normal YUV-encoded video |
|
and a separate video created with <var>alphaextract</var>, you might use: |
|
</p><div class="example"> |
|
<pre class="example">movie=in_alpha.mkv [alpha]; [in][alpha] alphamerge [out] |
|
</pre></div> |
|
|
|
<p>Since this filter is designed for reconstruction, it operates on frame |
|
sequences without considering timestamps, and terminates when either |
|
input reaches end of stream. This will cause problems if your encoding |
|
pipeline drops frames. If you’re trying to apply an image as an |
|
overlay to a video stream, consider the <var>overlay</var> filter instead. |
|
</p> |
|
<a name="amplify"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-amplify">29.3 amplify</a></h2> |
|
|
|
<p>Amplify differences between current pixel and pixels of adjacent frames in |
|
same pixel location. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>radius</samp>’</dt> |
|
<dd><p>Set frame radius. Default is 2. Allowed range is from 1 to 63. |
|
For example radius of 3 will instruct filter to calculate average of 7 frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>factor</samp>’</dt> |
|
<dd><p>Set factor to amplify difference. Default is 2. Allowed range is from 0 to 65535. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>Set threshold for difference amplification. Any differrence greater or equal to |
|
this value will not alter source pixel. Default is 10. |
|
Allowed range is from 0 to 65535. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>low</samp>’</dt> |
|
<dd><p>Set lower limit for changing source pixel. Default is 65535. Allowed range is from 0 to 65535. |
|
This option controls maximum possible value that will decrease source pixel value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>high</samp>’</dt> |
|
<dd><p>Set high limit for changing source pixel. Default is 65535. Allowed range is from 0 to 65535. |
|
This option controls maximum possible value that will increase source pixel value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes to filter. Default is all. Allowed range is from 0 to 15. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="ass"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ass">29.4 ass</a></h2> |
|
|
|
<p>Same as the <a href="#subtitles">subtitles</a> filter, except that it doesn’t require libavcodec |
|
and libavformat to work. On the other hand, it is limited to ASS (Advanced |
|
Substation Alpha) subtitles files. |
|
</p> |
|
<p>This filter accepts the following option in addition to the common options from |
|
the <a href="#subtitles">subtitles</a> filter: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>shaping</samp>’</dt> |
|
<dd><p>Set the shaping engine |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>The default libass shaping engine, which is the best available. |
|
</p></dd> |
|
<dt>‘<samp>simple</samp>’</dt> |
|
<dd><p>Fast, font-agnostic shaper that can do only substitutions |
|
</p></dd> |
|
<dt>‘<samp>complex</samp>’</dt> |
|
<dd><p>Slower shaper using OpenType for substitutions and positioning |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default is <code>auto</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="atadenoise"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-atadenoise">29.5 atadenoise</a></h2> |
|
<p>Apply an Adaptive Temporal Averaging Denoiser to the video input. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0a</samp>’</dt> |
|
<dd><p>Set threshold A for 1st plane. Default is 0.02. |
|
Valid range is 0 to 0.3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>0b</samp>’</dt> |
|
<dd><p>Set threshold B for 1st plane. Default is 0.04. |
|
Valid range is 0 to 5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>1a</samp>’</dt> |
|
<dd><p>Set threshold A for 2nd plane. Default is 0.02. |
|
Valid range is 0 to 0.3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>1b</samp>’</dt> |
|
<dd><p>Set threshold B for 2nd plane. Default is 0.04. |
|
Valid range is 0 to 5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>2a</samp>’</dt> |
|
<dd><p>Set threshold A for 3rd plane. Default is 0.02. |
|
Valid range is 0 to 0.3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>2b</samp>’</dt> |
|
<dd><p>Set threshold B for 3rd plane. Default is 0.04. |
|
Valid range is 0 to 5. |
|
</p> |
|
<p>Threshold A is designed to react on abrupt changes in the input signal and |
|
threshold B is designed to react on continuous changes in the input signal. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Set number of frames filter will use for averaging. Default is 9. Must be odd |
|
number in range [5, 129]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p</samp>’</dt> |
|
<dd><p>Set what planes of frame filter will use for averaging. Default is all. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="avgblur"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-avgblur">29.6 avgblur</a></h2> |
|
|
|
<p>Apply average blur filter. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sizeX</samp>’</dt> |
|
<dd><p>Set horizontal kernel size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes to filter. By default all planes are filtered. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sizeY</samp>’</dt> |
|
<dd><p>Set vertical kernel size, if zero it will be same as <code>sizeX</code>. |
|
Default is <code>0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="bbox"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bbox">29.7 bbox</a></h2> |
|
|
|
<p>Compute the bounding box for the non-black pixels in the input frame |
|
luminance plane. |
|
</p> |
|
<p>This filter computes the bounding box containing all the pixels with a |
|
luminance value greater than the minimum allowed value. |
|
The parameters describing the bounding box are printed on the filter |
|
log. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>min_val</samp>’</dt> |
|
<dd><p>Set the minimal luminance value. Default is <code>16</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="bitplanenoise"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bitplanenoise">29.8 bitplanenoise</a></h2> |
|
|
|
<p>Show and measure bit plane noise. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>bitplane</samp>’</dt> |
|
<dd><p>Set which plane to analyze. Default is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filter</samp>’</dt> |
|
<dd><p>Filter out noisy pixels from <code>bitplane</code> set above. |
|
Default is disabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="blackdetect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-blackdetect">29.9 blackdetect</a></h2> |
|
|
|
<p>Detect video intervals that are (almost) completely black. Can be |
|
useful to detect chapter transitions, commercials, or invalid |
|
recordings. Output lines contains the time for the start, end and |
|
duration of the detected black interval expressed in seconds. |
|
</p> |
|
<p>In order to display the output lines, you need to set the loglevel at |
|
least to the AV_LOG_INFO value. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>black_min_duration, d</samp>’</dt> |
|
<dd><p>Set the minimum detected black duration expressed in seconds. It must |
|
be a non-negative floating point number. |
|
</p> |
|
<p>Default value is 2.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>picture_black_ratio_th, pic_th</samp>’</dt> |
|
<dd><p>Set the threshold for considering a picture "black". |
|
Express the minimum value for the ratio: |
|
</p><div class="example"> |
|
<pre class="example"><var>nb_black_pixels</var> / <var>nb_pixels</var> |
|
</pre></div> |
|
|
|
<p>for which a picture is considered black. |
|
Default value is 0.98. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pixel_black_th, pix_th</samp>’</dt> |
|
<dd><p>Set the threshold for considering a pixel "black". |
|
</p> |
|
<p>The threshold expresses the maximum pixel luminance value for which a |
|
pixel is considered "black". The provided value is scaled according to |
|
the following equation: |
|
</p><div class="example"> |
|
<pre class="example"><var>absolute_threshold</var> = <var>luminance_minimum_value</var> + <var>pixel_black_th</var> * <var>luminance_range_size</var> |
|
</pre></div> |
|
|
|
<p><var>luminance_range_size</var> and <var>luminance_minimum_value</var> depend on |
|
the input video format, the range is [0-255] for YUV full-range |
|
formats and [16-235] for YUV non full-range formats. |
|
</p> |
|
<p>Default value is 0.10. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The following example sets the maximum pixel threshold to the minimum |
|
value, and detects only black intervals of 2 or more seconds: |
|
</p><div class="example"> |
|
<pre class="example">blackdetect=d=2:pix_th=0.00 |
|
</pre></div> |
|
|
|
<a name="blackframe"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-blackframe">29.10 blackframe</a></h2> |
|
|
|
<p>Detect frames that are (almost) completely black. Can be useful to |
|
detect chapter transitions or commercials. Output lines consist of |
|
the frame number of the detected frame, the percentage of blackness, |
|
the position in the file if known or -1 and the timestamp in seconds. |
|
</p> |
|
<p>In order to display the output lines, you need to set the loglevel at |
|
least to the AV_LOG_INFO value. |
|
</p> |
|
<p>This filter exports frame metadata <code>lavfi.blackframe.pblack</code>. |
|
The value represents the percentage of pixels in the picture that |
|
are below the threshold value. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>amount</samp>’</dt> |
|
<dd><p>The percentage of the pixels that have to be below the threshold; it defaults to |
|
<code>98</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threshold, thresh</samp>’</dt> |
|
<dd><p>The threshold below which a pixel value is considered black; it defaults to |
|
<code>32</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="blend_002c-tblend"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-blend_002c-tblend">29.11 blend, tblend</a></h2> |
|
|
|
<p>Blend two video frames into each other. |
|
</p> |
|
<p>The <code>blend</code> filter takes two input streams and outputs one |
|
stream, the first input is the "top" layer and second input is |
|
"bottom" layer. By default, the output terminates when the longest input terminates. |
|
</p> |
|
<p>The <code>tblend</code> (time blend) filter takes two consecutive frames |
|
from one single stream, and outputs the result obtained by blending |
|
the new frame on top of the old frame. |
|
</p> |
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>c0_mode</samp>’</dt> |
|
<dt>‘<samp>c1_mode</samp>’</dt> |
|
<dt>‘<samp>c2_mode</samp>’</dt> |
|
<dt>‘<samp>c3_mode</samp>’</dt> |
|
<dt>‘<samp>all_mode</samp>’</dt> |
|
<dd><p>Set blend mode for specific pixel component or all pixel components in case |
|
of <var>all_mode</var>. Default value is <code>normal</code>. |
|
</p> |
|
<p>Available values for component modes are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>addition</samp>’</dt> |
|
<dt>‘<samp>grainmerge</samp>’</dt> |
|
<dt>‘<samp>and</samp>’</dt> |
|
<dt>‘<samp>average</samp>’</dt> |
|
<dt>‘<samp>burn</samp>’</dt> |
|
<dt>‘<samp>darken</samp>’</dt> |
|
<dt>‘<samp>difference</samp>’</dt> |
|
<dt>‘<samp>grainextract</samp>’</dt> |
|
<dt>‘<samp>divide</samp>’</dt> |
|
<dt>‘<samp>dodge</samp>’</dt> |
|
<dt>‘<samp>freeze</samp>’</dt> |
|
<dt>‘<samp>exclusion</samp>’</dt> |
|
<dt>‘<samp>extremity</samp>’</dt> |
|
<dt>‘<samp>glow</samp>’</dt> |
|
<dt>‘<samp>hardlight</samp>’</dt> |
|
<dt>‘<samp>hardmix</samp>’</dt> |
|
<dt>‘<samp>heat</samp>’</dt> |
|
<dt>‘<samp>lighten</samp>’</dt> |
|
<dt>‘<samp>linearlight</samp>’</dt> |
|
<dt>‘<samp>multiply</samp>’</dt> |
|
<dt>‘<samp>multiply128</samp>’</dt> |
|
<dt>‘<samp>negation</samp>’</dt> |
|
<dt>‘<samp>normal</samp>’</dt> |
|
<dt>‘<samp>or</samp>’</dt> |
|
<dt>‘<samp>overlay</samp>’</dt> |
|
<dt>‘<samp>phoenix</samp>’</dt> |
|
<dt>‘<samp>pinlight</samp>’</dt> |
|
<dt>‘<samp>reflect</samp>’</dt> |
|
<dt>‘<samp>screen</samp>’</dt> |
|
<dt>‘<samp>softlight</samp>’</dt> |
|
<dt>‘<samp>subtract</samp>’</dt> |
|
<dt>‘<samp>vividlight</samp>’</dt> |
|
<dt>‘<samp>xor</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>c0_opacity</samp>’</dt> |
|
<dt>‘<samp>c1_opacity</samp>’</dt> |
|
<dt>‘<samp>c2_opacity</samp>’</dt> |
|
<dt>‘<samp>c3_opacity</samp>’</dt> |
|
<dt>‘<samp>all_opacity</samp>’</dt> |
|
<dd><p>Set blend opacity for specific pixel component or all pixel components in case |
|
of <var>all_opacity</var>. Only used in combination with pixel component blend modes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c0_expr</samp>’</dt> |
|
<dt>‘<samp>c1_expr</samp>’</dt> |
|
<dt>‘<samp>c2_expr</samp>’</dt> |
|
<dt>‘<samp>c3_expr</samp>’</dt> |
|
<dt>‘<samp>all_expr</samp>’</dt> |
|
<dd><p>Set blend expression for specific pixel component or all pixel components in case |
|
of <var>all_expr</var>. Note that related mode options will be ignored if those are set. |
|
</p> |
|
<p>The expressions can use the following variables: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>N</samp>’</dt> |
|
<dd><p>The sequential number of the filtered frame, starting from <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>X</samp>’</dt> |
|
<dt>‘<samp>Y</samp>’</dt> |
|
<dd><p>the coordinates of the current sample |
|
</p> |
|
</dd> |
|
<dt>‘<samp>W</samp>’</dt> |
|
<dt>‘<samp>H</samp>’</dt> |
|
<dd><p>the width and height of currently filtered plane |
|
</p> |
|
</dd> |
|
<dt>‘<samp>SW</samp>’</dt> |
|
<dt>‘<samp>SH</samp>’</dt> |
|
<dd><p>Width and height scale depending on the currently filtered plane. It is the |
|
ratio between the corresponding luma plane number of pixels and the current |
|
plane ones. E.g. for YUV4:2:0 the values are <code>1,1</code> for the luma plane, and |
|
<code>0.5,0.5</code> for chroma planes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>T</samp>’</dt> |
|
<dd><p>Time of the current frame, expressed in seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>TOP, A</samp>’</dt> |
|
<dd><p>Value of pixel component at current location for first video frame (top layer). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>BOTTOM, B</samp>’</dt> |
|
<dd><p>Value of pixel component at current location for second video frame (bottom layer). |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<p>The <code>blend</code> filter also supports the <a href="#framesync">framesync</a> options. |
|
</p> |
|
<a name="Examples-136"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-136">29.11.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply transition from bottom layer to top layer in first 10 seconds: |
|
<div class="example"> |
|
<pre class="example">blend=all_expr='A*(if(gte(T,10),1,T/10))+B*(1-(if(gte(T,10),1,T/10)))' |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply linear horizontal transition from top layer to bottom layer: |
|
<div class="example"> |
|
<pre class="example">blend=all_expr='A*(X/W)+B*(1-X/W)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply 1x1 checkerboard effect: |
|
<div class="example"> |
|
<pre class="example">blend=all_expr='if(eq(mod(X,2),mod(Y,2)),A,B)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply uncover left effect: |
|
<div class="example"> |
|
<pre class="example">blend=all_expr='if(gte(N*SW+X,W),A,B)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply uncover down effect: |
|
<div class="example"> |
|
<pre class="example">blend=all_expr='if(gte(Y-N*SH,0),A,B)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply uncover up-left effect: |
|
<div class="example"> |
|
<pre class="example">blend=all_expr='if(gte(T*SH*40+Y,H)*gte((T*40*SW+X)*W/H,W),A,B)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Split diagonally video and shows top and bottom layer on each side: |
|
<div class="example"> |
|
<pre class="example">blend=all_expr='if(gt(X,Y*(W/H)),A,B)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Display differences between the current and the previous frame: |
|
<div class="example"> |
|
<pre class="example">tblend=all_mode=grainextract |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="boxblur"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-boxblur">29.12 boxblur</a></h2> |
|
|
|
<p>Apply a boxblur algorithm to the input video. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>luma_radius, lr</samp>’</dt> |
|
<dt>‘<samp>luma_power, lp</samp>’</dt> |
|
<dt>‘<samp>chroma_radius, cr</samp>’</dt> |
|
<dt>‘<samp>chroma_power, cp</samp>’</dt> |
|
<dt>‘<samp>alpha_radius, ar</samp>’</dt> |
|
<dt>‘<samp>alpha_power, ap</samp>’</dt> |
|
</dl> |
|
|
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>luma_radius, lr</samp>’</dt> |
|
<dt>‘<samp>chroma_radius, cr</samp>’</dt> |
|
<dt>‘<samp>alpha_radius, ar</samp>’</dt> |
|
<dd><p>Set an expression for the box radius in pixels used for blurring the |
|
corresponding input plane. |
|
</p> |
|
<p>The radius value must be a non-negative number, and must not be |
|
greater than the value of the expression <code>min(w,h)/2</code> for the |
|
luma and alpha planes, and of <code>min(cw,ch)/2</code> for the chroma |
|
planes. |
|
</p> |
|
<p>Default value for ‘<samp>luma_radius</samp>’ is "2". If not specified, |
|
‘<samp>chroma_radius</samp>’ and ‘<samp>alpha_radius</samp>’ default to the |
|
corresponding value set for ‘<samp>luma_radius</samp>’. |
|
</p> |
|
<p>The expressions can contain the following constants: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>The input width and height in pixels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cw</samp>’</dt> |
|
<dt>‘<samp>ch</samp>’</dt> |
|
<dd><p>The input chroma image width and height in pixels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub</samp>’</dt> |
|
<dt>‘<samp>vsub</samp>’</dt> |
|
<dd><p>The horizontal and vertical chroma subsample values. For example, for the |
|
pixel format "yuv422p", <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>luma_power, lp</samp>’</dt> |
|
<dt>‘<samp>chroma_power, cp</samp>’</dt> |
|
<dt>‘<samp>alpha_power, ap</samp>’</dt> |
|
<dd><p>Specify how many times the boxblur filter is applied to the |
|
corresponding plane. |
|
</p> |
|
<p>Default value for ‘<samp>luma_power</samp>’ is 2. If not specified, |
|
‘<samp>chroma_power</samp>’ and ‘<samp>alpha_power</samp>’ default to the |
|
corresponding value set for ‘<samp>luma_power</samp>’. |
|
</p> |
|
<p>A value of 0 will disable the effect. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-103"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-103">29.12.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply a boxblur filter with the luma, chroma, and alpha radii |
|
set to 2: |
|
<div class="example"> |
|
<pre class="example">boxblur=luma_radius=2:luma_power=1 |
|
boxblur=2:1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Set the luma radius to 2, and alpha and chroma radius to 0: |
|
<div class="example"> |
|
<pre class="example">boxblur=2:1:cr=0:ar=0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Set the luma and chroma radii to a fraction of the video dimension: |
|
<div class="example"> |
|
<pre class="example">boxblur=luma_radius=min(h\,w)/10:luma_power=1:chroma_radius=min(cw\,ch)/10:chroma_power=1 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="bwdif"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bwdif">29.13 bwdif</a></h2> |
|
|
|
<p>Deinterlace the input video ("bwdif" stands for "Bob Weaver |
|
Deinterlacing Filter"). |
|
</p> |
|
<p>Motion adaptive deinterlacing based on yadif with the use of w3fdif and cubic |
|
interpolation algorithms. |
|
It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>The interlacing mode to adopt. It accepts one of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0, send_frame</samp>’</dt> |
|
<dd><p>Output one frame for each frame. |
|
</p></dd> |
|
<dt>‘<samp>1, send_field</samp>’</dt> |
|
<dd><p>Output one frame for each field. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default value is <code>send_field</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>parity</samp>’</dt> |
|
<dd><p>The picture field parity assumed for the input interlaced video. It accepts one |
|
of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0, tff</samp>’</dt> |
|
<dd><p>Assume the top field is first. |
|
</p></dd> |
|
<dt>‘<samp>1, bff</samp>’</dt> |
|
<dd><p>Assume the bottom field is first. |
|
</p></dd> |
|
<dt>‘<samp>-1, auto</samp>’</dt> |
|
<dd><p>Enable automatic detection of field parity. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default value is <code>auto</code>. |
|
If the interlacing is unknown or the decoder does not export this information, |
|
top field first will be assumed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>deint</samp>’</dt> |
|
<dd><p>Specify which frames to deinterlace. Accept one of the following |
|
values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0, all</samp>’</dt> |
|
<dd><p>Deinterlace all frames. |
|
</p></dd> |
|
<dt>‘<samp>1, interlaced</samp>’</dt> |
|
<dd><p>Only deinterlace frames marked as interlaced. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default value is <code>all</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="chromakey"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-chromakey">29.14 chromakey</a></h2> |
|
<p>YUV colorspace color/chroma keying. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>The color which will be replaced with transparency. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>similarity</samp>’</dt> |
|
<dd><p>Similarity percentage with the key color. |
|
</p> |
|
<p>0.01 matches only the exact key color, while 1.0 matches everything. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blend</samp>’</dt> |
|
<dd><p>Blend percentage. |
|
</p> |
|
<p>0.0 makes pixels either fully transparent, or not transparent at all. |
|
</p> |
|
<p>Higher values result in semi-transparent pixels, with a higher transparency |
|
the more similar the pixels color is to the key color. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv</samp>’</dt> |
|
<dd><p>Signals that the color passed is already in YUV instead of RGB. |
|
</p> |
|
<p>Literal colors like "green" or "red" don’t make sense with this enabled anymore. |
|
This can be used to pass exact YUV values as hexadecimal numbers. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-49"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-49">29.14.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Make every green pixel in the input image transparent: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.png -vf chromakey=green out.png |
|
</pre></div> |
|
|
|
</li><li> |
|
Overlay a greenscreen-video on top of a static black background. |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i color=c=black:s=1280x720 -i video.mp4 -shortest -filter_complex "[1:v]chromakey=0x70de77:0.1:0.2[ckout];[0:v][ckout]overlay[out]" -map "[out]" output.mkv |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="ciescope"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ciescope">29.15 ciescope</a></h2> |
|
|
|
<p>Display CIE color diagram with pixels overlaid onto it. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>system</samp>’</dt> |
|
<dd><p>Set color system. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>ntsc, 470m</samp>’</dt> |
|
<dt>‘<samp>ebu, 470bg</samp>’</dt> |
|
<dt>‘<samp>smpte</samp>’</dt> |
|
<dt>‘<samp>240m</samp>’</dt> |
|
<dt>‘<samp>apple</samp>’</dt> |
|
<dt>‘<samp>widergb</samp>’</dt> |
|
<dt>‘<samp>cie1931</samp>’</dt> |
|
<dt>‘<samp>rec709, hdtv</samp>’</dt> |
|
<dt>‘<samp>uhdtv, rec2020</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>cie</samp>’</dt> |
|
<dd><p>Set CIE system. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>xyy</samp>’</dt> |
|
<dt>‘<samp>ucs</samp>’</dt> |
|
<dt>‘<samp>luv</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>gamuts</samp>’</dt> |
|
<dd><p>Set what gamuts to draw. |
|
</p> |
|
<p>See <code>system</code> option for available values. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set ciescope size, by default set to 512. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>intensity, i</samp>’</dt> |
|
<dd><p>Set intensity used to map input pixel values to CIE diagram. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>contrast</samp>’</dt> |
|
<dd><p>Set contrast used to draw tongue colors that are out of active color system gamut. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>corrgamma</samp>’</dt> |
|
<dd><p>Correct gamma displayed on scope, by default enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>showwhite</samp>’</dt> |
|
<dd><p>Show white point on CIE diagram, by default disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma</samp>’</dt> |
|
<dd><p>Set input gamma. Used only with XYZ input color space. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="codecview"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-codecview">29.16 codecview</a></h2> |
|
|
|
<p>Visualize information exported by some codecs. |
|
</p> |
|
<p>Some codecs can export information through frames using side-data or other |
|
means. For example, some MPEG based codecs export motion vectors through the |
|
<var>export_mvs</var> flag in the codec ‘<samp>flags2</samp>’ option. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mv</samp>’</dt> |
|
<dd><p>Set motion vectors to visualize. |
|
</p> |
|
<p>Available flags for <var>mv</var> are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>pf</samp>’</dt> |
|
<dd><p>forward predicted MVs of P-frames |
|
</p></dd> |
|
<dt>‘<samp>bf</samp>’</dt> |
|
<dd><p>forward predicted MVs of B-frames |
|
</p></dd> |
|
<dt>‘<samp>bb</samp>’</dt> |
|
<dd><p>backward predicted MVs of B-frames |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>qp</samp>’</dt> |
|
<dd><p>Display quantization parameters using the chroma planes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mv_type, mvt</samp>’</dt> |
|
<dd><p>Set motion vectors type to visualize. Includes MVs from all frames unless specified by <var>frame_type</var> option. |
|
</p> |
|
<p>Available flags for <var>mv_type</var> are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>fp</samp>’</dt> |
|
<dd><p>forward predicted MVs |
|
</p></dd> |
|
<dt>‘<samp>bp</samp>’</dt> |
|
<dd><p>backward predicted MVs |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>frame_type, ft</samp>’</dt> |
|
<dd><p>Set frame type to visualize motion vectors of. |
|
</p> |
|
<p>Available flags for <var>frame_type</var> are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>if</samp>’</dt> |
|
<dd><p>intra-coded frames (I-frames) |
|
</p></dd> |
|
<dt>‘<samp>pf</samp>’</dt> |
|
<dd><p>predicted frames (P-frames) |
|
</p></dd> |
|
<dt>‘<samp>bf</samp>’</dt> |
|
<dd><p>bi-directionally predicted frames (B-frames) |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-110"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-110">29.16.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Visualize forward predicted MVs of all frames using <code>ffplay</code>: |
|
<div class="example"> |
|
<pre class="example">ffplay -flags2 +export_mvs input.mp4 -vf codecview=mv_type=fp |
|
</pre></div> |
|
|
|
</li><li> |
|
Visualize multi-directionals MVs of P and B-Frames using <code>ffplay</code>: |
|
<div class="example"> |
|
<pre class="example">ffplay -flags2 +export_mvs input.mp4 -vf codecview=mv=pf+bf+bb |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="colorbalance"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-colorbalance">29.17 colorbalance</a></h2> |
|
<p>Modify intensity of primary colors (red, green and blue) of input frames. |
|
</p> |
|
<p>The filter allows an input frame to be adjusted in the shadows, midtones or highlights |
|
regions for the red-cyan, green-magenta or blue-yellow balance. |
|
</p> |
|
<p>A positive adjustment value shifts the balance towards the primary color, a negative |
|
value towards the complementary color. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rs</samp>’</dt> |
|
<dt>‘<samp>gs</samp>’</dt> |
|
<dt>‘<samp>bs</samp>’</dt> |
|
<dd><p>Adjust red, green and blue shadows (darkest pixels). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rm</samp>’</dt> |
|
<dt>‘<samp>gm</samp>’</dt> |
|
<dt>‘<samp>bm</samp>’</dt> |
|
<dd><p>Adjust red, green and blue midtones (medium pixels). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rh</samp>’</dt> |
|
<dt>‘<samp>gh</samp>’</dt> |
|
<dt>‘<samp>bh</samp>’</dt> |
|
<dd><p>Adjust red, green and blue highlights (brightest pixels). |
|
</p> |
|
<p>Allowed ranges for options are <code>[-1.0, 1.0]</code>. Defaults are <code>0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-8"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-8">29.17.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Add red color cast to shadows: |
|
<div class="example"> |
|
<pre class="example">colorbalance=rs=.3 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="colorkey"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-colorkey">29.18 colorkey</a></h2> |
|
<p>RGB colorspace color keying. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>The color which will be replaced with transparency. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>similarity</samp>’</dt> |
|
<dd><p>Similarity percentage with the key color. |
|
</p> |
|
<p>0.01 matches only the exact key color, while 1.0 matches everything. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blend</samp>’</dt> |
|
<dd><p>Blend percentage. |
|
</p> |
|
<p>0.0 makes pixels either fully transparent, or not transparent at all. |
|
</p> |
|
<p>Higher values result in semi-transparent pixels, with a higher transparency |
|
the more similar the pixels color is to the key color. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-66"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-66">29.18.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Make every green pixel in the input image transparent: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.png -vf colorkey=green out.png |
|
</pre></div> |
|
|
|
</li><li> |
|
Overlay a greenscreen-video on top of a static background image. |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i background.png -i video.mp4 -filter_complex "[1:v]colorkey=0x3BBD1E:0.3:0.2[ckout];[0:v][ckout]overlay[out]" -map "[out]" output.flv |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="colorlevels"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-colorlevels">29.19 colorlevels</a></h2> |
|
|
|
<p>Adjust video input frames using levels. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rimin</samp>’</dt> |
|
<dt>‘<samp>gimin</samp>’</dt> |
|
<dt>‘<samp>bimin</samp>’</dt> |
|
<dt>‘<samp>aimin</samp>’</dt> |
|
<dd><p>Adjust red, green, blue and alpha input black point. |
|
Allowed ranges for options are <code>[-1.0, 1.0]</code>. Defaults are <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rimax</samp>’</dt> |
|
<dt>‘<samp>gimax</samp>’</dt> |
|
<dt>‘<samp>bimax</samp>’</dt> |
|
<dt>‘<samp>aimax</samp>’</dt> |
|
<dd><p>Adjust red, green, blue and alpha input white point. |
|
Allowed ranges for options are <code>[-1.0, 1.0]</code>. Defaults are <code>1</code>. |
|
</p> |
|
<p>Input levels are used to lighten highlights (bright tones), darken shadows |
|
(dark tones), change the balance of bright and dark tones. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>romin</samp>’</dt> |
|
<dt>‘<samp>gomin</samp>’</dt> |
|
<dt>‘<samp>bomin</samp>’</dt> |
|
<dt>‘<samp>aomin</samp>’</dt> |
|
<dd><p>Adjust red, green, blue and alpha output black point. |
|
Allowed ranges for options are <code>[0, 1.0]</code>. Defaults are <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>romax</samp>’</dt> |
|
<dt>‘<samp>gomax</samp>’</dt> |
|
<dt>‘<samp>bomax</samp>’</dt> |
|
<dt>‘<samp>aomax</samp>’</dt> |
|
<dd><p>Adjust red, green, blue and alpha output white point. |
|
Allowed ranges for options are <code>[0, 1.0]</code>. Defaults are <code>1</code>. |
|
</p> |
|
<p>Output levels allows manual selection of a constrained output level range. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-11"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-11">29.19.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Make video output darker: |
|
<div class="example"> |
|
<pre class="example">colorlevels=rimin=0.058:gimin=0.058:bimin=0.058 |
|
</pre></div> |
|
|
|
</li><li> |
|
Increase contrast: |
|
<div class="example"> |
|
<pre class="example">colorlevels=rimin=0.039:gimin=0.039:bimin=0.039:rimax=0.96:gimax=0.96:bimax=0.96 |
|
</pre></div> |
|
|
|
</li><li> |
|
Make video output lighter: |
|
<div class="example"> |
|
<pre class="example">colorlevels=rimax=0.902:gimax=0.902:bimax=0.902 |
|
</pre></div> |
|
|
|
</li><li> |
|
Increase brightness: |
|
<div class="example"> |
|
<pre class="example">colorlevels=romin=0.5:gomin=0.5:bomin=0.5 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="colorchannelmixer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-colorchannelmixer">29.20 colorchannelmixer</a></h2> |
|
|
|
<p>Adjust video input frames by re-mixing color channels. |
|
</p> |
|
<p>This filter modifies a color channel by adding the values associated to |
|
the other channels of the same pixels. For example if the value to |
|
modify is red, the output value will be: |
|
</p><div class="example"> |
|
<pre class="example"><var>red</var>=<var>red</var>*<var>rr</var> + <var>blue</var>*<var>rb</var> + <var>green</var>*<var>rg</var> + <var>alpha</var>*<var>ra</var> |
|
</pre></div> |
|
|
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rr</samp>’</dt> |
|
<dt>‘<samp>rg</samp>’</dt> |
|
<dt>‘<samp>rb</samp>’</dt> |
|
<dt>‘<samp>ra</samp>’</dt> |
|
<dd><p>Adjust contribution of input red, green, blue and alpha channels for output red channel. |
|
Default is <code>1</code> for <var>rr</var>, and <code>0</code> for <var>rg</var>, <var>rb</var> and <var>ra</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gr</samp>’</dt> |
|
<dt>‘<samp>gg</samp>’</dt> |
|
<dt>‘<samp>gb</samp>’</dt> |
|
<dt>‘<samp>ga</samp>’</dt> |
|
<dd><p>Adjust contribution of input red, green, blue and alpha channels for output green channel. |
|
Default is <code>1</code> for <var>gg</var>, and <code>0</code> for <var>gr</var>, <var>gb</var> and <var>ga</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>br</samp>’</dt> |
|
<dt>‘<samp>bg</samp>’</dt> |
|
<dt>‘<samp>bb</samp>’</dt> |
|
<dt>‘<samp>ba</samp>’</dt> |
|
<dd><p>Adjust contribution of input red, green, blue and alpha channels for output blue channel. |
|
Default is <code>1</code> for <var>bb</var>, and <code>0</code> for <var>br</var>, <var>bg</var> and <var>ba</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ar</samp>’</dt> |
|
<dt>‘<samp>ag</samp>’</dt> |
|
<dt>‘<samp>ab</samp>’</dt> |
|
<dt>‘<samp>aa</samp>’</dt> |
|
<dd><p>Adjust contribution of input red, green, blue and alpha channels for output alpha channel. |
|
Default is <code>1</code> for <var>aa</var>, and <code>0</code> for <var>ar</var>, <var>ag</var> and <var>ab</var>. |
|
</p> |
|
<p>Allowed ranges for options are <code>[-2.0, 2.0]</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-88"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-88">29.20.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Convert source to grayscale: |
|
<div class="example"> |
|
<pre class="example">colorchannelmixer=.3:.4:.3:0:.3:.4:.3:0:.3:.4:.3 |
|
</pre></div> |
|
</li><li> |
|
Simulate sepia tones: |
|
<div class="example"> |
|
<pre class="example">colorchannelmixer=.393:.769:.189:0:.349:.686:.168:0:.272:.534:.131 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="colormatrix"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-colormatrix">29.21 colormatrix</a></h2> |
|
|
|
<p>Convert color matrix. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>src</samp>’</dt> |
|
<dt>‘<samp>dst</samp>’</dt> |
|
<dd><p>Specify the source and destination color matrix. Both values must be |
|
specified. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fcc</samp>’</dt> |
|
<dd><p>FCC |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt601</samp>’</dt> |
|
<dd><p>BT.601 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470</samp>’</dt> |
|
<dd><p>BT.470 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470bg</samp>’</dt> |
|
<dd><p>BT.470BG |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE-170M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE-240M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt2020</samp>’</dt> |
|
<dd><p>BT.2020 |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<p>For example to convert from BT.601 to SMPTE-240M, use the command: |
|
</p><div class="example"> |
|
<pre class="example">colormatrix=bt601:smpte240m |
|
</pre></div> |
|
|
|
<a name="colorspace"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-colorspace">29.22 colorspace</a></h2> |
|
|
|
<p>Convert colorspace, transfer characteristics or color primaries. |
|
Input video needs to have an even size. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dd><p><a name="all"></a> |
|
</p></dd> |
|
<dt>‘<samp>all</samp>’</dt> |
|
<dd><p>Specify all color properties at once. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bt470m</samp>’</dt> |
|
<dd><p>BT.470M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470bg</samp>’</dt> |
|
<dd><p>BT.470BG |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt601-6-525</samp>’</dt> |
|
<dd><p>BT.601-6 525 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt601-6-625</samp>’</dt> |
|
<dd><p>BT.601-6 625 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE-170M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE-240M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt2020</samp>’</dt> |
|
<dd><p>BT.2020 |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p><a name="space"></a> |
|
</p></dd> |
|
<dt>‘<samp>space</samp>’</dt> |
|
<dd><p>Specify output colorspace. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fcc</samp>’</dt> |
|
<dd><p>FCC |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470bg</samp>’</dt> |
|
<dd><p>BT.470BG or BT.601-6 625 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE-170M or BT.601-6 525 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE-240M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ycgco</samp>’</dt> |
|
<dd><p>YCgCo |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt2020ncl</samp>’</dt> |
|
<dd><p>BT.2020 with non-constant luminance |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p><a name="trc"></a> |
|
</p></dd> |
|
<dt>‘<samp>trc</samp>’</dt> |
|
<dd><p>Specify output transfer characteristics. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470m</samp>’</dt> |
|
<dd><p>BT.470M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470bg</samp>’</dt> |
|
<dd><p>BT.470BG |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma22</samp>’</dt> |
|
<dd><p>Constant gamma of 2.2 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma28</samp>’</dt> |
|
<dd><p>Constant gamma of 2.8 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE-170M, BT.601-6 625 or BT.601-6 525 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE-240M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>srgb</samp>’</dt> |
|
<dd><p>SRGB |
|
</p> |
|
</dd> |
|
<dt>‘<samp>iec61966-2-1</samp>’</dt> |
|
<dd><p>iec61966-2-1 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>iec61966-2-4</samp>’</dt> |
|
<dd><p>iec61966-2-4 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>xvycc</samp>’</dt> |
|
<dd><p>xvycc |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt2020-10</samp>’</dt> |
|
<dd><p>BT.2020 for 10-bits content |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt2020-12</samp>’</dt> |
|
<dd><p>BT.2020 for 12-bits content |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p><a name="primaries"></a> |
|
</p></dd> |
|
<dt>‘<samp>primaries</samp>’</dt> |
|
<dd><p>Specify output color primaries. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470m</samp>’</dt> |
|
<dd><p>BT.470M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470bg</samp>’</dt> |
|
<dd><p>BT.470BG or BT.601-6 625 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE-170M or BT.601-6 525 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE-240M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>film</samp>’</dt> |
|
<dd><p>film |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte431</samp>’</dt> |
|
<dd><p>SMPTE-431 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte432</samp>’</dt> |
|
<dd><p>SMPTE-432 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt2020</samp>’</dt> |
|
<dd><p>BT.2020 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>jedec-p22</samp>’</dt> |
|
<dd><p>JEDEC P22 phosphors |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p><a name="range"></a> |
|
</p></dd> |
|
<dt>‘<samp>range</samp>’</dt> |
|
<dd><p>Specify output color range. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>tv</samp>’</dt> |
|
<dd><p>TV (restricted) range |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mpeg</samp>’</dt> |
|
<dd><p>MPEG (restricted) range |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pc</samp>’</dt> |
|
<dd><p>PC (full) range |
|
</p> |
|
</dd> |
|
<dt>‘<samp>jpeg</samp>’</dt> |
|
<dd><p>JPEG (full) range |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>format</samp>’</dt> |
|
<dd><p>Specify output color format. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>yuv420p</samp>’</dt> |
|
<dd><p>YUV 4:2:0 planar 8-bits |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv420p10</samp>’</dt> |
|
<dd><p>YUV 4:2:0 planar 10-bits |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv420p12</samp>’</dt> |
|
<dd><p>YUV 4:2:0 planar 12-bits |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv422p</samp>’</dt> |
|
<dd><p>YUV 4:2:2 planar 8-bits |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv422p10</samp>’</dt> |
|
<dd><p>YUV 4:2:2 planar 10-bits |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv422p12</samp>’</dt> |
|
<dd><p>YUV 4:2:2 planar 12-bits |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv444p</samp>’</dt> |
|
<dd><p>YUV 4:4:4 planar 8-bits |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv444p10</samp>’</dt> |
|
<dd><p>YUV 4:4:4 planar 10-bits |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv444p12</samp>’</dt> |
|
<dd><p>YUV 4:4:4 planar 12-bits |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>fast</samp>’</dt> |
|
<dd><p>Do a fast conversion, which skips gamma/primary correction. This will take |
|
significantly less CPU, but will be mathematically incorrect. To get output |
|
compatible with that produced by the colormatrix filter, use fast=1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dither</samp>’</dt> |
|
<dd><p>Specify dithering mode. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>No dithering |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fsb</samp>’</dt> |
|
<dd><p>Floyd-Steinberg dithering |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>wpadapt</samp>’</dt> |
|
<dd><p>Whitepoint adaptation mode. |
|
</p> |
|
<p>The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bradford</samp>’</dt> |
|
<dd><p>Bradford whitepoint adaptation |
|
</p> |
|
</dd> |
|
<dt>‘<samp>vonkries</samp>’</dt> |
|
<dd><p>von Kries whitepoint adaptation |
|
</p> |
|
</dd> |
|
<dt>‘<samp>identity</samp>’</dt> |
|
<dd><p>identity whitepoint adaptation (i.e. no whitepoint adaptation) |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>iall</samp>’</dt> |
|
<dd><p>Override all input properties at once. Same accepted values as <a href="#all">all</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ispace</samp>’</dt> |
|
<dd><p>Override input colorspace. Same accepted values as <a href="#space">space</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>iprimaries</samp>’</dt> |
|
<dd><p>Override input color primaries. Same accepted values as <a href="#primaries">primaries</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>itrc</samp>’</dt> |
|
<dd><p>Override input transfer characteristics. Same accepted values as <a href="#trc">trc</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>irange</samp>’</dt> |
|
<dd><p>Override input color range. Same accepted values as <a href="#range">range</a>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The filter converts the transfer characteristics, color space and color |
|
primaries to the specified user values. The output value, if not specified, |
|
is set to a default value based on the "all" property. If that property is |
|
also not specified, the filter will log an error. The output color range and |
|
format default to the same value as the input color range and format. The |
|
input transfer characteristics, color space, color primaries and color range |
|
should be set on the input data. If any of these are missing, the filter will |
|
log an error and no conversion will take place. |
|
</p> |
|
<p>For example to convert the input to SMPTE-240M, use the command: |
|
</p><div class="example"> |
|
<pre class="example">colorspace=smpte240m |
|
</pre></div> |
|
|
|
<a name="convolution"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-convolution">29.23 convolution</a></h2> |
|
|
|
<p>Apply convolution of 3x3, 5x5, 7x7 or horizontal/vertical up to 49 elements. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0m</samp>’</dt> |
|
<dt>‘<samp>1m</samp>’</dt> |
|
<dt>‘<samp>2m</samp>’</dt> |
|
<dt>‘<samp>3m</samp>’</dt> |
|
<dd><p>Set matrix for each plane. |
|
Matrix is sequence of 9, 25 or 49 signed integers in <var>square</var> mode, |
|
and from 1 to 49 odd number of signed integers in <var>row</var> mode. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>0rdiv</samp>’</dt> |
|
<dt>‘<samp>1rdiv</samp>’</dt> |
|
<dt>‘<samp>2rdiv</samp>’</dt> |
|
<dt>‘<samp>3rdiv</samp>’</dt> |
|
<dd><p>Set multiplier for calculated value for each plane. |
|
If unset or 0, it will be sum of all matrix elements. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>0bias</samp>’</dt> |
|
<dt>‘<samp>1bias</samp>’</dt> |
|
<dt>‘<samp>2bias</samp>’</dt> |
|
<dt>‘<samp>3bias</samp>’</dt> |
|
<dd><p>Set bias for each plane. This value is added to the result of the multiplication. |
|
Useful for making the overall image brighter or darker. Default is 0.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>0mode</samp>’</dt> |
|
<dt>‘<samp>1mode</samp>’</dt> |
|
<dt>‘<samp>2mode</samp>’</dt> |
|
<dt>‘<samp>3mode</samp>’</dt> |
|
<dd><p>Set matrix mode for each plane. Can be <var>square</var>, <var>row</var> or <var>column</var>. |
|
Default is <var>square</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-53"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-53">29.23.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply sharpen: |
|
<div class="example"> |
|
<pre class="example">convolution="0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply blur: |
|
<div class="example"> |
|
<pre class="example">convolution="1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1/9:1/9:1/9:1/9" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply edge enhance: |
|
<div class="example"> |
|
<pre class="example">convolution="0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:5:1:1:1:0:128:128:128" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply edge detect: |
|
<div class="example"> |
|
<pre class="example">convolution="0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:5:5:5:1:0:128:128:128" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply laplacian edge detector which includes diagonals: |
|
<div class="example"> |
|
<pre class="example">convolution="1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:5:5:5:1:0:128:128:0" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply emboss: |
|
<div class="example"> |
|
<pre class="example">convolution="-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2" |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="convolve"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-convolve">29.24 convolve</a></h2> |
|
|
|
<p>Apply 2D convolution of video stream in frequency domain using second stream |
|
as impulse. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes to process. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>impulse</samp>’</dt> |
|
<dd><p>Set which impulse video frames will be processed, can be <var>first</var> |
|
or <var>all</var>. Default is <var>all</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The <code>convolve</code> filter also supports the <a href="#framesync">framesync</a> options. |
|
</p> |
|
<a name="copy"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-copy">29.25 copy</a></h2> |
|
|
|
<p>Copy the input video source unchanged to the output. This is mainly useful for |
|
testing purposes. |
|
</p> |
|
<p><a name="coreimage"></a> |
|
</p><a name="coreimage-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-coreimage-1">29.26 coreimage</a></h2> |
|
<p>Video filtering on GPU using Apple’s CoreImage API on OSX. |
|
</p> |
|
<p>Hardware acceleration is based on an OpenGL context. Usually, this means it is |
|
processed by video hardware. However, software-based OpenGL implementations |
|
exist which means there is no guarantee for hardware processing. It depends on |
|
the respective OSX. |
|
</p> |
|
<p>There are many filters and image generators provided by Apple that come with a |
|
large variety of options. The filter has to be referenced by its name along |
|
with its options. |
|
</p> |
|
<p>The coreimage filter accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>list_filters</samp>’</dt> |
|
<dd><p>List all available filters and generators along with all their respective |
|
options as well as possible minimum and maximum values along with the default |
|
values. |
|
</p><div class="example"> |
|
<pre class="example">list_filters=true |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>filter</samp>’</dt> |
|
<dd><p>Specify all filters by their respective name and options. |
|
Use <var>list_filters</var> to determine all valid filter names and options. |
|
Numerical options are specified by a float value and are automatically clamped |
|
to their respective value range. Vector and color options have to be specified |
|
by a list of space separated float values. Character escaping has to be done. |
|
A special option name <code>default</code> is available to use default options for a |
|
filter. |
|
</p> |
|
<p>It is required to specify either <code>default</code> or at least one of the filter options. |
|
All omitted options are used with their default values. |
|
The syntax of the filter string is as follows: |
|
</p><div class="example"> |
|
<pre class="example">filter=<NAME>@<OPTION>=<VALUE>[@<OPTION>=<VALUE>][@...][#<NAME>@<OPTION>=<VALUE>[@<OPTION>=<VALUE>][@...]][#...] |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>output_rect</samp>’</dt> |
|
<dd><p>Specify a rectangle where the output of the filter chain is copied into the |
|
input image. It is given by a list of space separated float values: |
|
</p><div class="example"> |
|
<pre class="example">output_rect=x\ y\ width\ height |
|
</pre></div> |
|
<p>If not given, the output rectangle equals the dimensions of the input image. |
|
The output rectangle is automatically cropped at the borders of the input |
|
image. Negative values are valid for each component. |
|
</p><div class="example"> |
|
<pre class="example">output_rect=25\ 25\ 100\ 100 |
|
</pre></div> |
|
</dd> |
|
</dl> |
|
|
|
<p>Several filters can be chained for successive processing without GPU-HOST |
|
transfers allowing for fast processing of complex filter chains. |
|
Currently, only filters with zero (generators) or exactly one (filters) input |
|
image and one output image are supported. Also, transition filters are not yet |
|
usable as intended. |
|
</p> |
|
<p>Some filters generate output images with additional padding depending on the |
|
respective filter kernel. The padding is automatically removed to ensure the |
|
filter output has the same size as the input image. |
|
</p> |
|
<p>For image generators, the size of the output image is determined by the |
|
previous output image of the filter chain or the input image of the whole |
|
filterchain, respectively. The generators do not use the pixel information of |
|
this image to generate their output. However, the generated output is |
|
blended onto this image, resulting in partial or complete coverage of the |
|
output image. |
|
</p> |
|
<p>The <a href="#coreimagesrc">coreimagesrc</a> video source can be used for generating input images |
|
which are directly fed into the filter chain. By using it, providing input |
|
images by another video source or an input video is not required. |
|
</p> |
|
<a name="Examples-13"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-13">29.26.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
List all filters available: |
|
<div class="example"> |
|
<pre class="example">coreimage=list_filters=true |
|
</pre></div> |
|
|
|
</li><li> |
|
Use the CIBoxBlur filter with default options to blur an image: |
|
<div class="example"> |
|
<pre class="example">coreimage=filter=CIBoxBlur@default |
|
</pre></div> |
|
|
|
</li><li> |
|
Use a filter chain with CISepiaTone at default values and CIVignetteEffect with |
|
its center at 100x100 and a radius of 50 pixels: |
|
<div class="example"> |
|
<pre class="example">coreimage=filter=CIBoxBlur@default#CIVignetteEffect@inputCenter=100\ 100@inputRadius=50 |
|
</pre></div> |
|
|
|
</li><li> |
|
Use nullsrc and CIQRCodeGenerator to create a QR code for the FFmpeg homepage, |
|
given as complete and escaped command-line for Apple’s standard bash shell: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i nullsrc=s=100x100,coreimage=filter=CIQRCodeGenerator@inputMessage=https\\\\\://FFmpeg.org/@inputCorrectionLevel=H -frames:v 1 QRCode.png |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="crop"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-crop">29.27 crop</a></h2> |
|
|
|
<p>Crop the input video to given dimensions. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w, out_w</samp>’</dt> |
|
<dd><p>The width of the output video. It defaults to <code>iw</code>. |
|
This expression is evaluated only once during the filter |
|
configuration, or when the ‘<samp>w</samp>’ or ‘<samp>out_w</samp>’ command is sent. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>h, out_h</samp>’</dt> |
|
<dd><p>The height of the output video. It defaults to <code>ih</code>. |
|
This expression is evaluated only once during the filter |
|
configuration, or when the ‘<samp>h</samp>’ or ‘<samp>out_h</samp>’ command is sent. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dd><p>The horizontal position, in the input video, of the left edge of the output |
|
video. It defaults to <code>(in_w-out_w)/2</code>. |
|
This expression is evaluated per-frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The vertical position, in the input video, of the top edge of the output video. |
|
It defaults to <code>(in_h-out_h)/2</code>. |
|
This expression is evaluated per-frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>keep_aspect</samp>’</dt> |
|
<dd><p>If set to 1 will force the output display aspect ratio |
|
to be the same of the input, by changing the output sample aspect |
|
ratio. It defaults to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>exact</samp>’</dt> |
|
<dd><p>Enable exact cropping. If enabled, subsampled videos will be cropped at exact |
|
width/height/x/y as specified and will not be rounded to nearest smaller value. |
|
It defaults to 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The <var>out_w</var>, <var>out_h</var>, <var>x</var>, <var>y</var> parameters are |
|
expressions containing the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The computed values for <var>x</var> and <var>y</var>. They are evaluated for |
|
each new frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>in_w</samp>’</dt> |
|
<dt>‘<samp>in_h</samp>’</dt> |
|
<dd><p>The input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>iw</samp>’</dt> |
|
<dt>‘<samp>ih</samp>’</dt> |
|
<dd><p>These are the same as <var>in_w</var> and <var>in_h</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_w</samp>’</dt> |
|
<dt>‘<samp>out_h</samp>’</dt> |
|
<dd><p>The output (cropped) width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ow</samp>’</dt> |
|
<dt>‘<samp>oh</samp>’</dt> |
|
<dd><p>These are the same as <var>out_w</var> and <var>out_h</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>same as <var>iw</var> / <var>ih</var> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>input sample aspect ratio |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dar</samp>’</dt> |
|
<dd><p>input display aspect ratio, it is the same as (<var>iw</var> / <var>ih</var>) * <var>sar</var> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub</samp>’</dt> |
|
<dt>‘<samp>vsub</samp>’</dt> |
|
<dd><p>horizontal and vertical chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>The number of the input frame, starting from 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>the position in the file of the input frame, NAN if unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>The timestamp expressed in seconds. It’s NAN if the input timestamp is unknown. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The expression for <var>out_w</var> may depend on the value of <var>out_h</var>, |
|
and the expression for <var>out_h</var> may depend on <var>out_w</var>, but they |
|
cannot depend on <var>x</var> and <var>y</var>, as <var>x</var> and <var>y</var> are |
|
evaluated after <var>out_w</var> and <var>out_h</var>. |
|
</p> |
|
<p>The <var>x</var> and <var>y</var> parameters specify the expressions for the |
|
position of the top-left corner of the output (non-cropped) area. They |
|
are evaluated for each frame. If the evaluated value is not valid, it |
|
is approximated to the nearest valid value. |
|
</p> |
|
<p>The expression for <var>x</var> may depend on <var>y</var>, and the expression |
|
for <var>y</var> may depend on <var>x</var>. |
|
</p> |
|
<a name="Examples-29"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-29">29.27.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Crop area with size 100x100 at position (12,34). |
|
<div class="example"> |
|
<pre class="example">crop=100:100:12:34 |
|
</pre></div> |
|
|
|
<p>Using named options, the example above becomes: |
|
</p><div class="example"> |
|
<pre class="example">crop=w=100:h=100:x=12:y=34 |
|
</pre></div> |
|
|
|
</li><li> |
|
Crop the central input area with size 100x100: |
|
<div class="example"> |
|
<pre class="example">crop=100:100 |
|
</pre></div> |
|
|
|
</li><li> |
|
Crop the central input area with size 2/3 of the input video: |
|
<div class="example"> |
|
<pre class="example">crop=2/3*in_w:2/3*in_h |
|
</pre></div> |
|
|
|
</li><li> |
|
Crop the input video central square: |
|
<div class="example"> |
|
<pre class="example">crop=out_w=in_h |
|
crop=in_h |
|
</pre></div> |
|
|
|
</li><li> |
|
Delimit the rectangle with the top-left corner placed at position |
|
100:100 and the right-bottom corner corresponding to the right-bottom |
|
corner of the input image. |
|
<div class="example"> |
|
<pre class="example">crop=in_w-100:in_h-100:100:100 |
|
</pre></div> |
|
|
|
</li><li> |
|
Crop 10 pixels from the left and right borders, and 20 pixels from |
|
the top and bottom borders |
|
<div class="example"> |
|
<pre class="example">crop=in_w-2*10:in_h-2*20 |
|
</pre></div> |
|
|
|
</li><li> |
|
Keep only the bottom right quarter of the input image: |
|
<div class="example"> |
|
<pre class="example">crop=in_w/2:in_h/2:in_w/2:in_h/2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Crop height for getting Greek harmony: |
|
<div class="example"> |
|
<pre class="example">crop=in_w:1/PHI*in_w |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply trembling effect: |
|
<div class="example"> |
|
<pre class="example">crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(n/10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(n/7) |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply erratic camera effect depending on timestamp: |
|
<div class="example"> |
|
<pre class="example">crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(t*10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(t*13)" |
|
</pre></div> |
|
|
|
</li><li> |
|
Set x depending on the value of y: |
|
<div class="example"> |
|
<pre class="example">crop=in_w/2:in_h/2:y:10+10*sin(n/10) |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-19"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-19">29.27.2 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>w, out_w</samp>’</dt> |
|
<dt>‘<samp>h, out_h</samp>’</dt> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Set width/height of the output video and the horizontal/vertical position |
|
in the input video. |
|
The command accepts the same syntax of the corresponding option. |
|
</p> |
|
<p>If the specified expression is not valid, it is kept at its current |
|
value. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="cropdetect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-cropdetect">29.28 cropdetect</a></h2> |
|
|
|
<p>Auto-detect the crop size. |
|
</p> |
|
<p>It calculates the necessary cropping parameters and prints the |
|
recommended parameters via the logging system. The detected dimensions |
|
correspond to the non-black area of the input video. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>limit</samp>’</dt> |
|
<dd><p>Set higher black value threshold, which can be optionally specified |
|
from nothing (0) to everything (255 for 8-bit based formats). An intensity |
|
value greater to the set value is considered non-black. It defaults to 24. |
|
You can also specify a value between 0.0 and 1.0 which will be scaled depending |
|
on the bitdepth of the pixel format. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>round</samp>’</dt> |
|
<dd><p>The value which the width/height should be divisible by. It defaults to |
|
16. The offset is automatically adjusted to center the video. Use 2 to |
|
get only even dimensions (needed for 4:2:2 video). 16 is best when |
|
encoding to most video codecs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reset_count, reset</samp>’</dt> |
|
<dd><p>Set the counter that determines after how many frames cropdetect will |
|
reset the previously detected largest video area and start over to |
|
detect the current optimal crop area. Default value is 0. |
|
</p> |
|
<p>This can be useful when channel logos distort the video area. 0 |
|
indicates ’never reset’, and returns the largest area encountered during |
|
playback. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="curves"></a> |
|
</p><a name="curves-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-curves-1">29.29 curves</a></h2> |
|
|
|
<p>Apply color adjustments using curves. |
|
</p> |
|
<p>This filter is similar to the Adobe Photoshop and GIMP curves tools. Each |
|
component (red, green and blue) has its values defined by <var>N</var> key points |
|
tied from each other using a smooth curve. The x-axis represents the pixel |
|
values from the input frame, and the y-axis the new pixel values to be set for |
|
the output frame. |
|
</p> |
|
<p>By default, a component curve is defined by the two points <var>(0;0)</var> and |
|
<var>(1;1)</var>. This creates a straight line where each original pixel value is |
|
"adjusted" to its own value, which means no change to the image. |
|
</p> |
|
<p>The filter allows you to redefine these two points and add some more. A new |
|
curve (using a natural cubic spline interpolation) will be define to pass |
|
smoothly through all these new coordinates. The new defined points needs to be |
|
strictly increasing over the x-axis, and their <var>x</var> and <var>y</var> values must |
|
be in the <var>[0;1]</var> interval. If the computed curves happened to go outside |
|
the vector spaces, the values will be clipped accordingly. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>preset</samp>’</dt> |
|
<dd><p>Select one of the available color presets. This option can be used in addition |
|
to the ‘<samp>r</samp>’, ‘<samp>g</samp>’, ‘<samp>b</samp>’ parameters; in this case, the later |
|
options takes priority on the preset values. |
|
Available presets are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dt>‘<samp>color_negative</samp>’</dt> |
|
<dt>‘<samp>cross_process</samp>’</dt> |
|
<dt>‘<samp>darker</samp>’</dt> |
|
<dt>‘<samp>increase_contrast</samp>’</dt> |
|
<dt>‘<samp>lighter</samp>’</dt> |
|
<dt>‘<samp>linear_contrast</samp>’</dt> |
|
<dt>‘<samp>medium_contrast</samp>’</dt> |
|
<dt>‘<samp>negative</samp>’</dt> |
|
<dt>‘<samp>strong_contrast</samp>’</dt> |
|
<dt>‘<samp>vintage</samp>’</dt> |
|
</dl> |
|
<p>Default is <code>none</code>. |
|
</p></dd> |
|
<dt>‘<samp>master, m</samp>’</dt> |
|
<dd><p>Set the master key points. These points will define a second pass mapping. It |
|
is sometimes called a "luminance" or "value" mapping. It can be used with |
|
‘<samp>r</samp>’, ‘<samp>g</samp>’, ‘<samp>b</samp>’ or ‘<samp>all</samp>’ since it acts like a |
|
post-processing LUT. |
|
</p></dd> |
|
<dt>‘<samp>red, r</samp>’</dt> |
|
<dd><p>Set the key points for the red component. |
|
</p></dd> |
|
<dt>‘<samp>green, g</samp>’</dt> |
|
<dd><p>Set the key points for the green component. |
|
</p></dd> |
|
<dt>‘<samp>blue, b</samp>’</dt> |
|
<dd><p>Set the key points for the blue component. |
|
</p></dd> |
|
<dt>‘<samp>all</samp>’</dt> |
|
<dd><p>Set the key points for all components (not including master). |
|
Can be used in addition to the other key points component |
|
options. In this case, the unset component(s) will fallback on this |
|
‘<samp>all</samp>’ setting. |
|
</p></dd> |
|
<dt>‘<samp>psfile</samp>’</dt> |
|
<dd><p>Specify a Photoshop curves file (<code>.acv</code>) to import the settings from. |
|
</p></dd> |
|
<dt>‘<samp>plot</samp>’</dt> |
|
<dd><p>Save Gnuplot script of the curves in specified file. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>To avoid some filtergraph syntax conflicts, each key points list need to be |
|
defined using the following syntax: <code>x0/y0 x1/y1 x2/y2 ...</code>. |
|
</p> |
|
<a name="Examples-24"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-24">29.29.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Increase slightly the middle level of blue: |
|
<div class="example"> |
|
<pre class="example">curves=blue='0/0 0.5/0.58 1/1' |
|
</pre></div> |
|
|
|
</li><li> |
|
Vintage effect: |
|
<div class="example"> |
|
<pre class="example">curves=r='0/0.11 .42/.51 1/0.95':g='0/0 0.50/0.48 1/1':b='0/0.22 .49/.44 1/0.8' |
|
</pre></div> |
|
<p>Here we obtain the following coordinates for each components: |
|
</p><dl compact="compact"> |
|
<dt><var>red</var></dt> |
|
<dd><p><code>(0;0.11) (0.42;0.51) (1;0.95)</code> |
|
</p></dd> |
|
<dt><var>green</var></dt> |
|
<dd><p><code>(0;0) (0.50;0.48) (1;1)</code> |
|
</p></dd> |
|
<dt><var>blue</var></dt> |
|
<dd><p><code>(0;0.22) (0.49;0.44) (1;0.80)</code> |
|
</p></dd> |
|
</dl> |
|
|
|
</li><li> |
|
The previous example can also be achieved with the associated built-in preset: |
|
<div class="example"> |
|
<pre class="example">curves=preset=vintage |
|
</pre></div> |
|
|
|
</li><li> |
|
Or simply: |
|
<div class="example"> |
|
<pre class="example">curves=vintage |
|
</pre></div> |
|
|
|
</li><li> |
|
Use a Photoshop preset and redefine the points of the green component: |
|
<div class="example"> |
|
<pre class="example">curves=psfile='MyCurvesPresets/purple.acv':green='0/0 0.45/0.53 1/1' |
|
</pre></div> |
|
|
|
</li><li> |
|
Check out the curves of the <code>cross_process</code> profile using <code>ffmpeg</code> |
|
and <code>gnuplot</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i color -vf curves=cross_process:plot=/tmp/curves.plt -frames:v 1 -f null - |
|
gnuplot -p /tmp/curves.plt |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="datascope"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-datascope">29.30 datascope</a></h2> |
|
|
|
<p>Video data analysis filter. |
|
</p> |
|
<p>This filter shows hexadecimal pixel values of part of video. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set output video size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dd><p>Set x offset from where to pick pixels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Set y offset from where to pick pixels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set scope mode, can be one of the following: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>mono</samp>’</dt> |
|
<dd><p>Draw hexadecimal pixel values with white color on black background. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>Draw hexadecimal pixel values with input video pixel color on black |
|
background. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color2</samp>’</dt> |
|
<dd><p>Draw hexadecimal pixel values on color background picked from input video, |
|
the text color is picked in such way so its always visible. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>axis</samp>’</dt> |
|
<dd><p>Draw rows and columns numbers on left and top of video. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>opacity</samp>’</dt> |
|
<dd><p>Set background opacity. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="dctdnoiz"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dctdnoiz">29.31 dctdnoiz</a></h2> |
|
|
|
<p>Denoise frames using 2D DCT (frequency domain filtering). |
|
</p> |
|
<p>This filter is not designed for real time. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sigma, s</samp>’</dt> |
|
<dd><p>Set the noise sigma constant. |
|
</p> |
|
<p>This <var>sigma</var> defines a hard threshold of <code>3 * sigma</code>; every DCT |
|
coefficient (absolute value) below this threshold with be dropped. |
|
</p> |
|
<p>If you need a more advanced filtering, see ‘<samp>expr</samp>’. |
|
</p> |
|
<p>Default is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlap</samp>’</dt> |
|
<dd><p>Set number overlapping pixels for each block. Since the filter can be slow, you |
|
may want to reduce this value, at the cost of a less effective filter and the |
|
risk of various artefacts. |
|
</p> |
|
<p>If the overlapping value doesn’t permit processing the whole input width or |
|
height, a warning will be displayed and according borders won’t be denoised. |
|
</p> |
|
<p>Default value is <var>blocksize</var>-1, which is the best possible setting. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>expr, e</samp>’</dt> |
|
<dd><p>Set the coefficient factor expression. |
|
</p> |
|
<p>For each coefficient of a DCT block, this expression will be evaluated as a |
|
multiplier value for the coefficient. |
|
</p> |
|
<p>If this is option is set, the ‘<samp>sigma</samp>’ option will be ignored. |
|
</p> |
|
<p>The absolute value of the coefficient can be accessed through the <var>c</var> |
|
variable. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>Set the <var>blocksize</var> using the number of bits. <code>1<<<var>n</var></code> defines the |
|
<var>blocksize</var>, which is the width and height of the processed blocks. |
|
</p> |
|
<p>The default value is <var>3</var> (8x8) and can be raised to <var>4</var> for a |
|
<var>blocksize</var> of 16x16. Note that changing this setting has huge consequences |
|
on the speed processing. Also, a larger block size does not necessarily means a |
|
better de-noising. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-68"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-68">29.31.1 Examples</a></h3> |
|
|
|
<p>Apply a denoise with a ‘<samp>sigma</samp>’ of <code>4.5</code>: |
|
</p><div class="example"> |
|
<pre class="example">dctdnoiz=4.5 |
|
</pre></div> |
|
|
|
<p>The same operation can be achieved using the expression system: |
|
</p><div class="example"> |
|
<pre class="example">dctdnoiz=e='gte(c, 4.5*3)' |
|
</pre></div> |
|
|
|
<p>Violent denoise using a block size of <code>16x16</code>: |
|
</p><div class="example"> |
|
<pre class="example">dctdnoiz=15:n=4 |
|
</pre></div> |
|
|
|
<a name="deband"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-deband">29.32 deband</a></h2> |
|
|
|
<p>Remove banding artifacts from input video. |
|
It works by replacing banded pixels with average value of referenced pixels. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>1thr</samp>’</dt> |
|
<dt>‘<samp>2thr</samp>’</dt> |
|
<dt>‘<samp>3thr</samp>’</dt> |
|
<dt>‘<samp>4thr</samp>’</dt> |
|
<dd><p>Set banding detection threshold for each plane. Default is 0.02. |
|
Valid range is 0.00003 to 0.5. |
|
If difference between current pixel and reference pixel is less than threshold, |
|
it will be considered as banded. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>range, r</samp>’</dt> |
|
<dd><p>Banding detection range in pixels. Default is 16. If positive, random number |
|
in range 0 to set value will be used. If negative, exact absolute value |
|
will be used. |
|
The range defines square of four pixels around current pixel. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>direction, d</samp>’</dt> |
|
<dd><p>Set direction in radians from which four pixel will be compared. If positive, |
|
random direction from 0 to set direction will be picked. If negative, exact of |
|
absolute value will be picked. For example direction 0, -PI or -2*PI radians |
|
will pick only pixels on same row and -PI/2 will pick only pixels on same |
|
column. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blur, b</samp>’</dt> |
|
<dd><p>If enabled, current pixel is compared with average value of all four |
|
surrounding pixels. The default is enabled. If disabled current pixel is |
|
compared with all four surrounding pixels. The pixel is considered banded |
|
if only all four differences with surrounding pixels are less than threshold. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>coupling, c</samp>’</dt> |
|
<dd><p>If enabled, current pixel is changed if and only if all pixel components are banded, |
|
e.g. banding detection threshold is triggered for all color components. |
|
The default is disabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="deblock"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-deblock">29.33 deblock</a></h2> |
|
|
|
<p>Remove blocking artifacts from input video. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filter</samp>’</dt> |
|
<dd><p>Set filter type, can be <var>weak</var> or <var>strong</var>. Default is <var>strong</var>. |
|
This controls what kind of deblocking is applied. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>block</samp>’</dt> |
|
<dd><p>Set size of block, allowed range is from 4 to 512. Default is <var>8</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha</samp>’</dt> |
|
<dt>‘<samp>beta</samp>’</dt> |
|
<dt>‘<samp>gamma</samp>’</dt> |
|
<dt>‘<samp>delta</samp>’</dt> |
|
<dd><p>Set blocking detection thresholds. Allowed range is 0 to 1. |
|
Defaults are: <var>0.098</var> for <var>alpha</var> and <var>0.05</var> for the rest. |
|
Using higher threshold gives more deblocking strength. |
|
Setting <var>alpha</var> controls threshold detection at exact edge of block. |
|
Remaining options controls threshold detection near the edge. Each one for |
|
below/above or left/right. Setting any of those to <var>0</var> disables |
|
deblocking. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set planes to filter. Default is to filter all available planes. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-42"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-42">29.33.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Deblock using weak filter and block size of 4 pixels. |
|
<div class="example"> |
|
<pre class="example">deblock=filter=weak:block=4 |
|
</pre></div> |
|
|
|
</li><li> |
|
Deblock using strong filter, block size of 4 pixels and custom thresholds for |
|
deblocking more edges. |
|
<div class="example"> |
|
<pre class="example">deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05 |
|
</pre></div> |
|
|
|
</li><li> |
|
Similar as above, but filter only first plane. |
|
<div class="example"> |
|
<pre class="example">deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05:planes=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Similar as above, but filter only second and third plane. |
|
<div class="example"> |
|
<pre class="example">deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05:planes=6 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="decimate"></a> |
|
</p><a name="decimate-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-decimate-1">29.34 decimate</a></h2> |
|
|
|
<p>Drop duplicated frames at regular intervals. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>cycle</samp>’</dt> |
|
<dd><p>Set the number of frames from which one will be dropped. Setting this to |
|
<var>N</var> means one frame in every batch of <var>N</var> frames will be dropped. |
|
Default is <code>5</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dupthresh</samp>’</dt> |
|
<dd><p>Set the threshold for duplicate detection. If the difference metric for a frame |
|
is less than or equal to this value, then it is declared as duplicate. Default |
|
is <code>1.1</code> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scthresh</samp>’</dt> |
|
<dd><p>Set scene change threshold. Default is <code>15</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blockx</samp>’</dt> |
|
<dt>‘<samp>blocky</samp>’</dt> |
|
<dd><p>Set the size of the x and y-axis blocks used during metric calculations. |
|
Larger blocks give better noise suppression, but also give worse detection of |
|
small movements. Must be a power of two. Default is <code>32</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ppsrc</samp>’</dt> |
|
<dd><p>Mark main input as a pre-processed input and activate clean source input |
|
stream. This allows the input to be pre-processed with various filters to help |
|
the metrics calculation while keeping the frame selection lossless. When set to |
|
<code>1</code>, the first stream is for the pre-processed input, and the second |
|
stream is the clean source from where the kept frames are chosen. Default is |
|
<code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
<dd><p>Set whether or not chroma is considered in the metric calculations. Default is |
|
<code>1</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="deconvolve"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-deconvolve">29.35 deconvolve</a></h2> |
|
|
|
<p>Apply 2D deconvolution of video stream in frequency domain using second stream |
|
as impulse. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes to process. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>impulse</samp>’</dt> |
|
<dd><p>Set which impulse video frames will be processed, can be <var>first</var> |
|
or <var>all</var>. Default is <var>all</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>noise</samp>’</dt> |
|
<dd><p>Set noise when doing divisions. Default is <var>0.0000001</var>. Useful when width |
|
and height are not same and not power of 2 or if stream prior to convolving |
|
had noise. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The <code>deconvolve</code> filter also supports the <a href="#framesync">framesync</a> options. |
|
</p> |
|
<a name="deflate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-deflate">29.36 deflate</a></h2> |
|
|
|
<p>Apply deflate effect to the video. |
|
</p> |
|
<p>This filter replaces the pixel by the local(3x3) average by taking into account |
|
only values lower than the pixel. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>threshold0</samp>’</dt> |
|
<dt>‘<samp>threshold1</samp>’</dt> |
|
<dt>‘<samp>threshold2</samp>’</dt> |
|
<dt>‘<samp>threshold3</samp>’</dt> |
|
<dd><p>Limit the maximum change for each plane, default is 65535. |
|
If 0, plane will remain unchanged. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="deflicker"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-deflicker">29.37 deflicker</a></h2> |
|
|
|
<p>Remove temporal frame luminance variations. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set moving-average filter size in frames. Default is 5. Allowed range is 2 - 129. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode, m</samp>’</dt> |
|
<dd><p>Set averaging mode to smooth temporal luminance variations. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>am</samp>’</dt> |
|
<dd><p>Arithmetic mean |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gm</samp>’</dt> |
|
<dd><p>Geometric mean |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hm</samp>’</dt> |
|
<dd><p>Harmonic mean |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qm</samp>’</dt> |
|
<dd><p>Quadratic mean |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cm</samp>’</dt> |
|
<dd><p>Cubic mean |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pm</samp>’</dt> |
|
<dd><p>Power mean |
|
</p> |
|
</dd> |
|
<dt>‘<samp>median</samp>’</dt> |
|
<dd><p>Median |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>bypass</samp>’</dt> |
|
<dd><p>Do not actually modify frame. Useful when one only wants metadata. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="dejudder"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dejudder">29.38 dejudder</a></h2> |
|
|
|
<p>Remove judder produced by partially interlaced telecined content. |
|
</p> |
|
<p>Judder can be introduced, for instance, by <a href="#pullup">pullup</a> filter. If the original |
|
source was partially telecined content then the output of <code>pullup,dejudder</code> |
|
will have a variable frame rate. May change the recorded frame rate of the |
|
container. Aside from that change, this filter will not affect constant frame |
|
rate video. |
|
</p> |
|
<p>The option available in this filter is: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>cycle</samp>’</dt> |
|
<dd><p>Specify the length of the window over which the judder repeats. |
|
</p> |
|
<p>Accepts any integer greater than 1. Useful values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>4</samp>’</dt> |
|
<dd><p>If the original was telecined from 24 to 30 fps (Film to NTSC). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>5</samp>’</dt> |
|
<dd><p>If the original was telecined from 25 to 30 fps (PAL to NTSC). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>20</samp>’</dt> |
|
<dd><p>If a mixture of the two. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default is ‘<samp>4</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="delogo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-delogo">29.39 delogo</a></h2> |
|
|
|
<p>Suppress a TV station logo by a simple interpolation of the surrounding |
|
pixels. Just set a rectangle covering the logo and watch it disappear |
|
(and sometimes something even uglier appear - your mileage may vary). |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Specify the top left corner coordinates of the logo. They must be |
|
specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Specify the width and height of the logo to clear. They must be |
|
specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>band, t</samp>’</dt> |
|
<dd><p>Specify the thickness of the fuzzy edge of the rectangle (added to |
|
<var>w</var> and <var>h</var>). The default value is 1. This option is |
|
deprecated, setting higher values should no longer be necessary and |
|
is not recommended. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show</samp>’</dt> |
|
<dd><p>When set to 1, a green rectangle is drawn on the screen to simplify |
|
finding the right <var>x</var>, <var>y</var>, <var>w</var>, and <var>h</var> parameters. |
|
The default value is 0. |
|
</p> |
|
<p>The rectangle is drawn on the outermost pixels which will be (partly) |
|
replaced with interpolated values. The values of the next pixels |
|
immediately outside this rectangle in each direction will be used to |
|
compute the interpolated pixel values inside the rectangle. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-47"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-47">29.39.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Set a rectangle covering the area with top left corner coordinates 0,0 |
|
and size 100x77, and a band of size 10: |
|
<div class="example"> |
|
<pre class="example">delogo=x=0:y=0:w=100:h=77:band=10 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="deshake"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-deshake">29.40 deshake</a></h2> |
|
|
|
<p>Attempt to fix small changes in horizontal and/or vertical shift. This |
|
filter helps remove camera shake from hand-holding a camera, bumping a |
|
tripod, moving on a vehicle, etc. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Specify a rectangular area where to limit the search for motion |
|
vectors. |
|
If desired the search for motion vectors can be limited to a |
|
rectangular area of the frame defined by its top left corner, width |
|
and height. These parameters have the same meaning as the drawbox |
|
filter which can be used to visualise the position of the bounding |
|
box. |
|
</p> |
|
<p>This is useful when simultaneous movement of subjects within the frame |
|
might be confused for camera motion by the motion vector search. |
|
</p> |
|
<p>If any or all of <var>x</var>, <var>y</var>, <var>w</var> and <var>h</var> are set to -1 |
|
then the full frame is used. This allows later options to be set |
|
without specifying the bounding box for the motion vector search. |
|
</p> |
|
<p>Default - search the whole frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rx</samp>’</dt> |
|
<dt>‘<samp>ry</samp>’</dt> |
|
<dd><p>Specify the maximum extent of movement in x and y directions in the |
|
range 0-64 pixels. Default 16. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>edge</samp>’</dt> |
|
<dd><p>Specify how to generate pixels to fill blanks at the edge of the |
|
frame. Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>blank, 0</samp>’</dt> |
|
<dd><p>Fill zeroes at blank locations |
|
</p></dd> |
|
<dt>‘<samp>original, 1</samp>’</dt> |
|
<dd><p>Original image at blank locations |
|
</p></dd> |
|
<dt>‘<samp>clamp, 2</samp>’</dt> |
|
<dd><p>Extruded edge value at blank locations |
|
</p></dd> |
|
<dt>‘<samp>mirror, 3</samp>’</dt> |
|
<dd><p>Mirrored edge at blank locations |
|
</p></dd> |
|
</dl> |
|
<p>Default value is ‘<samp>mirror</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blocksize</samp>’</dt> |
|
<dd><p>Specify the blocksize to use for motion search. Range 4-128 pixels, |
|
default 8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>contrast</samp>’</dt> |
|
<dd><p>Specify the contrast threshold for blocks. Only blocks with more than |
|
the specified contrast (difference between darkest and lightest |
|
pixels) will be considered. Range 1-255, default 125. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>search</samp>’</dt> |
|
<dd><p>Specify the search strategy. Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>exhaustive, 0</samp>’</dt> |
|
<dd><p>Set exhaustive search |
|
</p></dd> |
|
<dt>‘<samp>less, 1</samp>’</dt> |
|
<dd><p>Set less exhaustive search. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is ‘<samp>exhaustive</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filename</samp>’</dt> |
|
<dd><p>If set then a detailed log of the motion search is written to the |
|
specified file. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="despill"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-despill">29.41 despill</a></h2> |
|
|
|
<p>Remove unwanted contamination of foreground colors, caused by reflected color of |
|
greenscreen or bluescreen. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>type</samp>’</dt> |
|
<dd><p>Set what type of despill to use. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mix</samp>’</dt> |
|
<dd><p>Set how spillmap will be generated. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>expand</samp>’</dt> |
|
<dd><p>Set how much to get rid of still remaining spill. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>red</samp>’</dt> |
|
<dd><p>Controls amount of red in spill area. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>green</samp>’</dt> |
|
<dd><p>Controls amount of green in spill area. |
|
Should be -1 for greenscreen. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blue</samp>’</dt> |
|
<dd><p>Controls amount of blue in spill area. |
|
Should be -1 for bluescreen. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>brightness</samp>’</dt> |
|
<dd><p>Controls brightness of spill area, preserving colors. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha</samp>’</dt> |
|
<dd><p>Modify alpha from generated spillmap. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="detelecine"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-detelecine">29.42 detelecine</a></h2> |
|
|
|
<p>Apply an exact inverse of the telecine operation. It requires a predefined |
|
pattern specified using the pattern option which must be the same as that passed |
|
to the telecine filter. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>first_field</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>top, t</samp>’</dt> |
|
<dd><p>top field first |
|
</p></dd> |
|
<dt>‘<samp>bottom, b</samp>’</dt> |
|
<dd><p>bottom field first |
|
The default value is <code>top</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>pattern</samp>’</dt> |
|
<dd><p>A string of numbers representing the pulldown pattern you wish to apply. |
|
The default value is <code>23</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_frame</samp>’</dt> |
|
<dd><p>A number representing position of the first frame with respect to the telecine |
|
pattern. This is to be used if the stream is cut. The default value is <code>0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="dilation"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-dilation">29.43 dilation</a></h2> |
|
|
|
<p>Apply dilation effect to the video. |
|
</p> |
|
<p>This filter replaces the pixel by the local(3x3) maximum. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>threshold0</samp>’</dt> |
|
<dt>‘<samp>threshold1</samp>’</dt> |
|
<dt>‘<samp>threshold2</samp>’</dt> |
|
<dt>‘<samp>threshold3</samp>’</dt> |
|
<dd><p>Limit the maximum change for each plane, default is 65535. |
|
If 0, plane will remain unchanged. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>coordinates</samp>’</dt> |
|
<dd><p>Flag which specifies the pixel to refer to. Default is 255 i.e. all eight |
|
pixels are used. |
|
</p> |
|
<p>Flags to local 3x3 coordinates maps like this: |
|
</p> |
|
<p> 1 2 3 |
|
4 5 |
|
6 7 8 |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="displace"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-displace">29.44 displace</a></h2> |
|
|
|
<p>Displace pixels as indicated by second and third input stream. |
|
</p> |
|
<p>It takes three input streams and outputs one stream, the first input is the |
|
source, and second and third input are displacement maps. |
|
</p> |
|
<p>The second input specifies how much to displace pixels along the |
|
x-axis, while the third input specifies how much to displace pixels |
|
along the y-axis. |
|
If one of displacement map streams terminates, last frame from that |
|
displacement map will be used. |
|
</p> |
|
<p>Note that once generated, displacements maps can be reused over and over again. |
|
</p> |
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>edge</samp>’</dt> |
|
<dd><p>Set displace behavior for pixels that are out of range. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>blank</samp>’</dt> |
|
<dd><p>Missing pixels are replaced by black pixels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smear</samp>’</dt> |
|
<dd><p>Adjacent pixels will spread out to replace missing pixels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wrap</samp>’</dt> |
|
<dd><p>Out of range pixels are wrapped so they point to pixels of other side. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mirror</samp>’</dt> |
|
<dd><p>Out of range pixels will be replaced with mirrored pixels. |
|
</p></dd> |
|
</dl> |
|
<p>Default is ‘<samp>smear</samp>’. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-87"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-87">29.44.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Add ripple effect to rgb input of video size hd720: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -f lavfi -i nullsrc=s=hd720,lutrgb=128:128:128 -f lavfi -i nullsrc=s=hd720,geq='r=128+30*sin(2*PI*X/400+T):g=128+30*sin(2*PI*X/400+T):b=128+30*sin(2*PI*X/400+T)' -lavfi '[0][1][2]displace' OUTPUT |
|
</pre></div> |
|
|
|
</li><li> |
|
Add wave effect to rgb input of video size hd720: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -f lavfi -i nullsrc=hd720,geq='r=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T)):g=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T)):b=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T))' -lavfi '[1]split[x][y],[0][x][y]displace' OUTPUT |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="drawbox"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-drawbox">29.45 drawbox</a></h2> |
|
|
|
<p>Draw a colored box on the input image. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The expressions which specify the top left corner coordinates of the box. It defaults to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dt>‘<samp>height, h</samp>’</dt> |
|
<dd><p>The expressions which specify the width and height of the box; if 0 they are interpreted as |
|
the input width and height. It defaults to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color, c</samp>’</dt> |
|
<dd><p>Specify the color of the box to write. For the general syntax of this option, |
|
check the <a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. If the special |
|
value <code>invert</code> is used, the box edge color is the same as the |
|
video with inverted luma. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>thickness, t</samp>’</dt> |
|
<dd><p>The expression which sets the thickness of the box edge. |
|
A value of <code>fill</code> will create a filled box. Default value is <code>3</code>. |
|
</p> |
|
<p>See below for the list of accepted constants. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>replace</samp>’</dt> |
|
<dd><p>Applicable if the input has alpha. With value <code>1</code>, the pixels of the painted box |
|
will overwrite the video’s color and alpha pixels. |
|
Default is <code>0</code>, which composites the box onto the input, leaving the video’s alpha intact. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The parameters for <var>x</var>, <var>y</var>, <var>w</var> and <var>h</var> and <var>t</var> are expressions containing the |
|
following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dar</samp>’</dt> |
|
<dd><p>The input display aspect ratio, it is the same as (<var>w</var> / <var>h</var>) * <var>sar</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub</samp>’</dt> |
|
<dt>‘<samp>vsub</samp>’</dt> |
|
<dd><p>horizontal and vertical chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>in_h, ih</samp>’</dt> |
|
<dt>‘<samp>in_w, iw</samp>’</dt> |
|
<dd><p>The input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>The input sample aspect ratio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The x and y offset coordinates where the box is drawn. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>The width and height of the drawn box. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>The thickness of the drawn box. |
|
</p> |
|
<p>These constants allow the <var>x</var>, <var>y</var>, <var>w</var>, <var>h</var> and <var>t</var> expressions to refer to |
|
each other, so you may for example specify <code>y=x/dar</code> or <code>h=w/dar</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-142"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-142">29.45.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Draw a black box around the edge of the input image: |
|
<div class="example"> |
|
<pre class="example">drawbox |
|
</pre></div> |
|
|
|
</li><li> |
|
Draw a box with color red and an opacity of 50%: |
|
<div class="example"> |
|
<pre class="example">drawbox=10:20:200:60:red@0.5 |
|
</pre></div> |
|
|
|
<p>The previous example can be specified as: |
|
</p><div class="example"> |
|
<pre class="example">drawbox=x=10:y=20:w=200:h=60:color=red@0.5 |
|
</pre></div> |
|
|
|
</li><li> |
|
Fill the box with pink color: |
|
<div class="example"> |
|
<pre class="example">drawbox=x=10:y=10:w=100:h=100:color=pink@0.5:t=fill |
|
</pre></div> |
|
|
|
</li><li> |
|
Draw a 2-pixel red 2.40:1 mask: |
|
<div class="example"> |
|
<pre class="example">drawbox=x=-t:y=0.5*(ih-iw/2.4)-t:w=iw+t*2:h=iw/2.4+t*2:t=2:c=red |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="drawgrid"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-drawgrid">29.46 drawgrid</a></h2> |
|
|
|
<p>Draw a grid on the input image. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The expressions which specify the coordinates of some point of grid intersection (meant to configure offset). Both default to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dt>‘<samp>height, h</samp>’</dt> |
|
<dd><p>The expressions which specify the width and height of the grid cell, if 0 they are interpreted as the |
|
input width and height, respectively, minus <code>thickness</code>, so image gets |
|
framed. Default to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color, c</samp>’</dt> |
|
<dd><p>Specify the color of the grid. For the general syntax of this option, |
|
check the <a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. If the special |
|
value <code>invert</code> is used, the grid color is the same as the |
|
video with inverted luma. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>thickness, t</samp>’</dt> |
|
<dd><p>The expression which sets the thickness of the grid line. Default value is <code>1</code>. |
|
</p> |
|
<p>See below for the list of accepted constants. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>replace</samp>’</dt> |
|
<dd><p>Applicable if the input has alpha. With <code>1</code> the pixels of the painted grid |
|
will overwrite the video’s color and alpha pixels. |
|
Default is <code>0</code>, which composites the grid onto the input, leaving the video’s alpha intact. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The parameters for <var>x</var>, <var>y</var>, <var>w</var> and <var>h</var> and <var>t</var> are expressions containing the |
|
following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dar</samp>’</dt> |
|
<dd><p>The input display aspect ratio, it is the same as (<var>w</var> / <var>h</var>) * <var>sar</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub</samp>’</dt> |
|
<dt>‘<samp>vsub</samp>’</dt> |
|
<dd><p>horizontal and vertical chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>in_h, ih</samp>’</dt> |
|
<dt>‘<samp>in_w, iw</samp>’</dt> |
|
<dd><p>The input grid cell width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>The input sample aspect ratio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The x and y coordinates of some point of grid intersection (meant to configure offset). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>The width and height of the drawn cell. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>The thickness of the drawn cell. |
|
</p> |
|
<p>These constants allow the <var>x</var>, <var>y</var>, <var>w</var>, <var>h</var> and <var>t</var> expressions to refer to |
|
each other, so you may for example specify <code>y=x/dar</code> or <code>h=w/dar</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-52"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-52">29.46.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Draw a grid with cell 100x100 pixels, thickness 2 pixels, with color red and an opacity of 50%: |
|
<div class="example"> |
|
<pre class="example">drawgrid=width=100:height=100:thickness=2:color=red@0.5 |
|
</pre></div> |
|
|
|
</li><li> |
|
Draw a white 3x3 grid with an opacity of 50%: |
|
<div class="example"> |
|
<pre class="example">drawgrid=w=iw/3:h=ih/3:t=2:c=white@0.5 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="drawtext"></a> |
|
</p><a name="drawtext-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-drawtext-1">29.47 drawtext</a></h2> |
|
|
|
<p>Draw a text string or text from a specified file on top of a video, using the |
|
libfreetype library. |
|
</p> |
|
<p>To enable compilation of this filter, you need to configure FFmpeg with |
|
<code>--enable-libfreetype</code>. |
|
To enable default font fallback and the <var>font</var> option you need to |
|
configure FFmpeg with <code>--enable-libfontconfig</code>. |
|
To enable the <var>text_shaping</var> option, you need to configure FFmpeg with |
|
<code>--enable-libfribidi</code>. |
|
</p> |
|
<a name="Syntax-2"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Syntax-2">29.47.1 Syntax</a></h3> |
|
|
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>box</samp>’</dt> |
|
<dd><p>Used to draw a box around text using the background color. |
|
The value must be either 1 (enable) or 0 (disable). |
|
The default value of <var>box</var> is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>boxborderw</samp>’</dt> |
|
<dd><p>Set the width of the border to be drawn around the box using <var>boxcolor</var>. |
|
The default value of <var>boxborderw</var> is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>boxcolor</samp>’</dt> |
|
<dd><p>The color to be used for drawing box around text. For the syntax of this |
|
option, check the <a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
<p>The default value of <var>boxcolor</var> is "white". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>line_spacing</samp>’</dt> |
|
<dd><p>Set the line spacing in pixels of the border to be drawn around the box using <var>box</var>. |
|
The default value of <var>line_spacing</var> is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>borderw</samp>’</dt> |
|
<dd><p>Set the width of the border to be drawn around the text using <var>bordercolor</var>. |
|
The default value of <var>borderw</var> is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bordercolor</samp>’</dt> |
|
<dd><p>Set the color to be used for drawing border around text. For the syntax of this |
|
option, check the <a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
<p>The default value of <var>bordercolor</var> is "black". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>expansion</samp>’</dt> |
|
<dd><p>Select how the <var>text</var> is expanded. Can be either <code>none</code>, |
|
<code>strftime</code> (deprecated) or |
|
<code>normal</code> (default). See the <a href="#drawtext_005fexpansion">Text expansion</a> section |
|
below for details. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>basetime</samp>’</dt> |
|
<dd><p>Set a start time for the count. Value is in microseconds. Only applied |
|
in the deprecated strftime expansion mode. To emulate in normal expansion |
|
mode use the <code>pts</code> function, supplying the start time (in seconds) |
|
as the second argument. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fix_bounds</samp>’</dt> |
|
<dd><p>If true, check and fix text coords to avoid clipping. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fontcolor</samp>’</dt> |
|
<dd><p>The color to be used for drawing fonts. For the syntax of this option, check |
|
the <a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
<p>The default value of <var>fontcolor</var> is "black". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fontcolor_expr</samp>’</dt> |
|
<dd><p>String which is expanded the same way as <var>text</var> to obtain dynamic |
|
<var>fontcolor</var> value. By default this option has empty value and is not |
|
processed. When this option is set, it overrides <var>fontcolor</var> option. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>font</samp>’</dt> |
|
<dd><p>The font family to be used for drawing text. By default Sans. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fontfile</samp>’</dt> |
|
<dd><p>The font file to be used for drawing text. The path must be included. |
|
This parameter is mandatory if the fontconfig support is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha</samp>’</dt> |
|
<dd><p>Draw the text applying alpha blending. The value can |
|
be a number between 0.0 and 1.0. |
|
The expression accepts the same variables <var>x, y</var> as well. |
|
The default value is 1. |
|
Please see <var>fontcolor_expr</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fontsize</samp>’</dt> |
|
<dd><p>The font size to be used for drawing text. |
|
The default value of <var>fontsize</var> is 16. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>text_shaping</samp>’</dt> |
|
<dd><p>If set to 1, attempt to shape the text (for example, reverse the order of |
|
right-to-left text and join Arabic characters) before drawing it. |
|
Otherwise, just draw the text exactly as given. |
|
By default 1 (if supported). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ft_load_flags</samp>’</dt> |
|
<dd><p>The flags to be used for loading the fonts. |
|
</p> |
|
<p>The flags map the corresponding flags supported by libfreetype, and are |
|
a combination of the following values: |
|
</p><dl compact="compact"> |
|
<dt><var>default</var></dt> |
|
<dt><var>no_scale</var></dt> |
|
<dt><var>no_hinting</var></dt> |
|
<dt><var>render</var></dt> |
|
<dt><var>no_bitmap</var></dt> |
|
<dt><var>vertical_layout</var></dt> |
|
<dt><var>force_autohint</var></dt> |
|
<dt><var>crop_bitmap</var></dt> |
|
<dt><var>pedantic</var></dt> |
|
<dt><var>ignore_global_advance_width</var></dt> |
|
<dt><var>no_recurse</var></dt> |
|
<dt><var>ignore_transform</var></dt> |
|
<dt><var>monochrome</var></dt> |
|
<dt><var>linear_design</var></dt> |
|
<dt><var>no_autohint</var></dt> |
|
</dl> |
|
|
|
<p>Default value is "default". |
|
</p> |
|
<p>For more information consult the documentation for the FT_LOAD_* |
|
libfreetype flags. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shadowcolor</samp>’</dt> |
|
<dd><p>The color to be used for drawing a shadow behind the drawn text. For the |
|
syntax of this option, check the <a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
<p>The default value of <var>shadowcolor</var> is "black". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shadowx</samp>’</dt> |
|
<dt>‘<samp>shadowy</samp>’</dt> |
|
<dd><p>The x and y offsets for the text shadow position with respect to the |
|
position of the text. They can be either positive or negative |
|
values. The default value for both is "0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_number</samp>’</dt> |
|
<dd><p>The starting frame number for the n/frame_num variable. The default value |
|
is "0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tabsize</samp>’</dt> |
|
<dd><p>The size in number of spaces to use for rendering the tab. |
|
Default value is 4. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timecode</samp>’</dt> |
|
<dd><p>Set the initial timecode representation in "hh:mm:ss[:;.]ff" |
|
format. It can be used with or without text parameter. <var>timecode_rate</var> |
|
option must be specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timecode_rate, rate, r</samp>’</dt> |
|
<dd><p>Set the timecode frame rate (timecode only). Value will be rounded to nearest |
|
integer. Minimum value is "1". |
|
Drop-frame timecode is supported for frame rates 30 & 60. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tc24hmax</samp>’</dt> |
|
<dd><p>If set to 1, the output of the timecode option will wrap around at 24 hours. |
|
Default is 0 (disabled). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>text</samp>’</dt> |
|
<dd><p>The text string to be drawn. The text must be a sequence of UTF-8 |
|
encoded characters. |
|
This parameter is mandatory if no file is specified with the parameter |
|
<var>textfile</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>textfile</samp>’</dt> |
|
<dd><p>A text file containing text to be drawn. The text must be a sequence |
|
of UTF-8 encoded characters. |
|
</p> |
|
<p>This parameter is mandatory if no text string is specified with the |
|
parameter <var>text</var>. |
|
</p> |
|
<p>If both <var>text</var> and <var>textfile</var> are specified, an error is thrown. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reload</samp>’</dt> |
|
<dd><p>If set to 1, the <var>textfile</var> will be reloaded before each frame. |
|
Be sure to update it atomically, or it may be read partially, or even fail. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The expressions which specify the offsets where text will be drawn |
|
within the video frame. They are relative to the top/left border of the |
|
output image. |
|
</p> |
|
<p>The default value of <var>x</var> and <var>y</var> is "0". |
|
</p> |
|
<p>See below for the list of accepted constants and functions. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The parameters for <var>x</var> and <var>y</var> are expressions containing the |
|
following constants and functions: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dar</samp>’</dt> |
|
<dd><p>input display aspect ratio, it is the same as (<var>w</var> / <var>h</var>) * <var>sar</var> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub</samp>’</dt> |
|
<dt>‘<samp>vsub</samp>’</dt> |
|
<dd><p>horizontal and vertical chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>line_h, lh</samp>’</dt> |
|
<dd><p>the height of each text line |
|
</p> |
|
</dd> |
|
<dt>‘<samp>main_h, h, H</samp>’</dt> |
|
<dd><p>the input height |
|
</p> |
|
</dd> |
|
<dt>‘<samp>main_w, w, W</samp>’</dt> |
|
<dd><p>the input width |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_glyph_a, ascent</samp>’</dt> |
|
<dd><p>the maximum distance from the baseline to the highest/upper grid |
|
coordinate used to place a glyph outline point, for all the rendered |
|
glyphs. |
|
It is a positive value, due to the grid’s orientation with the Y axis |
|
upwards. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_glyph_d, descent</samp>’</dt> |
|
<dd><p>the maximum distance from the baseline to the lowest grid coordinate |
|
used to place a glyph outline point, for all the rendered glyphs. |
|
This is a negative value, due to the grid’s orientation, with the Y axis |
|
upwards. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_glyph_h</samp>’</dt> |
|
<dd><p>maximum glyph height, that is the maximum height for all the glyphs |
|
contained in the rendered text, it is equivalent to <var>ascent</var> - |
|
<var>descent</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_glyph_w</samp>’</dt> |
|
<dd><p>maximum glyph width, that is the maximum width for all the glyphs |
|
contained in the rendered text |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>the number of input frame, starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rand(min, max)</samp>’</dt> |
|
<dd><p>return a random number included between <var>min</var> and <var>max</var> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>The input sample aspect ratio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>timestamp expressed in seconds, NAN if the input timestamp is unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>text_h, th</samp>’</dt> |
|
<dd><p>the height of the rendered text |
|
</p> |
|
</dd> |
|
<dt>‘<samp>text_w, tw</samp>’</dt> |
|
<dd><p>the width of the rendered text |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>the x and y offset coordinates where the text is drawn. |
|
</p> |
|
<p>These parameters allow the <var>x</var> and <var>y</var> expressions to refer |
|
each other, so you can for example specify <code>y=x/dar</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="drawtext_005fexpansion"></a> |
|
</p><a name="Text-expansion"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Text-expansion">29.47.2 Text expansion</a></h3> |
|
|
|
<p>If ‘<samp>expansion</samp>’ is set to <code>strftime</code>, |
|
the filter recognizes strftime() sequences in the provided text and |
|
expands them accordingly. Check the documentation of strftime(). This |
|
feature is deprecated. |
|
</p> |
|
<p>If ‘<samp>expansion</samp>’ is set to <code>none</code>, the text is printed verbatim. |
|
</p> |
|
<p>If ‘<samp>expansion</samp>’ is set to <code>normal</code> (which is the default), |
|
the following expansion mechanism is used. |
|
</p> |
|
<p>The backslash character ‘<samp>\</samp>’, followed by any character, always expands to |
|
the second character. |
|
</p> |
|
<p>Sequences of the form <code>%{...}</code> are expanded. The text between the |
|
braces is a function name, possibly followed by arguments separated by ’:’. |
|
If the arguments contain special characters or delimiters (’:’ or ’}’), |
|
they should be escaped. |
|
</p> |
|
<p>Note that they probably must also be escaped as the value for the |
|
‘<samp>text</samp>’ option in the filter argument string and as the filter |
|
argument in the filtergraph description, and possibly also for the shell, |
|
that makes up to four levels of escaping; using a text file avoids these |
|
problems. |
|
</p> |
|
<p>The following functions are available: |
|
</p> |
|
<dl compact="compact"> |
|
<dt><code>expr, e</code></dt> |
|
<dd><p>The expression evaluation result. |
|
</p> |
|
<p>It must take one argument specifying the expression to be evaluated, |
|
which accepts the same constants and functions as the <var>x</var> and |
|
<var>y</var> values. Note that not all constants should be used, for |
|
example the text size is not known when evaluating the expression, so |
|
the constants <var>text_w</var> and <var>text_h</var> will have an undefined |
|
value. |
|
</p> |
|
</dd> |
|
<dt><code>expr_int_format, eif</code></dt> |
|
<dd><p>Evaluate the expression’s value and output as formatted integer. |
|
</p> |
|
<p>The first argument is the expression to be evaluated, just as for the <var>expr</var> function. |
|
The second argument specifies the output format. Allowed values are ‘<samp>x</samp>’, |
|
‘<samp>X</samp>’, ‘<samp>d</samp>’ and ‘<samp>u</samp>’. They are treated exactly as in the |
|
<code>printf</code> function. |
|
The third parameter is optional and sets the number of positions taken by the output. |
|
It can be used to add padding with zeros from the left. |
|
</p> |
|
</dd> |
|
<dt><code>gmtime</code></dt> |
|
<dd><p>The time at which the filter is running, expressed in UTC. |
|
It can accept an argument: a strftime() format string. |
|
</p> |
|
</dd> |
|
<dt><code>localtime</code></dt> |
|
<dd><p>The time at which the filter is running, expressed in the local time zone. |
|
It can accept an argument: a strftime() format string. |
|
</p> |
|
</dd> |
|
<dt><code>metadata</code></dt> |
|
<dd><p>Frame metadata. Takes one or two arguments. |
|
</p> |
|
<p>The first argument is mandatory and specifies the metadata key. |
|
</p> |
|
<p>The second argument is optional and specifies a default value, used when the |
|
metadata key is not found or empty. |
|
</p> |
|
</dd> |
|
<dt><code>n, frame_num</code></dt> |
|
<dd><p>The frame number, starting from 0. |
|
</p> |
|
</dd> |
|
<dt><code>pict_type</code></dt> |
|
<dd><p>A 1 character description of the current picture type. |
|
</p> |
|
</dd> |
|
<dt><code>pts</code></dt> |
|
<dd><p>The timestamp of the current frame. |
|
It can take up to three arguments. |
|
</p> |
|
<p>The first argument is the format of the timestamp; it defaults to <code>flt</code> |
|
for seconds as a decimal number with microsecond accuracy; <code>hms</code> stands |
|
for a formatted <var>[-]HH:MM:SS.mmm</var> timestamp with millisecond accuracy. |
|
<code>gmtime</code> stands for the timestamp of the frame formatted as UTC time; |
|
<code>localtime</code> stands for the timestamp of the frame formatted as |
|
local time zone time. |
|
</p> |
|
<p>The second argument is an offset added to the timestamp. |
|
</p> |
|
<p>If the format is set to <code>hms</code>, a third argument <code>24HH</code> may be |
|
supplied to present the hour part of the formatted timestamp in 24h format |
|
(00-23). |
|
</p> |
|
<p>If the format is set to <code>localtime</code> or <code>gmtime</code>, |
|
a third argument may be supplied: a strftime() format string. |
|
By default, <var>YYYY-MM-DD HH:MM:SS</var> format will be used. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-117"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-117">29.47.3 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Draw "Test Text" with font FreeSerif, using the default values for the |
|
optional parameters. |
|
|
|
<div class="example"> |
|
<pre class="example">drawtext="fontfile=/usr/share/fonts/truetype/freefont/FreeSerif.ttf: text='Test Text'" |
|
</pre></div> |
|
|
|
</li><li> |
|
Draw ’Test Text’ with font FreeSerif of size 24 at position x=100 |
|
and y=50 (counting from the top-left corner of the screen), text is |
|
yellow with a red box around it. Both the text and the box have an |
|
opacity of 20%. |
|
|
|
<div class="example"> |
|
<pre class="example">drawtext="fontfile=/usr/share/fonts/truetype/freefont/FreeSerif.ttf: text='Test Text':\ |
|
x=100: y=50: fontsize=24: fontcolor=yellow@0.2: box=1: boxcolor=red@0.2" |
|
</pre></div> |
|
|
|
<p>Note that the double quotes are not necessary if spaces are not used |
|
within the parameter list. |
|
</p> |
|
</li><li> |
|
Show the text at the center of the video frame: |
|
<div class="example"> |
|
<pre class="example">drawtext="fontsize=30:fontfile=FreeSerif.ttf:text='hello world':x=(w-text_w)/2:y=(h-text_h)/2" |
|
</pre></div> |
|
|
|
</li><li> |
|
Show the text at a random position, switching to a new position every 30 seconds: |
|
<div class="example"> |
|
<pre class="example">drawtext="fontsize=30:fontfile=FreeSerif.ttf:text='hello world':x=if(eq(mod(t\,30)\,0)\,rand(0\,(w-text_w))\,x):y=if(eq(mod(t\,30)\,0)\,rand(0\,(h-text_h))\,y)" |
|
</pre></div> |
|
|
|
</li><li> |
|
Show a text line sliding from right to left in the last row of the video |
|
frame. The file ‘<tt>LONG_LINE</tt>’ is assumed to contain a single line |
|
with no newlines. |
|
<div class="example"> |
|
<pre class="example">drawtext="fontsize=15:fontfile=FreeSerif.ttf:text=LONG_LINE:y=h-line_h:x=-50*t" |
|
</pre></div> |
|
|
|
</li><li> |
|
Show the content of file ‘<tt>CREDITS</tt>’ off the bottom of the frame and scroll up. |
|
<div class="example"> |
|
<pre class="example">drawtext="fontsize=20:fontfile=FreeSerif.ttf:textfile=CREDITS:y=h-20*t" |
|
</pre></div> |
|
|
|
</li><li> |
|
Draw a single green letter "g", at the center of the input video. |
|
The glyph baseline is placed at half screen height. |
|
<div class="example"> |
|
<pre class="example">drawtext="fontsize=60:fontfile=FreeSerif.ttf:fontcolor=green:text=g:x=(w-max_glyph_w)/2:y=h/2-ascent" |
|
</pre></div> |
|
|
|
</li><li> |
|
Show text for 1 second every 3 seconds: |
|
<div class="example"> |
|
<pre class="example">drawtext="fontfile=FreeSerif.ttf:fontcolor=white:x=100:y=x/dar:enable=lt(mod(t\,3)\,1):text='blink'" |
|
</pre></div> |
|
|
|
</li><li> |
|
Use fontconfig to set the font. Note that the colons need to be escaped. |
|
<div class="example"> |
|
<pre class="example">drawtext='fontfile=Linux Libertine O-40\:style=Semibold:text=FFmpeg' |
|
</pre></div> |
|
|
|
</li><li> |
|
Print the date of a real-time encoding (see strftime(3)): |
|
<div class="example"> |
|
<pre class="example">drawtext='fontfile=FreeSans.ttf:text=%{localtime\:%a %b %d %Y}' |
|
</pre></div> |
|
|
|
</li><li> |
|
Show text fading in and out (appearing/disappearing): |
|
<div class="example"> |
|
<pre class="example">#!/bin/sh |
|
DS=1.0 # display start |
|
DE=10.0 # display end |
|
FID=1.5 # fade in duration |
|
FOD=5 # fade out duration |
|
ffplay -f lavfi "color,drawtext=text=TEST:fontsize=50:fontfile=FreeSerif.ttf:fontcolor_expr=ff0000%{eif\\\\: clip(255*(1*between(t\\, $DS + $FID\\, $DE - $FOD) + ((t - $DS)/$FID)*between(t\\, $DS\\, $DS + $FID) + (-(t - $DE)/$FOD)*between(t\\, $DE - $FOD\\, $DE) )\\, 0\\, 255) \\\\: x\\\\: 2 }" |
|
</pre></div> |
|
|
|
</li><li> |
|
Horizontally align multiple separate texts. Note that ‘<samp>max_glyph_a</samp>’ |
|
and the ‘<samp>fontsize</samp>’ value are included in the ‘<samp>y</samp>’ offset. |
|
<div class="example"> |
|
<pre class="example">drawtext=fontfile=FreeSans.ttf:text=DOG:fontsize=24:x=10:y=20+24-max_glyph_a, |
|
drawtext=fontfile=FreeSans.ttf:text=cow:fontsize=24:x=80:y=20+24-max_glyph_a |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<p>For more information about libfreetype, check: |
|
<a href="http://www.freetype.org/">http://www.freetype.org/</a>. |
|
</p> |
|
<p>For more information about fontconfig, check: |
|
<a href="http://freedesktop.org/software/fontconfig/fontconfig-user.html">http://freedesktop.org/software/fontconfig/fontconfig-user.html</a>. |
|
</p> |
|
<p>For more information about libfribidi, check: |
|
<a href="http://fribidi.org/">http://fribidi.org/</a>. |
|
</p> |
|
<a name="edgedetect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-edgedetect">29.48 edgedetect</a></h2> |
|
|
|
<p>Detect and draw edges. The filter uses the Canny Edge Detection algorithm. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>low</samp>’</dt> |
|
<dt>‘<samp>high</samp>’</dt> |
|
<dd><p>Set low and high threshold values used by the Canny thresholding |
|
algorithm. |
|
</p> |
|
<p>The high threshold selects the "strong" edge pixels, which are then |
|
connected through 8-connectivity with the "weak" edge pixels selected |
|
by the low threshold. |
|
</p> |
|
<p><var>low</var> and <var>high</var> threshold values must be chosen in the range |
|
[0,1], and <var>low</var> should be lesser or equal to <var>high</var>. |
|
</p> |
|
<p>Default value for <var>low</var> is <code>20/255</code>, and default value for <var>high</var> |
|
is <code>50/255</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Define the drawing mode. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>wires</samp>’</dt> |
|
<dd><p>Draw white/gray wires on black background. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colormix</samp>’</dt> |
|
<dd><p>Mix the colors to create a paint/cartoon effect. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>canny</samp>’</dt> |
|
<dd><p>Apply Canny edge detector on all selected planes. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is <var>wires</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Select planes for filtering. By default all available planes are filtered. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-85"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-85">29.48.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Standard edge detection with custom values for the hysteresis thresholding: |
|
<div class="example"> |
|
<pre class="example">edgedetect=low=0.1:high=0.4 |
|
</pre></div> |
|
|
|
</li><li> |
|
Painting effect without thresholding: |
|
<div class="example"> |
|
<pre class="example">edgedetect=mode=colormix:high=0 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="eq"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-eq">29.49 eq</a></h2> |
|
<p>Set brightness, contrast, saturation and approximate gamma adjustment. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>contrast</samp>’</dt> |
|
<dd><p>Set the contrast expression. The value must be a float value in range |
|
<code>-2.0</code> to <code>2.0</code>. The default value is "1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>brightness</samp>’</dt> |
|
<dd><p>Set the brightness expression. The value must be a float value in |
|
range <code>-1.0</code> to <code>1.0</code>. The default value is "0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>saturation</samp>’</dt> |
|
<dd><p>Set the saturation expression. The value must be a float in |
|
range <code>0.0</code> to <code>3.0</code>. The default value is "1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma</samp>’</dt> |
|
<dd><p>Set the gamma expression. The value must be a float in range |
|
<code>0.1</code> to <code>10.0</code>. The default value is "1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma_r</samp>’</dt> |
|
<dd><p>Set the gamma expression for red. The value must be a float in |
|
range <code>0.1</code> to <code>10.0</code>. The default value is "1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma_g</samp>’</dt> |
|
<dd><p>Set the gamma expression for green. The value must be a float in range |
|
<code>0.1</code> to <code>10.0</code>. The default value is "1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma_b</samp>’</dt> |
|
<dd><p>Set the gamma expression for blue. The value must be a float in range |
|
<code>0.1</code> to <code>10.0</code>. The default value is "1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma_weight</samp>’</dt> |
|
<dd><p>Set the gamma weight expression. It can be used to reduce the effect |
|
of a high gamma value on bright image areas, e.g. keep them from |
|
getting overamplified and just plain white. The value must be a float |
|
in range <code>0.0</code> to <code>1.0</code>. A value of <code>0.0</code> turns the |
|
gamma correction all the way down while <code>1.0</code> leaves it at its |
|
full strength. Default is "1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eval</samp>’</dt> |
|
<dd><p>Set when the expressions for brightness, contrast, saturation and |
|
gamma expressions are evaluated. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>init</samp>’</dt> |
|
<dd><p>only evaluate expressions once during the filter initialization or |
|
when a command is processed |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>evaluate expressions for each incoming frame |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>init</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The expressions accept the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>frame count of the input frame starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>byte position of the corresponding packet in the input file, NAN if |
|
unspecified |
|
</p> |
|
</dd> |
|
<dt>‘<samp>r</samp>’</dt> |
|
<dd><p>frame rate of the input video, NAN if the input frame rate is unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>timestamp expressed in seconds, NAN if the input timestamp is unknown |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-7"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-7">29.49.1 Commands</a></h3> |
|
<p>The filter supports the following commands: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>contrast</samp>’</dt> |
|
<dd><p>Set the contrast expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>brightness</samp>’</dt> |
|
<dd><p>Set the brightness expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>saturation</samp>’</dt> |
|
<dd><p>Set the saturation expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma</samp>’</dt> |
|
<dd><p>Set the gamma expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma_r</samp>’</dt> |
|
<dd><p>Set the gamma_r expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma_g</samp>’</dt> |
|
<dd><p>Set gamma_g expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma_b</samp>’</dt> |
|
<dd><p>Set gamma_b expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gamma_weight</samp>’</dt> |
|
<dd><p>Set gamma_weight expression. |
|
</p> |
|
<p>The command accepts the same syntax of the corresponding option. |
|
</p> |
|
<p>If the specified expression is not valid, it is kept at its current |
|
value. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="erosion"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-erosion">29.50 erosion</a></h2> |
|
|
|
<p>Apply erosion effect to the video. |
|
</p> |
|
<p>This filter replaces the pixel by the local(3x3) minimum. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>threshold0</samp>’</dt> |
|
<dt>‘<samp>threshold1</samp>’</dt> |
|
<dt>‘<samp>threshold2</samp>’</dt> |
|
<dt>‘<samp>threshold3</samp>’</dt> |
|
<dd><p>Limit the maximum change for each plane, default is 65535. |
|
If 0, plane will remain unchanged. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>coordinates</samp>’</dt> |
|
<dd><p>Flag which specifies the pixel to refer to. Default is 255 i.e. all eight |
|
pixels are used. |
|
</p> |
|
<p>Flags to local 3x3 coordinates maps like this: |
|
</p> |
|
<p> 1 2 3 |
|
4 5 |
|
6 7 8 |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="extractplanes"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-extractplanes">29.51 extractplanes</a></h2> |
|
|
|
<p>Extract color channel components from input video stream into |
|
separate grayscale video streams. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set plane(s) to extract. |
|
</p> |
|
<p>Available values for planes are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dt>‘<samp>u</samp>’</dt> |
|
<dt>‘<samp>v</samp>’</dt> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dt>‘<samp>r</samp>’</dt> |
|
<dt>‘<samp>g</samp>’</dt> |
|
<dt>‘<samp>b</samp>’</dt> |
|
</dl> |
|
|
|
<p>Choosing planes not available in the input will result in an error. |
|
That means you cannot select <code>r</code>, <code>g</code>, <code>b</code> planes |
|
with <code>y</code>, <code>u</code>, <code>v</code> planes at same time. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-138"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-138">29.51.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Extract luma, u and v color channel component from input video frame |
|
into 3 grayscale outputs: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i video.avi -filter_complex 'extractplanes=y+u+v[y][u][v]' -map '[y]' y.avi -map '[u]' u.avi -map '[v]' v.avi |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="elbg"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-elbg">29.52 elbg</a></h2> |
|
|
|
<p>Apply a posterize effect using the ELBG (Enhanced LBG) algorithm. |
|
</p> |
|
<p>For each input image, the filter will compute the optimal mapping from |
|
the input to the output given the codebook length, that is the number |
|
of distinct output colors. |
|
</p> |
|
<p>This filter accepts the following options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>codebook_length, l</samp>’</dt> |
|
<dd><p>Set codebook length. The value must be a positive integer, and |
|
represents the number of distinct output colors. Default value is 256. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_steps, n</samp>’</dt> |
|
<dd><p>Set the maximum number of iterations to apply for computing the optimal |
|
mapping. The higher the value the better the result and the higher the |
|
computation time. Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>seed, s</samp>’</dt> |
|
<dd><p>Set a random seed, must be an integer included between 0 and |
|
UINT32_MAX. If not specified, or if explicitly set to -1, the filter |
|
will try to use a good random seed on a best effort basis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pal8</samp>’</dt> |
|
<dd><p>Set pal8 output pixel format. This option does not work with codebook |
|
length greater than 256. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="entropy"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-entropy">29.53 entropy</a></h2> |
|
|
|
<p>Measure graylevel entropy in histogram of color channels of video frames. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Can be either <var>normal</var> or <var>diff</var>. Default is <var>normal</var>. |
|
</p> |
|
<p><var>diff</var> mode measures entropy of histogram delta values, absolute differences |
|
between neighbour histogram values. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="fade"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fade">29.54 fade</a></h2> |
|
|
|
<p>Apply a fade-in/out effect to the input video. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>type, t</samp>’</dt> |
|
<dd><p>The effect type can be either "in" for a fade-in, or "out" for a fade-out |
|
effect. |
|
Default is <code>in</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_frame, s</samp>’</dt> |
|
<dd><p>Specify the number of the frame to start applying the fade |
|
effect at. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_frames, n</samp>’</dt> |
|
<dd><p>The number of frames that the fade effect lasts. At the end of the |
|
fade-in effect, the output video will have the same intensity as the input video. |
|
At the end of the fade-out transition, the output video will be filled with the |
|
selected ‘<samp>color</samp>’. |
|
Default is 25. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha</samp>’</dt> |
|
<dd><p>If set to 1, fade only alpha channel, if one exists on the input. |
|
Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_time, st</samp>’</dt> |
|
<dd><p>Specify the timestamp (in seconds) of the frame to start to apply the fade |
|
effect. If both start_frame and start_time are specified, the fade will start at |
|
whichever comes last. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>The number of seconds for which the fade effect has to last. At the end of the |
|
fade-in effect the output video will have the same intensity as the input video, |
|
at the end of the fade-out transition the output video will be filled with the |
|
selected ‘<samp>color</samp>’. |
|
If both duration and nb_frames are specified, duration is used. Default is 0 |
|
(nb_frames is used by default). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color, c</samp>’</dt> |
|
<dd><p>Specify the color of the fade. Default is "black". |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-62"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-62">29.54.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Fade in the first 30 frames of video: |
|
<div class="example"> |
|
<pre class="example">fade=in:0:30 |
|
</pre></div> |
|
|
|
<p>The command above is equivalent to: |
|
</p><div class="example"> |
|
<pre class="example">fade=t=in:s=0:n=30 |
|
</pre></div> |
|
|
|
</li><li> |
|
Fade out the last 45 frames of a 200-frame video: |
|
<div class="example"> |
|
<pre class="example">fade=out:155:45 |
|
fade=type=out:start_frame=155:nb_frames=45 |
|
</pre></div> |
|
|
|
</li><li> |
|
Fade in the first 25 frames and fade out the last 25 frames of a 1000-frame video: |
|
<div class="example"> |
|
<pre class="example">fade=in:0:25, fade=out:975:25 |
|
</pre></div> |
|
|
|
</li><li> |
|
Make the first 5 frames yellow, then fade in from frame 5-24: |
|
<div class="example"> |
|
<pre class="example">fade=in:5:20:color=yellow |
|
</pre></div> |
|
|
|
</li><li> |
|
Fade in alpha over first 25 frames of video: |
|
<div class="example"> |
|
<pre class="example">fade=in:0:25:alpha=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Make the first 5.5 seconds black, then fade in for 0.5 seconds: |
|
<div class="example"> |
|
<pre class="example">fade=t=in:st=5.5:d=0.5 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="fftfilt"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fftfilt">29.55 fftfilt</a></h2> |
|
<p>Apply arbitrary expressions to samples in frequency domain |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dc_Y</samp>’</dt> |
|
<dd><p>Adjust the dc value (gain) of the luma plane of the image. The filter |
|
accepts an integer value in range <code>0</code> to <code>1000</code>. The default |
|
value is set to <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dc_U</samp>’</dt> |
|
<dd><p>Adjust the dc value (gain) of the 1st chroma plane of the image. The |
|
filter accepts an integer value in range <code>0</code> to <code>1000</code>. The |
|
default value is set to <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dc_V</samp>’</dt> |
|
<dd><p>Adjust the dc value (gain) of the 2nd chroma plane of the image. The |
|
filter accepts an integer value in range <code>0</code> to <code>1000</code>. The |
|
default value is set to <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>weight_Y</samp>’</dt> |
|
<dd><p>Set the frequency domain weight expression for the luma plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>weight_U</samp>’</dt> |
|
<dd><p>Set the frequency domain weight expression for the 1st chroma plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>weight_V</samp>’</dt> |
|
<dd><p>Set the frequency domain weight expression for the 2nd chroma plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eval</samp>’</dt> |
|
<dd><p>Set when the expressions are evaluated. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>init</samp>’</dt> |
|
<dd><p>Only evaluate expressions once during the filter initialization. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>Evaluate expressions for each incoming frame. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>init</samp>’. |
|
</p> |
|
<p>The filter accepts the following variables: |
|
</p></dd> |
|
<dt>‘<samp>X</samp>’</dt> |
|
<dt>‘<samp>Y</samp>’</dt> |
|
<dd><p>The coordinates of the current sample. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>W</samp>’</dt> |
|
<dt>‘<samp>H</samp>’</dt> |
|
<dd><p>The width and height of the image. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>N</samp>’</dt> |
|
<dd><p>The number of input frame, starting from 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-22"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-22">29.55.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
High-pass: |
|
<div class="example"> |
|
<pre class="example">fftfilt=dc_Y=128:weight_Y='squish(1-(Y+X)/100)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Low-pass: |
|
<div class="example"> |
|
<pre class="example">fftfilt=dc_Y=0:weight_Y='squish((Y+X)/100-1)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Sharpen: |
|
<div class="example"> |
|
<pre class="example">fftfilt=dc_Y=0:weight_Y='1+squish(1-(Y+X)/100)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Blur: |
|
<div class="example"> |
|
<pre class="example">fftfilt=dc_Y=0:weight_Y='exp(-4 * ((Y+X)/(W+H)))' |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="fftdnoiz"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fftdnoiz">29.56 fftdnoiz</a></h2> |
|
<p>Denoise frames using 3D FFT (frequency domain filtering). |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sigma</samp>’</dt> |
|
<dd><p>Set the noise sigma constant. This sets denoising strength. |
|
Default value is 1. Allowed range is from 0 to 30. |
|
Using very high sigma with low overlap may give blocking artifacts. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>amount</samp>’</dt> |
|
<dd><p>Set amount of denoising. By default all detected noise is reduced. |
|
Default value is 1. Allowed range is from 0 to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>block</samp>’</dt> |
|
<dd><p>Set size of block, Default is 4, can be 3, 4, 5 or 6. |
|
Actual size of block in pixels is 2 to power of <var>block</var>, so by default |
|
block size in pixels is 2^4 which is 16. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlap</samp>’</dt> |
|
<dd><p>Set block overlap. Default is 0.5. Allowed range is from 0.2 to 0.8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>prev</samp>’</dt> |
|
<dd><p>Set number of previous frames to use for denoising. By default is set to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>next</samp>’</dt> |
|
<dd><p>Set number of next frames to to use for denoising. By default is set to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set planes which will be filtered, by default are all available filtered |
|
except alpha. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="field"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-field">29.57 field</a></h2> |
|
|
|
<p>Extract a single field from an interlaced image using stride |
|
arithmetic to avoid wasting CPU time. The output frames are marked as |
|
non-interlaced. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>type</samp>’</dt> |
|
<dd><p>Specify whether to extract the top (if the value is <code>0</code> or |
|
<code>top</code>) or the bottom field (if the value is <code>1</code> or |
|
<code>bottom</code>). |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="fieldhint"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fieldhint">29.58 fieldhint</a></h2> |
|
|
|
<p>Create new frames by copying the top and bottom fields from surrounding frames |
|
supplied as numbers by the hint file. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>hint</samp>’</dt> |
|
<dd><p>Set file containing hints: absolute/relative frame numbers. |
|
</p> |
|
<p>There must be one line for each frame in a clip. Each line must contain two |
|
numbers separated by the comma, optionally followed by <code>-</code> or <code>+</code>. |
|
Numbers supplied on each line of file can not be out of [N-1,N+1] where N |
|
is current frame number for <code>absolute</code> mode or out of [-1, 1] range |
|
for <code>relative</code> mode. First number tells from which frame to pick up top |
|
field and second number tells from which frame to pick up bottom field. |
|
</p> |
|
<p>If optionally followed by <code>+</code> output frame will be marked as interlaced, |
|
else if followed by <code>-</code> output frame will be marked as progressive, else |
|
it will be marked same as input frame. |
|
If line starts with <code>#</code> or <code>;</code> that line is skipped. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Can be item <code>absolute</code> or <code>relative</code>. Default is <code>absolute</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Example of first several lines of <code>hint</code> file for <code>relative</code> mode: |
|
</p><div class="example"> |
|
<pre class="example">0,0 - # first frame |
|
1,0 - # second frame, use third's frame top field and second's frame bottom field |
|
1,0 - # third frame, use fourth's frame top field and third's frame bottom field |
|
1,0 - |
|
0,0 - |
|
0,0 - |
|
1,0 - |
|
1,0 - |
|
1,0 - |
|
0,0 - |
|
0,0 - |
|
1,0 - |
|
1,0 - |
|
1,0 - |
|
0,0 - |
|
</pre></div> |
|
|
|
<a name="fieldmatch"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fieldmatch">29.59 fieldmatch</a></h2> |
|
|
|
<p>Field matching filter for inverse telecine. It is meant to reconstruct the |
|
progressive frames from a telecined stream. The filter does not drop duplicated |
|
frames, so to achieve a complete inverse telecine <code>fieldmatch</code> needs to be |
|
followed by a decimation filter such as <a href="#decimate">decimate</a> in the filtergraph. |
|
</p> |
|
<p>The separation of the field matching and the decimation is notably motivated by |
|
the possibility of inserting a de-interlacing filter fallback between the two. |
|
If the source has mixed telecined and real interlaced content, |
|
<code>fieldmatch</code> will not be able to match fields for the interlaced parts. |
|
But these remaining combed frames will be marked as interlaced, and thus can be |
|
de-interlaced by a later filter such as <a href="#yadif">yadif</a> before decimation. |
|
</p> |
|
<p>In addition to the various configuration options, <code>fieldmatch</code> can take an |
|
optional second stream, activated through the ‘<samp>ppsrc</samp>’ option. If |
|
enabled, the frames reconstruction will be based on the fields and frames from |
|
this second stream. This allows the first input to be pre-processed in order to |
|
help the various algorithms of the filter, while keeping the output lossless |
|
(assuming the fields are matched properly). Typically, a field-aware denoiser, |
|
or brightness/contrast adjustments can help. |
|
</p> |
|
<p>Note that this filter uses the same algorithms as TIVTC/TFM (AviSynth project) |
|
and VIVTC/VFM (VapourSynth project). The later is a light clone of TFM from |
|
which <code>fieldmatch</code> is based on. While the semantic and usage are very |
|
close, some behaviour and options names can differ. |
|
</p> |
|
<p>The <a href="#decimate">decimate</a> filter currently only works for constant frame rate input. |
|
If your input has mixed telecined (30fps) and progressive content with a lower |
|
framerate like 24fps use the following filterchain to produce the necessary cfr |
|
stream: <code>dejudder,fps=30000/1001,fieldmatch,decimate</code>. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>order</samp>’</dt> |
|
<dd><p>Specify the assumed field order of the input stream. Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>Auto detect parity (use FFmpeg’s internal parity value). |
|
</p></dd> |
|
<dt>‘<samp>bff</samp>’</dt> |
|
<dd><p>Assume bottom field first. |
|
</p></dd> |
|
<dt>‘<samp>tff</samp>’</dt> |
|
<dd><p>Assume top field first. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Note that it is sometimes recommended not to trust the parity announced by the |
|
stream. |
|
</p> |
|
<p>Default value is <var>auto</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set the matching mode or strategy to use. ‘<samp>pc</samp>’ mode is the safest in the |
|
sense that it won’t risk creating jerkiness due to duplicate frames when |
|
possible, but if there are bad edits or blended fields it will end up |
|
outputting combed frames when a good match might actually exist. On the other |
|
hand, ‘<samp>pcn_ub</samp>’ mode is the most risky in terms of creating jerkiness, |
|
but will almost always find a good frame if there is one. The other values are |
|
all somewhere in between ‘<samp>pc</samp>’ and ‘<samp>pcn_ub</samp>’ in terms of risking |
|
jerkiness and creating duplicate frames versus finding good matches in sections |
|
with bad edits, orphaned fields, blended fields, etc. |
|
</p> |
|
<p>More details about p/c/n/u/b are available in <a href="#p_002fc_002fn_002fu_002fb-meaning">p/c/n/u/b meaning</a> section. |
|
</p> |
|
<p>Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>pc</samp>’</dt> |
|
<dd><p>2-way matching (p/c) |
|
</p></dd> |
|
<dt>‘<samp>pc_n</samp>’</dt> |
|
<dd><p>2-way matching, and trying 3rd match if still combed (p/c + n) |
|
</p></dd> |
|
<dt>‘<samp>pc_u</samp>’</dt> |
|
<dd><p>2-way matching, and trying 3rd match (same order) if still combed (p/c + u) |
|
</p></dd> |
|
<dt>‘<samp>pc_n_ub</samp>’</dt> |
|
<dd><p>2-way matching, trying 3rd match if still combed, and trying 4th/5th matches if |
|
still combed (p/c + n + u/b) |
|
</p></dd> |
|
<dt>‘<samp>pcn</samp>’</dt> |
|
<dd><p>3-way matching (p/c/n) |
|
</p></dd> |
|
<dt>‘<samp>pcn_ub</samp>’</dt> |
|
<dd><p>3-way matching, and trying 4th/5th matches if all 3 of the original matches are |
|
detected as combed (p/c/n + u/b) |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The parenthesis at the end indicate the matches that would be used for that |
|
mode assuming ‘<samp>order</samp>’=<var>tff</var> (and ‘<samp>field</samp>’ on <var>auto</var> or |
|
<var>top</var>). |
|
</p> |
|
<p>In terms of speed ‘<samp>pc</samp>’ mode is by far the fastest and ‘<samp>pcn_ub</samp>’ is |
|
the slowest. |
|
</p> |
|
<p>Default value is <var>pc_n</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ppsrc</samp>’</dt> |
|
<dd><p>Mark the main input stream as a pre-processed input, and enable the secondary |
|
input stream as the clean source to pick the fields from. See the filter |
|
introduction for more details. It is similar to the ‘<samp>clip2</samp>’ feature from |
|
VFM/TFM. |
|
</p> |
|
<p>Default value is <code>0</code> (disabled). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>field</samp>’</dt> |
|
<dd><p>Set the field to match from. It is recommended to set this to the same value as |
|
‘<samp>order</samp>’ unless you experience matching failures with that setting. In |
|
certain circumstances changing the field that is used to match from can have a |
|
large impact on matching performance. Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>Automatic (same value as ‘<samp>order</samp>’). |
|
</p></dd> |
|
<dt>‘<samp>bottom</samp>’</dt> |
|
<dd><p>Match from the bottom field. |
|
</p></dd> |
|
<dt>‘<samp>top</samp>’</dt> |
|
<dd><p>Match from the top field. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <var>auto</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mchroma</samp>’</dt> |
|
<dd><p>Set whether or not chroma is included during the match comparisons. In most |
|
cases it is recommended to leave this enabled. You should set this to <code>0</code> |
|
only if your clip has bad chroma problems such as heavy rainbowing or other |
|
artifacts. Setting this to <code>0</code> could also be used to speed things up at |
|
the cost of some accuracy. |
|
</p> |
|
<p>Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y0</samp>’</dt> |
|
<dt>‘<samp>y1</samp>’</dt> |
|
<dd><p>These define an exclusion band which excludes the lines between ‘<samp>y0</samp>’ and |
|
‘<samp>y1</samp>’ from being included in the field matching decision. An exclusion |
|
band can be used to ignore subtitles, a logo, or other things that may |
|
interfere with the matching. ‘<samp>y0</samp>’ sets the starting scan line and |
|
‘<samp>y1</samp>’ sets the ending line; all lines in between ‘<samp>y0</samp>’ and |
|
‘<samp>y1</samp>’ (including ‘<samp>y0</samp>’ and ‘<samp>y1</samp>’) will be ignored. Setting |
|
‘<samp>y0</samp>’ and ‘<samp>y1</samp>’ to the same value will disable the feature. |
|
‘<samp>y0</samp>’ and ‘<samp>y1</samp>’ defaults to <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scthresh</samp>’</dt> |
|
<dd><p>Set the scene change detection threshold as a percentage of maximum change on |
|
the luma plane. Good values are in the <code>[8.0, 14.0]</code> range. Scene change |
|
detection is only relevant in case ‘<samp>combmatch</samp>’=<var>sc</var>. The range for |
|
‘<samp>scthresh</samp>’ is <code>[0.0, 100.0]</code>. |
|
</p> |
|
<p>Default value is <code>12.0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>combmatch</samp>’</dt> |
|
<dd><p>When ‘<samp>combatch</samp>’ is not <var>none</var>, <code>fieldmatch</code> will take into |
|
account the combed scores of matches when deciding what match to use as the |
|
final match. Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>No final matching based on combed scores. |
|
</p></dd> |
|
<dt>‘<samp>sc</samp>’</dt> |
|
<dd><p>Combed scores are only used when a scene change is detected. |
|
</p></dd> |
|
<dt>‘<samp>full</samp>’</dt> |
|
<dd><p>Use combed scores all the time. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is <var>sc</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>combdbg</samp>’</dt> |
|
<dd><p>Force <code>fieldmatch</code> to calculate the combed metrics for certain matches and |
|
print them. This setting is known as ‘<samp>micout</samp>’ in TFM/VFM vocabulary. |
|
Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>No forced calculation. |
|
</p></dd> |
|
<dt>‘<samp>pcn</samp>’</dt> |
|
<dd><p>Force p/c/n calculations. |
|
</p></dd> |
|
<dt>‘<samp>pcnub</samp>’</dt> |
|
<dd><p>Force p/c/n/u/b calculations. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <var>none</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cthresh</samp>’</dt> |
|
<dd><p>This is the area combing threshold used for combed frame detection. This |
|
essentially controls how "strong" or "visible" combing must be to be detected. |
|
Larger values mean combing must be more visible and smaller values mean combing |
|
can be less visible or strong and still be detected. Valid settings are from |
|
<code>-1</code> (every pixel will be detected as combed) to <code>255</code> (no pixel will |
|
be detected as combed). This is basically a pixel difference value. A good |
|
range is <code>[8, 12]</code>. |
|
</p> |
|
<p>Default value is <code>9</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
<dd><p>Sets whether or not chroma is considered in the combed frame decision. Only |
|
disable this if your source has chroma problems (rainbowing, etc.) that are |
|
causing problems for the combed frame detection with chroma enabled. Actually, |
|
using ‘<samp>chroma</samp>’=<var>0</var> is usually more reliable, except for the case |
|
where there is chroma only combing in the source. |
|
</p> |
|
<p>Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blockx</samp>’</dt> |
|
<dt>‘<samp>blocky</samp>’</dt> |
|
<dd><p>Respectively set the x-axis and y-axis size of the window used during combed |
|
frame detection. This has to do with the size of the area in which |
|
‘<samp>combpel</samp>’ pixels are required to be detected as combed for a frame to be |
|
declared combed. See the ‘<samp>combpel</samp>’ parameter description for more info. |
|
Possible values are any number that is a power of 2 starting at 4 and going up |
|
to 512. |
|
</p> |
|
<p>Default value is <code>16</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>combpel</samp>’</dt> |
|
<dd><p>The number of combed pixels inside any of the ‘<samp>blocky</samp>’ by |
|
‘<samp>blockx</samp>’ size blocks on the frame for the frame to be detected as |
|
combed. While ‘<samp>cthresh</samp>’ controls how "visible" the combing must be, this |
|
setting controls "how much" combing there must be in any localized area (a |
|
window defined by the ‘<samp>blockx</samp>’ and ‘<samp>blocky</samp>’ settings) on the |
|
frame. Minimum value is <code>0</code> and maximum is <code>blocky x blockx</code> (at |
|
which point no frames will ever be detected as combed). This setting is known |
|
as ‘<samp>MI</samp>’ in TFM/VFM vocabulary. |
|
</p> |
|
<p>Default value is <code>80</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="p_002fc_002fn_002fu_002fb-meaning"></a> |
|
</p><a name="p_002fc_002fn_002fu_002fb-meaning-1"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-p_002fc_002fn_002fu_002fb-meaning-1">29.59.1 p/c/n/u/b meaning</a></h3> |
|
|
|
<a name="p_002fc_002fn"></a> |
|
<h4 class="subsubsection"><a href="ffplay-all.html#toc-p_002fc_002fn">29.59.1.1 p/c/n</a></h4> |
|
|
|
<p>We assume the following telecined stream: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">Top fields: 1 2 2 3 4 |
|
Bottom fields: 1 2 3 4 4 |
|
</pre></div> |
|
|
|
<p>The numbers correspond to the progressive frame the fields relate to. Here, the |
|
first two frames are progressive, the 3rd and 4th are combed, and so on. |
|
</p> |
|
<p>When <code>fieldmatch</code> is configured to run a matching from bottom |
|
(‘<samp>field</samp>’=<var>bottom</var>) this is how this input stream get transformed: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">Input stream: |
|
T 1 2 2 3 4 |
|
B 1 2 3 4 4 <-- matching reference |
|
|
|
Matches: c c n n c |
|
|
|
Output stream: |
|
T 1 2 3 4 4 |
|
B 1 2 3 4 4 |
|
</pre></div> |
|
|
|
<p>As a result of the field matching, we can see that some frames get duplicated. |
|
To perform a complete inverse telecine, you need to rely on a decimation filter |
|
after this operation. See for instance the <a href="#decimate">decimate</a> filter. |
|
</p> |
|
<p>The same operation now matching from top fields (‘<samp>field</samp>’=<var>top</var>) |
|
looks like this: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">Input stream: |
|
T 1 2 2 3 4 <-- matching reference |
|
B 1 2 3 4 4 |
|
|
|
Matches: c c p p c |
|
|
|
Output stream: |
|
T 1 2 2 3 4 |
|
B 1 2 2 3 4 |
|
</pre></div> |
|
|
|
<p>In these examples, we can see what <var>p</var>, <var>c</var> and <var>n</var> mean; |
|
basically, they refer to the frame and field of the opposite parity: |
|
</p> |
|
<ul> |
|
<li> <var>p</var> matches the field of the opposite parity in the previous frame |
|
</li><li> <var>c</var> matches the field of the opposite parity in the current frame |
|
</li><li> <var>n</var> matches the field of the opposite parity in the next frame |
|
</li></ul> |
|
|
|
<a name="u_002fb"></a> |
|
<h4 class="subsubsection"><a href="ffplay-all.html#toc-u_002fb">29.59.1.2 u/b</a></h4> |
|
|
|
<p>The <var>u</var> and <var>b</var> matching are a bit special in the sense that they match |
|
from the opposite parity flag. In the following examples, we assume that we are |
|
currently matching the 2nd frame (Top:2, bottom:2). According to the match, a |
|
’x’ is placed above and below each matched fields. |
|
</p> |
|
<p>With bottom matching (‘<samp>field</samp>’=<var>bottom</var>): |
|
</p><div class="example"> |
|
<pre class="example">Match: c p n b u |
|
|
|
x x x x x |
|
Top 1 2 2 1 2 2 1 2 2 1 2 2 1 2 2 |
|
Bottom 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 |
|
x x x x x |
|
|
|
Output frames: |
|
2 1 2 2 2 |
|
2 2 2 1 3 |
|
</pre></div> |
|
|
|
<p>With top matching (‘<samp>field</samp>’=<var>top</var>): |
|
</p><div class="example"> |
|
<pre class="example">Match: c p n b u |
|
|
|
x x x x x |
|
Top 1 2 2 1 2 2 1 2 2 1 2 2 1 2 2 |
|
Bottom 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 |
|
x x x x x |
|
|
|
Output frames: |
|
2 2 2 1 2 |
|
2 1 3 2 2 |
|
</pre></div> |
|
|
|
<a name="Examples-41"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-41">29.59.2 Examples</a></h3> |
|
|
|
<p>Simple IVTC of a top field first telecined stream: |
|
</p><div class="example"> |
|
<pre class="example">fieldmatch=order=tff:combmatch=none, decimate |
|
</pre></div> |
|
|
|
<p>Advanced IVTC, with fallback on <a href="#yadif">yadif</a> for still combed frames: |
|
</p><div class="example"> |
|
<pre class="example">fieldmatch=order=tff:combmatch=full, yadif=deint=interlaced, decimate |
|
</pre></div> |
|
|
|
<a name="fieldorder"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fieldorder">29.60 fieldorder</a></h2> |
|
|
|
<p>Transform the field order of the input video. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>order</samp>’</dt> |
|
<dd><p>The output field order. Valid values are <var>tff</var> for top field first or <var>bff</var> |
|
for bottom field first. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default value is ‘<samp>tff</samp>’. |
|
</p> |
|
<p>The transformation is done by shifting the picture content up or down |
|
by one line, and filling the remaining line with appropriate picture content. |
|
This method is consistent with most broadcast field order converters. |
|
</p> |
|
<p>If the input video is not flagged as being interlaced, or it is already |
|
flagged as being of the required output field order, then this filter does |
|
not alter the incoming video. |
|
</p> |
|
<p>It is very useful when converting to or from PAL DV material, |
|
which is bottom field first. |
|
</p> |
|
<p>For example: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i in.vob -vf "fieldorder=bff" out.dv |
|
</pre></div> |
|
|
|
<a name="fifo_002c-afifo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fifo_002c-afifo">29.61 fifo, afifo</a></h2> |
|
|
|
<p>Buffer input images and send them when they are requested. |
|
</p> |
|
<p>It is mainly useful when auto-inserted by the libavfilter |
|
framework. |
|
</p> |
|
<p>It does not take parameters. |
|
</p> |
|
<a name="fillborders"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fillborders">29.62 fillborders</a></h2> |
|
|
|
<p>Fill borders of the input video, without changing video stream dimensions. |
|
Sometimes video can have garbage at the four edges and you may not want to |
|
crop video input to keep size multiple of some number. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>left</samp>’</dt> |
|
<dd><p>Number of pixels to fill from left border. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>right</samp>’</dt> |
|
<dd><p>Number of pixels to fill from right border. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>top</samp>’</dt> |
|
<dd><p>Number of pixels to fill from top border. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bottom</samp>’</dt> |
|
<dd><p>Number of pixels to fill from bottom border. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set fill mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>smear</samp>’</dt> |
|
<dd><p>fill pixels using outermost pixels |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mirror</samp>’</dt> |
|
<dd><p>fill pixels using mirroring |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fixed</samp>’</dt> |
|
<dd><p>fill pixels with constant value |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is <var>smear</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>Set color for pixels in fixed mode. Default is <var>black</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="find_005frect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-find_005frect">29.63 find_rect</a></h2> |
|
|
|
<p>Find a rectangular object |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>object</samp>’</dt> |
|
<dd><p>Filepath of the object image, needs to be in gray8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>Detection threshold, default is 0.5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mipmaps</samp>’</dt> |
|
<dd><p>Number of mipmaps, default is 3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>xmin, ymin, xmax, ymax</samp>’</dt> |
|
<dd><p>Specifies the rectangle in which to search. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-55"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-55">29.63.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Generate a representative palette of a given video using <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="cover_005frect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-cover_005frect">29.64 cover_rect</a></h2> |
|
|
|
<p>Cover a rectangular object |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>cover</samp>’</dt> |
|
<dd><p>Filepath of the optional cover image, needs to be in yuv420. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set covering mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>cover</samp>’</dt> |
|
<dd><p>cover it by the supplied image |
|
</p></dd> |
|
<dt>‘<samp>blur</samp>’</dt> |
|
<dd><p>cover it by interpolating the surrounding pixels |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <var>blur</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-43"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-43">29.64.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Generate a representative palette of a given video using <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="floodfill"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-floodfill">29.65 floodfill</a></h2> |
|
|
|
<p>Flood area with values of same pixel components with another values. |
|
</p> |
|
<p>It accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dd><p>Set pixel x coordinate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Set pixel y coordinate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s0</samp>’</dt> |
|
<dd><p>Set source #0 component value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s1</samp>’</dt> |
|
<dd><p>Set source #1 component value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s2</samp>’</dt> |
|
<dd><p>Set source #2 component value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s3</samp>’</dt> |
|
<dd><p>Set source #3 component value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>d0</samp>’</dt> |
|
<dd><p>Set destination #0 component value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>d1</samp>’</dt> |
|
<dd><p>Set destination #1 component value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>d2</samp>’</dt> |
|
<dd><p>Set destination #2 component value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>d3</samp>’</dt> |
|
<dd><p>Set destination #3 component value. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="format"></a> |
|
</p><a name="format-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-format-1">29.66 format</a></h2> |
|
|
|
<p>Convert the input video to one of the specified pixel formats. |
|
Libavfilter will try to pick one that is suitable as input to |
|
the next filter. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>pix_fmts</samp>’</dt> |
|
<dd><p>A ’|’-separated list of pixel format names, such as |
|
"pix_fmts=yuv420p|monow|rgb24". |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-106"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-106">29.66.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Convert the input video to the <var>yuv420p</var> format |
|
<div class="example"> |
|
<pre class="example">format=pix_fmts=yuv420p |
|
</pre></div> |
|
|
|
<p>Convert the input video to any of the formats in the list |
|
</p><div class="example"> |
|
<pre class="example">format=pix_fmts=yuv420p|yuv444p|yuv410p |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="fps"></a> |
|
</p><a name="fps-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fps-1">29.67 fps</a></h2> |
|
|
|
<p>Convert the video to specified constant frame rate by duplicating or dropping |
|
frames as necessary. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>fps</samp>’</dt> |
|
<dd><p>The desired output frame rate. The default is <code>25</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_time</samp>’</dt> |
|
<dd><p>Assume the first PTS should be the given value, in seconds. This allows for |
|
padding/trimming at the start of stream. By default, no assumption is made |
|
about the first frame’s expected PTS, so no padding or trimming is done. |
|
For example, this could be set to 0 to pad the beginning with duplicates of |
|
the first frame if a video stream starts after the audio stream or to trim any |
|
frames with a negative PTS. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>round</samp>’</dt> |
|
<dd><p>Timestamp (PTS) rounding method. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>zero</samp>’</dt> |
|
<dd><p>round towards 0 |
|
</p></dd> |
|
<dt>‘<samp>inf</samp>’</dt> |
|
<dd><p>round away from 0 |
|
</p></dd> |
|
<dt>‘<samp>down</samp>’</dt> |
|
<dd><p>round towards -infinity |
|
</p></dd> |
|
<dt>‘<samp>up</samp>’</dt> |
|
<dd><p>round towards +infinity |
|
</p></dd> |
|
<dt>‘<samp>near</samp>’</dt> |
|
<dd><p>round to nearest |
|
</p></dd> |
|
</dl> |
|
<p>The default is <code>near</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eof_action</samp>’</dt> |
|
<dd><p>Action performed when reading the last frame. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>round</samp>’</dt> |
|
<dd><p>Use same timestamp rounding method as used for other frames. |
|
</p></dd> |
|
<dt>‘<samp>pass</samp>’</dt> |
|
<dd><p>Pass through last frame if input duration has not been reached yet. |
|
</p></dd> |
|
</dl> |
|
<p>The default is <code>round</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Alternatively, the options can be specified as a flat string: |
|
<var>fps</var>[:<var>start_time</var>[:<var>round</var>]]. |
|
</p> |
|
<p>See also the <a href="#setpts">setpts</a> filter. |
|
</p> |
|
<a name="Examples-54"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-54">29.67.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
A typical usage in order to set the fps to 25: |
|
<div class="example"> |
|
<pre class="example">fps=fps=25 |
|
</pre></div> |
|
|
|
</li><li> |
|
Sets the fps to 24, using abbreviation and rounding method to round to nearest: |
|
<div class="example"> |
|
<pre class="example">fps=fps=film:round=near |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="framepack"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-framepack">29.68 framepack</a></h2> |
|
|
|
<p>Pack two different video streams into a stereoscopic video, setting proper |
|
metadata on supported codecs. The two views should have the same size and |
|
framerate and processing will stop when the shorter video ends. Please note |
|
that you may conveniently adjust view properties with the <a href="#scale">scale</a> and |
|
<a href="#fps">fps</a> filters. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>format</samp>’</dt> |
|
<dd><p>The desired packing format. Supported values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sbs</samp>’</dt> |
|
<dd><p>The views are next to each other (default). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tab</samp>’</dt> |
|
<dd><p>The views are on top of each other. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lines</samp>’</dt> |
|
<dd><p>The views are packed by line. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>columns</samp>’</dt> |
|
<dd><p>The views are packed by column. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frameseq</samp>’</dt> |
|
<dd><p>The views are temporally interleaved. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<p>Some examples: |
|
</p> |
|
<div class="example"> |
|
<pre class="example"># Convert left and right views into a frame-sequential video |
|
ffmpeg -i LEFT -i RIGHT -filter_complex framepack=frameseq OUTPUT |
|
|
|
# Convert views into a side-by-side video with the same output resolution as the input |
|
ffmpeg -i LEFT -i RIGHT -filter_complex [0:v]scale=w=iw/2[left],[1:v]scale=w=iw/2[right],[left][right]framepack=sbs OUTPUT |
|
</pre></div> |
|
|
|
<a name="framerate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-framerate">29.69 framerate</a></h2> |
|
|
|
<p>Change the frame rate by interpolating new video output frames from the source |
|
frames. |
|
</p> |
|
<p>This filter is not designed to function correctly with interlaced media. If |
|
you wish to change the frame rate of interlaced media then you are required |
|
to deinterlace before this filter and re-interlace after this filter. |
|
</p> |
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>fps</samp>’</dt> |
|
<dd><p>Specify the output frames per second. This option can also be specified |
|
as a value alone. The default is <code>50</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>interp_start</samp>’</dt> |
|
<dd><p>Specify the start of a range where the output frame will be created as a |
|
linear interpolation of two frames. The range is [<code>0</code>-<code>255</code>], |
|
the default is <code>15</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>interp_end</samp>’</dt> |
|
<dd><p>Specify the end of a range where the output frame will be created as a |
|
linear interpolation of two frames. The range is [<code>0</code>-<code>255</code>], |
|
the default is <code>240</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scene</samp>’</dt> |
|
<dd><p>Specify the level at which a scene change is detected as a value between |
|
0 and 100 to indicate a new scene; a low value reflects a low |
|
probability for the current frame to introduce a new scene, while a higher |
|
value means the current frame is more likely to be one. |
|
The default is <code>8.2</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flags</samp>’</dt> |
|
<dd><p>Specify flags influencing the filter process. |
|
</p> |
|
<p>Available value for <var>flags</var> is: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>scene_change_detect, scd</samp>’</dt> |
|
<dd><p>Enable scene change detection using the value of the option <var>scene</var>. |
|
This flag is enabled by default. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="framestep"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-framestep">29.70 framestep</a></h2> |
|
|
|
<p>Select one frame every N-th frame. |
|
</p> |
|
<p>This filter accepts the following option: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>step</samp>’</dt> |
|
<dd><p>Select frame after every <code>step</code> frames. |
|
Allowed values are positive integers higher than 0. Default value is <code>1</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="frei0r"></a> |
|
</p><a name="frei0r-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-frei0r-1">29.71 frei0r</a></h2> |
|
|
|
<p>Apply a frei0r effect to the input video. |
|
</p> |
|
<p>To enable the compilation of this filter, you need to install the frei0r |
|
header and configure FFmpeg with <code>--enable-frei0r</code>. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filter_name</samp>’</dt> |
|
<dd><p>The name of the frei0r effect to load. If the environment variable |
|
<code>FREI0R_PATH</code> is defined, the frei0r effect is searched for in each of the |
|
directories specified by the colon-separated list in <code>FREI0R_PATH</code>. |
|
Otherwise, the standard frei0r paths are searched, in this order: |
|
‘<tt>HOME/.frei0r-1/lib/</tt>’, ‘<tt>/usr/local/lib/frei0r-1/</tt>’, |
|
‘<tt>/usr/lib/frei0r-1/</tt>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filter_params</samp>’</dt> |
|
<dd><p>A ’|’-separated list of parameters to pass to the frei0r effect. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>A frei0r effect parameter can be a boolean (its value is either |
|
"y" or "n"), a double, a color (specified as |
|
<var>R</var>/<var>G</var>/<var>B</var>, where <var>R</var>, <var>G</var>, and <var>B</var> are floating point |
|
numbers between 0.0 and 1.0, inclusive) or a color description as specified in the |
|
<a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>, |
|
a position (specified as <var>X</var>/<var>Y</var>, where |
|
<var>X</var> and <var>Y</var> are floating point numbers) and/or a string. |
|
</p> |
|
<p>The number and types of parameters depend on the loaded effect. If an |
|
effect parameter is not specified, the default value is set. |
|
</p> |
|
<a name="Examples-145"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-145">29.71.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply the distort0r effect, setting the first two double parameters: |
|
<div class="example"> |
|
<pre class="example">frei0r=filter_name=distort0r:filter_params=0.5|0.01 |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply the colordistance effect, taking a color as the first parameter: |
|
<div class="example"> |
|
<pre class="example">frei0r=colordistance:0.2/0.3/0.4 |
|
frei0r=colordistance:violet |
|
frei0r=colordistance:0x112233 |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply the perspective effect, specifying the top left and top right image |
|
positions: |
|
<div class="example"> |
|
<pre class="example">frei0r=perspective:0.2/0.2|0.8/0.2 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p>For more information, see |
|
<a href="http://frei0r.dyne.org">http://frei0r.dyne.org</a> |
|
</p> |
|
<a name="fspp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-fspp">29.72 fspp</a></h2> |
|
|
|
<p>Apply fast and simple postprocessing. It is a faster version of <a href="#spp">spp</a>. |
|
</p> |
|
<p>It splits (I)DCT into horizontal/vertical passes. Unlike the simple post- |
|
processing filter, one of them is performed once per block, not per pixel. |
|
This allows for much higher speed. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>quality</samp>’</dt> |
|
<dd><p>Set quality. This option defines the number of levels for averaging. It accepts |
|
an integer in the range 4-5. Default value is <code>4</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qp</samp>’</dt> |
|
<dd><p>Force a constant quantization parameter. It accepts an integer in range 0-63. |
|
If not set, the filter will use the QP from the video stream (if available). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>strength</samp>’</dt> |
|
<dd><p>Set filter strength. It accepts an integer in range -15 to 32. Lower values mean |
|
more details but also more artifacts, while higher values make the image smoother |
|
but also blurrier. Default value is <code>0</code> − PSNR optimal. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>use_bframe_qp</samp>’</dt> |
|
<dd><p>Enable the use of the QP from the B-Frames if set to <code>1</code>. Using this |
|
option may cause flicker since the B-Frames have often larger QP. Default is |
|
<code>0</code> (not enabled). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="gblur"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-gblur">29.73 gblur</a></h2> |
|
|
|
<p>Apply Gaussian blur filter. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sigma</samp>’</dt> |
|
<dd><p>Set horizontal sigma, standard deviation of Gaussian blur. Default is <code>0.5</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>steps</samp>’</dt> |
|
<dd><p>Set number of steps for Gaussian approximation. Defauls is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes to filter. By default all planes are filtered. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sigmaV</samp>’</dt> |
|
<dd><p>Set vertical sigma, if negative it will be same as <code>sigma</code>. |
|
Default is <code>-1</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="geq"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-geq">29.74 geq</a></h2> |
|
|
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>lum_expr, lum</samp>’</dt> |
|
<dd><p>Set the luminance expression. |
|
</p></dd> |
|
<dt>‘<samp>cb_expr, cb</samp>’</dt> |
|
<dd><p>Set the chrominance blue expression. |
|
</p></dd> |
|
<dt>‘<samp>cr_expr, cr</samp>’</dt> |
|
<dd><p>Set the chrominance red expression. |
|
</p></dd> |
|
<dt>‘<samp>alpha_expr, a</samp>’</dt> |
|
<dd><p>Set the alpha expression. |
|
</p></dd> |
|
<dt>‘<samp>red_expr, r</samp>’</dt> |
|
<dd><p>Set the red expression. |
|
</p></dd> |
|
<dt>‘<samp>green_expr, g</samp>’</dt> |
|
<dd><p>Set the green expression. |
|
</p></dd> |
|
<dt>‘<samp>blue_expr, b</samp>’</dt> |
|
<dd><p>Set the blue expression. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The colorspace is selected according to the specified options. If one |
|
of the ‘<samp>lum_expr</samp>’, ‘<samp>cb_expr</samp>’, or ‘<samp>cr_expr</samp>’ |
|
options is specified, the filter will automatically select a YCbCr |
|
colorspace. If one of the ‘<samp>red_expr</samp>’, ‘<samp>green_expr</samp>’, or |
|
‘<samp>blue_expr</samp>’ options is specified, it will select an RGB |
|
colorspace. |
|
</p> |
|
<p>If one of the chrominance expression is not defined, it falls back on the other |
|
one. If no alpha expression is specified it will evaluate to opaque value. |
|
If none of chrominance expressions are specified, they will evaluate |
|
to the luminance expression. |
|
</p> |
|
<p>The expressions can use the following variables and functions: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>N</samp>’</dt> |
|
<dd><p>The sequential number of the filtered frame, starting from <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>X</samp>’</dt> |
|
<dt>‘<samp>Y</samp>’</dt> |
|
<dd><p>The coordinates of the current sample. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>W</samp>’</dt> |
|
<dt>‘<samp>H</samp>’</dt> |
|
<dd><p>The width and height of the image. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>SW</samp>’</dt> |
|
<dt>‘<samp>SH</samp>’</dt> |
|
<dd><p>Width and height scale depending on the currently filtered plane. It is the |
|
ratio between the corresponding luma plane number of pixels and the current |
|
plane ones. E.g. for YUV4:2:0 the values are <code>1,1</code> for the luma plane, and |
|
<code>0.5,0.5</code> for chroma planes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>T</samp>’</dt> |
|
<dd><p>Time of the current frame, expressed in seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p(x, y)</samp>’</dt> |
|
<dd><p>Return the value of the pixel at location (<var>x</var>,<var>y</var>) of the current |
|
plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lum(x, y)</samp>’</dt> |
|
<dd><p>Return the value of the pixel at location (<var>x</var>,<var>y</var>) of the luminance |
|
plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cb(x, y)</samp>’</dt> |
|
<dd><p>Return the value of the pixel at location (<var>x</var>,<var>y</var>) of the |
|
blue-difference chroma plane. Return 0 if there is no such plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cr(x, y)</samp>’</dt> |
|
<dd><p>Return the value of the pixel at location (<var>x</var>,<var>y</var>) of the |
|
red-difference chroma plane. Return 0 if there is no such plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>r(x, y)</samp>’</dt> |
|
<dt>‘<samp>g(x, y)</samp>’</dt> |
|
<dt>‘<samp>b(x, y)</samp>’</dt> |
|
<dd><p>Return the value of the pixel at location (<var>x</var>,<var>y</var>) of the |
|
red/green/blue component. Return 0 if there is no such component. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha(x, y)</samp>’</dt> |
|
<dd><p>Return the value of the pixel at location (<var>x</var>,<var>y</var>) of the alpha |
|
plane. Return 0 if there is no such plane. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For functions, if <var>x</var> and <var>y</var> are outside the area, the value will be |
|
automatically clipped to the closer edge. |
|
</p> |
|
<a name="Examples-90"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-90">29.74.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Flip the image horizontally: |
|
<div class="example"> |
|
<pre class="example">geq=p(W-X\,Y) |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a bidimensional sine wave, with angle <code>PI/3</code> and a |
|
wavelength of 100 pixels: |
|
<div class="example"> |
|
<pre class="example">geq=128 + 100*sin(2*(PI/100)*(cos(PI/3)*(X-50*T) + sin(PI/3)*Y)):128:128 |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a fancy enigmatic moving light: |
|
<div class="example"> |
|
<pre class="example">nullsrc=s=256x256,geq=random(1)/hypot(X-cos(N*0.07)*W/2-W/2\,Y-sin(N*0.09)*H/2-H/2)^2*1000000*sin(N*0.02):128:128 |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a quick emboss effect: |
|
<div class="example"> |
|
<pre class="example">format=gray,geq=lum_expr='(p(X,Y)+(256-p(X-4,Y-4)))/2' |
|
</pre></div> |
|
|
|
</li><li> |
|
Modify RGB components depending on pixel position: |
|
<div class="example"> |
|
<pre class="example">geq=r='X/W*r(X,Y)':g='(1-X/W)*g(X,Y)':b='(H-Y)/H*b(X,Y)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Create a radial gradient that is the same size as the input (also see |
|
the <a href="#vignette">vignette</a> filter): |
|
<div class="example"> |
|
<pre class="example">geq=lum=255*gauss((X/W-0.5)*3)*gauss((Y/H-0.5)*3)/gauss(0)/gauss(0),format=gray |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="gradfun"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-gradfun">29.75 gradfun</a></h2> |
|
|
|
<p>Fix the banding artifacts that are sometimes introduced into nearly flat |
|
regions by truncation to 8-bit color depth. |
|
Interpolate the gradients that should go where the bands are, and |
|
dither them. |
|
</p> |
|
<p>It is designed for playback only. Do not use it prior to |
|
lossy compression, because compression tends to lose the dither and |
|
bring back the bands. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>strength</samp>’</dt> |
|
<dd><p>The maximum amount by which the filter will change any one pixel. This is also |
|
the threshold for detecting nearly flat regions. Acceptable values range from |
|
.51 to 64; the default value is 1.2. Out-of-range values will be clipped to the |
|
valid range. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>radius</samp>’</dt> |
|
<dd><p>The neighborhood to fit the gradient to. A larger radius makes for smoother |
|
gradients, but also prevents the filter from modifying the pixels near detailed |
|
regions. Acceptable values are 8-32; the default value is 16. Out-of-range |
|
values will be clipped to the valid range. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Alternatively, the options can be specified as a flat string: |
|
<var>strength</var>[:<var>radius</var>] |
|
</p> |
|
<a name="Examples-64"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-64">29.75.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply the filter with a <code>3.5</code> strength and radius of <code>8</code>: |
|
<div class="example"> |
|
<pre class="example">gradfun=3.5:8 |
|
</pre></div> |
|
|
|
</li><li> |
|
Specify radius, omitting the strength (which will fall-back to the default |
|
value): |
|
<div class="example"> |
|
<pre class="example">gradfun=radius=8 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<p><a name="haldclut"></a> |
|
</p><a name="haldclut-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-haldclut-1">29.76 haldclut</a></h2> |
|
|
|
<p>Apply a Hald CLUT to a video stream. |
|
</p> |
|
<p>First input is the video stream to process, and second one is the Hald CLUT. |
|
The Hald CLUT input can be a simple picture or a complete video stream. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>shortest</samp>’</dt> |
|
<dd><p>Force termination when the shortest input terminates. Default is <code>0</code>. |
|
</p></dd> |
|
<dt>‘<samp>repeatlast</samp>’</dt> |
|
<dd><p>Continue applying the last CLUT after the end of the stream. A value of |
|
<code>0</code> disable the filter after the last frame of the CLUT is reached. |
|
Default is <code>1</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><code>haldclut</code> also has the same interpolation options as <a href="#lut3d">lut3d</a> (both |
|
filters share the same internals). |
|
</p> |
|
<p>More information about the Hald CLUT can be found on Eskil Steenberg’s website |
|
(Hald CLUT author) at <a href="http://www.quelsolaar.com/technology/clut.html">http://www.quelsolaar.com/technology/clut.html</a>. |
|
</p> |
|
<a name="Workflow-examples"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Workflow-examples">29.76.1 Workflow examples</a></h3> |
|
|
|
<a name="Hald-CLUT-video-stream"></a> |
|
<h4 class="subsubsection"><a href="ffplay-all.html#toc-Hald-CLUT-video-stream">29.76.1.1 Hald CLUT video stream</a></h4> |
|
|
|
<p>Generate an identity Hald CLUT stream altered with various effects: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i <a href="#haldclutsrc">haldclutsrc</a>=8 -vf "hue=H=2*PI*t:s=sin(2*PI*t)+1, curves=cross_process" -t 10 -c:v ffv1 clut.nut |
|
</pre></div> |
|
|
|
<p>Note: make sure you use a lossless codec. |
|
</p> |
|
<p>Then use it with <code>haldclut</code> to apply it on some random stream: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i mandelbrot -i clut.nut -filter_complex '[0][1] haldclut' -t 20 mandelclut.mkv |
|
</pre></div> |
|
|
|
<p>The Hald CLUT will be applied to the 10 first seconds (duration of |
|
‘<tt>clut.nut</tt>’), then the latest picture of that CLUT stream will be applied |
|
to the remaining frames of the <code>mandelbrot</code> stream. |
|
</p> |
|
<a name="Hald-CLUT-with-preview"></a> |
|
<h4 class="subsubsection"><a href="ffplay-all.html#toc-Hald-CLUT-with-preview">29.76.1.2 Hald CLUT with preview</a></h4> |
|
|
|
<p>A Hald CLUT is supposed to be a squared image of <code>Level*Level*Level</code> by |
|
<code>Level*Level*Level</code> pixels. For a given Hald CLUT, FFmpeg will select the |
|
biggest possible square starting at the top left of the picture. The remaining |
|
padding pixels (bottom or right) will be ignored. This area can be used to add |
|
a preview of the Hald CLUT. |
|
</p> |
|
<p>Typically, the following generated Hald CLUT will be supported by the |
|
<code>haldclut</code> filter: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i <a href="#haldclutsrc">haldclutsrc</a>=8 -vf " |
|
pad=iw+320 [padded_clut]; |
|
smptebars=s=320x256, split [a][b]; |
|
[padded_clut][a] overlay=W-320:h, curves=color_negative [main]; |
|
[main][b] overlay=W-320" -frames:v 1 clut.png |
|
</pre></div> |
|
|
|
<p>It contains the original and a preview of the effect of the CLUT: SMPTE color |
|
bars are displayed on the right-top, and below the same color bars processed by |
|
the color changes. |
|
</p> |
|
<p>Then, the effect of this Hald CLUT can be visualized with: |
|
</p><div class="example"> |
|
<pre class="example">ffplay input.mkv -vf "movie=clut.png, [in] haldclut" |
|
</pre></div> |
|
|
|
<a name="hflip"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hflip">29.77 hflip</a></h2> |
|
|
|
<p>Flip the input video horizontally. |
|
</p> |
|
<p>For example, to horizontally flip the input video with <code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i in.avi -vf "hflip" out.avi |
|
</pre></div> |
|
|
|
<a name="histeq"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-histeq">29.78 histeq</a></h2> |
|
<p>This filter applies a global color histogram equalization on a |
|
per-frame basis. |
|
</p> |
|
<p>It can be used to correct video that has a compressed range of pixel |
|
intensities. The filter redistributes the pixel intensities to |
|
equalize their distribution across the intensity range. It may be |
|
viewed as an "automatically adjusting contrast filter". This filter is |
|
useful only for correcting degraded or poorly captured source |
|
video. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>strength</samp>’</dt> |
|
<dd><p>Determine the amount of equalization to be applied. As the strength |
|
is reduced, the distribution of pixel intensities more-and-more |
|
approaches that of the input frame. The value must be a float number |
|
in the range [0,1] and defaults to 0.200. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>intensity</samp>’</dt> |
|
<dd><p>Set the maximum intensity that can generated and scale the output |
|
values appropriately. The strength should be set as desired and then |
|
the intensity can be limited if needed to avoid washing-out. The value |
|
must be a float number in the range [0,1] and defaults to 0.210. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>antibanding</samp>’</dt> |
|
<dd><p>Set the antibanding level. If enabled the filter will randomly vary |
|
the luminance of output pixels by a small amount to avoid banding of |
|
the histogram. Possible values are <code>none</code>, <code>weak</code> or |
|
<code>strong</code>. It defaults to <code>none</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="histogram"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-histogram">29.79 histogram</a></h2> |
|
|
|
<p>Compute and draw a color distribution histogram for the input video. |
|
</p> |
|
<p>The computed histogram is a representation of the color component |
|
distribution in an image. |
|
</p> |
|
<p>Standard histogram displays the color components distribution in an image. |
|
Displays color graph for each color component. Shows distribution of |
|
the Y, U, V, A or R, G, B components, depending on input format, in the |
|
current frame. Below each graph a color component scale meter is shown. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level_height</samp>’</dt> |
|
<dd><p>Set height of level. Default value is <code>200</code>. |
|
Allowed range is [50, 2048]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale_height</samp>’</dt> |
|
<dd><p>Set height of color scale. Default value is <code>12</code>. |
|
Allowed range is [0, 40]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>display_mode</samp>’</dt> |
|
<dd><p>Set display mode. |
|
It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>stack</samp>’</dt> |
|
<dd><p>Per color component graphs are placed below each other. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>parade</samp>’</dt> |
|
<dd><p>Per color component graphs are placed side by side. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlay</samp>’</dt> |
|
<dd><p>Presents information identical to that in the <code>parade</code>, except |
|
that the graphs representing color components are superimposed directly |
|
over one another. |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>stack</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>levels_mode</samp>’</dt> |
|
<dd><p>Set mode. Can be either <code>linear</code>, or <code>logarithmic</code>. |
|
Default is <code>linear</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>components</samp>’</dt> |
|
<dd><p>Set what color components to display. |
|
Default is <code>7</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fgopacity</samp>’</dt> |
|
<dd><p>Set foreground opacity. Default is <code>0.7</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bgopacity</samp>’</dt> |
|
<dd><p>Set background opacity. Default is <code>0.5</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-143"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-143">29.79.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Calculate and draw histogram: |
|
<div class="example"> |
|
<pre class="example">ffplay -i input -vf histogram |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<p><a name="hqdn3d"></a> |
|
</p><a name="hqdn3d-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hqdn3d-1">29.80 hqdn3d</a></h2> |
|
|
|
<p>This is a high precision/quality 3d denoise filter. It aims to reduce |
|
image noise, producing smooth images and making still images really |
|
still. It should enhance compressibility. |
|
</p> |
|
<p>It accepts the following optional parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>luma_spatial</samp>’</dt> |
|
<dd><p>A non-negative floating point number which specifies spatial luma strength. |
|
It defaults to 4.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_spatial</samp>’</dt> |
|
<dd><p>A non-negative floating point number which specifies spatial chroma strength. |
|
It defaults to 3.0*<var>luma_spatial</var>/4.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_tmp</samp>’</dt> |
|
<dd><p>A floating point number which specifies luma temporal strength. It defaults to |
|
6.0*<var>luma_spatial</var>/4.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_tmp</samp>’</dt> |
|
<dd><p>A floating point number which specifies chroma temporal strength. It defaults to |
|
<var>luma_tmp</var>*<var>chroma_spatial</var>/<var>luma_spatial</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="hwdownload"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hwdownload">29.81 hwdownload</a></h2> |
|
|
|
<p>Download hardware frames to system memory. |
|
</p> |
|
<p>The input must be in hardware frames, and the output a non-hardware format. |
|
Not all formats will be supported on the output - it may be necessary to insert |
|
an additional ‘<samp>format</samp>’ filter immediately following in the graph to get |
|
the output in a supported format. |
|
</p> |
|
<a name="hwmap"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hwmap">29.82 hwmap</a></h2> |
|
|
|
<p>Map hardware frames to system memory or to another device. |
|
</p> |
|
<p>This filter has several different modes of operation; which one is used depends |
|
on the input and output formats: |
|
</p><ul> |
|
<li> |
|
Hardware frame input, normal frame output |
|
|
|
<p>Map the input frames to system memory and pass them to the output. If the |
|
original hardware frame is later required (for example, after overlaying |
|
something else on part of it), the ‘<samp>hwmap</samp>’ filter can be used again |
|
in the next mode to retrieve it. |
|
</p></li><li> |
|
Normal frame input, hardware frame output |
|
|
|
<p>If the input is actually a software-mapped hardware frame, then unmap it - |
|
that is, return the original hardware frame. |
|
</p> |
|
<p>Otherwise, a device must be provided. Create new hardware surfaces on that |
|
device for the output, then map them back to the software format at the input |
|
and give those frames to the preceding filter. This will then act like the |
|
‘<samp>hwupload</samp>’ filter, but may be able to avoid an additional copy when |
|
the input is already in a compatible format. |
|
</p></li><li> |
|
Hardware frame input and output |
|
|
|
<p>A device must be supplied for the output, either directly or with the |
|
‘<samp>derive_device</samp>’ option. The input and output devices must be of |
|
different types and compatible - the exact meaning of this is |
|
system-dependent, but typically it means that they must refer to the same |
|
underlying hardware context (for example, refer to the same graphics card). |
|
</p> |
|
<p>If the input frames were originally created on the output device, then unmap |
|
to retrieve the original frames. |
|
</p> |
|
<p>Otherwise, map the frames to the output device - create new hardware frames |
|
on the output corresponding to the frames on the input. |
|
</p></li></ul> |
|
|
|
<p>The following additional parameters are accepted: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set the frame mapping mode. Some combination of: |
|
</p><dl compact="compact"> |
|
<dt><var>read</var></dt> |
|
<dd><p>The mapped frame should be readable. |
|
</p></dd> |
|
<dt><var>write</var></dt> |
|
<dd><p>The mapped frame should be writeable. |
|
</p></dd> |
|
<dt><var>overwrite</var></dt> |
|
<dd><p>The mapping will always overwrite the entire frame. |
|
</p> |
|
<p>This may improve performance in some cases, as the original contents of the |
|
frame need not be loaded. |
|
</p></dd> |
|
<dt><var>direct</var></dt> |
|
<dd><p>The mapping must not involve any copying. |
|
</p> |
|
<p>Indirect mappings to copies of frames are created in some cases where either |
|
direct mapping is not possible or it would have unexpected properties. |
|
Setting this flag ensures that the mapping is direct and will fail if that is |
|
not possible. |
|
</p></dd> |
|
</dl> |
|
<p>Defaults to <var>read+write</var> if not specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>derive_device <var>type</var></samp>’</dt> |
|
<dd><p>Rather than using the device supplied at initialisation, instead derive a new |
|
device of type <var>type</var> from the device the input frames exist on. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reverse</samp>’</dt> |
|
<dd><p>In a hardware to hardware mapping, map in reverse - create frames in the sink |
|
and map them back to the source. This may be necessary in some cases where |
|
a mapping in one direction is required but only the opposite direction is |
|
supported by the devices being used. |
|
</p> |
|
<p>This option is dangerous - it may break the preceding filter in undefined |
|
ways if there are any additional constraints on that filter’s output. |
|
Do not use it without fully understanding the implications of its use. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="hwupload"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hwupload">29.83 hwupload</a></h2> |
|
|
|
<p>Upload system memory frames to hardware surfaces. |
|
</p> |
|
<p>The device to upload to must be supplied when the filter is initialised. If |
|
using ffmpeg, select the appropriate device with the ‘<samp>-filter_hw_device</samp>’ |
|
option. |
|
</p> |
|
<p><a name="hwupload_005fcuda"></a> |
|
</p><a name="hwupload_005fcuda-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hwupload_005fcuda-1">29.84 hwupload_cuda</a></h2> |
|
|
|
<p>Upload system memory frames to a CUDA device. |
|
</p> |
|
<p>It accepts the following optional parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>device</samp>’</dt> |
|
<dd><p>The number of the CUDA device to use |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="hqx"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hqx">29.85 hqx</a></h2> |
|
|
|
<p>Apply a high-quality magnification filter designed for pixel art. This filter |
|
was originally created by Maxim Stepin. |
|
</p> |
|
<p>It accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>Set the scaling dimension: <code>2</code> for <code>hq2x</code>, <code>3</code> for |
|
<code>hq3x</code> and <code>4</code> for <code>hq4x</code>. |
|
Default is <code>3</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="hstack"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hstack">29.86 hstack</a></h2> |
|
<p>Stack input videos horizontally. |
|
</p> |
|
<p>All streams must be of same pixel format and of same height. |
|
</p> |
|
<p>Note that this filter is faster than using <a href="#overlay">overlay</a> and <a href="#pad">pad</a> filter |
|
to create same output. |
|
</p> |
|
<p>The filter accept the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>inputs</samp>’</dt> |
|
<dd><p>Set number of input streams. Default is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shortest</samp>’</dt> |
|
<dd><p>If set to 1, force the output to terminate when the shortest input |
|
terminates. Default value is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="hue"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hue">29.87 hue</a></h2> |
|
|
|
<p>Modify the hue and/or the saturation of the input. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Specify the hue angle as a number of degrees. It accepts an expression, |
|
and defaults to "0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Specify the saturation in the [-10,10] range. It accepts an expression and |
|
defaults to "1". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>H</samp>’</dt> |
|
<dd><p>Specify the hue angle as a number of radians. It accepts an |
|
expression, and defaults to "0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dd><p>Specify the brightness in the [-10,10] range. It accepts an expression and |
|
defaults to "0". |
|
</p></dd> |
|
</dl> |
|
|
|
<p>‘<samp>h</samp>’ and ‘<samp>H</samp>’ are mutually exclusive, and can’t be |
|
specified at the same time. |
|
</p> |
|
<p>The ‘<samp>b</samp>’, ‘<samp>h</samp>’, ‘<samp>H</samp>’ and ‘<samp>s</samp>’ option values are |
|
expressions containing the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>frame count of the input frame starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts</samp>’</dt> |
|
<dd><p>presentation timestamp of the input frame expressed in time base units |
|
</p> |
|
</dd> |
|
<dt>‘<samp>r</samp>’</dt> |
|
<dd><p>frame rate of the input video, NAN if the input frame rate is unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>timestamp expressed in seconds, NAN if the input timestamp is unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tb</samp>’</dt> |
|
<dd><p>time base of the input video |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-18"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-18">29.87.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Set the hue to 90 degrees and the saturation to 1.0: |
|
<div class="example"> |
|
<pre class="example">hue=h=90:s=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Same command but expressing the hue in radians: |
|
<div class="example"> |
|
<pre class="example">hue=H=PI/2:s=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Rotate hue and make the saturation swing between 0 |
|
and 2 over a period of 1 second: |
|
<div class="example"> |
|
<pre class="example">hue="H=2*PI*t: s=sin(2*PI*t)+1" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply a 3 seconds saturation fade-in effect starting at 0: |
|
<div class="example"> |
|
<pre class="example">hue="s=min(t/3\,1)" |
|
</pre></div> |
|
|
|
<p>The general fade-in expression can be written as: |
|
</p><div class="example"> |
|
<pre class="example">hue="s=min(0\, max((t-START)/DURATION\, 1))" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply a 3 seconds saturation fade-out effect starting at 5 seconds: |
|
<div class="example"> |
|
<pre class="example">hue="s=max(0\, min(1\, (8-t)/3))" |
|
</pre></div> |
|
|
|
<p>The general fade-out expression can be written as: |
|
</p><div class="example"> |
|
<pre class="example">hue="s=max(0\, min(1\, (START+DURATION-t)/DURATION))" |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="Commands"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands">29.87.2 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dt>‘<samp>H</samp>’</dt> |
|
<dd><p>Modify the hue and/or the saturation and/or brightness of the input video. |
|
The command accepts the same syntax of the corresponding option. |
|
</p> |
|
<p>If the specified expression is not valid, it is kept at its current |
|
value. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="hysteresis"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-hysteresis">29.88 hysteresis</a></h2> |
|
|
|
<p>Grow first stream into second stream by connecting components. |
|
This makes it possible to build more robust edge masks. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed as bitmap, unprocessed planes will be |
|
copied from first stream. |
|
By default value 0xf, all planes will be processed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>Set threshold which is used in filtering. If pixel component value is higher than |
|
this value filter algorithm for connecting components is activated. |
|
By default value is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="idet"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-idet">29.89 idet</a></h2> |
|
|
|
<p>Detect video interlacing type. |
|
</p> |
|
<p>This filter tries to detect if the input frames are interlaced, progressive, |
|
top or bottom field first. It will also try to detect fields that are |
|
repeated between adjacent frames (a sign of telecine). |
|
</p> |
|
<p>Single frame detection considers only immediately adjacent frames when classifying each frame. |
|
Multiple frame detection incorporates the classification history of previous frames. |
|
</p> |
|
<p>The filter will log these metadata values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>single.current_frame</samp>’</dt> |
|
<dd><p>Detected type of current frame using single-frame detection. One of: |
|
“tff” (top field first), “bff” (bottom field first), |
|
“progressive”, or “undetermined” |
|
</p> |
|
</dd> |
|
<dt>‘<samp>single.tff</samp>’</dt> |
|
<dd><p>Cumulative number of frames detected as top field first using single-frame detection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>multiple.tff</samp>’</dt> |
|
<dd><p>Cumulative number of frames detected as top field first using multiple-frame detection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>single.bff</samp>’</dt> |
|
<dd><p>Cumulative number of frames detected as bottom field first using single-frame detection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>multiple.current_frame</samp>’</dt> |
|
<dd><p>Detected type of current frame using multiple-frame detection. One of: |
|
“tff” (top field first), “bff” (bottom field first), |
|
“progressive”, or “undetermined” |
|
</p> |
|
</dd> |
|
<dt>‘<samp>multiple.bff</samp>’</dt> |
|
<dd><p>Cumulative number of frames detected as bottom field first using multiple-frame detection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>single.progressive</samp>’</dt> |
|
<dd><p>Cumulative number of frames detected as progressive using single-frame detection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>multiple.progressive</samp>’</dt> |
|
<dd><p>Cumulative number of frames detected as progressive using multiple-frame detection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>single.undetermined</samp>’</dt> |
|
<dd><p>Cumulative number of frames that could not be classified using single-frame detection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>multiple.undetermined</samp>’</dt> |
|
<dd><p>Cumulative number of frames that could not be classified using multiple-frame detection. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>repeated.current_frame</samp>’</dt> |
|
<dd><p>Which field in the current frame is repeated from the last. One of “neither”, “top”, or “bottom”. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>repeated.neither</samp>’</dt> |
|
<dd><p>Cumulative number of frames with no repeated field. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>repeated.top</samp>’</dt> |
|
<dd><p>Cumulative number of frames with the top field repeated from the previous frame’s top field. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>repeated.bottom</samp>’</dt> |
|
<dd><p>Cumulative number of frames with the bottom field repeated from the previous frame’s bottom field. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>intl_thres</samp>’</dt> |
|
<dd><p>Set interlacing threshold. |
|
</p></dd> |
|
<dt>‘<samp>prog_thres</samp>’</dt> |
|
<dd><p>Set progressive threshold. |
|
</p></dd> |
|
<dt>‘<samp>rep_thres</samp>’</dt> |
|
<dd><p>Threshold for repeated field detection. |
|
</p></dd> |
|
<dt>‘<samp>half_life</samp>’</dt> |
|
<dd><p>Number of frames after which a given frame’s contribution to the |
|
statistics is halved (i.e., it contributes only 0.5 to its |
|
classification). The default of 0 means that all frames seen are given |
|
full weight of 1.0 forever. |
|
</p></dd> |
|
<dt>‘<samp>analyze_interlaced_flag</samp>’</dt> |
|
<dd><p>When this is not 0 then idet will use the specified number of frames to determine |
|
if the interlaced flag is accurate, it will not count undetermined frames. |
|
If the flag is found to be accurate it will be used without any further |
|
computations, if it is found to be inaccurate it will be cleared without any |
|
further computations. This allows inserting the idet filter as a low computational |
|
method to clean up the interlaced flag |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="il"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-il">29.90 il</a></h2> |
|
|
|
<p>Deinterleave or interleave fields. |
|
</p> |
|
<p>This filter allows one to process interlaced images fields without |
|
deinterlacing them. Deinterleaving splits the input frame into 2 |
|
fields (so called half pictures). Odd lines are moved to the top |
|
half of the output image, even lines to the bottom half. |
|
You can process (filter) them independently and then re-interleave them. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>luma_mode, l</samp>’</dt> |
|
<dt>‘<samp>chroma_mode, c</samp>’</dt> |
|
<dt>‘<samp>alpha_mode, a</samp>’</dt> |
|
<dd><p>Available values for <var>luma_mode</var>, <var>chroma_mode</var> and |
|
<var>alpha_mode</var> are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>Do nothing. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>deinterleave, d</samp>’</dt> |
|
<dd><p>Deinterleave fields, placing one above the other. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>interleave, i</samp>’</dt> |
|
<dd><p>Interleave fields. Reverse the effect of deinterleaving. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is <code>none</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_swap, ls</samp>’</dt> |
|
<dt>‘<samp>chroma_swap, cs</samp>’</dt> |
|
<dt>‘<samp>alpha_swap, as</samp>’</dt> |
|
<dd><p>Swap luma/chroma/alpha fields. Exchange even & odd lines. Default value is <code>0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="inflate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-inflate">29.91 inflate</a></h2> |
|
|
|
<p>Apply inflate effect to the video. |
|
</p> |
|
<p>This filter replaces the pixel by the local(3x3) average by taking into account |
|
only values higher than the pixel. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>threshold0</samp>’</dt> |
|
<dt>‘<samp>threshold1</samp>’</dt> |
|
<dt>‘<samp>threshold2</samp>’</dt> |
|
<dt>‘<samp>threshold3</samp>’</dt> |
|
<dd><p>Limit the maximum change for each plane, default is 65535. |
|
If 0, plane will remain unchanged. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="interlace"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-interlace">29.92 interlace</a></h2> |
|
|
|
<p>Simple interlacing filter from progressive contents. This interleaves upper (or |
|
lower) lines from odd frames with lower (or upper) lines from even frames, |
|
halving the frame rate and preserving image height. |
|
</p> |
|
<div class="example"> |
|
<pre class="example"> Original Original New Frame |
|
Frame 'j' Frame 'j+1' (tff) |
|
========== =========== ================== |
|
Line 0 --------------------> Frame 'j' Line 0 |
|
Line 1 Line 1 ----> Frame 'j+1' Line 1 |
|
Line 2 ---------------------> Frame 'j' Line 2 |
|
Line 3 Line 3 ----> Frame 'j+1' Line 3 |
|
... ... ... |
|
New Frame + 1 will be generated by Frame 'j+2' and Frame 'j+3' and so on |
|
</pre></div> |
|
|
|
<p>It accepts the following optional parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>scan</samp>’</dt> |
|
<dd><p>This determines whether the interlaced frame is taken from the even |
|
(tff - default) or odd (bff) lines of the progressive frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lowpass</samp>’</dt> |
|
<dd><p>Vertical lowpass filter to avoid twitter interlacing and |
|
reduce moire patterns. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0, off</samp>’</dt> |
|
<dd><p>Disable vertical lowpass filter |
|
</p> |
|
</dd> |
|
<dt>‘<samp>1, linear</samp>’</dt> |
|
<dd><p>Enable linear filter (default) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>2, complex</samp>’</dt> |
|
<dd><p>Enable complex filter. This will slightly less reduce twitter and moire |
|
but better retain detail and subjective sharpness impression. |
|
</p> |
|
</dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="kerndeint"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-kerndeint">29.93 kerndeint</a></h2> |
|
|
|
<p>Deinterlace input video by applying Donald Graft’s adaptive kernel |
|
deinterling. Work on interlaced parts of a video to produce |
|
progressive frames. |
|
</p> |
|
<p>The description of the accepted parameters follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>thresh</samp>’</dt> |
|
<dd><p>Set the threshold which affects the filter’s tolerance when |
|
determining if a pixel line must be processed. It must be an integer |
|
in the range [0,255] and defaults to 10. A value of 0 will result in |
|
applying the process on every pixels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>map</samp>’</dt> |
|
<dd><p>Paint pixels exceeding the threshold value to white if set to 1. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>order</samp>’</dt> |
|
<dd><p>Set the fields order. Swap fields if set to 1, leave fields alone if |
|
0. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sharp</samp>’</dt> |
|
<dd><p>Enable additional sharpening if set to 1. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>twoway</samp>’</dt> |
|
<dd><p>Enable twoway sharpening if set to 1. Default is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-78"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-78">29.93.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply default values: |
|
<div class="example"> |
|
<pre class="example">kerndeint=thresh=10:map=0:order=0:sharp=0:twoway=0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Enable additional sharpening: |
|
<div class="example"> |
|
<pre class="example">kerndeint=sharp=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Paint processed pixels in white: |
|
<div class="example"> |
|
<pre class="example">kerndeint=map=1 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="lenscorrection"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-lenscorrection">29.94 lenscorrection</a></h2> |
|
|
|
<p>Correct radial lens distortion |
|
</p> |
|
<p>This filter can be used to correct for radial distortion as can result from the use |
|
of wide angle lenses, and thereby re-rectify the image. To find the right parameters |
|
one can use tools available for example as part of opencv or simply trial-and-error. |
|
To use opencv use the calibration sample (under samples/cpp) from the opencv sources |
|
and extract the k1 and k2 coefficients from the resulting matrix. |
|
</p> |
|
<p>Note that effectively the same filter is available in the open-source tools Krita and |
|
Digikam from the KDE project. |
|
</p> |
|
<p>In contrast to the <a href="#vignette">vignette</a> filter, which can also be used to compensate lens errors, |
|
this filter corrects the distortion of the image, whereas <a href="#vignette">vignette</a> corrects the |
|
brightness distribution, so you may want to use both filters together in certain |
|
cases, though you will have to take care of ordering, i.e. whether vignetting should |
|
be applied before or after lens correction. |
|
</p> |
|
<a name="Options-18"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-18">29.94.1 Options</a></h3> |
|
|
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>cx</samp>’</dt> |
|
<dd><p>Relative x-coordinate of the focal point of the image, and thereby the center of the |
|
distortion. This value has a range [0,1] and is expressed as fractions of the image |
|
width. Default is 0.5. |
|
</p></dd> |
|
<dt>‘<samp>cy</samp>’</dt> |
|
<dd><p>Relative y-coordinate of the focal point of the image, and thereby the center of the |
|
distortion. This value has a range [0,1] and is expressed as fractions of the image |
|
height. Default is 0.5. |
|
</p></dd> |
|
<dt>‘<samp>k1</samp>’</dt> |
|
<dd><p>Coefficient of the quadratic correction term. This value has a range [-1,1]. 0 means |
|
no correction. Default is 0. |
|
</p></dd> |
|
<dt>‘<samp>k2</samp>’</dt> |
|
<dd><p>Coefficient of the double quadratic correction term. This value has a range [-1,1]. |
|
0 means no correction. Default is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The formula that generates the correction is: |
|
</p> |
|
<p><var>r_src</var> = <var>r_tgt</var> * (1 + <var>k1</var> * (<var>r_tgt</var> / <var>r_0</var>)^2 + <var>k2</var> * (<var>r_tgt</var> / <var>r_0</var>)^4) |
|
</p> |
|
<p>where <var>r_0</var> is halve of the image diagonal and <var>r_src</var> and <var>r_tgt</var> are the |
|
distances from the focal point in the source and target images, respectively. |
|
</p> |
|
<a name="libvmaf"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-libvmaf">29.95 libvmaf</a></h2> |
|
|
|
<p>Obtain the VMAF (Video Multi-Method Assessment Fusion) |
|
score between two input videos. |
|
</p> |
|
<p>The obtained VMAF score is printed through the logging system. |
|
</p> |
|
<p>It requires Netflix’s vmaf library (libvmaf) as a pre-requisite. |
|
After installing the library it can be enabled using: |
|
<code>./configure --enable-libvmaf</code>. |
|
If no model path is specified it uses the default model: <code>vmaf_v0.6.1.pkl</code>. |
|
</p> |
|
<p>The filter has following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>model_path</samp>’</dt> |
|
<dd><p>Set the model path which is to be used for SVM. |
|
Default value: <code>"vmaf_v0.6.1.pkl"</code> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>log_path</samp>’</dt> |
|
<dd><p>Set the file path to be used to store logs. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>log_fmt</samp>’</dt> |
|
<dd><p>Set the format of the log file (xml or json). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>enable_transform</samp>’</dt> |
|
<dd><p>Enables transform for computing vmaf. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>phone_model</samp>’</dt> |
|
<dd><p>Invokes the phone model which will generate VMAF scores higher than in the |
|
regular model, which is more suitable for laptop, TV, etc. viewing conditions. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>psnr</samp>’</dt> |
|
<dd><p>Enables computing psnr along with vmaf. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ssim</samp>’</dt> |
|
<dd><p>Enables computing ssim along with vmaf. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ms_ssim</samp>’</dt> |
|
<dd><p>Enables computing ms_ssim along with vmaf. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pool</samp>’</dt> |
|
<dd><p>Set the pool method (mean, min or harmonic mean) to be used for computing vmaf. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>This filter also supports the <a href="#framesync">framesync</a> options. |
|
</p> |
|
<p>On the below examples the input file ‘<tt>main.mpg</tt>’ being processed is |
|
compared with the reference file ‘<tt>ref.mpg</tt>’. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i main.mpg -i ref.mpg -lavfi libvmaf -f null - |
|
</pre></div> |
|
|
|
<p>Example with options: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i main.mpg -i ref.mpg -lavfi libvmaf="psnr=1:enable-transform=1" -f null - |
|
</pre></div> |
|
|
|
<a name="limiter"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-limiter">29.96 limiter</a></h2> |
|
|
|
<p>Limits the pixel components values to the specified range [min, max]. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>min</samp>’</dt> |
|
<dd><p>Lower bound. Defaults to the lowest allowed value for the input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max</samp>’</dt> |
|
<dd><p>Upper bound. Defaults to the highest allowed value for the input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Specify which planes will be processed. Defaults to all available. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="loop"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-loop">29.97 loop</a></h2> |
|
|
|
<p>Loop video frames. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>loop</samp>’</dt> |
|
<dd><p>Set the number of loops. Setting this value to -1 will result in infinite loops. |
|
Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>Set maximal size in number of frames. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start</samp>’</dt> |
|
<dd><p>Set first frame of loop. Default is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="lut3d"></a> |
|
</p><a name="lut3d-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-lut3d-1">29.98 lut3d</a></h2> |
|
|
|
<p>Apply a 3D LUT to an input video. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>file</samp>’</dt> |
|
<dd><p>Set the 3D LUT file name. |
|
</p> |
|
<p>Currently supported formats: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>3dl</samp>’</dt> |
|
<dd><p>AfterEffects |
|
</p></dd> |
|
<dt>‘<samp>cube</samp>’</dt> |
|
<dd><p>Iridas |
|
</p></dd> |
|
<dt>‘<samp>dat</samp>’</dt> |
|
<dd><p>DaVinci |
|
</p></dd> |
|
<dt>‘<samp>m3d</samp>’</dt> |
|
<dd><p>Pandora |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
<dt>‘<samp>interp</samp>’</dt> |
|
<dd><p>Select interpolation mode. |
|
</p> |
|
<p>Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>nearest</samp>’</dt> |
|
<dd><p>Use values from the nearest defined point. |
|
</p></dd> |
|
<dt>‘<samp>trilinear</samp>’</dt> |
|
<dd><p>Interpolate values using the 8 points defining a cube. |
|
</p></dd> |
|
<dt>‘<samp>tetrahedral</samp>’</dt> |
|
<dd><p>Interpolate values using a tetrahedron. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<p>This filter also supports the <a href="#framesync">framesync</a> options. |
|
</p> |
|
<a name="lumakey"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-lumakey">29.99 lumakey</a></h2> |
|
|
|
<p>Turn certain luma values into transparency. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>Set the luma which will be used as base for transparency. |
|
Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tolerance</samp>’</dt> |
|
<dd><p>Set the range of luma values to be keyed out. |
|
Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>softness</samp>’</dt> |
|
<dd><p>Set the range of softness. Default value is <code>0</code>. |
|
Use this to control gradual transition from zero to full transparency. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="lut_002c-lutrgb_002c-lutyuv"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-lut_002c-lutrgb_002c-lutyuv">29.100 lut, lutrgb, lutyuv</a></h2> |
|
|
|
<p>Compute a look-up table for binding each pixel component input value |
|
to an output value, and apply it to the input video. |
|
</p> |
|
<p><var>lutyuv</var> applies a lookup table to a YUV input video, <var>lutrgb</var> |
|
to an RGB input video. |
|
</p> |
|
<p>These filters accept the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>c0</samp>’</dt> |
|
<dd><p>set first pixel component expression |
|
</p></dd> |
|
<dt>‘<samp>c1</samp>’</dt> |
|
<dd><p>set second pixel component expression |
|
</p></dd> |
|
<dt>‘<samp>c2</samp>’</dt> |
|
<dd><p>set third pixel component expression |
|
</p></dd> |
|
<dt>‘<samp>c3</samp>’</dt> |
|
<dd><p>set fourth pixel component expression, corresponds to the alpha component |
|
</p> |
|
</dd> |
|
<dt>‘<samp>r</samp>’</dt> |
|
<dd><p>set red component expression |
|
</p></dd> |
|
<dt>‘<samp>g</samp>’</dt> |
|
<dd><p>set green component expression |
|
</p></dd> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dd><p>set blue component expression |
|
</p></dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>alpha component expression |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>set Y/luminance component expression |
|
</p></dd> |
|
<dt>‘<samp>u</samp>’</dt> |
|
<dd><p>set U/Cb component expression |
|
</p></dd> |
|
<dt>‘<samp>v</samp>’</dt> |
|
<dd><p>set V/Cr component expression |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Each of them specifies the expression to use for computing the lookup table for |
|
the corresponding pixel component values. |
|
</p> |
|
<p>The exact component associated to each of the <var>c*</var> options depends on the |
|
format in input. |
|
</p> |
|
<p>The <var>lut</var> filter requires either YUV or RGB pixel formats in input, |
|
<var>lutrgb</var> requires RGB pixel formats in input, and <var>lutyuv</var> requires YUV. |
|
</p> |
|
<p>The expressions can contain the following constants and functions: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>The input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>val</samp>’</dt> |
|
<dd><p>The input value for the pixel component. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>clipval</samp>’</dt> |
|
<dd><p>The input value, clipped to the <var>minval</var>-<var>maxval</var> range. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>maxval</samp>’</dt> |
|
<dd><p>The maximum value for the pixel component. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>minval</samp>’</dt> |
|
<dd><p>The minimum value for the pixel component. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>negval</samp>’</dt> |
|
<dd><p>The negated value for the pixel component value, clipped to the |
|
<var>minval</var>-<var>maxval</var> range; it corresponds to the expression |
|
"maxval-clipval+minval". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>clip(val)</samp>’</dt> |
|
<dd><p>The computed value in <var>val</var>, clipped to the |
|
<var>minval</var>-<var>maxval</var> range. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gammaval(gamma)</samp>’</dt> |
|
<dd><p>The computed gamma correction value of the pixel component value, |
|
clipped to the <var>minval</var>-<var>maxval</var> range. It corresponds to the |
|
expression |
|
"pow((clipval-minval)/(maxval-minval)\,<var>gamma</var>)*(maxval-minval)+minval" |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>All expressions default to "val". |
|
</p> |
|
<a name="Examples-73"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-73">29.100.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Negate input video: |
|
<div class="example"> |
|
<pre class="example">lutrgb="r=maxval+minval-val:g=maxval+minval-val:b=maxval+minval-val" |
|
lutyuv="y=maxval+minval-val:u=maxval+minval-val:v=maxval+minval-val" |
|
</pre></div> |
|
|
|
<p>The above is the same as: |
|
</p><div class="example"> |
|
<pre class="example">lutrgb="r=negval:g=negval:b=negval" |
|
lutyuv="y=negval:u=negval:v=negval" |
|
</pre></div> |
|
|
|
</li><li> |
|
Negate luminance: |
|
<div class="example"> |
|
<pre class="example">lutyuv=y=negval |
|
</pre></div> |
|
|
|
</li><li> |
|
Remove chroma components, turning the video into a graytone image: |
|
<div class="example"> |
|
<pre class="example">lutyuv="u=128:v=128" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply a luma burning effect: |
|
<div class="example"> |
|
<pre class="example">lutyuv="y=2*val" |
|
</pre></div> |
|
|
|
</li><li> |
|
Remove green and blue components: |
|
<div class="example"> |
|
<pre class="example">lutrgb="g=0:b=0" |
|
</pre></div> |
|
|
|
</li><li> |
|
Set a constant alpha channel value on input: |
|
<div class="example"> |
|
<pre class="example">format=rgba,lutrgb=a="maxval-minval/2" |
|
</pre></div> |
|
|
|
</li><li> |
|
Correct luminance gamma by a factor of 0.5: |
|
<div class="example"> |
|
<pre class="example">lutyuv=y=gammaval(0.5) |
|
</pre></div> |
|
|
|
</li><li> |
|
Discard least significant bits of luma: |
|
<div class="example"> |
|
<pre class="example">lutyuv=y='bitand(val, 128+64+32)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Technicolor like effect: |
|
<div class="example"> |
|
<pre class="example">lutyuv=u='(val-maxval/2)*2+maxval/2':v='(val-maxval/2)*2+maxval/2' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="lut2_002c-tlut2"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-lut2_002c-tlut2">29.101 lut2, tlut2</a></h2> |
|
|
|
<p>The <code>lut2</code> filter takes two input streams and outputs one |
|
stream. |
|
</p> |
|
<p>The <code>tlut2</code> (time lut2) filter takes two consecutive frames |
|
from one single stream. |
|
</p> |
|
<p>This filter accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>c0</samp>’</dt> |
|
<dd><p>set first pixel component expression |
|
</p></dd> |
|
<dt>‘<samp>c1</samp>’</dt> |
|
<dd><p>set second pixel component expression |
|
</p></dd> |
|
<dt>‘<samp>c2</samp>’</dt> |
|
<dd><p>set third pixel component expression |
|
</p></dd> |
|
<dt>‘<samp>c3</samp>’</dt> |
|
<dd><p>set fourth pixel component expression, corresponds to the alpha component |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Each of them specifies the expression to use for computing the lookup table for |
|
the corresponding pixel component values. |
|
</p> |
|
<p>The exact component associated to each of the <var>c*</var> options depends on the |
|
format in inputs. |
|
</p> |
|
<p>The expressions can contain the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>The input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dd><p>The first input value for the pixel component. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The second input value for the pixel component. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bdx</samp>’</dt> |
|
<dd><p>The first input video bit depth. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bdy</samp>’</dt> |
|
<dd><p>The second input video bit depth. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>All expressions default to "x". |
|
</p> |
|
<a name="Examples-32"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-32">29.101.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Highlight differences between two RGB video streams: |
|
<div class="example"> |
|
<pre class="example">lut2='ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,0,pow(2,bdx)-1)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Highlight differences between two YUV video streams: |
|
<div class="example"> |
|
<pre class="example">lut2='ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,pow(2,bdx-1),pow(2,bdx)-1):ifnot(x-y,pow(2,bdx-1),pow(2,bdx)-1)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Show max difference between two video streams: |
|
<div class="example"> |
|
<pre class="example">lut2='if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1))):if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1))):if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1)))' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="maskedclamp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-maskedclamp">29.102 maskedclamp</a></h2> |
|
|
|
<p>Clamp the first input stream with the second input and third input stream. |
|
</p> |
|
<p>Returns the value of first stream to be between second input |
|
stream - <code>undershoot</code> and third input stream + <code>overshoot</code>. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>undershoot</samp>’</dt> |
|
<dd><p>Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overshoot</samp>’</dt> |
|
<dd><p>Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed as bitmap, unprocessed planes will be |
|
copied from first stream. |
|
By default value 0xf, all planes will be processed. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="maskedmerge"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-maskedmerge">29.103 maskedmerge</a></h2> |
|
|
|
<p>Merge the first input stream with the second input stream using per pixel |
|
weights in the third input stream. |
|
</p> |
|
<p>A value of 0 in the third stream pixel component means that pixel component |
|
from first stream is returned unchanged, while maximum value (eg. 255 for |
|
8-bit videos) means that pixel component from second stream is returned |
|
unchanged. Intermediate values define the amount of merging between both |
|
input stream’s pixel components. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed as bitmap, unprocessed planes will be |
|
copied from first stream. |
|
By default value 0xf, all planes will be processed. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="mcdeint"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mcdeint">29.104 mcdeint</a></h2> |
|
|
|
<p>Apply motion-compensation deinterlacing. |
|
</p> |
|
<p>It needs one field per frame as input and must thus be used together |
|
with yadif=1/3 or equivalent. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set the deinterlacing mode. |
|
</p> |
|
<p>It accepts one of the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>fast</samp>’</dt> |
|
<dt>‘<samp>medium</samp>’</dt> |
|
<dt>‘<samp>slow</samp>’</dt> |
|
<dd><p>use iterative motion estimation |
|
</p></dd> |
|
<dt>‘<samp>extra_slow</samp>’</dt> |
|
<dd><p>like ‘<samp>slow</samp>’, but use multiple reference frames. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is ‘<samp>fast</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>parity</samp>’</dt> |
|
<dd><p>Set the picture field parity assumed for the input video. It must be |
|
one of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0, tff</samp>’</dt> |
|
<dd><p>assume top field first |
|
</p></dd> |
|
<dt>‘<samp>1, bff</samp>’</dt> |
|
<dd><p>assume bottom field first |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>bff</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qp</samp>’</dt> |
|
<dd><p>Set per-block quantization parameter (QP) used by the internal |
|
encoder. |
|
</p> |
|
<p>Higher values should result in a smoother motion vector field but less |
|
optimal individual vectors. Default value is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="mergeplanes"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mergeplanes">29.105 mergeplanes</a></h2> |
|
|
|
<p>Merge color channel components from several video streams. |
|
</p> |
|
<p>The filter accepts up to 4 input streams, and merge selected input |
|
planes to the output video. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>mapping</samp>’</dt> |
|
<dd><p>Set input to output plane mapping. Default is <code>0</code>. |
|
</p> |
|
<p>The mappings is specified as a bitmap. It should be specified as a |
|
hexadecimal number in the form 0xAa[Bb[Cc[Dd]]]. ’Aa’ describes the |
|
mapping for the first plane of the output stream. ’A’ sets the number of |
|
the input stream to use (from 0 to 3), and ’a’ the plane number of the |
|
corresponding input to use (from 0 to 3). The rest of the mappings is |
|
similar, ’Bb’ describes the mapping for the output stream second |
|
plane, ’Cc’ describes the mapping for the output stream third plane and |
|
’Dd’ describes the mapping for the output stream fourth plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format</samp>’</dt> |
|
<dd><p>Set output pixel format. Default is <code>yuva444p</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-122"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-122">29.105.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Merge three gray video streams of same width and height into single video stream: |
|
<div class="example"> |
|
<pre class="example">[a0][a1][a2]mergeplanes=0x001020:yuv444p |
|
</pre></div> |
|
|
|
</li><li> |
|
Merge 1st yuv444p stream and 2nd gray video stream into yuva444p video stream: |
|
<div class="example"> |
|
<pre class="example">[a0][a1]mergeplanes=0x00010210:yuva444p |
|
</pre></div> |
|
|
|
</li><li> |
|
Swap Y and A plane in yuva444p stream: |
|
<div class="example"> |
|
<pre class="example">format=yuva444p,mergeplanes=0x03010200:yuva444p |
|
</pre></div> |
|
|
|
</li><li> |
|
Swap U and V plane in yuv420p stream: |
|
<div class="example"> |
|
<pre class="example">format=yuv420p,mergeplanes=0x000201:yuv420p |
|
</pre></div> |
|
|
|
</li><li> |
|
Cast a rgb24 clip to yuv444p: |
|
<div class="example"> |
|
<pre class="example">format=rgb24,mergeplanes=0x000102:yuv444p |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="mestimate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mestimate">29.106 mestimate</a></h2> |
|
|
|
<p>Estimate and export motion vectors using block matching algorithms. |
|
Motion vectors are stored in frame side data to be used by other filters. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>method</samp>’</dt> |
|
<dd><p>Specify the motion estimation method. Accepts one of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>esa</samp>’</dt> |
|
<dd><p>Exhaustive search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>tss</samp>’</dt> |
|
<dd><p>Three step search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>tdls</samp>’</dt> |
|
<dd><p>Two dimensional logarithmic search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>ntss</samp>’</dt> |
|
<dd><p>New three step search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>fss</samp>’</dt> |
|
<dd><p>Four step search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>ds</samp>’</dt> |
|
<dd><p>Diamond search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>hexbs</samp>’</dt> |
|
<dd><p>Hexagon-based search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>epzs</samp>’</dt> |
|
<dd><p>Enhanced predictive zonal search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>umh</samp>’</dt> |
|
<dd><p>Uneven multi-hexagon search algorithm. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is ‘<samp>esa</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mb_size</samp>’</dt> |
|
<dd><p>Macroblock size. Default <code>16</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>search_param</samp>’</dt> |
|
<dd><p>Search parameter. Default <code>7</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="midequalizer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-midequalizer">29.107 midequalizer</a></h2> |
|
|
|
<p>Apply Midway Image Equalization effect using two video streams. |
|
</p> |
|
<p>Midway Image Equalization adjusts a pair of images to have the same |
|
histogram, while maintaining their dynamics as much as possible. It’s |
|
useful for e.g. matching exposures from a pair of stereo cameras. |
|
</p> |
|
<p>This filter has two inputs and one output, which must be of same pixel format, but |
|
may be of different sizes. The output of filter is first input adjusted with |
|
midway histogram of both inputs. |
|
</p> |
|
<p>This filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes to process. Default is <code>15</code>, which is all available planes. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="minterpolate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-minterpolate">29.108 minterpolate</a></h2> |
|
|
|
<p>Convert the video to specified frame rate using motion interpolation. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>fps</samp>’</dt> |
|
<dd><p>Specify the output frame rate. This can be rational e.g. <code>60000/1001</code>. Frames are dropped if <var>fps</var> is lower than source fps. Default <code>60</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mi_mode</samp>’</dt> |
|
<dd><p>Motion interpolation mode. Following values are accepted: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>dup</samp>’</dt> |
|
<dd><p>Duplicate previous or next frame for interpolating new ones. |
|
</p></dd> |
|
<dt>‘<samp>blend</samp>’</dt> |
|
<dd><p>Blend source frames. Interpolated frame is mean of previous and next frames. |
|
</p></dd> |
|
<dt>‘<samp>mci</samp>’</dt> |
|
<dd><p>Motion compensated interpolation. Following options are effective when this mode is selected: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mc_mode</samp>’</dt> |
|
<dd><p>Motion compensation mode. Following values are accepted: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>obmc</samp>’</dt> |
|
<dd><p>Overlapped block motion compensation. |
|
</p></dd> |
|
<dt>‘<samp>aobmc</samp>’</dt> |
|
<dd><p>Adaptive overlapped block motion compensation. Window weighting coefficients are controlled adaptively according to the reliabilities of the neighboring motion vectors to reduce oversmoothing. |
|
</p></dd> |
|
</dl> |
|
<p>Default mode is ‘<samp>obmc</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>me_mode</samp>’</dt> |
|
<dd><p>Motion estimation mode. Following values are accepted: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bidir</samp>’</dt> |
|
<dd><p>Bidirectional motion estimation. Motion vectors are estimated for each source frame in both forward and backward directions. |
|
</p></dd> |
|
<dt>‘<samp>bilat</samp>’</dt> |
|
<dd><p>Bilateral motion estimation. Motion vectors are estimated directly for interpolated frame. |
|
</p></dd> |
|
</dl> |
|
<p>Default mode is ‘<samp>bilat</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>me</samp>’</dt> |
|
<dd><p>The algorithm to be used for motion estimation. Following values are accepted: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>esa</samp>’</dt> |
|
<dd><p>Exhaustive search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>tss</samp>’</dt> |
|
<dd><p>Three step search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>tdls</samp>’</dt> |
|
<dd><p>Two dimensional logarithmic search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>ntss</samp>’</dt> |
|
<dd><p>New three step search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>fss</samp>’</dt> |
|
<dd><p>Four step search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>ds</samp>’</dt> |
|
<dd><p>Diamond search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>hexbs</samp>’</dt> |
|
<dd><p>Hexagon-based search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>epzs</samp>’</dt> |
|
<dd><p>Enhanced predictive zonal search algorithm. |
|
</p></dd> |
|
<dt>‘<samp>umh</samp>’</dt> |
|
<dd><p>Uneven multi-hexagon search algorithm. |
|
</p></dd> |
|
</dl> |
|
<p>Default algorithm is ‘<samp>epzs</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mb_size</samp>’</dt> |
|
<dd><p>Macroblock size. Default <code>16</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>search_param</samp>’</dt> |
|
<dd><p>Motion estimation search parameter. Default <code>32</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>vsbmc</samp>’</dt> |
|
<dd><p>Enable variable-size block motion compensation. Motion estimation is applied with smaller block sizes at object boundaries in order to make the them less blur. Default is <code>0</code> (disabled). |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>scd</samp>’</dt> |
|
<dd><p>Scene change detection method. Scene change leads motion vectors to be in random direction. Scene change detection replace interpolated frames by duplicate ones. May not be needed for other modes. Following values are accepted: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>Disable scene change detection. |
|
</p></dd> |
|
<dt>‘<samp>fdiff</samp>’</dt> |
|
<dd><p>Frame difference. Corresponding pixel values are compared and if it satisfies <var>scd_threshold</var> scene change is detected. |
|
</p></dd> |
|
</dl> |
|
<p>Default method is ‘<samp>fdiff</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scd_threshold</samp>’</dt> |
|
<dd><p>Scene change detection threshold. Default is <code>5.0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="mix"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mix">29.109 mix</a></h2> |
|
|
|
<p>Mix several video input streams into one video stream. |
|
</p> |
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>nb_inputs</samp>’</dt> |
|
<dd><p>The number of inputs. If unspecified, it defaults to 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>weights</samp>’</dt> |
|
<dd><p>Specify weight of each input video stream as sequence. |
|
Each weight is separated by space. If number of weights |
|
is smaller than number of <var>frames</var> last specified |
|
weight will be used for all remaining unset weights. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Specify scale, if it is set it will be multiplied with sum |
|
of each weight multiplied with pixel values to give final destination |
|
pixel value. By default <var>scale</var> is auto scaled to sum of weights. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration</samp>’</dt> |
|
<dd><p>Specify how end of stream is determined. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>longest</samp>’</dt> |
|
<dd><p>The duration of the longest input. (default) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shortest</samp>’</dt> |
|
<dd><p>The duration of the shortest input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>first</samp>’</dt> |
|
<dd><p>The duration of the first input. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="mpdecimate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mpdecimate">29.110 mpdecimate</a></h2> |
|
|
|
<p>Drop frames that do not differ greatly from the previous frame in |
|
order to reduce frame rate. |
|
</p> |
|
<p>The main use of this filter is for very-low-bitrate encoding |
|
(e.g. streaming over dialup modem), but it could in theory be used for |
|
fixing movies that were inverse-telecined incorrectly. |
|
</p> |
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>max</samp>’</dt> |
|
<dd><p>Set the maximum number of consecutive frames which can be dropped (if |
|
positive), or the minimum interval between dropped frames (if |
|
negative). If the value is 0, the frame is dropped disregarding the |
|
number of previous sequentially dropped frames. |
|
</p> |
|
<p>Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hi</samp>’</dt> |
|
<dt>‘<samp>lo</samp>’</dt> |
|
<dt>‘<samp>frac</samp>’</dt> |
|
<dd><p>Set the dropping threshold values. |
|
</p> |
|
<p>Values for ‘<samp>hi</samp>’ and ‘<samp>lo</samp>’ are for 8x8 pixel blocks and |
|
represent actual pixel value differences, so a threshold of 64 |
|
corresponds to 1 unit of difference for each pixel, or the same spread |
|
out differently over the block. |
|
</p> |
|
<p>A frame is a candidate for dropping if no 8x8 blocks differ by more |
|
than a threshold of ‘<samp>hi</samp>’, and if no more than ‘<samp>frac</samp>’ blocks (1 |
|
meaning the whole image) differ by more than a threshold of ‘<samp>lo</samp>’. |
|
</p> |
|
<p>Default value for ‘<samp>hi</samp>’ is 64*12, default value for ‘<samp>lo</samp>’ is |
|
64*5, and default value for ‘<samp>frac</samp>’ is 0.33. |
|
</p></dd> |
|
</dl> |
|
|
|
|
|
<a name="negate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-negate">29.111 negate</a></h2> |
|
|
|
<p>Negate input video. |
|
</p> |
|
<p>It accepts an integer in input; if non-zero it negates the |
|
alpha component (if available). The default value in input is 0. |
|
</p> |
|
<a name="nlmeans"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-nlmeans">29.112 nlmeans</a></h2> |
|
|
|
<p>Denoise frames using Non-Local Means algorithm. |
|
</p> |
|
<p>Each pixel is adjusted by looking for other pixels with similar contexts. This |
|
context similarity is defined by comparing their surrounding patches of size |
|
‘<samp>p</samp>’x‘<samp>p</samp>’. Patches are searched in an area of ‘<samp>r</samp>’x‘<samp>r</samp>’ |
|
around the pixel. |
|
</p> |
|
<p>Note that the research area defines centers for patches, which means some |
|
patches will be made of pixels outside that research area. |
|
</p> |
|
<p>The filter accepts the following options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Set denoising strength. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p</samp>’</dt> |
|
<dd><p>Set patch size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pc</samp>’</dt> |
|
<dd><p>Same as ‘<samp>p</samp>’ but for chroma planes. |
|
</p> |
|
<p>The default value is <var>0</var> and means automatic. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>r</samp>’</dt> |
|
<dd><p>Set research size. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc</samp>’</dt> |
|
<dd><p>Same as ‘<samp>r</samp>’ but for chroma planes. |
|
</p> |
|
<p>The default value is <var>0</var> and means automatic. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="nnedi"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-nnedi">29.113 nnedi</a></h2> |
|
|
|
<p>Deinterlace video using neural network edge directed interpolation. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>weights</samp>’</dt> |
|
<dd><p>Mandatory option, without binary file filter can not work. |
|
Currently file can be found here: |
|
https://github.com/dubhater/vapoursynth-nnedi3/blob/master/src/nnedi3_weights.bin |
|
</p> |
|
</dd> |
|
<dt>‘<samp>deint</samp>’</dt> |
|
<dd><p>Set which frames to deinterlace, by default it is <code>all</code>. |
|
Can be <code>all</code> or <code>interlaced</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>field</samp>’</dt> |
|
<dd><p>Set mode of operation. |
|
</p> |
|
<p>Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>af</samp>’</dt> |
|
<dd><p>Use frame flags, both fields. |
|
</p></dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>Use frame flags, single field. |
|
</p></dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>Use top field only. |
|
</p></dd> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dd><p>Use bottom field only. |
|
</p></dd> |
|
<dt>‘<samp>tf</samp>’</dt> |
|
<dd><p>Use both fields, top first. |
|
</p></dd> |
|
<dt>‘<samp>bf</samp>’</dt> |
|
<dd><p>Use both fields, bottom first. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes to process, by default filter process all frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nsize</samp>’</dt> |
|
<dd><p>Set size of local neighborhood around each pixel, used by the predictor neural |
|
network. |
|
</p> |
|
<p>Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>s8x6</samp>’</dt> |
|
<dt>‘<samp>s16x6</samp>’</dt> |
|
<dt>‘<samp>s32x6</samp>’</dt> |
|
<dt>‘<samp>s48x6</samp>’</dt> |
|
<dt>‘<samp>s8x4</samp>’</dt> |
|
<dt>‘<samp>s16x4</samp>’</dt> |
|
<dt>‘<samp>s32x4</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>nns</samp>’</dt> |
|
<dd><p>Set the number of neurons in predictor neural network. |
|
Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n16</samp>’</dt> |
|
<dt>‘<samp>n32</samp>’</dt> |
|
<dt>‘<samp>n64</samp>’</dt> |
|
<dt>‘<samp>n128</samp>’</dt> |
|
<dt>‘<samp>n256</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>qual</samp>’</dt> |
|
<dd><p>Controls the number of different neural network predictions that are blended |
|
together to compute the final output value. Can be <code>fast</code>, default or |
|
<code>slow</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>etype</samp>’</dt> |
|
<dd><p>Set which set of weights to use in the predictor. |
|
Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>weights trained to minimize absolute error |
|
</p></dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>weights trained to minimize squared error |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>pscrn</samp>’</dt> |
|
<dd><p>Controls whether or not the prescreener neural network is used to decide |
|
which pixels should be processed by the predictor neural network and which |
|
can be handled by simple cubic interpolation. |
|
The prescreener is trained to know whether cubic interpolation will be |
|
sufficient for a pixel or whether it should be predicted by the predictor nn. |
|
The computational complexity of the prescreener nn is much less than that of |
|
the predictor nn. Since most pixels can be handled by cubic interpolation, |
|
using the prescreener generally results in much faster processing. |
|
The prescreener is pretty accurate, so the difference between using it and not |
|
using it is almost always unnoticeable. |
|
</p> |
|
<p>Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dt>‘<samp>original</samp>’</dt> |
|
<dt>‘<samp>new</samp>’</dt> |
|
</dl> |
|
|
|
<p>Default is <code>new</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fapprox</samp>’</dt> |
|
<dd><p>Set various debugging flags. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="noformat"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-noformat">29.114 noformat</a></h2> |
|
|
|
<p>Force libavfilter not to use any of the specified pixel formats for the |
|
input to the next filter. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>pix_fmts</samp>’</dt> |
|
<dd><p>A ’|’-separated list of pixel format names, such as |
|
pix_fmts=yuv420p|monow|rgb24". |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-126"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-126">29.114.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Force libavfilter to use a format different from <var>yuv420p</var> for the |
|
input to the vflip filter: |
|
<div class="example"> |
|
<pre class="example">noformat=pix_fmts=yuv420p,vflip |
|
</pre></div> |
|
|
|
</li><li> |
|
Convert the input video to any of the formats not contained in the list: |
|
<div class="example"> |
|
<pre class="example">noformat=yuv420p|yuv444p|yuv410p |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="noise-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-noise-1">29.115 noise</a></h2> |
|
|
|
<p>Add noise on video input frame. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>all_seed</samp>’</dt> |
|
<dt>‘<samp>c0_seed</samp>’</dt> |
|
<dt>‘<samp>c1_seed</samp>’</dt> |
|
<dt>‘<samp>c2_seed</samp>’</dt> |
|
<dt>‘<samp>c3_seed</samp>’</dt> |
|
<dd><p>Set noise seed for specific pixel component or all pixel components in case |
|
of <var>all_seed</var>. Default value is <code>123457</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>all_strength, alls</samp>’</dt> |
|
<dt>‘<samp>c0_strength, c0s</samp>’</dt> |
|
<dt>‘<samp>c1_strength, c1s</samp>’</dt> |
|
<dt>‘<samp>c2_strength, c2s</samp>’</dt> |
|
<dt>‘<samp>c3_strength, c3s</samp>’</dt> |
|
<dd><p>Set noise strength for specific pixel component or all pixel components in case |
|
<var>all_strength</var>. Default value is <code>0</code>. Allowed range is [0, 100]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>all_flags, allf</samp>’</dt> |
|
<dt>‘<samp>c0_flags, c0f</samp>’</dt> |
|
<dt>‘<samp>c1_flags, c1f</samp>’</dt> |
|
<dt>‘<samp>c2_flags, c2f</samp>’</dt> |
|
<dt>‘<samp>c3_flags, c3f</samp>’</dt> |
|
<dd><p>Set pixel component flags or set flags for all components if <var>all_flags</var>. |
|
Available values for component flags are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>averaged temporal noise (smoother) |
|
</p></dd> |
|
<dt>‘<samp>p</samp>’</dt> |
|
<dd><p>mix random noise with a (semi)regular pattern |
|
</p></dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>temporal noise (noise pattern changes between frames) |
|
</p></dd> |
|
<dt>‘<samp>u</samp>’</dt> |
|
<dd><p>uniform noise (gaussian otherwise) |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-120"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-120">29.115.1 Examples</a></h3> |
|
|
|
<p>Add temporal and uniform noise to input video: |
|
</p><div class="example"> |
|
<pre class="example">noise=alls=20:allf=t+u |
|
</pre></div> |
|
|
|
<a name="normalize"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-normalize">29.116 normalize</a></h2> |
|
|
|
<p>Normalize RGB video (aka histogram stretching, contrast stretching). |
|
See: https://en.wikipedia.org/wiki/Normalization_(image_processing) |
|
</p> |
|
<p>For each channel of each frame, the filter computes the input range and maps |
|
it linearly to the user-specified output range. The output range defaults |
|
to the full dynamic range from pure black to pure white. |
|
</p> |
|
<p>Temporal smoothing can be used on the input range to reduce flickering (rapid |
|
changes in brightness) caused when small dark or bright objects enter or leave |
|
the scene. This is similar to the auto-exposure (automatic gain control) on a |
|
video camera, and, like a video camera, it may cause a period of over- or |
|
under-exposure of the video. |
|
</p> |
|
<p>The R,G,B channels can be normalized independently, which may cause some |
|
color shifting, or linked together as a single channel, which prevents |
|
color shifting. Linked normalization preserves hue. Independent normalization |
|
does not, so it can be used to remove some color casts. Independent and linked |
|
normalization can be combined in any ratio. |
|
</p> |
|
<p>The normalize filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>blackpt</samp>’</dt> |
|
<dt>‘<samp>whitept</samp>’</dt> |
|
<dd><p>Colors which define the output range. The minimum input value is mapped to |
|
the <var>blackpt</var>. The maximum input value is mapped to the <var>whitept</var>. |
|
The defaults are black and white respectively. Specifying white for |
|
<var>blackpt</var> and black for <var>whitept</var> will give color-inverted, |
|
normalized video. Shades of grey can be used to reduce the dynamic range |
|
(contrast). Specifying saturated colors here can create some interesting |
|
effects. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smoothing</samp>’</dt> |
|
<dd><p>The number of previous frames to use for temporal smoothing. The input range |
|
of each channel is smoothed using a rolling average over the current frame |
|
and the <var>smoothing</var> previous frames. The default is 0 (no temporal |
|
smoothing). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>independence</samp>’</dt> |
|
<dd><p>Controls the ratio of independent (color shifting) channel normalization to |
|
linked (color preserving) normalization. 0.0 is fully linked, 1.0 is fully |
|
independent. Defaults to 1.0 (fully independent). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>strength</samp>’</dt> |
|
<dd><p>Overall strength of the filter. 1.0 is full strength. 0.0 is a rather |
|
expensive no-op. Defaults to 1.0 (full strength). |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-15"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-15">29.116.1 Examples</a></h3> |
|
|
|
<p>Stretch video contrast to use the full dynamic range, with no temporal |
|
smoothing; may flicker depending on the source content: |
|
</p><div class="example"> |
|
<pre class="example">normalize=blackpt=black:whitept=white:smoothing=0 |
|
</pre></div> |
|
|
|
<p>As above, but with 50 frames of temporal smoothing; flicker should be |
|
reduced, depending on the source content: |
|
</p><div class="example"> |
|
<pre class="example">normalize=blackpt=black:whitept=white:smoothing=50 |
|
</pre></div> |
|
|
|
<p>As above, but with hue-preserving linked channel normalization: |
|
</p><div class="example"> |
|
<pre class="example">normalize=blackpt=black:whitept=white:smoothing=50:independence=0 |
|
</pre></div> |
|
|
|
<p>As above, but with half strength: |
|
</p><div class="example"> |
|
<pre class="example">normalize=blackpt=black:whitept=white:smoothing=50:independence=0:strength=0.5 |
|
</pre></div> |
|
|
|
<p>Map the darkest input color to red, the brightest input color to cyan: |
|
</p><div class="example"> |
|
<pre class="example">normalize=blackpt=red:whitept=cyan |
|
</pre></div> |
|
|
|
<a name="null"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-null">29.117 null</a></h2> |
|
|
|
<p>Pass the video source unchanged to the output. |
|
</p> |
|
<a name="ocr"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ocr">29.118 ocr</a></h2> |
|
<p>Optical Character Recognition |
|
</p> |
|
<p>This filter uses Tesseract for optical character recognition. To enable |
|
compilation of this filter, you need to configure FFmpeg with |
|
<code>--enable-libtesseract</code>. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>datapath</samp>’</dt> |
|
<dd><p>Set datapath to tesseract data. Default is to use whatever was |
|
set at installation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>language</samp>’</dt> |
|
<dd><p>Set language, default is "eng". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>whitelist</samp>’</dt> |
|
<dd><p>Set character whitelist. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>blacklist</samp>’</dt> |
|
<dd><p>Set character blacklist. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The filter exports recognized text as the frame metadata <code>lavfi.ocr.text</code>. |
|
</p> |
|
<a name="ocv"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ocv">29.119 ocv</a></h2> |
|
|
|
<p>Apply a video transform using libopencv. |
|
</p> |
|
<p>To enable this filter, install the libopencv library and headers and |
|
configure FFmpeg with <code>--enable-libopencv</code>. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filter_name</samp>’</dt> |
|
<dd><p>The name of the libopencv filter to apply. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filter_params</samp>’</dt> |
|
<dd><p>The parameters to pass to the libopencv filter. If not specified, the default |
|
values are assumed. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Refer to the official libopencv documentation for more precise |
|
information: |
|
<a href="http://docs.opencv.org/master/modules/imgproc/doc/filtering.html">http://docs.opencv.org/master/modules/imgproc/doc/filtering.html</a> |
|
</p> |
|
<p>Several libopencv filters are supported; see the following subsections. |
|
</p> |
|
<p><a name="dilate"></a> |
|
</p><a name="dilate-1"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-dilate-1">29.119.1 dilate</a></h3> |
|
|
|
<p>Dilate an image by using a specific structuring element. |
|
It corresponds to the libopencv function <code>cvDilate</code>. |
|
</p> |
|
<p>It accepts the parameters: <var>struct_el</var>|<var>nb_iterations</var>. |
|
</p> |
|
<p><var>struct_el</var> represents a structuring element, and has the syntax: |
|
<var>cols</var>x<var>rows</var>+<var>anchor_x</var>x<var>anchor_y</var>/<var>shape</var> |
|
</p> |
|
<p><var>cols</var> and <var>rows</var> represent the number of columns and rows of |
|
the structuring element, <var>anchor_x</var> and <var>anchor_y</var> the anchor |
|
point, and <var>shape</var> the shape for the structuring element. <var>shape</var> |
|
must be "rect", "cross", "ellipse", or "custom". |
|
</p> |
|
<p>If the value for <var>shape</var> is "custom", it must be followed by a |
|
string of the form "=<var>filename</var>". The file with name |
|
<var>filename</var> is assumed to represent a binary image, with each |
|
printable character corresponding to a bright pixel. When a custom |
|
<var>shape</var> is used, <var>cols</var> and <var>rows</var> are ignored, the number |
|
or columns and rows of the read file are assumed instead. |
|
</p> |
|
<p>The default value for <var>struct_el</var> is "3x3+0x0/rect". |
|
</p> |
|
<p><var>nb_iterations</var> specifies the number of times the transform is |
|
applied to the image, and defaults to 1. |
|
</p> |
|
<p>Some examples: |
|
</p><div class="example"> |
|
<pre class="example"># Use the default values |
|
ocv=dilate |
|
|
|
# Dilate using a structuring element with a 5x5 cross, iterating two times |
|
ocv=filter_name=dilate:filter_params=5x5+2x2/cross|2 |
|
|
|
# Read the shape from the file diamond.shape, iterating two times. |
|
# The file diamond.shape may contain a pattern of characters like this |
|
# * |
|
# *** |
|
# ***** |
|
# *** |
|
# * |
|
# The specified columns and rows are ignored |
|
# but the anchor point coordinates are not |
|
ocv=dilate:0x0+2x2/custom=diamond.shape|2 |
|
</pre></div> |
|
|
|
<a name="erode"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-erode">29.119.2 erode</a></h3> |
|
|
|
<p>Erode an image by using a specific structuring element. |
|
It corresponds to the libopencv function <code>cvErode</code>. |
|
</p> |
|
<p>It accepts the parameters: <var>struct_el</var>:<var>nb_iterations</var>, |
|
with the same syntax and semantics as the <a href="#dilate">dilate</a> filter. |
|
</p> |
|
<a name="smooth"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-smooth">29.119.3 smooth</a></h3> |
|
|
|
<p>Smooth the input video. |
|
</p> |
|
<p>The filter takes the following parameters: |
|
<var>type</var>|<var>param1</var>|<var>param2</var>|<var>param3</var>|<var>param4</var>. |
|
</p> |
|
<p><var>type</var> is the type of smooth filter to apply, and must be one of |
|
the following values: "blur", "blur_no_scale", "median", "gaussian", |
|
or "bilateral". The default value is "gaussian". |
|
</p> |
|
<p>The meaning of <var>param1</var>, <var>param2</var>, <var>param3</var>, and <var>param4</var> |
|
depend on the smooth type. <var>param1</var> and |
|
<var>param2</var> accept integer positive values or 0. <var>param3</var> and |
|
<var>param4</var> accept floating point values. |
|
</p> |
|
<p>The default value for <var>param1</var> is 3. The default value for the |
|
other parameters is 0. |
|
</p> |
|
<p>These parameters correspond to the parameters assigned to the |
|
libopencv function <code>cvSmooth</code>. |
|
</p> |
|
<a name="oscilloscope"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-oscilloscope">29.120 oscilloscope</a></h2> |
|
|
|
<p>2D Video Oscilloscope. |
|
</p> |
|
<p>Useful to measure spatial impulse, step responses, chroma delays, etc. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dd><p>Set scope center x position. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Set scope center y position. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Set scope size, relative to frame diagonal. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>Set scope tilt/rotation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>Set trace opacity. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tx</samp>’</dt> |
|
<dd><p>Set trace center x position. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ty</samp>’</dt> |
|
<dd><p>Set trace center y position. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tw</samp>’</dt> |
|
<dd><p>Set trace width, relative to width of frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>th</samp>’</dt> |
|
<dd><p>Set trace height, relative to height of frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c</samp>’</dt> |
|
<dd><p>Set which components to trace. By default it traces first three components. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>g</samp>’</dt> |
|
<dd><p>Draw trace grid. By default is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>st</samp>’</dt> |
|
<dd><p>Draw some statistics. By default is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sc</samp>’</dt> |
|
<dd><p>Draw scope. By default is enabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-89"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-89">29.120.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Inspect full first row of video frame. |
|
<div class="example"> |
|
<pre class="example">oscilloscope=x=0.5:y=0:s=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Inspect full last row of video frame. |
|
<div class="example"> |
|
<pre class="example">oscilloscope=x=0.5:y=1:s=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Inspect full 5th line of video frame of height 1080. |
|
<div class="example"> |
|
<pre class="example">oscilloscope=x=0.5:y=5/1080:s=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Inspect full last column of video frame. |
|
<div class="example"> |
|
<pre class="example">oscilloscope=x=1:y=0.5:s=1:t=1 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<p><a name="overlay"></a> |
|
</p><a name="overlay-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-overlay-1">29.121 overlay</a></h2> |
|
|
|
<p>Overlay one video on top of another. |
|
</p> |
|
<p>It takes two inputs and has one output. The first input is the "main" |
|
video on which the second input is overlaid. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Set the expression for the x and y coordinates of the overlaid video |
|
on the main video. Default value is "0" for both expressions. In case |
|
the expression is invalid, it is set to a huge value (meaning that the |
|
overlay will not be displayed within the output visible area). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eof_action</samp>’</dt> |
|
<dd><p>See <a href="#framesync">framesync</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eval</samp>’</dt> |
|
<dd><p>Set when the expressions for ‘<samp>x</samp>’, and ‘<samp>y</samp>’ are evaluated. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>init</samp>’</dt> |
|
<dd><p>only evaluate expressions once during the filter initialization or |
|
when a command is processed |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>evaluate expressions for each incoming frame |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>frame</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shortest</samp>’</dt> |
|
<dd><p>See <a href="#framesync">framesync</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format</samp>’</dt> |
|
<dd><p>Set the format for the output video. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>yuv420</samp>’</dt> |
|
<dd><p>force YUV420 output |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv422</samp>’</dt> |
|
<dd><p>force YUV422 output |
|
</p> |
|
</dd> |
|
<dt>‘<samp>yuv444</samp>’</dt> |
|
<dd><p>force YUV444 output |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rgb</samp>’</dt> |
|
<dd><p>force packed RGB output |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gbrp</samp>’</dt> |
|
<dd><p>force planar RGB output |
|
</p> |
|
</dd> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>automatically pick format |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>yuv420</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>repeatlast</samp>’</dt> |
|
<dd><p>See <a href="#framesync">framesync</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha</samp>’</dt> |
|
<dd><p>Set format of alpha of the overlaid video, it can be <var>straight</var> or |
|
<var>premultiplied</var>. Default is <var>straight</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The ‘<samp>x</samp>’, and ‘<samp>y</samp>’ expressions can contain the following |
|
parameters. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>main_w, W</samp>’</dt> |
|
<dt>‘<samp>main_h, H</samp>’</dt> |
|
<dd><p>The main input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlay_w, w</samp>’</dt> |
|
<dt>‘<samp>overlay_h, h</samp>’</dt> |
|
<dd><p>The overlay input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The computed values for <var>x</var> and <var>y</var>. They are evaluated for |
|
each new frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub</samp>’</dt> |
|
<dt>‘<samp>vsub</samp>’</dt> |
|
<dd><p>horizontal and vertical chroma subsample values of the output |
|
format. For example for the pixel format "yuv422p" <var>hsub</var> is 2 and |
|
<var>vsub</var> is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>the number of input frame, starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>the position in the file of the input frame, NAN if unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>The timestamp, expressed in seconds. It’s NAN if the input timestamp is unknown. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>This filter also supports the <a href="#framesync">framesync</a> options. |
|
</p> |
|
<p>Note that the <var>n</var>, <var>pos</var>, <var>t</var> variables are available only |
|
when evaluation is done <em>per frame</em>, and will evaluate to NAN |
|
when ‘<samp>eval</samp>’ is set to ‘<samp>init</samp>’. |
|
</p> |
|
<p>Be aware that frames are taken from each input video in timestamp |
|
order, hence, if their initial timestamps differ, it is a good idea |
|
to pass the two inputs through a <var>setpts=PTS-STARTPTS</var> filter to |
|
have them begin in the same zero timestamp, as the example for |
|
the <var>movie</var> filter does. |
|
</p> |
|
<p>You can chain together more overlays but you should test the |
|
efficiency of such approach. |
|
</p> |
|
<a name="Commands-9"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-9">29.121.1 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Modify the x and y of the overlay input. |
|
The command accepts the same syntax of the corresponding option. |
|
</p> |
|
<p>If the specified expression is not valid, it is kept at its current |
|
value. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-67"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-67">29.121.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Draw the overlay at 10 pixels from the bottom right corner of the main |
|
video: |
|
<div class="example"> |
|
<pre class="example">overlay=main_w-overlay_w-10:main_h-overlay_h-10 |
|
</pre></div> |
|
|
|
<p>Using named options the example above becomes: |
|
</p><div class="example"> |
|
<pre class="example">overlay=x=main_w-overlay_w-10:y=main_h-overlay_h-10 |
|
</pre></div> |
|
|
|
</li><li> |
|
Insert a transparent PNG logo in the bottom left corner of the input, |
|
using the <code>ffmpeg</code> tool with the <code>-filter_complex</code> option: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input -i logo -filter_complex 'overlay=10:main_h-overlay_h-10' output |
|
</pre></div> |
|
|
|
</li><li> |
|
Insert 2 different transparent PNG logos (second logo on bottom |
|
right corner) using the <code>ffmpeg</code> tool: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input -i logo1 -i logo2 -filter_complex 'overlay=x=10:y=H-h-10,overlay=x=W-w-10:y=H-h-10' output |
|
</pre></div> |
|
|
|
</li><li> |
|
Add a transparent color layer on top of the main video; <code>WxH</code> |
|
must specify the size of the main input to the overlay filter: |
|
<div class="example"> |
|
<pre class="example">color=color=red@.3:size=WxH [over]; [in][over] overlay [out] |
|
</pre></div> |
|
|
|
</li><li> |
|
Play an original video and a filtered version (here with the deshake |
|
filter) side by side using the <code>ffplay</code> tool: |
|
<div class="example"> |
|
<pre class="example">ffplay input.avi -vf 'split[a][b]; [a]pad=iw*2:ih[src]; [b]deshake[filt]; [src][filt]overlay=w' |
|
</pre></div> |
|
|
|
<p>The above command is the same as: |
|
</p><div class="example"> |
|
<pre class="example">ffplay input.avi -vf 'split[b], pad=iw*2[src], [b]deshake, [src]overlay=w' |
|
</pre></div> |
|
|
|
</li><li> |
|
Make a sliding overlay appearing from the left to the right top part of the |
|
screen starting since time 2: |
|
<div class="example"> |
|
<pre class="example">overlay=x='if(gte(t,2), -w+(t-2)*20, NAN)':y=0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Compose output by putting two input videos side to side: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i left.avi -i right.avi -filter_complex " |
|
nullsrc=size=200x100 [background]; |
|
[0:v] setpts=PTS-STARTPTS, scale=100x100 [left]; |
|
[1:v] setpts=PTS-STARTPTS, scale=100x100 [right]; |
|
[background][left] overlay=shortest=1 [background+left]; |
|
[background+left][right] overlay=shortest=1:x=100 [left+right] |
|
" |
|
</pre></div> |
|
|
|
</li><li> |
|
Mask 10-20 seconds of a video by applying the delogo filter to a section |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i test.avi -codec:v:0 wmv2 -ar 11025 -b:v 9000k |
|
-vf '[in]split[split_main][split_delogo];[split_delogo]trim=start=360:end=371,delogo=0:0:640:480[delogoed];[split_main][delogoed]overlay=eof_action=pass[out]' |
|
masked.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Chain several overlays in cascade: |
|
<div class="example"> |
|
<pre class="example">nullsrc=s=200x200 [bg]; |
|
testsrc=s=100x100, split=4 [in0][in1][in2][in3]; |
|
[in0] lutrgb=r=0, [bg] overlay=0:0 [mid0]; |
|
[in1] lutrgb=g=0, [mid0] overlay=100:0 [mid1]; |
|
[in2] lutrgb=b=0, [mid1] overlay=0:100 [mid2]; |
|
[in3] null, [mid2] overlay=100:100 [out0] |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="owdenoise"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-owdenoise">29.122 owdenoise</a></h2> |
|
|
|
<p>Apply Overcomplete Wavelet denoiser. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>depth</samp>’</dt> |
|
<dd><p>Set depth. |
|
</p> |
|
<p>Larger depth values will denoise lower frequency components more, but |
|
slow down filtering. |
|
</p> |
|
<p>Must be an int in the range 8-16, default is <code>8</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_strength, ls</samp>’</dt> |
|
<dd><p>Set luma strength. |
|
</p> |
|
<p>Must be a double value in the range 0-1000, default is <code>1.0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_strength, cs</samp>’</dt> |
|
<dd><p>Set chroma strength. |
|
</p> |
|
<p>Must be a double value in the range 0-1000, default is <code>1.0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="pad"></a> |
|
</p><a name="pad-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pad-1">29.123 pad</a></h2> |
|
|
|
<p>Add paddings to the input image, and place the original input at the |
|
provided <var>x</var>, <var>y</var> coordinates. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dt>‘<samp>height, h</samp>’</dt> |
|
<dd><p>Specify an expression for the size of the output image with the |
|
paddings added. If the value for <var>width</var> or <var>height</var> is 0, the |
|
corresponding input size is used for the output. |
|
</p> |
|
<p>The <var>width</var> expression can reference the value set by the |
|
<var>height</var> expression, and vice versa. |
|
</p> |
|
<p>The default value of <var>width</var> and <var>height</var> is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Specify the offsets to place the input image at within the padded area, |
|
with respect to the top/left border of the output image. |
|
</p> |
|
<p>The <var>x</var> expression can reference the value set by the <var>y</var> |
|
expression, and vice versa. |
|
</p> |
|
<p>The default value of <var>x</var> and <var>y</var> is 0. |
|
</p> |
|
<p>If <var>x</var> or <var>y</var> evaluate to a negative number, they’ll be changed |
|
so the input image is centered on the padded area. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>Specify the color of the padded area. For the syntax of this option, |
|
check the <a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
<p>The default value of <var>color</var> is "black". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eval</samp>’</dt> |
|
<dd><p>Specify when to evaluate <var>width</var>, <var>height</var>, <var>x</var> and <var>y</var> expression. |
|
</p> |
|
<p>It accepts the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>init</samp>’</dt> |
|
<dd><p>Only evaluate expressions once during the filter initialization or when |
|
a command is processed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>Evaluate expressions for each incoming frame. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>init</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>aspect</samp>’</dt> |
|
<dd><p>Pad to aspect instead to a resolution. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The value for the <var>width</var>, <var>height</var>, <var>x</var>, and <var>y</var> |
|
options are expressions containing the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>in_w</samp>’</dt> |
|
<dt>‘<samp>in_h</samp>’</dt> |
|
<dd><p>The input video width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>iw</samp>’</dt> |
|
<dt>‘<samp>ih</samp>’</dt> |
|
<dd><p>These are the same as <var>in_w</var> and <var>in_h</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_w</samp>’</dt> |
|
<dt>‘<samp>out_h</samp>’</dt> |
|
<dd><p>The output width and height (the size of the padded area), as |
|
specified by the <var>width</var> and <var>height</var> expressions. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ow</samp>’</dt> |
|
<dt>‘<samp>oh</samp>’</dt> |
|
<dd><p>These are the same as <var>out_w</var> and <var>out_h</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>The x and y offsets as specified by the <var>x</var> and <var>y</var> |
|
expressions, or NAN if not yet specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>same as <var>iw</var> / <var>ih</var> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>input sample aspect ratio |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dar</samp>’</dt> |
|
<dd><p>input display aspect ratio, it is the same as (<var>iw</var> / <var>ih</var>) * <var>sar</var> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub</samp>’</dt> |
|
<dt>‘<samp>vsub</samp>’</dt> |
|
<dd><p>The horizontal and vertical chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-39"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-39">29.123.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Add paddings with the color "violet" to the input video. The output video |
|
size is 640x480, and the top-left corner of the input video is placed at |
|
column 0, row 40 |
|
<div class="example"> |
|
<pre class="example">pad=640:480:0:40:violet |
|
</pre></div> |
|
|
|
<p>The example above is equivalent to the following command: |
|
</p><div class="example"> |
|
<pre class="example">pad=width=640:height=480:x=0:y=40:color=violet |
|
</pre></div> |
|
|
|
</li><li> |
|
Pad the input to get an output with dimensions increased by 3/2, |
|
and put the input video at the center of the padded area: |
|
<div class="example"> |
|
<pre class="example">pad="3/2*iw:3/2*ih:(ow-iw)/2:(oh-ih)/2" |
|
</pre></div> |
|
|
|
</li><li> |
|
Pad the input to get a squared output with size equal to the maximum |
|
value between the input width and height, and put the input video at |
|
the center of the padded area: |
|
<div class="example"> |
|
<pre class="example">pad="max(iw\,ih):ow:(ow-iw)/2:(oh-ih)/2" |
|
</pre></div> |
|
|
|
</li><li> |
|
Pad the input to get a final w/h ratio of 16:9: |
|
<div class="example"> |
|
<pre class="example">pad="ih*16/9:ih:(ow-iw)/2:(oh-ih)/2" |
|
</pre></div> |
|
|
|
</li><li> |
|
In case of anamorphic video, in order to set the output display aspect |
|
correctly, it is necessary to use <var>sar</var> in the expression, |
|
according to the relation: |
|
<div class="example"> |
|
<pre class="example">(ih * X / ih) * sar = output_dar |
|
X = output_dar / sar |
|
</pre></div> |
|
|
|
<p>Thus the previous example needs to be modified to: |
|
</p><div class="example"> |
|
<pre class="example">pad="ih*16/9/sar:ih:(ow-iw)/2:(oh-ih)/2" |
|
</pre></div> |
|
|
|
</li><li> |
|
Double the output size and put the input video in the bottom-right |
|
corner of the output padded area: |
|
<div class="example"> |
|
<pre class="example">pad="2*iw:2*ih:ow-iw:oh-ih" |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="palettegen"></a> |
|
</p><a name="palettegen-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-palettegen-1">29.124 palettegen</a></h2> |
|
|
|
<p>Generate one palette for a whole video stream. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>max_colors</samp>’</dt> |
|
<dd><p>Set the maximum number of colors to quantize in the palette. |
|
Note: the palette will still contain 256 colors; the unused palette entries |
|
will be black. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>reserve_transparent</samp>’</dt> |
|
<dd><p>Create a palette of 255 colors maximum and reserve the last one for |
|
transparency. Reserving the transparency color is useful for GIF optimization. |
|
If not set, the maximum of colors in the palette will be 256. You probably want |
|
to disable this option for a standalone image. |
|
Set by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>transparency_color</samp>’</dt> |
|
<dd><p>Set the color that will be used as background for transparency. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stats_mode</samp>’</dt> |
|
<dd><p>Set statistics mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>full</samp>’</dt> |
|
<dd><p>Compute full frame histograms. |
|
</p></dd> |
|
<dt>‘<samp>diff</samp>’</dt> |
|
<dd><p>Compute histograms only for the part that differs from previous frame. This |
|
might be relevant to give more importance to the moving part of your input if |
|
the background is static. |
|
</p></dd> |
|
<dt>‘<samp>single</samp>’</dt> |
|
<dd><p>Compute new histogram for each frame. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <var>full</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The filter also exports the frame metadata <code>lavfi.color_quant_ratio</code> |
|
(<code>nb_color_in / nb_color_out</code>) which you can use to evaluate the degree of |
|
color quantization of the palette. This information is also visible at |
|
<var>info</var> logging level. |
|
</p> |
|
<a name="Examples-44"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-44">29.124.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Generate a representative palette of a given video using <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.mkv -vf palettegen palette.png |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="paletteuse"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-paletteuse">29.125 paletteuse</a></h2> |
|
|
|
<p>Use a palette to downsample an input video stream. |
|
</p> |
|
<p>The filter takes two inputs: one video stream and a palette. The palette must |
|
be a 256 pixels image. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dither</samp>’</dt> |
|
<dd><p>Select dithering mode. Available algorithms are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bayer</samp>’</dt> |
|
<dd><p>Ordered 8x8 bayer dithering (deterministic) |
|
</p></dd> |
|
<dt>‘<samp>heckbert</samp>’</dt> |
|
<dd><p>Dithering as defined by Paul Heckbert in 1982 (simple error diffusion). |
|
Note: this dithering is sometimes considered "wrong" and is included as a |
|
reference. |
|
</p></dd> |
|
<dt>‘<samp>floyd_steinberg</samp>’</dt> |
|
<dd><p>Floyd and Steingberg dithering (error diffusion) |
|
</p></dd> |
|
<dt>‘<samp>sierra2</samp>’</dt> |
|
<dd><p>Frankie Sierra dithering v2 (error diffusion) |
|
</p></dd> |
|
<dt>‘<samp>sierra2_4a</samp>’</dt> |
|
<dd><p>Frankie Sierra dithering v2 "Lite" (error diffusion) |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is <var>sierra2_4a</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bayer_scale</samp>’</dt> |
|
<dd><p>When <var>bayer</var> dithering is selected, this option defines the scale of the |
|
pattern (how much the crosshatch pattern is visible). A low value means more |
|
visible pattern for less banding, and higher value means less visible pattern |
|
at the cost of more banding. |
|
</p> |
|
<p>The option must be an integer value in the range [0,5]. Default is <var>2</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>diff_mode</samp>’</dt> |
|
<dd><p>If set, define the zone to process |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rectangle</samp>’</dt> |
|
<dd><p>Only the changing rectangle will be reprocessed. This is similar to GIF |
|
cropping/offsetting compression mechanism. This option can be useful for speed |
|
if only a part of the image is changing, and has use cases such as limiting the |
|
scope of the error diffusal ‘<samp>dither</samp>’ to the rectangle that bounds the |
|
moving scene (it leads to more deterministic output if the scene doesn’t change |
|
much, and as a result less moving noise and better GIF compression). |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is <var>none</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>new</samp>’</dt> |
|
<dd><p>Take new palette for each output frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha_threshold</samp>’</dt> |
|
<dd><p>Sets the alpha threshold for transparency. Alpha values above this threshold |
|
will be treated as completely opaque, and values below this threshold will be |
|
treated as completely transparent. |
|
</p> |
|
<p>The option must be an integer value in the range [0,255]. Default is <var>128</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-9"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-9">29.125.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Use a palette (generated for example with <a href="#palettegen">palettegen</a>) to encode a GIF |
|
using <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.mkv -i palette.png -lavfi paletteuse output.gif |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="perspective"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-perspective">29.126 perspective</a></h2> |
|
|
|
<p>Correct perspective of video not recorded perpendicular to the screen. |
|
</p> |
|
<p>A description of the accepted parameters follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>x0</samp>’</dt> |
|
<dt>‘<samp>y0</samp>’</dt> |
|
<dt>‘<samp>x1</samp>’</dt> |
|
<dt>‘<samp>y1</samp>’</dt> |
|
<dt>‘<samp>x2</samp>’</dt> |
|
<dt>‘<samp>y2</samp>’</dt> |
|
<dt>‘<samp>x3</samp>’</dt> |
|
<dt>‘<samp>y3</samp>’</dt> |
|
<dd><p>Set coordinates expression for top left, top right, bottom left and bottom right corners. |
|
Default values are <code>0:0:W:0:0:H:W:H</code> with which perspective will remain unchanged. |
|
If the <code>sense</code> option is set to <code>source</code>, then the specified points will be sent |
|
to the corners of the destination. If the <code>sense</code> option is set to <code>destination</code>, |
|
then the corners of the source will be sent to the specified coordinates. |
|
</p> |
|
<p>The expressions can use the following variables: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>W</samp>’</dt> |
|
<dt>‘<samp>H</samp>’</dt> |
|
<dd><p>the width and height of video frame. |
|
</p></dd> |
|
<dt>‘<samp>in</samp>’</dt> |
|
<dd><p>Input frame count. |
|
</p></dd> |
|
<dt>‘<samp>on</samp>’</dt> |
|
<dd><p>Output frame count. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>interpolation</samp>’</dt> |
|
<dd><p>Set interpolation for perspective correction. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>linear</samp>’</dt> |
|
<dt>‘<samp>cubic</samp>’</dt> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>linear</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sense</samp>’</dt> |
|
<dd><p>Set interpretation of coordinate options. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>0, source</samp>’</dt> |
|
<dd> |
|
<p>Send point in the source specified by the given coordinates to |
|
the corners of the destination. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>1, destination</samp>’</dt> |
|
<dd> |
|
<p>Send the corners of the source to the point in the destination specified |
|
by the given coordinates. |
|
</p> |
|
<p>Default value is ‘<samp>source</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>eval</samp>’</dt> |
|
<dd><p>Set when the expressions for coordinates ‘<samp>x0,y0,...x3,y3</samp>’ are evaluated. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>init</samp>’</dt> |
|
<dd><p>only evaluate expressions once during the filter initialization or |
|
when a command is processed |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>evaluate expressions for each incoming frame |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>init</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="phase"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-phase">29.127 phase</a></h2> |
|
|
|
<p>Delay interlaced video by one field time so that the field order changes. |
|
</p> |
|
<p>The intended use is to fix PAL movies that have been captured with the |
|
opposite field order to the film-to-video transfer. |
|
</p> |
|
<p>A description of the accepted parameters follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set phase mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>Capture field order top-first, transfer bottom-first. |
|
Filter will delay the bottom field. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dd><p>Capture field order bottom-first, transfer top-first. |
|
Filter will delay the top field. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p</samp>’</dt> |
|
<dd><p>Capture and transfer with the same field order. This mode only exists |
|
for the documentation of the other options to refer to, but if you |
|
actually select it, the filter will faithfully do nothing. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>Capture field order determined automatically by field flags, transfer |
|
opposite. |
|
Filter selects among ‘<samp>t</samp>’ and ‘<samp>b</samp>’ modes on a frame by frame |
|
basis using field flags. If no field information is available, |
|
then this works just like ‘<samp>u</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>u</samp>’</dt> |
|
<dd><p>Capture unknown or varying, transfer opposite. |
|
Filter selects among ‘<samp>t</samp>’ and ‘<samp>b</samp>’ on a frame by frame basis by |
|
analyzing the images and selecting the alternative that produces best |
|
match between the fields. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>T</samp>’</dt> |
|
<dd><p>Capture top-first, transfer unknown or varying. |
|
Filter selects among ‘<samp>t</samp>’ and ‘<samp>p</samp>’ using image analysis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>B</samp>’</dt> |
|
<dd><p>Capture bottom-first, transfer unknown or varying. |
|
Filter selects among ‘<samp>b</samp>’ and ‘<samp>p</samp>’ using image analysis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>A</samp>’</dt> |
|
<dd><p>Capture determined by field flags, transfer unknown or varying. |
|
Filter selects among ‘<samp>t</samp>’, ‘<samp>b</samp>’ and ‘<samp>p</samp>’ using field flags and |
|
image analysis. If no field information is available, then this works just |
|
like ‘<samp>U</samp>’. This is the default mode. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>U</samp>’</dt> |
|
<dd><p>Both capture and transfer unknown or varying. |
|
Filter selects among ‘<samp>t</samp>’, ‘<samp>b</samp>’ and ‘<samp>p</samp>’ using image analysis only. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="pixdesctest"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pixdesctest">29.128 pixdesctest</a></h2> |
|
|
|
<p>Pixel format descriptor test filter, mainly useful for internal |
|
testing. The output video should be equal to the input video. |
|
</p> |
|
<p>For example: |
|
</p><div class="example"> |
|
<pre class="example">format=monow, pixdesctest |
|
</pre></div> |
|
|
|
<p>can be used to test the monowhite pixel format descriptor definition. |
|
</p> |
|
<a name="pixscope"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pixscope">29.129 pixscope</a></h2> |
|
|
|
<p>Display sample values of color channels. Mainly useful for checking color |
|
and levels. Minimum supported resolution is 640x480. |
|
</p> |
|
<p>The filters accept the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dd><p>Set scope X position, relative offset on X axis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Set scope Y position, relative offset on Y axis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dd><p>Set scope width. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Set scope height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>Set window opacity. This window also holds statistics about pixel area. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wx</samp>’</dt> |
|
<dd><p>Set window X position, relative offset on X axis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>wy</samp>’</dt> |
|
<dd><p>Set window Y position, relative offset on Y axis. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="pp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pp">29.130 pp</a></h2> |
|
|
|
<p>Enable the specified chain of postprocessing subfilters using libpostproc. This |
|
library should be automatically selected with a GPL build (<code>--enable-gpl</code>). |
|
Subfilters must be separated by ’/’ and can be disabled by prepending a ’-’. |
|
Each subfilter and some options have a short and a long name that can be used |
|
interchangeably, i.e. dr/dering are the same. |
|
</p> |
|
<p>The filters accept the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>subfilters</samp>’</dt> |
|
<dd><p>Set postprocessing subfilters string. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>All subfilters share common options to determine their scope: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>a/autoq</samp>’</dt> |
|
<dd><p>Honor the quality commands for this subfilter. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c/chrom</samp>’</dt> |
|
<dd><p>Do chrominance filtering, too (default). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y/nochrom</samp>’</dt> |
|
<dd><p>Do luminance filtering only (no chrominance). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n/noluma</samp>’</dt> |
|
<dd><p>Do chrominance filtering only (no luminance). |
|
</p></dd> |
|
</dl> |
|
|
|
<p>These options can be appended after the subfilter name, separated by a ’|’. |
|
</p> |
|
<p>Available subfilters are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>hb/hdeblock[|difference[|flatness]]</samp>’</dt> |
|
<dd><p>Horizontal deblocking filter |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>difference</samp>’</dt> |
|
<dd><p>Difference factor where higher values mean more deblocking (default: <code>32</code>). |
|
</p></dd> |
|
<dt>‘<samp>flatness</samp>’</dt> |
|
<dd><p>Flatness threshold where lower values mean more deblocking (default: <code>39</code>). |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>vb/vdeblock[|difference[|flatness]]</samp>’</dt> |
|
<dd><p>Vertical deblocking filter |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>difference</samp>’</dt> |
|
<dd><p>Difference factor where higher values mean more deblocking (default: <code>32</code>). |
|
</p></dd> |
|
<dt>‘<samp>flatness</samp>’</dt> |
|
<dd><p>Flatness threshold where lower values mean more deblocking (default: <code>39</code>). |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>ha/hadeblock[|difference[|flatness]]</samp>’</dt> |
|
<dd><p>Accurate horizontal deblocking filter |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>difference</samp>’</dt> |
|
<dd><p>Difference factor where higher values mean more deblocking (default: <code>32</code>). |
|
</p></dd> |
|
<dt>‘<samp>flatness</samp>’</dt> |
|
<dd><p>Flatness threshold where lower values mean more deblocking (default: <code>39</code>). |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>va/vadeblock[|difference[|flatness]]</samp>’</dt> |
|
<dd><p>Accurate vertical deblocking filter |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>difference</samp>’</dt> |
|
<dd><p>Difference factor where higher values mean more deblocking (default: <code>32</code>). |
|
</p></dd> |
|
<dt>‘<samp>flatness</samp>’</dt> |
|
<dd><p>Flatness threshold where lower values mean more deblocking (default: <code>39</code>). |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<p>The horizontal and vertical deblocking filters share the difference and |
|
flatness values so you cannot set different horizontal and vertical |
|
thresholds. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>h1/x1hdeblock</samp>’</dt> |
|
<dd><p>Experimental horizontal deblocking filter |
|
</p> |
|
</dd> |
|
<dt>‘<samp>v1/x1vdeblock</samp>’</dt> |
|
<dd><p>Experimental vertical deblocking filter |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dr/dering</samp>’</dt> |
|
<dd><p>Deringing filter |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tn/tmpnoise[|threshold1[|threshold2[|threshold3]]], temporal noise reducer</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>threshold1</samp>’</dt> |
|
<dd><p>larger -> stronger filtering |
|
</p></dd> |
|
<dt>‘<samp>threshold2</samp>’</dt> |
|
<dd><p>larger -> stronger filtering |
|
</p></dd> |
|
<dt>‘<samp>threshold3</samp>’</dt> |
|
<dd><p>larger -> stronger filtering |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>al/autolevels[:f/fullyrange], automatic brightness / contrast correction</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>f/fullyrange</samp>’</dt> |
|
<dd><p>Stretch luminance to <code>0-255</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>lb/linblenddeint</samp>’</dt> |
|
<dd><p>Linear blend deinterlacing filter that deinterlaces the given block by |
|
filtering all lines with a <code>(1 2 1)</code> filter. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>li/linipoldeint</samp>’</dt> |
|
<dd><p>Linear interpolating deinterlacing filter that deinterlaces the given block by |
|
linearly interpolating every second line. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ci/cubicipoldeint</samp>’</dt> |
|
<dd><p>Cubic interpolating deinterlacing filter deinterlaces the given block by |
|
cubically interpolating every second line. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>md/mediandeint</samp>’</dt> |
|
<dd><p>Median deinterlacing filter that deinterlaces the given block by applying a |
|
median filter to every second line. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fd/ffmpegdeint</samp>’</dt> |
|
<dd><p>FFmpeg deinterlacing filter that deinterlaces the given block by filtering every |
|
second line with a <code>(-1 4 2 4 -1)</code> filter. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>l5/lowpass5</samp>’</dt> |
|
<dd><p>Vertically applied FIR lowpass deinterlacing filter that deinterlaces the given |
|
block by filtering all lines with a <code>(-1 2 6 2 -1)</code> filter. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fq/forceQuant[|quantizer]</samp>’</dt> |
|
<dd><p>Overrides the quantizer table from the input with the constant quantizer you |
|
specify. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>quantizer</samp>’</dt> |
|
<dd><p>Quantizer to use |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>de/default</samp>’</dt> |
|
<dd><p>Default pp filter combination (<code>hb|a,vb|a,dr|a</code>) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fa/fast</samp>’</dt> |
|
<dd><p>Fast pp filter combination (<code>h1|a,v1|a,dr|a</code>) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ac</samp>’</dt> |
|
<dd><p>High quality pp filter combination (<code>ha|a|128|7,va|a,dr|a</code>) |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-114"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-114">29.130.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply horizontal and vertical deblocking, deringing and automatic |
|
brightness/contrast: |
|
<div class="example"> |
|
<pre class="example">pp=hb/vb/dr/al |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply default filters without brightness/contrast correction: |
|
<div class="example"> |
|
<pre class="example">pp=de/-al |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply default filters and temporal denoiser: |
|
<div class="example"> |
|
<pre class="example">pp=default/tmpnoise|1|2|3 |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply deblocking on luminance only, and switch vertical deblocking on or off |
|
automatically depending on available CPU time: |
|
<div class="example"> |
|
<pre class="example">pp=hb|y/vb|a |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="pp7"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pp7">29.131 pp7</a></h2> |
|
<p>Apply Postprocessing filter 7. It is variant of the <a href="#spp">spp</a> filter, |
|
similar to spp = 6 with 7 point DCT, where only the center sample is |
|
used after IDCT. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>qp</samp>’</dt> |
|
<dd><p>Force a constant quantization parameter. It accepts an integer in range |
|
0 to 63. If not set, the filter will use the QP from the video stream |
|
(if available). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set thresholding mode. Available modes are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>hard</samp>’</dt> |
|
<dd><p>Set hard thresholding. |
|
</p></dd> |
|
<dt>‘<samp>soft</samp>’</dt> |
|
<dd><p>Set soft thresholding (better de-ringing effect, but likely blurrier). |
|
</p></dd> |
|
<dt>‘<samp>medium</samp>’</dt> |
|
<dd><p>Set medium thresholding (good results, default). |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="premultiply"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-premultiply">29.132 premultiply</a></h2> |
|
<p>Apply alpha premultiply effect to input video stream using first plane |
|
of second stream as alpha. |
|
</p> |
|
<p>Both streams must have same dimensions and same pixel format. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed, unprocessed planes will be copied. |
|
By default value 0xf, all planes will be processed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>inplace</samp>’</dt> |
|
<dd><p>Do not require 2nd input for processing, instead use alpha plane from input stream. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="prewitt"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-prewitt">29.133 prewitt</a></h2> |
|
<p>Apply prewitt operator to input video stream. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed, unprocessed planes will be copied. |
|
By default value 0xf, all planes will be processed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Set value which will be multiplied with filtered result. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delta</samp>’</dt> |
|
<dd><p>Set value which will be added to filtered result. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="program_005fopencl"></a> |
|
</p><a name="program_005fopencl-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-program_005fopencl-1">29.134 program_opencl</a></h2> |
|
|
|
<p>Filter video using an OpenCL program. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>source</samp>’</dt> |
|
<dd><p>OpenCL program source file. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>kernel</samp>’</dt> |
|
<dd><p>Kernel name in program. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>inputs</samp>’</dt> |
|
<dd><p>Number of inputs to the filter. Defaults to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Size of output frames. Defaults to the same as the first input. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The program source file must contain a kernel function with the given name, |
|
which will be run once for each plane of the output. Each run on a plane |
|
gets enqueued as a separate 2D global NDRange with one work-item for each |
|
pixel to be generated. The global ID offset for each work-item is therefore |
|
the coordinates of a pixel in the destination image. |
|
</p> |
|
<p>The kernel function needs to take the following arguments: |
|
</p><ul> |
|
<li> |
|
Destination image, <var>__write_only image2d_t</var>. |
|
|
|
<p>This image will become the output; the kernel should write all of it. |
|
</p></li><li> |
|
Frame index, <var>unsigned int</var>. |
|
|
|
<p>This is a counter starting from zero and increasing by one for each frame. |
|
</p></li><li> |
|
Source images, <var>__read_only image2d_t</var>. |
|
|
|
<p>These are the most recent images on each input. The kernel may read from |
|
them to generate the output, but they can’t be written to. |
|
</p></li></ul> |
|
|
|
<p>Example programs: |
|
</p> |
|
<ul> |
|
<li> |
|
Copy the input to the output (output must be the same size as the input). |
|
<pre class="verbatim">__kernel void copy(__write_only image2d_t destination, |
|
unsigned int index, |
|
__read_only image2d_t source) |
|
{ |
|
const sampler_t sampler = CLK_NORMALIZED_COORDS_FALSE; |
|
|
|
int2 location = (int2)(get_global_id(0), get_global_id(1)); |
|
|
|
float4 value = read_imagef(source, sampler, location); |
|
|
|
write_imagef(destination, location, value); |
|
} |
|
</pre> |
|
</li><li> |
|
Apply a simple transformation, rotating the input by an amount increasing |
|
with the index counter. Pixel values are linearly interpolated by the |
|
sampler, and the output need not have the same dimensions as the input. |
|
<pre class="verbatim">__kernel void rotate_image(__write_only image2d_t dst, |
|
unsigned int index, |
|
__read_only image2d_t src) |
|
{ |
|
const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE | |
|
CLK_FILTER_LINEAR); |
|
|
|
float angle = (float)index / 100.0f; |
|
|
|
float2 dst_dim = convert_float2(get_image_dim(dst)); |
|
float2 src_dim = convert_float2(get_image_dim(src)); |
|
|
|
float2 dst_cen = dst_dim / 2.0f; |
|
float2 src_cen = src_dim / 2.0f; |
|
|
|
int2 dst_loc = (int2)(get_global_id(0), get_global_id(1)); |
|
|
|
float2 dst_pos = convert_float2(dst_loc) - dst_cen; |
|
float2 src_pos = { |
|
cos(angle) * dst_pos.x - sin(angle) * dst_pos.y, |
|
sin(angle) * dst_pos.x + cos(angle) * dst_pos.y |
|
}; |
|
src_pos = src_pos * src_dim / dst_dim; |
|
|
|
float2 src_loc = src_pos + src_cen; |
|
|
|
if (src_loc.x < 0.0f || src_loc.y < 0.0f || |
|
src_loc.x > src_dim.x || src_loc.y > src_dim.y) |
|
write_imagef(dst, dst_loc, 0.5f); |
|
else |
|
write_imagef(dst, dst_loc, read_imagef(src, sampler, src_loc)); |
|
} |
|
</pre> |
|
</li><li> |
|
Blend two inputs together, with the amount of each input used varying |
|
with the index counter. |
|
<pre class="verbatim">__kernel void blend_images(__write_only image2d_t dst, |
|
unsigned int index, |
|
__read_only image2d_t src1, |
|
__read_only image2d_t src2) |
|
{ |
|
const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE | |
|
CLK_FILTER_LINEAR); |
|
|
|
float blend = (cos((float)index / 50.0f) + 1.0f) / 2.0f; |
|
|
|
int2 dst_loc = (int2)(get_global_id(0), get_global_id(1)); |
|
int2 src1_loc = dst_loc * get_image_dim(src1) / get_image_dim(dst); |
|
int2 src2_loc = dst_loc * get_image_dim(src2) / get_image_dim(dst); |
|
|
|
float4 val1 = read_imagef(src1, sampler, src1_loc); |
|
float4 val2 = read_imagef(src2, sampler, src2_loc); |
|
|
|
write_imagef(dst, dst_loc, val1 * blend + val2 * (1.0f - blend)); |
|
} |
|
</pre> |
|
</li></ul> |
|
|
|
<a name="pseudocolor"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pseudocolor">29.135 pseudocolor</a></h2> |
|
|
|
<p>Alter frame colors in video with pseudocolors. |
|
</p> |
|
<p>This filter accept the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>c0</samp>’</dt> |
|
<dd><p>set pixel first component expression |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c1</samp>’</dt> |
|
<dd><p>set pixel second component expression |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c2</samp>’</dt> |
|
<dd><p>set pixel third component expression |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c3</samp>’</dt> |
|
<dd><p>set pixel fourth component expression, corresponds to the alpha component |
|
</p> |
|
</dd> |
|
<dt>‘<samp>i</samp>’</dt> |
|
<dd><p>set component to use as base for altering colors |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Each of them specifies the expression to use for computing the lookup table for |
|
the corresponding pixel component values. |
|
</p> |
|
<p>The expressions can contain the following constants and functions: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>The input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>val</samp>’</dt> |
|
<dd><p>The input value for the pixel component. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ymin, umin, vmin, amin</samp>’</dt> |
|
<dd><p>The minimum allowed component value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ymax, umax, vmax, amax</samp>’</dt> |
|
<dd><p>The maximum allowed component value. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>All expressions default to "val". |
|
</p> |
|
<a name="Examples-111"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-111">29.135.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Change too high luma values to gradient: |
|
<div class="example"> |
|
<pre class="example">pseudocolor="'if(between(val,ymax,amax),lerp(ymin,ymax,(val-ymax)/(amax-ymax)),-1):if(between(val,ymax,amax),lerp(umax,umin,(val-ymax)/(amax-ymax)),-1):if(between(val,ymax,amax),lerp(vmin,vmax,(val-ymax)/(amax-ymax)),-1):-1'" |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="psnr"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-psnr">29.136 psnr</a></h2> |
|
|
|
<p>Obtain the average, maximum and minimum PSNR (Peak Signal to Noise |
|
Ratio) between two input videos. |
|
</p> |
|
<p>This filter takes in input two input videos, the first input is |
|
considered the "main" source and is passed unchanged to the |
|
output. The second input is used as a "reference" video for computing |
|
the PSNR. |
|
</p> |
|
<p>Both video inputs must have the same resolution and pixel format for |
|
this filter to work correctly. Also it assumes that both inputs |
|
have the same number of frames, which are compared one by one. |
|
</p> |
|
<p>The obtained average PSNR is printed through the logging system. |
|
</p> |
|
<p>The filter stores the accumulated MSE (mean squared error) of each |
|
frame, and at the end of the processing it is averaged across all frames |
|
equally, and the following formula is applied to obtain the PSNR: |
|
</p> |
|
<div class="example"> |
|
<pre class="example">PSNR = 10*log10(MAX^2/MSE) |
|
</pre></div> |
|
|
|
<p>Where MAX is the average of the maximum values of each component of the |
|
image. |
|
</p> |
|
<p>The description of the accepted parameters follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>stats_file, f</samp>’</dt> |
|
<dd><p>If specified the filter will use the named file to save the PSNR of |
|
each individual frame. When filename equals "-" the data is sent to |
|
standard output. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stats_version</samp>’</dt> |
|
<dd><p>Specifies which version of the stats file format to use. Details of |
|
each format are written below. |
|
Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stats_add_max</samp>’</dt> |
|
<dd><p>Determines whether the max value is output to the stats log. |
|
Default value is 0. |
|
Requires stats_version >= 2. If this is set and stats_version < 2, |
|
the filter will return an error. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>This filter also supports the <a href="#framesync">framesync</a> options. |
|
</p> |
|
<p>The file printed if <var>stats_file</var> is selected, contains a sequence of |
|
key/value pairs of the form <var>key</var>:<var>value</var> for each compared |
|
couple of frames. |
|
</p> |
|
<p>If a <var>stats_version</var> greater than 1 is specified, a header line precedes |
|
the list of per-frame-pair stats, with key value pairs following the frame |
|
format with the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>psnr_log_version</samp>’</dt> |
|
<dd><p>The version of the log file format. Will match <var>stats_version</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fields</samp>’</dt> |
|
<dd><p>A comma separated list of the per-frame-pair parameters included in |
|
the log. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>A description of each shown per-frame-pair parameter follows: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>sequential number of the input frame, starting from 1 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mse_avg</samp>’</dt> |
|
<dd><p>Mean Square Error pixel-by-pixel average difference of the compared |
|
frames, averaged over all the image components. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mse_y, mse_u, mse_v, mse_r, mse_g, mse_b, mse_a</samp>’</dt> |
|
<dd><p>Mean Square Error pixel-by-pixel average difference of the compared |
|
frames for the component specified by the suffix. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>psnr_y, psnr_u, psnr_v, psnr_r, psnr_g, psnr_b, psnr_a</samp>’</dt> |
|
<dd><p>Peak Signal to Noise ratio of the compared frames for the component |
|
specified by the suffix. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max_avg, max_y, max_u, max_v</samp>’</dt> |
|
<dd><p>Maximum allowed value for each channel, and average over all |
|
channels. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example: |
|
</p><div class="example"> |
|
<pre class="example">movie=ref_movie.mpg, setpts=PTS-STARTPTS [main]; |
|
[main][ref] psnr="stats_file=stats.log" [out] |
|
</pre></div> |
|
|
|
<p>On this example the input file being processed is compared with the |
|
reference file ‘<tt>ref_movie.mpg</tt>’. The PSNR of each individual frame |
|
is stored in ‘<tt>stats.log</tt>’. |
|
</p> |
|
<p><a name="pullup"></a> |
|
</p><a name="pullup-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-pullup-1">29.137 pullup</a></h2> |
|
|
|
<p>Pulldown reversal (inverse telecine) filter, capable of handling mixed |
|
hard-telecine, 24000/1001 fps progressive, and 30000/1001 fps progressive |
|
content. |
|
</p> |
|
<p>The pullup filter is designed to take advantage of future context in making |
|
its decisions. This filter is stateless in the sense that it does not lock |
|
onto a pattern to follow, but it instead looks forward to the following |
|
fields in order to identify matches and rebuild progressive frames. |
|
</p> |
|
<p>To produce content with an even framerate, insert the fps filter after |
|
pullup, use <code>fps=24000/1001</code> if the input frame rate is 29.97fps, |
|
<code>fps=24</code> for 30fps and the (rare) telecined 25fps input. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>jl</samp>’</dt> |
|
<dt>‘<samp>jr</samp>’</dt> |
|
<dt>‘<samp>jt</samp>’</dt> |
|
<dt>‘<samp>jb</samp>’</dt> |
|
<dd><p>These options set the amount of "junk" to ignore at the left, right, top, and |
|
bottom of the image, respectively. Left and right are in units of 8 pixels, |
|
while top and bottom are in units of 2 lines. |
|
The default is 8 pixels on each side. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sb</samp>’</dt> |
|
<dd><p>Set the strict breaks. Setting this option to 1 will reduce the chances of |
|
filter generating an occasional mismatched frame, but it may also cause an |
|
excessive number of frames to be dropped during high motion sequences. |
|
Conversely, setting it to -1 will make filter match fields more easily. |
|
This may help processing of video where there is slight blurring between |
|
the fields, but may also cause there to be interlaced frames in the output. |
|
Default value is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mp</samp>’</dt> |
|
<dd><p>Set the metric plane to use. It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>l</samp>’</dt> |
|
<dd><p>Use luma plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>u</samp>’</dt> |
|
<dd><p>Use chroma blue plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>v</samp>’</dt> |
|
<dd><p>Use chroma red plane. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>This option may be set to use chroma plane instead of the default luma plane |
|
for doing filter’s computations. This may improve accuracy on very clean |
|
source material, but more likely will decrease accuracy, especially if there |
|
is chroma noise (rainbow effect) or any grayscale video. |
|
The main purpose of setting ‘<samp>mp</samp>’ to a chroma plane is to reduce CPU |
|
load and make pullup usable in realtime on slow machines. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For best results (without duplicated frames in the output file) it is |
|
necessary to change the output frame rate. For example, to inverse |
|
telecine NTSC input: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i input -vf pullup -r 24000/1001 ... |
|
</pre></div> |
|
|
|
<a name="qp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-qp">29.138 qp</a></h2> |
|
|
|
<p>Change video quantization parameters (QP). |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>qp</samp>’</dt> |
|
<dd><p>Set expression for quantization parameter. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The expression is evaluated through the eval API and can contain, among others, |
|
the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt><var>known</var></dt> |
|
<dd><p>1 if index is not 129, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt><var>qp</var></dt> |
|
<dd><p>Sequential index starting from -129 to 128. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-46"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-46">29.138.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Some equation like: |
|
<div class="example"> |
|
<pre class="example">qp=2+2*sin(PI*qp) |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="random"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-random">29.139 random</a></h2> |
|
|
|
<p>Flush video frames from internal cache of frames into a random order. |
|
No frame is discarded. |
|
Inspired by <a href="#frei0r">frei0r</a> nervous filter. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frames</samp>’</dt> |
|
<dd><p>Set size in number of frames of internal cache, in range from <code>2</code> to |
|
<code>512</code>. Default is <code>30</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>seed</samp>’</dt> |
|
<dd><p>Set seed for random number generator, must be an integer included between |
|
<code>0</code> and <code>UINT32_MAX</code>. If not specified, or if explicitly set to |
|
less than <code>0</code>, the filter will try to use a good random seed on a |
|
best effort basis. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="readeia608"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-readeia608">29.140 readeia608</a></h2> |
|
|
|
<p>Read closed captioning (EIA-608) information from the top lines of a video frame. |
|
</p> |
|
<p>This filter adds frame metadata for <code>lavfi.readeia608.X.cc</code> and |
|
<code>lavfi.readeia608.X.line</code>, where <code>X</code> is the number of the identified line |
|
with EIA-608 data (starting from 0). A description of each metadata value follows: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>lavfi.readeia608.X.cc</samp>’</dt> |
|
<dd><p>The two bytes stored as EIA-608 data (printed in hexadecimal). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lavfi.readeia608.X.line</samp>’</dt> |
|
<dd><p>The number of the line on which the EIA-608 data was identified and read. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>scan_min</samp>’</dt> |
|
<dd><p>Set the line to start scanning for EIA-608 data. Default is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scan_max</samp>’</dt> |
|
<dd><p>Set the line to end scanning for EIA-608 data. Default is <code>29</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mac</samp>’</dt> |
|
<dd><p>Set minimal acceptable amplitude change for sync codes detection. |
|
Default is <code>0.2</code>. Allowed range is <code>[0.001 - 1]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>spw</samp>’</dt> |
|
<dd><p>Set the ratio of width reserved for sync code detection. |
|
Default is <code>0.27</code>. Allowed range is <code>[0.01 - 0.7]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mhd</samp>’</dt> |
|
<dd><p>Set the max peaks height difference for sync code detection. |
|
Default is <code>0.1</code>. Allowed range is <code>[0.0 - 0.5]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mpd</samp>’</dt> |
|
<dd><p>Set max peaks period difference for sync code detection. |
|
Default is <code>0.1</code>. Allowed range is <code>[0.0 - 0.5]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>msd</samp>’</dt> |
|
<dd><p>Set the first two max start code bits differences. |
|
Default is <code>0.02</code>. Allowed range is <code>[0.0 - 0.5]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bhd</samp>’</dt> |
|
<dd><p>Set the minimum ratio of bits height compared to 3rd start code bit. |
|
Default is <code>0.75</code>. Allowed range is <code>[0.01 - 1]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>th_w</samp>’</dt> |
|
<dd><p>Set the white color threshold. Default is <code>0.35</code>. Allowed range is <code>[0.1 - 1]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>th_b</samp>’</dt> |
|
<dd><p>Set the black color threshold. Default is <code>0.15</code>. Allowed range is <code>[0.0 - 0.5]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chp</samp>’</dt> |
|
<dd><p>Enable checking the parity bit. In the event of a parity error, the filter will output |
|
<code>0x00</code> for that character. Default is false. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-12"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-12">29.140.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Output a csv with presentation time and the first two lines of identified EIA-608 captioning data. |
|
<div class="example"> |
|
<pre class="example">ffprobe -f lavfi -i movie=captioned_video.mov,readeia608 -show_entries frame=pkt_pts_time:frame_tags=lavfi.readeia608.0.cc,lavfi.readeia608.1.cc -of csv |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="readvitc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-readvitc">29.141 readvitc</a></h2> |
|
|
|
<p>Read vertical interval timecode (VITC) information from the top lines of a |
|
video frame. |
|
</p> |
|
<p>The filter adds frame metadata key <code>lavfi.readvitc.tc_str</code> with the |
|
timecode value, if a valid timecode has been detected. Further metadata key |
|
<code>lavfi.readvitc.found</code> is set to 0/1 depending on whether |
|
timecode data has been found or not. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>scan_max</samp>’</dt> |
|
<dd><p>Set the maximum number of lines to scan for VITC data. If the value is set to |
|
<code>-1</code> the full video frame is scanned. Default is <code>45</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>thr_b</samp>’</dt> |
|
<dd><p>Set the luma threshold for black. Accepts float numbers in the range [0.0,1.0], |
|
default value is <code>0.2</code>. The value must be equal or less than <code>thr_w</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>thr_w</samp>’</dt> |
|
<dd><p>Set the luma threshold for white. Accepts float numbers in the range [0.0,1.0], |
|
default value is <code>0.6</code>. The value must be equal or greater than <code>thr_b</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-130"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-130">29.141.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Detect and draw VITC data onto the video frame; if no valid VITC is detected, |
|
draw <code>--:--:--:--</code> as a placeholder: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.avi -filter:v 'readvitc,drawtext=fontfile=FreeMono.ttf:text=%{metadata\\:lavfi.readvitc.tc_str\\:--\\\\\\:--\\\\\\:--\\\\\\:--}:x=(w-tw)/2:y=400-ascent' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="remap"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-remap">29.142 remap</a></h2> |
|
|
|
<p>Remap pixels using 2nd: Xmap and 3rd: Ymap input video stream. |
|
</p> |
|
<p>Destination pixel at position (X, Y) will be picked from source (x, y) position |
|
where x = Xmap(X, Y) and y = Ymap(X, Y). If mapping values are out of range, zero |
|
value for pixel will be used for destination pixel. |
|
</p> |
|
<p>Xmap and Ymap input video streams must be of same dimensions. Output video stream |
|
will have Xmap/Ymap video stream dimensions. |
|
Xmap and Ymap input video streams are 16bit depth, single channel. |
|
</p> |
|
<a name="removegrain"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-removegrain">29.143 removegrain</a></h2> |
|
|
|
<p>The removegrain filter is a spatial denoiser for progressive video. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>m0</samp>’</dt> |
|
<dd><p>Set mode for the first plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m1</samp>’</dt> |
|
<dd><p>Set mode for the second plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m2</samp>’</dt> |
|
<dd><p>Set mode for the third plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m3</samp>’</dt> |
|
<dd><p>Set mode for the fourth plane. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Range of mode is from 0 to 24. Description of each mode follows: |
|
</p> |
|
<dl compact="compact"> |
|
<dt><var>0</var></dt> |
|
<dd><p>Leave input plane unchanged. Default. |
|
</p> |
|
</dd> |
|
<dt><var>1</var></dt> |
|
<dd><p>Clips the pixel with the minimum and maximum of the 8 neighbour pixels. |
|
</p> |
|
</dd> |
|
<dt><var>2</var></dt> |
|
<dd><p>Clips the pixel with the second minimum and maximum of the 8 neighbour pixels. |
|
</p> |
|
</dd> |
|
<dt><var>3</var></dt> |
|
<dd><p>Clips the pixel with the third minimum and maximum of the 8 neighbour pixels. |
|
</p> |
|
</dd> |
|
<dt><var>4</var></dt> |
|
<dd><p>Clips the pixel with the fourth minimum and maximum of the 8 neighbour pixels. |
|
This is equivalent to a median filter. |
|
</p> |
|
</dd> |
|
<dt><var>5</var></dt> |
|
<dd><p>Line-sensitive clipping giving the minimal change. |
|
</p> |
|
</dd> |
|
<dt><var>6</var></dt> |
|
<dd><p>Line-sensitive clipping, intermediate. |
|
</p> |
|
</dd> |
|
<dt><var>7</var></dt> |
|
<dd><p>Line-sensitive clipping, intermediate. |
|
</p> |
|
</dd> |
|
<dt><var>8</var></dt> |
|
<dd><p>Line-sensitive clipping, intermediate. |
|
</p> |
|
</dd> |
|
<dt><var>9</var></dt> |
|
<dd><p>Line-sensitive clipping on a line where the neighbours pixels are the closest. |
|
</p> |
|
</dd> |
|
<dt><var>10</var></dt> |
|
<dd><p>Replaces the target pixel with the closest neighbour. |
|
</p> |
|
</dd> |
|
<dt><var>11</var></dt> |
|
<dd><p>[1 2 1] horizontal and vertical kernel blur. |
|
</p> |
|
</dd> |
|
<dt><var>12</var></dt> |
|
<dd><p>Same as mode 11. |
|
</p> |
|
</dd> |
|
<dt><var>13</var></dt> |
|
<dd><p>Bob mode, interpolates top field from the line where the neighbours |
|
pixels are the closest. |
|
</p> |
|
</dd> |
|
<dt><var>14</var></dt> |
|
<dd><p>Bob mode, interpolates bottom field from the line where the neighbours |
|
pixels are the closest. |
|
</p> |
|
</dd> |
|
<dt><var>15</var></dt> |
|
<dd><p>Bob mode, interpolates top field. Same as 13 but with a more complicated |
|
interpolation formula. |
|
</p> |
|
</dd> |
|
<dt><var>16</var></dt> |
|
<dd><p>Bob mode, interpolates bottom field. Same as 14 but with a more complicated |
|
interpolation formula. |
|
</p> |
|
</dd> |
|
<dt><var>17</var></dt> |
|
<dd><p>Clips the pixel with the minimum and maximum of respectively the maximum and |
|
minimum of each pair of opposite neighbour pixels. |
|
</p> |
|
</dd> |
|
<dt><var>18</var></dt> |
|
<dd><p>Line-sensitive clipping using opposite neighbours whose greatest distance from |
|
the current pixel is minimal. |
|
</p> |
|
</dd> |
|
<dt><var>19</var></dt> |
|
<dd><p>Replaces the pixel with the average of its 8 neighbours. |
|
</p> |
|
</dd> |
|
<dt><var>20</var></dt> |
|
<dd><p>Averages the 9 pixels ([1 1 1] horizontal and vertical blur). |
|
</p> |
|
</dd> |
|
<dt><var>21</var></dt> |
|
<dd><p>Clips pixels using the averages of opposite neighbour. |
|
</p> |
|
</dd> |
|
<dt><var>22</var></dt> |
|
<dd><p>Same as mode 21 but simpler and faster. |
|
</p> |
|
</dd> |
|
<dt><var>23</var></dt> |
|
<dd><p>Small edge and halo removal, but reputed useless. |
|
</p> |
|
</dd> |
|
<dt><var>24</var></dt> |
|
<dd><p>Similar as 23. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="removelogo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-removelogo">29.144 removelogo</a></h2> |
|
|
|
<p>Suppress a TV station logo, using an image file to determine which |
|
pixels comprise the logo. It works by filling in the pixels that |
|
comprise the logo with neighboring pixels. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filename, f</samp>’</dt> |
|
<dd><p>Set the filter bitmap file, which can be any image format supported by |
|
libavformat. The width and height of the image file must match those of the |
|
video stream being processed. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Pixels in the provided bitmap image with a value of zero are not |
|
considered part of the logo, non-zero pixels are considered part of |
|
the logo. If you use white (255) for the logo and black (0) for the |
|
rest, you will be safe. For making the filter bitmap, it is |
|
recommended to take a screen capture of a black frame with the logo |
|
visible, and then using a threshold filter followed by the erode |
|
filter once or twice. |
|
</p> |
|
<p>If needed, little splotches can be fixed manually. Remember that if |
|
logo pixels are not covered, the filter quality will be much |
|
reduced. Marking too many pixels as part of the logo does not hurt as |
|
much, but it will increase the amount of blurring needed to cover over |
|
the image and will destroy more information than necessary, and extra |
|
pixels will slow things down on a large logo. |
|
</p> |
|
<a name="repeatfields"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-repeatfields">29.145 repeatfields</a></h2> |
|
|
|
<p>This filter uses the repeat_field flag from the Video ES headers and hard repeats |
|
fields based on its value. |
|
</p> |
|
<a name="reverse"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-reverse">29.146 reverse</a></h2> |
|
|
|
<p>Reverse a video clip. |
|
</p> |
|
<p>Warning: This filter requires memory to buffer the entire clip, so trimming |
|
is suggested. |
|
</p> |
|
<a name="Examples-132"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-132">29.146.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Take the first 5 seconds of a clip, and reverse it. |
|
<div class="example"> |
|
<pre class="example">trim=end=5,reverse |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="roberts"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-roberts">29.147 roberts</a></h2> |
|
<p>Apply roberts cross operator to input video stream. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed, unprocessed planes will be copied. |
|
By default value 0xf, all planes will be processed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Set value which will be multiplied with filtered result. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delta</samp>’</dt> |
|
<dd><p>Set value which will be added to filtered result. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="rotate"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-rotate">29.148 rotate</a></h2> |
|
|
|
<p>Rotate video by an arbitrary angle expressed in radians. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<p>A description of the optional parameters follows. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>angle, a</samp>’</dt> |
|
<dd><p>Set an expression for the angle by which to rotate the input video |
|
clockwise, expressed as a number of radians. A negative value will |
|
result in a counter-clockwise rotation. By default it is set to "0". |
|
</p> |
|
<p>This expression is evaluated for each frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_w, ow</samp>’</dt> |
|
<dd><p>Set the output width expression, default value is "iw". |
|
This expression is evaluated just once during configuration. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_h, oh</samp>’</dt> |
|
<dd><p>Set the output height expression, default value is "ih". |
|
This expression is evaluated just once during configuration. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bilinear</samp>’</dt> |
|
<dd><p>Enable bilinear interpolation if set to 1, a value of 0 disables |
|
it. Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fillcolor, c</samp>’</dt> |
|
<dd><p>Set the color used to fill the output area not covered by the rotated |
|
image. For the general syntax of this option, check the |
|
<a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
If the special value "none" is selected then no |
|
background is printed (useful for example if the background is never shown). |
|
</p> |
|
<p>Default value is "black". |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The expressions for the angle and the output size can contain the |
|
following constants and functions: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>sequential number of the input frame, starting from 0. It is always NAN |
|
before the first frame is filtered. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>time in seconds of the input frame, it is set to 0 when the filter is |
|
configured. It is always NAN before the first frame is filtered. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub</samp>’</dt> |
|
<dt>‘<samp>vsub</samp>’</dt> |
|
<dd><p>horizontal and vertical chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>in_w, iw</samp>’</dt> |
|
<dt>‘<samp>in_h, ih</samp>’</dt> |
|
<dd><p>the input video width and height |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_w, ow</samp>’</dt> |
|
<dt>‘<samp>out_h, oh</samp>’</dt> |
|
<dd><p>the output width and height, that is the size of the padded area as |
|
specified by the <var>width</var> and <var>height</var> expressions |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rotw(a)</samp>’</dt> |
|
<dt>‘<samp>roth(a)</samp>’</dt> |
|
<dd><p>the minimal width/height required for completely containing the input |
|
video rotated by <var>a</var> radians. |
|
</p> |
|
<p>These are only available when computing the ‘<samp>out_w</samp>’ and |
|
‘<samp>out_h</samp>’ expressions. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-21"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-21">29.148.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Rotate the input by PI/6 radians clockwise: |
|
<div class="example"> |
|
<pre class="example">rotate=PI/6 |
|
</pre></div> |
|
|
|
</li><li> |
|
Rotate the input by PI/6 radians counter-clockwise: |
|
<div class="example"> |
|
<pre class="example">rotate=-PI/6 |
|
</pre></div> |
|
|
|
</li><li> |
|
Rotate the input by 45 degrees clockwise: |
|
<div class="example"> |
|
<pre class="example">rotate=45*PI/180 |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply a constant rotation with period T, starting from an angle of PI/3: |
|
<div class="example"> |
|
<pre class="example">rotate=PI/3+2*PI*t/T |
|
</pre></div> |
|
|
|
</li><li> |
|
Make the input video rotation oscillating with a period of T |
|
seconds and an amplitude of A radians: |
|
<div class="example"> |
|
<pre class="example">rotate=A*sin(2*PI/T*t) |
|
</pre></div> |
|
|
|
</li><li> |
|
Rotate the video, output size is chosen so that the whole rotating |
|
input video is always completely contained in the output: |
|
<div class="example"> |
|
<pre class="example">rotate='2*PI*t:ow=hypot(iw,ih):oh=ow' |
|
</pre></div> |
|
|
|
</li><li> |
|
Rotate the video, reduce the output size so that no background is ever |
|
shown: |
|
<div class="example"> |
|
<pre class="example">rotate=2*PI*t:ow='min(iw,ih)/sqrt(2)':oh=ow:c=none |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-1"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-1">29.148.2 Commands</a></h3> |
|
|
|
<p>The filter supports the following commands: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>a, angle</samp>’</dt> |
|
<dd><p>Set the angle expression. |
|
The command accepts the same syntax of the corresponding option. |
|
</p> |
|
<p>If the specified expression is not valid, it is kept at its current |
|
value. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="sab"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sab">29.149 sab</a></h2> |
|
|
|
<p>Apply Shape Adaptive Blur. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>luma_radius, lr</samp>’</dt> |
|
<dd><p>Set luma blur filter strength, must be a value in range 0.1-4.0, default |
|
value is 1.0. A greater value will result in a more blurred image, and |
|
in slower processing. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_pre_filter_radius, lpfr</samp>’</dt> |
|
<dd><p>Set luma pre-filter radius, must be a value in the 0.1-2.0 range, default |
|
value is 1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_strength, ls</samp>’</dt> |
|
<dd><p>Set luma maximum difference between pixels to still be considered, must |
|
be a value in the 0.1-100.0 range, default value is 1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_radius, cr</samp>’</dt> |
|
<dd><p>Set chroma blur filter strength, must be a value in range -0.9-4.0. A |
|
greater value will result in a more blurred image, and in slower |
|
processing. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_pre_filter_radius, cpfr</samp>’</dt> |
|
<dd><p>Set chroma pre-filter radius, must be a value in the -0.9-2.0 range. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_strength, cs</samp>’</dt> |
|
<dd><p>Set chroma maximum difference between pixels to still be considered, |
|
must be a value in the -0.9-100.0 range. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Each chroma option value, if not explicitly specified, is set to the |
|
corresponding luma option value. |
|
</p> |
|
<p><a name="scale"></a> |
|
</p><a name="scale-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-scale-1">29.150 scale</a></h2> |
|
|
|
<p>Scale (resize) the input video, using the libswscale library. |
|
</p> |
|
<p>The scale filter forces the output display aspect ratio to be the same |
|
of the input, by changing the output sample aspect ratio. |
|
</p> |
|
<p>If the input image format is different from the format requested by |
|
the next filter, the scale filter will convert the input to the |
|
requested format. |
|
</p> |
|
<a name="Options-8"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-8">29.150.1 Options</a></h3> |
|
<p>The filter accepts the following options, or any of the options |
|
supported by the libswscale scaler. |
|
</p> |
|
<p>See <a href="ffmpeg-scaler.html#scaler_005foptions">(ffmpeg-scaler)the ffmpeg-scaler manual</a> for |
|
the complete list of scaler options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dt>‘<samp>height, h</samp>’</dt> |
|
<dd><p>Set the output video dimension expression. Default value is the input |
|
dimension. |
|
</p> |
|
<p>If the <var>width</var> or <var>w</var> value is 0, the input width is used for |
|
the output. If the <var>height</var> or <var>h</var> value is 0, the input height |
|
is used for the output. |
|
</p> |
|
<p>If one and only one of the values is -n with n >= 1, the scale filter |
|
will use a value that maintains the aspect ratio of the input image, |
|
calculated from the other specified dimension. After that it will, |
|
however, make sure that the calculated dimension is divisible by n and |
|
adjust the value if necessary. |
|
</p> |
|
<p>If both values are -n with n >= 1, the behavior will be identical to |
|
both values being set to 0 as previously detailed. |
|
</p> |
|
<p>See below for the list of accepted constants for use in the dimension |
|
expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eval</samp>’</dt> |
|
<dd><p>Specify when to evaluate <var>width</var> and <var>height</var> expression. It accepts the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>init</samp>’</dt> |
|
<dd><p>Only evaluate expressions once during the filter initialization or when a command is processed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>Evaluate expressions for each incoming frame. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>init</samp>’. |
|
</p> |
|
|
|
</dd> |
|
<dt>‘<samp>interl</samp>’</dt> |
|
<dd><p>Set the interlacing mode. It accepts the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>1</samp>’</dt> |
|
<dd><p>Force interlaced aware scaling. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>0</samp>’</dt> |
|
<dd><p>Do not apply interlaced scaling. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>-1</samp>’</dt> |
|
<dd><p>Select interlaced aware scaling depending on whether the source frames |
|
are flagged as interlaced or not. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>0</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flags</samp>’</dt> |
|
<dd><p>Set libswscale scaling flags. See |
|
<a href="ffmpeg-scaler.html#sws_005fflags">(ffmpeg-scaler)the ffmpeg-scaler manual</a> for the |
|
complete list of values. If not explicitly specified the filter applies |
|
the default flags. |
|
</p> |
|
|
|
</dd> |
|
<dt>‘<samp>param0, param1</samp>’</dt> |
|
<dd><p>Set libswscale input parameters for scaling algorithms that need them. See |
|
<a href="ffmpeg-scaler.html#sws_005fparams">(ffmpeg-scaler)the ffmpeg-scaler manual</a> for the |
|
complete documentation. If not explicitly specified the filter applies |
|
empty parameters. |
|
</p> |
|
|
|
|
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set the video size. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>in_color_matrix</samp>’</dt> |
|
<dt>‘<samp>out_color_matrix</samp>’</dt> |
|
<dd><p>Set in/output YCbCr color space type. |
|
</p> |
|
<p>This allows the autodetected value to be overridden as well as allows forcing |
|
a specific value used for the output and encoder. |
|
</p> |
|
<p>If not specified, the color space type depends on the pixel format. |
|
</p> |
|
<p>Possible values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>Choose automatically. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>Format conforming to International Telecommunication Union (ITU) |
|
Recommendation BT.709. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fcc</samp>’</dt> |
|
<dd><p>Set color space conforming to the United States Federal Communications |
|
Commission (FCC) Code of Federal Regulations (CFR) Title 47 (2003) 73.682 (a). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt601</samp>’</dt> |
|
<dd><p>Set color space conforming to: |
|
</p> |
|
<ul> |
|
<li> |
|
ITU Radiocommunication Sector (ITU-R) Recommendation BT.601 |
|
|
|
</li><li> |
|
ITU-R Rec. BT.470-6 (1998) Systems B, B1, and G |
|
|
|
</li><li> |
|
Society of Motion Picture and Television Engineers (SMPTE) ST 170:2004 |
|
|
|
</li></ul> |
|
|
|
</dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>Set color space conforming to SMPTE ST 240:1999. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>in_range</samp>’</dt> |
|
<dt>‘<samp>out_range</samp>’</dt> |
|
<dd><p>Set in/output YCbCr sample range. |
|
</p> |
|
<p>This allows the autodetected value to be overridden as well as allows forcing |
|
a specific value used for the output and encoder. If not specified, the |
|
range depends on the pixel format. Possible values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>auto/unknown</samp>’</dt> |
|
<dd><p>Choose automatically. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>jpeg/full/pc</samp>’</dt> |
|
<dd><p>Set full range (0-255 in case of 8-bit luma). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mpeg/limited/tv</samp>’</dt> |
|
<dd><p>Set "MPEG" range (16-235 in case of 8-bit luma). |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>force_original_aspect_ratio</samp>’</dt> |
|
<dd><p>Enable decreasing or increasing output video width or height if necessary to |
|
keep the original aspect ratio. Possible values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>disable</samp>’</dt> |
|
<dd><p>Scale the video as specified and disable this feature. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>decrease</samp>’</dt> |
|
<dd><p>The output video dimensions will automatically be decreased if needed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>increase</samp>’</dt> |
|
<dd><p>The output video dimensions will automatically be increased if needed. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>One useful instance of this option is that when you know a specific device’s |
|
maximum allowed resolution, you can use this to limit the output video to |
|
that, while retaining the aspect ratio. For example, device A allows |
|
1280x720 playback, and your video is 1920x800. Using this option (set it to |
|
decrease) and specifying 1280x720 to the command line makes the output |
|
1280x533. |
|
</p> |
|
<p>Please note that this is a different thing than specifying -1 for ‘<samp>w</samp>’ |
|
or ‘<samp>h</samp>’, you still need to specify the output resolution for this option |
|
to work. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The values of the ‘<samp>w</samp>’ and ‘<samp>h</samp>’ options are expressions |
|
containing the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt><var>in_w</var></dt> |
|
<dt><var>in_h</var></dt> |
|
<dd><p>The input width and height |
|
</p> |
|
</dd> |
|
<dt><var>iw</var></dt> |
|
<dt><var>ih</var></dt> |
|
<dd><p>These are the same as <var>in_w</var> and <var>in_h</var>. |
|
</p> |
|
</dd> |
|
<dt><var>out_w</var></dt> |
|
<dt><var>out_h</var></dt> |
|
<dd><p>The output (scaled) width and height |
|
</p> |
|
</dd> |
|
<dt><var>ow</var></dt> |
|
<dt><var>oh</var></dt> |
|
<dd><p>These are the same as <var>out_w</var> and <var>out_h</var> |
|
</p> |
|
</dd> |
|
<dt><var>a</var></dt> |
|
<dd><p>The same as <var>iw</var> / <var>ih</var> |
|
</p> |
|
</dd> |
|
<dt><var>sar</var></dt> |
|
<dd><p>input sample aspect ratio |
|
</p> |
|
</dd> |
|
<dt><var>dar</var></dt> |
|
<dd><p>The input display aspect ratio. Calculated from <code>(iw / ih) * sar</code>. |
|
</p> |
|
</dd> |
|
<dt><var>hsub</var></dt> |
|
<dt><var>vsub</var></dt> |
|
<dd><p>horizontal and vertical input chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p> |
|
</dd> |
|
<dt><var>ohsub</var></dt> |
|
<dt><var>ovsub</var></dt> |
|
<dd><p>horizontal and vertical output chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-10"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-10">29.150.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Scale the input video to a size of 200x100 |
|
<div class="example"> |
|
<pre class="example">scale=w=200:h=100 |
|
</pre></div> |
|
|
|
<p>This is equivalent to: |
|
</p><div class="example"> |
|
<pre class="example">scale=200:100 |
|
</pre></div> |
|
|
|
<p>or: |
|
</p><div class="example"> |
|
<pre class="example">scale=200x100 |
|
</pre></div> |
|
|
|
</li><li> |
|
Specify a size abbreviation for the output size: |
|
<div class="example"> |
|
<pre class="example">scale=qcif |
|
</pre></div> |
|
|
|
<p>which can also be written as: |
|
</p><div class="example"> |
|
<pre class="example">scale=size=qcif |
|
</pre></div> |
|
|
|
</li><li> |
|
Scale the input to 2x: |
|
<div class="example"> |
|
<pre class="example">scale=w=2*iw:h=2*ih |
|
</pre></div> |
|
|
|
</li><li> |
|
The above is the same as: |
|
<div class="example"> |
|
<pre class="example">scale=2*in_w:2*in_h |
|
</pre></div> |
|
|
|
</li><li> |
|
Scale the input to 2x with forced interlaced scaling: |
|
<div class="example"> |
|
<pre class="example">scale=2*iw:2*ih:interl=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Scale the input to half size: |
|
<div class="example"> |
|
<pre class="example">scale=w=iw/2:h=ih/2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Increase the width, and set the height to the same size: |
|
<div class="example"> |
|
<pre class="example">scale=3/2*iw:ow |
|
</pre></div> |
|
|
|
</li><li> |
|
Seek Greek harmony: |
|
<div class="example"> |
|
<pre class="example">scale=iw:1/PHI*iw |
|
scale=ih*PHI:ih |
|
</pre></div> |
|
|
|
</li><li> |
|
Increase the height, and set the width to 3/2 of the height: |
|
<div class="example"> |
|
<pre class="example">scale=w=3/2*oh:h=3/5*ih |
|
</pre></div> |
|
|
|
</li><li> |
|
Increase the size, making the size a multiple of the chroma |
|
subsample values: |
|
<div class="example"> |
|
<pre class="example">scale="trunc(3/2*iw/hsub)*hsub:trunc(3/2*ih/vsub)*vsub" |
|
</pre></div> |
|
|
|
</li><li> |
|
Increase the width to a maximum of 500 pixels, |
|
keeping the same aspect ratio as the input: |
|
<div class="example"> |
|
<pre class="example">scale=w='min(500\, iw*3/2):h=-1' |
|
</pre></div> |
|
|
|
</li><li> |
|
Make pixels square by combining scale and setsar: |
|
<div class="example"> |
|
<pre class="example">scale='trunc(ih*dar):ih',setsar=1/1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Make pixels square by combining scale and setsar, |
|
making sure the resulting resolution is even (required by some codecs): |
|
<div class="example"> |
|
<pre class="example">scale='trunc(ih*dar/2)*2:trunc(ih/2)*2',setsar=1/1 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-5"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-5">29.150.3 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dt>‘<samp>height, h</samp>’</dt> |
|
<dd><p>Set the output video dimension expression. |
|
The command accepts the same syntax of the corresponding option. |
|
</p> |
|
<p>If the specified expression is not valid, it is kept at its current |
|
value. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="scale_005fnpp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-scale_005fnpp">29.151 scale_npp</a></h2> |
|
|
|
<p>Use the NVIDIA Performance Primitives (libnpp) to perform scaling and/or pixel |
|
format conversion on CUDA video frames. Setting the output width and height |
|
works in the same way as for the <var>scale</var> filter. |
|
</p> |
|
<p>The following additional options are accepted: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>format</samp>’</dt> |
|
<dd><p>The pixel format of the output CUDA frames. If set to the string "same" (the |
|
default), the input format will be kept. Note that automatic format negotiation |
|
and conversion is not yet supported for hardware frames |
|
</p> |
|
</dd> |
|
<dt>‘<samp>interp_algo</samp>’</dt> |
|
<dd><p>The interpolation algorithm used for resizing. One of the following: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>nn</samp>’</dt> |
|
<dd><p>Nearest neighbour. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>linear</samp>’</dt> |
|
<dt>‘<samp>cubic</samp>’</dt> |
|
<dt>‘<samp>cubic2p_bspline</samp>’</dt> |
|
<dd><p>2-parameter cubic (B=1, C=0) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cubic2p_catmullrom</samp>’</dt> |
|
<dd><p>2-parameter cubic (B=0, C=1/2) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cubic2p_b05c03</samp>’</dt> |
|
<dd><p>2-parameter cubic (B=1/2, C=3/10) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>super</samp>’</dt> |
|
<dd><p>Supersampling |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lanczos</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<a name="scale2ref"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-scale2ref">29.152 scale2ref</a></h2> |
|
|
|
<p>Scale (resize) the input video, based on a reference video. |
|
</p> |
|
<p>See the scale filter for available options, scale2ref supports the same but |
|
uses the reference video instead of the main input as basis. scale2ref also |
|
supports the following additional constants for the ‘<samp>w</samp>’ and |
|
‘<samp>h</samp>’ options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt><var>main_w</var></dt> |
|
<dt><var>main_h</var></dt> |
|
<dd><p>The main input video’s width and height |
|
</p> |
|
</dd> |
|
<dt><var>main_a</var></dt> |
|
<dd><p>The same as <var>main_w</var> / <var>main_h</var> |
|
</p> |
|
</dd> |
|
<dt><var>main_sar</var></dt> |
|
<dd><p>The main input video’s sample aspect ratio |
|
</p> |
|
</dd> |
|
<dt><var>main_dar, mdar</var></dt> |
|
<dd><p>The main input video’s display aspect ratio. Calculated from |
|
<code>(main_w / main_h) * main_sar</code>. |
|
</p> |
|
</dd> |
|
<dt><var>main_hsub</var></dt> |
|
<dt><var>main_vsub</var></dt> |
|
<dd><p>The main input video’s horizontal and vertical chroma subsample values. |
|
For example for the pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> |
|
is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-58"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-58">29.152.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Scale a subtitle stream (b) to match the main video (a) in size before overlaying |
|
<div class="example"> |
|
<pre class="example">'scale2ref[b][a];[a][b]overlay' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="selectivecolor"></a> |
|
</p><a name="selectivecolor-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-selectivecolor-1">29.153 selectivecolor</a></h2> |
|
|
|
<p>Adjust cyan, magenta, yellow and black (CMYK) to certain ranges of colors (such |
|
as "reds", "yellows", "greens", "cyans", ...). The adjustment range is defined |
|
by the "purity" of the color (that is, how saturated it already is). |
|
</p> |
|
<p>This filter is similar to the Adobe Photoshop Selective Color tool. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>correction_method</samp>’</dt> |
|
<dd><p>Select color correction method. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>absolute</samp>’</dt> |
|
<dd><p>Specified adjustments are applied "as-is" (added/subtracted to original pixel |
|
component value). |
|
</p></dd> |
|
<dt>‘<samp>relative</samp>’</dt> |
|
<dd><p>Specified adjustments are relative to the original component value. |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>absolute</code>. |
|
</p></dd> |
|
<dt>‘<samp>reds</samp>’</dt> |
|
<dd><p>Adjustments for red pixels (pixels where the red component is the maximum) |
|
</p></dd> |
|
<dt>‘<samp>yellows</samp>’</dt> |
|
<dd><p>Adjustments for yellow pixels (pixels where the blue component is the minimum) |
|
</p></dd> |
|
<dt>‘<samp>greens</samp>’</dt> |
|
<dd><p>Adjustments for green pixels (pixels where the green component is the maximum) |
|
</p></dd> |
|
<dt>‘<samp>cyans</samp>’</dt> |
|
<dd><p>Adjustments for cyan pixels (pixels where the red component is the minimum) |
|
</p></dd> |
|
<dt>‘<samp>blues</samp>’</dt> |
|
<dd><p>Adjustments for blue pixels (pixels where the blue component is the maximum) |
|
</p></dd> |
|
<dt>‘<samp>magentas</samp>’</dt> |
|
<dd><p>Adjustments for magenta pixels (pixels where the green component is the minimum) |
|
</p></dd> |
|
<dt>‘<samp>whites</samp>’</dt> |
|
<dd><p>Adjustments for white pixels (pixels where all components are greater than 128) |
|
</p></dd> |
|
<dt>‘<samp>neutrals</samp>’</dt> |
|
<dd><p>Adjustments for all pixels except pure black and pure white |
|
</p></dd> |
|
<dt>‘<samp>blacks</samp>’</dt> |
|
<dd><p>Adjustments for black pixels (pixels where all components are lesser than 128) |
|
</p></dd> |
|
<dt>‘<samp>psfile</samp>’</dt> |
|
<dd><p>Specify a Photoshop selective color file (<code>.asv</code>) to import the settings from. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>All the adjustment settings (‘<samp>reds</samp>’, ‘<samp>yellows</samp>’, ...) accept up to |
|
4 space separated floating point adjustment values in the [-1,1] range, |
|
respectively to adjust the amount of cyan, magenta, yellow and black for the |
|
pixels of its range. |
|
</p> |
|
<a name="Examples-48"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-48">29.153.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Increase cyan by 50% and reduce yellow by 33% in every green areas, and |
|
increase magenta by 27% in blue areas: |
|
<div class="example"> |
|
<pre class="example">selectivecolor=greens=.5 0 -.33 0:blues=0 .27 |
|
</pre></div> |
|
|
|
</li><li> |
|
Use a Photoshop selective color preset: |
|
<div class="example"> |
|
<pre class="example">selectivecolor=psfile=MySelectiveColorPresets/Misty.asv |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="separatefields"></a> |
|
</p><a name="separatefields-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-separatefields-1">29.154 separatefields</a></h2> |
|
|
|
<p>The <code>separatefields</code> takes a frame-based video input and splits |
|
each frame into its components fields, producing a new half height clip |
|
with twice the frame rate and twice the frame count. |
|
</p> |
|
<p>This filter use field-dominance information in frame to decide which |
|
of each pair of fields to place first in the output. |
|
If it gets it wrong use <a href="#setfield">setfield</a> filter before <code>separatefields</code> filter. |
|
</p> |
|
<a name="setdar_002c-setsar"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-setdar_002c-setsar">29.155 setdar, setsar</a></h2> |
|
|
|
<p>The <code>setdar</code> filter sets the Display Aspect Ratio for the filter |
|
output video. |
|
</p> |
|
<p>This is done by changing the specified Sample (aka Pixel) Aspect |
|
Ratio, according to the following equation: |
|
</p><div class="example"> |
|
<pre class="example"><var>DAR</var> = <var>HORIZONTAL_RESOLUTION</var> / <var>VERTICAL_RESOLUTION</var> * <var>SAR</var> |
|
</pre></div> |
|
|
|
<p>Keep in mind that the <code>setdar</code> filter does not modify the pixel |
|
dimensions of the video frame. Also, the display aspect ratio set by |
|
this filter may be changed by later filters in the filterchain, |
|
e.g. in case of scaling or if another "setdar" or a "setsar" filter is |
|
applied. |
|
</p> |
|
<p>The <code>setsar</code> filter sets the Sample (aka Pixel) Aspect Ratio for |
|
the filter output video. |
|
</p> |
|
<p>Note that as a consequence of the application of this filter, the |
|
output display aspect ratio will change according to the equation |
|
above. |
|
</p> |
|
<p>Keep in mind that the sample aspect ratio set by the <code>setsar</code> |
|
filter may be changed by later filters in the filterchain, e.g. if |
|
another "setsar" or a "setdar" filter is applied. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>r, ratio, dar (<code>setdar</code> only), sar (<code>setsar</code> only)</samp>’</dt> |
|
<dd><p>Set the aspect ratio used by the filter. |
|
</p> |
|
<p>The parameter can be a floating point number string, an expression, or |
|
a string of the form <var>num</var>:<var>den</var>, where <var>num</var> and |
|
<var>den</var> are the numerator and denominator of the aspect ratio. If |
|
the parameter is not specified, it is assumed the value "0". |
|
In case the form "<var>num</var>:<var>den</var>" is used, the <code>:</code> character |
|
should be escaped. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max</samp>’</dt> |
|
<dd><p>Set the maximum integer value to use for expressing numerator and |
|
denominator when reducing the expressed aspect ratio to a rational. |
|
Default value is <code>100</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The parameter <var>sar</var> is an expression containing |
|
the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>E, PI, PHI</samp>’</dt> |
|
<dd><p>These are approximated values for the mathematical constants e |
|
(Euler’s number), pi (Greek pi), and phi (the golden ratio). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>w, h</samp>’</dt> |
|
<dd><p>The input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>These are the same as <var>w</var> / <var>h</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>The input sample aspect ratio. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dar</samp>’</dt> |
|
<dd><p>The input display aspect ratio. It is the same as |
|
(<var>w</var> / <var>h</var>) * <var>sar</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hsub, vsub</samp>’</dt> |
|
<dd><p>Horizontal and vertical chroma subsample values. For example, for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-135"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-135">29.155.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
To change the display aspect ratio to 16:9, specify one of the following: |
|
<div class="example"> |
|
<pre class="example">setdar=dar=1.77777 |
|
setdar=dar=16/9 |
|
</pre></div> |
|
|
|
</li><li> |
|
To change the sample aspect ratio to 10:11, specify: |
|
<div class="example"> |
|
<pre class="example">setsar=sar=10/11 |
|
</pre></div> |
|
|
|
</li><li> |
|
To set a display aspect ratio of 16:9, and specify a maximum integer value of |
|
1000 in the aspect ratio reduction, use the command: |
|
<div class="example"> |
|
<pre class="example">setdar=ratio=16/9:max=1000 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<p><a name="setfield"></a> |
|
</p><a name="setfield-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-setfield-1">29.156 setfield</a></h2> |
|
|
|
<p>Force field for the output video frame. |
|
</p> |
|
<p>The <code>setfield</code> filter marks the interlace type field for the |
|
output frames. It does not change the input frame, but only sets the |
|
corresponding property, which affects how the frame is treated by |
|
following filters (e.g. <code>fieldorder</code> or <code>yadif</code>). |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>Keep the same field property. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bff</samp>’</dt> |
|
<dd><p>Mark the frame as bottom-field-first. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tff</samp>’</dt> |
|
<dd><p>Mark the frame as top-field-first. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>prog</samp>’</dt> |
|
<dd><p>Mark the frame as progressive. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="showinfo"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showinfo">29.157 showinfo</a></h2> |
|
|
|
<p>Show a line containing various information for each input video frame. |
|
The input video is not modified. |
|
</p> |
|
<p>The shown line contains a sequence of key/value pairs of the form |
|
<var>key</var>:<var>value</var>. |
|
</p> |
|
<p>The following values are shown in the output: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>The (sequential) number of the input frame, starting from 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts</samp>’</dt> |
|
<dd><p>The Presentation TimeStamp of the input frame, expressed as a number of |
|
time base units. The time base unit depends on the filter input pad. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts_time</samp>’</dt> |
|
<dd><p>The Presentation TimeStamp of the input frame, expressed as a number of |
|
seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>The position of the frame in the input stream, or -1 if this information is |
|
unavailable and/or meaningless (for example in case of synthetic video). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fmt</samp>’</dt> |
|
<dd><p>The pixel format name. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>The sample aspect ratio of the input frame, expressed in the form |
|
<var>num</var>/<var>den</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>The size of the input frame. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>i</samp>’</dt> |
|
<dd><p>The type of interlaced mode ("P" for "progressive", "T" for top field first, "B" |
|
for bottom field first). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>iskey</samp>’</dt> |
|
<dd><p>This is 1 if the frame is a key frame, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>type</samp>’</dt> |
|
<dd><p>The picture type of the input frame ("I" for an I-frame, "P" for a |
|
P-frame, "B" for a B-frame, or "?" for an unknown type). |
|
Also refer to the documentation of the <code>AVPictureType</code> enum and of |
|
the <code>av_get_picture_type_char</code> function defined in |
|
‘<tt>libavutil/avutil.h</tt>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>checksum</samp>’</dt> |
|
<dd><p>The Adler-32 checksum (printed in hexadecimal) of all the planes of the input frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>plane_checksum</samp>’</dt> |
|
<dd><p>The Adler-32 checksum (printed in hexadecimal) of each plane of the input frame, |
|
expressed in the form "[<var>c0</var> <var>c1</var> <var>c2</var> <var>c3</var>]". |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="showpalette"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showpalette">29.158 showpalette</a></h2> |
|
|
|
<p>Displays the 256 colors palette of each frame. This filter is only relevant for |
|
<var>pal8</var> pixel format frames. |
|
</p> |
|
<p>It accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Set the size of the box used to represent one palette color entry. Default is |
|
<code>30</code> (for a <code>30x30</code> pixel box). |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="shuffleframes"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-shuffleframes">29.159 shuffleframes</a></h2> |
|
|
|
<p>Reorder and/or duplicate and/or drop video frames. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mapping</samp>’</dt> |
|
<dd><p>Set the destination indexes of input frames. |
|
This is space or ’|’ separated list of indexes that maps input frames to output |
|
frames. Number of indexes also sets maximal value that each index may have. |
|
’-1’ index have special meaning and that is to drop frame. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The first frame has the index 0. The default is to keep the input unchanged. |
|
</p> |
|
<a name="Examples-116"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-116">29.159.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Swap second and third frame of every three frames of the input: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -vf "shuffleframes=0 2 1" OUTPUT |
|
</pre></div> |
|
|
|
</li><li> |
|
Swap 10th and 1st frame of every ten frames of the input: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -vf "shuffleframes=9 1 2 3 4 5 6 7 8 0" OUTPUT |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="shuffleplanes"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-shuffleplanes">29.160 shuffleplanes</a></h2> |
|
|
|
<p>Reorder and/or duplicate video planes. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>map0</samp>’</dt> |
|
<dd><p>The index of the input plane to be used as the first output plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>map1</samp>’</dt> |
|
<dd><p>The index of the input plane to be used as the second output plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>map2</samp>’</dt> |
|
<dd><p>The index of the input plane to be used as the third output plane. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>map3</samp>’</dt> |
|
<dd><p>The index of the input plane to be used as the fourth output plane. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The first plane has the index 0. The default is to keep the input unchanged. |
|
</p> |
|
<a name="Examples-71"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-71">29.160.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Swap the second and third planes of the input: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -vf shuffleplanes=0:2:1:3 OUTPUT |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="signalstats"></a> |
|
</p><a name="signalstats-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-signalstats-1">29.161 signalstats</a></h2> |
|
<p>Evaluate various visual metrics that assist in determining issues associated |
|
with the digitization of analog video media. |
|
</p> |
|
<p>By default the filter will log these metadata values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>YMIN</samp>’</dt> |
|
<dd><p>Display the minimal Y value contained within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>YLOW</samp>’</dt> |
|
<dd><p>Display the Y value at the 10% percentile within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>YAVG</samp>’</dt> |
|
<dd><p>Display the average Y value within the input frame. Expressed in range of |
|
[0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>YHIGH</samp>’</dt> |
|
<dd><p>Display the Y value at the 90% percentile within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>YMAX</samp>’</dt> |
|
<dd><p>Display the maximum Y value contained within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>UMIN</samp>’</dt> |
|
<dd><p>Display the minimal U value contained within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ULOW</samp>’</dt> |
|
<dd><p>Display the U value at the 10% percentile within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>UAVG</samp>’</dt> |
|
<dd><p>Display the average U value within the input frame. Expressed in range of |
|
[0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>UHIGH</samp>’</dt> |
|
<dd><p>Display the U value at the 90% percentile within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>UMAX</samp>’</dt> |
|
<dd><p>Display the maximum U value contained within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VMIN</samp>’</dt> |
|
<dd><p>Display the minimal V value contained within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VLOW</samp>’</dt> |
|
<dd><p>Display the V value at the 10% percentile within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VAVG</samp>’</dt> |
|
<dd><p>Display the average V value within the input frame. Expressed in range of |
|
[0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VHIGH</samp>’</dt> |
|
<dd><p>Display the V value at the 90% percentile within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VMAX</samp>’</dt> |
|
<dd><p>Display the maximum V value contained within the input frame. Expressed in |
|
range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>SATMIN</samp>’</dt> |
|
<dd><p>Display the minimal saturation value contained within the input frame. |
|
Expressed in range of [0-~181.02]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>SATLOW</samp>’</dt> |
|
<dd><p>Display the saturation value at the 10% percentile within the input frame. |
|
Expressed in range of [0-~181.02]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>SATAVG</samp>’</dt> |
|
<dd><p>Display the average saturation value within the input frame. Expressed in range |
|
of [0-~181.02]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>SATHIGH</samp>’</dt> |
|
<dd><p>Display the saturation value at the 90% percentile within the input frame. |
|
Expressed in range of [0-~181.02]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>SATMAX</samp>’</dt> |
|
<dd><p>Display the maximum saturation value contained within the input frame. |
|
Expressed in range of [0-~181.02]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>HUEMED</samp>’</dt> |
|
<dd><p>Display the median value for hue within the input frame. Expressed in range of |
|
[0-360]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>HUEAVG</samp>’</dt> |
|
<dd><p>Display the average value for hue within the input frame. Expressed in range of |
|
[0-360]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>YDIF</samp>’</dt> |
|
<dd><p>Display the average of sample value difference between all values of the Y |
|
plane in the current frame and corresponding values of the previous input frame. |
|
Expressed in range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>UDIF</samp>’</dt> |
|
<dd><p>Display the average of sample value difference between all values of the U |
|
plane in the current frame and corresponding values of the previous input frame. |
|
Expressed in range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VDIF</samp>’</dt> |
|
<dd><p>Display the average of sample value difference between all values of the V |
|
plane in the current frame and corresponding values of the previous input frame. |
|
Expressed in range of [0-255]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>YBITDEPTH</samp>’</dt> |
|
<dd><p>Display bit depth of Y plane in current frame. |
|
Expressed in range of [0-16]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>UBITDEPTH</samp>’</dt> |
|
<dd><p>Display bit depth of U plane in current frame. |
|
Expressed in range of [0-16]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VBITDEPTH</samp>’</dt> |
|
<dd><p>Display bit depth of V plane in current frame. |
|
Expressed in range of [0-16]. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>stat</samp>’</dt> |
|
<dt>‘<samp>out</samp>’</dt> |
|
<dd> |
|
<p>‘<samp>stat</samp>’ specify an additional form of image analysis. |
|
‘<samp>out</samp>’ output video with the specified type of pixel highlighted. |
|
</p> |
|
<p>Both options accept the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>tout</samp>’</dt> |
|
<dd><p>Identify <var>temporal outliers</var> pixels. A <var>temporal outlier</var> is a pixel |
|
unlike the neighboring pixels of the same field. Examples of temporal outliers |
|
include the results of video dropouts, head clogs, or tape tracking issues. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>vrep</samp>’</dt> |
|
<dd><p>Identify <var>vertical line repetition</var>. Vertical line repetition includes |
|
similar rows of pixels within a frame. In born-digital video vertical line |
|
repetition is common, but this pattern is uncommon in video digitized from an |
|
analog source. When it occurs in video that results from the digitization of an |
|
analog source it can indicate concealment from a dropout compensator. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>brng</samp>’</dt> |
|
<dd><p>Identify pixels that fall outside of legal broadcast range. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>color, c</samp>’</dt> |
|
<dd><p>Set the highlight color for the ‘<samp>out</samp>’ option. The default color is |
|
yellow. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-4"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-4">29.161.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Output data of various video metrics: |
|
<div class="example"> |
|
<pre class="example">ffprobe -f lavfi movie=example.mov,signalstats="stat=tout+vrep+brng" -show_frames |
|
</pre></div> |
|
|
|
</li><li> |
|
Output specific data about the minimum and maximum values of the Y plane per frame: |
|
<div class="example"> |
|
<pre class="example">ffprobe -f lavfi movie=example.mov,signalstats -show_entries frame_tags=lavfi.signalstats.YMAX,lavfi.signalstats.YMIN |
|
</pre></div> |
|
|
|
</li><li> |
|
Playback video while highlighting pixels that are outside of broadcast range in red. |
|
<div class="example"> |
|
<pre class="example">ffplay example.mov -vf signalstats="out=brng:color=red" |
|
</pre></div> |
|
|
|
</li><li> |
|
Playback video with signalstats metadata drawn over the frame. |
|
<div class="example"> |
|
<pre class="example">ffplay example.mov -vf signalstats=stat=brng+vrep+tout,drawtext=fontfile=FreeSerif.ttf:textfile=signalstat_drawtext.txt |
|
</pre></div> |
|
|
|
<p>The contents of signalstat_drawtext.txt used in the command are: |
|
</p><div class="example"> |
|
<pre class="example">time %{pts:hms} |
|
Y (%{metadata:lavfi.signalstats.YMIN}-%{metadata:lavfi.signalstats.YMAX}) |
|
U (%{metadata:lavfi.signalstats.UMIN}-%{metadata:lavfi.signalstats.UMAX}) |
|
V (%{metadata:lavfi.signalstats.VMIN}-%{metadata:lavfi.signalstats.VMAX}) |
|
saturation maximum: %{metadata:lavfi.signalstats.SATMAX} |
|
|
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="signature"></a> |
|
</p><a name="signature-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-signature-1">29.162 signature</a></h2> |
|
|
|
<p>Calculates the MPEG-7 Video Signature. The filter can handle more than one |
|
input. In this case the matching between the inputs can be calculated additionally. |
|
The filter always passes through the first input. The signature of each stream can |
|
be written into a file. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>detectmode</samp>’</dt> |
|
<dd><p>Enable or disable the matching process. |
|
</p> |
|
<p>Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>off</samp>’</dt> |
|
<dd><p>Disable the calculation of a matching (default). |
|
</p></dd> |
|
<dt>‘<samp>full</samp>’</dt> |
|
<dd><p>Calculate the matching for the whole video and output whether the whole video |
|
matches or only parts. |
|
</p></dd> |
|
<dt>‘<samp>fast</samp>’</dt> |
|
<dd><p>Calculate only until a matching is found or the video ends. Should be faster in |
|
some cases. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>nb_inputs</samp>’</dt> |
|
<dd><p>Set the number of inputs. The option value must be a non negative integer. |
|
Default value is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filename</samp>’</dt> |
|
<dd><p>Set the path to which the output is written. If there is more than one input, |
|
the path must be a prototype, i.e. must contain %d or %0nd (where n is a positive |
|
integer), that will be replaced with the input number. If no filename is |
|
specified, no output will be written. This is the default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format</samp>’</dt> |
|
<dd><p>Choose the output format. |
|
</p> |
|
<p>Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>binary</samp>’</dt> |
|
<dd><p>Use the specified binary representation (default). |
|
</p></dd> |
|
<dt>‘<samp>xml</samp>’</dt> |
|
<dd><p>Use the specified xml representation. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>th_d</samp>’</dt> |
|
<dd><p>Set threshold to detect one word as similar. The option value must be an integer |
|
greater than zero. The default value is 9000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>th_dc</samp>’</dt> |
|
<dd><p>Set threshold to detect all words as similar. The option value must be an integer |
|
greater than zero. The default value is 60000. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>th_xh</samp>’</dt> |
|
<dd><p>Set threshold to detect frames as similar. The option value must be an integer |
|
greater than zero. The default value is 116. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>th_di</samp>’</dt> |
|
<dd><p>Set the minimum length of a sequence in frames to recognize it as matching |
|
sequence. The option value must be a non negative integer value. |
|
The default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>th_it</samp>’</dt> |
|
<dd><p>Set the minimum relation, that matching frames to all frames must have. |
|
The option value must be a double value between 0 and 1. The default value is 0.5. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-104"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-104">29.162.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
To calculate the signature of an input video and store it in signature.bin: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.mkv -vf signature=filename=signature.bin -map 0:v -f null - |
|
</pre></div> |
|
|
|
</li><li> |
|
To detect whether two videos match and store the signatures in XML format in |
|
signature0.xml and signature1.xml: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input1.mkv -i input2.mkv -filter_complex "[0:v][1:v] signature=nb_inputs=2:detectmode=full:format=xml:filename=signature%d.xml" -map :v -f null - |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<p><a name="smartblur"></a> |
|
</p><a name="smartblur-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-smartblur-1">29.163 smartblur</a></h2> |
|
|
|
<p>Blur the input video without impacting the outlines. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>luma_radius, lr</samp>’</dt> |
|
<dd><p>Set the luma radius. The option value must be a float number in |
|
the range [0.1,5.0] that specifies the variance of the gaussian filter |
|
used to blur the image (slower if larger). Default value is 1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_strength, ls</samp>’</dt> |
|
<dd><p>Set the luma strength. The option value must be a float number |
|
in the range [-1.0,1.0] that configures the blurring. A value included |
|
in [0.0,1.0] will blur the image whereas a value included in |
|
[-1.0,0.0] will sharpen the image. Default value is 1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_threshold, lt</samp>’</dt> |
|
<dd><p>Set the luma threshold used as a coefficient to determine |
|
whether a pixel should be blurred or not. The option value must be an |
|
integer in the range [-30,30]. A value of 0 will filter all the image, |
|
a value included in [0,30] will filter flat areas and a value included |
|
in [-30,0] will filter edges. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_radius, cr</samp>’</dt> |
|
<dd><p>Set the chroma radius. The option value must be a float number in |
|
the range [0.1,5.0] that specifies the variance of the gaussian filter |
|
used to blur the image (slower if larger). Default value is ‘<samp>luma_radius</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_strength, cs</samp>’</dt> |
|
<dd><p>Set the chroma strength. The option value must be a float number |
|
in the range [-1.0,1.0] that configures the blurring. A value included |
|
in [0.0,1.0] will blur the image whereas a value included in |
|
[-1.0,0.0] will sharpen the image. Default value is ‘<samp>luma_strength</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_threshold, ct</samp>’</dt> |
|
<dd><p>Set the chroma threshold used as a coefficient to determine |
|
whether a pixel should be blurred or not. The option value must be an |
|
integer in the range [-30,30]. A value of 0 will filter all the image, |
|
a value included in [0,30] will filter flat areas and a value included |
|
in [-30,0] will filter edges. Default value is ‘<samp>luma_threshold</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>If a chroma option is not explicitly set, the corresponding luma value |
|
is set. |
|
</p> |
|
<a name="ssim"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ssim">29.164 ssim</a></h2> |
|
|
|
<p>Obtain the SSIM (Structural SImilarity Metric) between two input videos. |
|
</p> |
|
<p>This filter takes in input two input videos, the first input is |
|
considered the "main" source and is passed unchanged to the |
|
output. The second input is used as a "reference" video for computing |
|
the SSIM. |
|
</p> |
|
<p>Both video inputs must have the same resolution and pixel format for |
|
this filter to work correctly. Also it assumes that both inputs |
|
have the same number of frames, which are compared one by one. |
|
</p> |
|
<p>The filter stores the calculated SSIM of each frame. |
|
</p> |
|
<p>The description of the accepted parameters follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>stats_file, f</samp>’</dt> |
|
<dd><p>If specified the filter will use the named file to save the SSIM of |
|
each individual frame. When filename equals "-" the data is sent to |
|
standard output. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The file printed if <var>stats_file</var> is selected, contains a sequence of |
|
key/value pairs of the form <var>key</var>:<var>value</var> for each compared |
|
couple of frames. |
|
</p> |
|
<p>A description of each shown parameter follows: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>sequential number of the input frame, starting from 1 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>Y, U, V, R, G, B</samp>’</dt> |
|
<dd><p>SSIM of the compared frames for the component specified by the suffix. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>All</samp>’</dt> |
|
<dd><p>SSIM of the compared frames for the whole frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dB</samp>’</dt> |
|
<dd><p>Same as above but in dB representation. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>This filter also supports the <a href="#framesync">framesync</a> options. |
|
</p> |
|
<p>For example: |
|
</p><div class="example"> |
|
<pre class="example">movie=ref_movie.mpg, setpts=PTS-STARTPTS [main]; |
|
[main][ref] ssim="stats_file=stats.log" [out] |
|
</pre></div> |
|
|
|
<p>On this example the input file being processed is compared with the |
|
reference file ‘<tt>ref_movie.mpg</tt>’. The SSIM of each individual frame |
|
is stored in ‘<tt>stats.log</tt>’. |
|
</p> |
|
<p>Another example with both psnr and ssim at same time: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i main.mpg -i ref.mpg -lavfi "ssim;[0:v][1:v]psnr" -f null - |
|
</pre></div> |
|
|
|
<a name="stereo3d"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-stereo3d">29.165 stereo3d</a></h2> |
|
|
|
<p>Convert between different stereoscopic image formats. |
|
</p> |
|
<p>The filters accept the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>in</samp>’</dt> |
|
<dd><p>Set stereoscopic image format of input. |
|
</p> |
|
<p>Available values for input image formats are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sbsl</samp>’</dt> |
|
<dd><p>side by side parallel (left eye left, right eye right) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sbsr</samp>’</dt> |
|
<dd><p>side by side crosseye (right eye left, left eye right) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sbs2l</samp>’</dt> |
|
<dd><p>side by side parallel with half width resolution |
|
(left eye left, right eye right) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sbs2r</samp>’</dt> |
|
<dd><p>side by side crosseye with half width resolution |
|
(right eye left, left eye right) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>abl</samp>’</dt> |
|
<dd><p>above-below (left eye above, right eye below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>abr</samp>’</dt> |
|
<dd><p>above-below (right eye above, left eye below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ab2l</samp>’</dt> |
|
<dd><p>above-below with half height resolution |
|
(left eye above, right eye below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ab2r</samp>’</dt> |
|
<dd><p>above-below with half height resolution |
|
(right eye above, left eye below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>al</samp>’</dt> |
|
<dd><p>alternating frames (left eye first, right eye second) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ar</samp>’</dt> |
|
<dd><p>alternating frames (right eye first, left eye second) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>irl</samp>’</dt> |
|
<dd><p>interleaved rows (left eye has top row, right eye starts on next row) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>irr</samp>’</dt> |
|
<dd><p>interleaved rows (right eye has top row, left eye starts on next row) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>icl</samp>’</dt> |
|
<dd><p>interleaved columns, left eye first |
|
</p> |
|
</dd> |
|
<dt>‘<samp>icr</samp>’</dt> |
|
<dd><p>interleaved columns, right eye first |
|
</p> |
|
<p>Default value is ‘<samp>sbsl</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>out</samp>’</dt> |
|
<dd><p>Set stereoscopic image format of output. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sbsl</samp>’</dt> |
|
<dd><p>side by side parallel (left eye left, right eye right) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sbsr</samp>’</dt> |
|
<dd><p>side by side crosseye (right eye left, left eye right) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sbs2l</samp>’</dt> |
|
<dd><p>side by side parallel with half width resolution |
|
(left eye left, right eye right) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sbs2r</samp>’</dt> |
|
<dd><p>side by side crosseye with half width resolution |
|
(right eye left, left eye right) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>abl</samp>’</dt> |
|
<dd><p>above-below (left eye above, right eye below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>abr</samp>’</dt> |
|
<dd><p>above-below (right eye above, left eye below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ab2l</samp>’</dt> |
|
<dd><p>above-below with half height resolution |
|
(left eye above, right eye below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ab2r</samp>’</dt> |
|
<dd><p>above-below with half height resolution |
|
(right eye above, left eye below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>al</samp>’</dt> |
|
<dd><p>alternating frames (left eye first, right eye second) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ar</samp>’</dt> |
|
<dd><p>alternating frames (right eye first, left eye second) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>irl</samp>’</dt> |
|
<dd><p>interleaved rows (left eye has top row, right eye starts on next row) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>irr</samp>’</dt> |
|
<dd><p>interleaved rows (right eye has top row, left eye starts on next row) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>arbg</samp>’</dt> |
|
<dd><p>anaglyph red/blue gray |
|
(red filter on left eye, blue filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>argg</samp>’</dt> |
|
<dd><p>anaglyph red/green gray |
|
(red filter on left eye, green filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>arcg</samp>’</dt> |
|
<dd><p>anaglyph red/cyan gray |
|
(red filter on left eye, cyan filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>arch</samp>’</dt> |
|
<dd><p>anaglyph red/cyan half colored |
|
(red filter on left eye, cyan filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>arcc</samp>’</dt> |
|
<dd><p>anaglyph red/cyan color |
|
(red filter on left eye, cyan filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>arcd</samp>’</dt> |
|
<dd><p>anaglyph red/cyan color optimized with the least squares projection of dubois |
|
(red filter on left eye, cyan filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>agmg</samp>’</dt> |
|
<dd><p>anaglyph green/magenta gray |
|
(green filter on left eye, magenta filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>agmh</samp>’</dt> |
|
<dd><p>anaglyph green/magenta half colored |
|
(green filter on left eye, magenta filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>agmc</samp>’</dt> |
|
<dd><p>anaglyph green/magenta colored |
|
(green filter on left eye, magenta filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>agmd</samp>’</dt> |
|
<dd><p>anaglyph green/magenta color optimized with the least squares projection of dubois |
|
(green filter on left eye, magenta filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>aybg</samp>’</dt> |
|
<dd><p>anaglyph yellow/blue gray |
|
(yellow filter on left eye, blue filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>aybh</samp>’</dt> |
|
<dd><p>anaglyph yellow/blue half colored |
|
(yellow filter on left eye, blue filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>aybc</samp>’</dt> |
|
<dd><p>anaglyph yellow/blue colored |
|
(yellow filter on left eye, blue filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>aybd</samp>’</dt> |
|
<dd><p>anaglyph yellow/blue color optimized with the least squares projection of dubois |
|
(yellow filter on left eye, blue filter on right eye) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ml</samp>’</dt> |
|
<dd><p>mono output (left eye only) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mr</samp>’</dt> |
|
<dd><p>mono output (right eye only) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chl</samp>’</dt> |
|
<dd><p>checkerboard, left eye first |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chr</samp>’</dt> |
|
<dd><p>checkerboard, right eye first |
|
</p> |
|
</dd> |
|
<dt>‘<samp>icl</samp>’</dt> |
|
<dd><p>interleaved columns, left eye first |
|
</p> |
|
</dd> |
|
<dt>‘<samp>icr</samp>’</dt> |
|
<dd><p>interleaved columns, right eye first |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hdmi</samp>’</dt> |
|
<dd><p>HDMI frame pack |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>arcd</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-60"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-60">29.165.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Convert input video from side by side parallel to anaglyph yellow/blue dubois: |
|
<div class="example"> |
|
<pre class="example">stereo3d=sbsl:aybd |
|
</pre></div> |
|
|
|
</li><li> |
|
Convert input video from above below (left eye above, right eye below) to side by side crosseye. |
|
<div class="example"> |
|
<pre class="example">stereo3d=abl:sbsr |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="streamselect_002c-astreamselect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-streamselect_002c-astreamselect">29.166 streamselect, astreamselect</a></h2> |
|
<p>Select video or audio streams. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>inputs</samp>’</dt> |
|
<dd><p>Set number of inputs. Default is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>map</samp>’</dt> |
|
<dd><p>Set input indexes to remap to outputs. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-20"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-20">29.166.1 Commands</a></h3> |
|
|
|
<p>The <code>streamselect</code> and <code>astreamselect</code> filter supports the following |
|
commands: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>map</samp>’</dt> |
|
<dd><p>Set input indexes to remap to outputs. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-123"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-123">29.166.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Select first 5 seconds 1st stream and rest of time 2nd stream: |
|
<div class="example"> |
|
<pre class="example">sendcmd='5.0 streamselect map 1',streamselect=inputs=2:map=0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Same as above, but for audio: |
|
<div class="example"> |
|
<pre class="example">asendcmd='5.0 astreamselect map 1',astreamselect=inputs=2:map=0 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="sobel"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sobel">29.167 sobel</a></h2> |
|
<p>Apply sobel operator to input video stream. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed, unprocessed planes will be copied. |
|
By default value 0xf, all planes will be processed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Set value which will be multiplied with filtered result. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delta</samp>’</dt> |
|
<dd><p>Set value which will be added to filtered result. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="spp"></a> |
|
</p><a name="spp-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-spp-1">29.168 spp</a></h2> |
|
|
|
<p>Apply a simple postprocessing filter that compresses and decompresses the image |
|
at several (or - in the case of ‘<samp>quality</samp>’ level <code>6</code> - all) shifts |
|
and average the results. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>quality</samp>’</dt> |
|
<dd><p>Set quality. This option defines the number of levels for averaging. It accepts |
|
an integer in the range 0-6. If set to <code>0</code>, the filter will have no |
|
effect. A value of <code>6</code> means the higher quality. For each increment of |
|
that value the speed drops by a factor of approximately 2. Default value is |
|
<code>3</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qp</samp>’</dt> |
|
<dd><p>Force a constant quantization parameter. If not set, the filter will use the QP |
|
from the video stream (if available). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set thresholding mode. Available modes are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>hard</samp>’</dt> |
|
<dd><p>Set hard thresholding (default). |
|
</p></dd> |
|
<dt>‘<samp>soft</samp>’</dt> |
|
<dd><p>Set soft thresholding (better de-ringing effect, but likely blurrier). |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>use_bframe_qp</samp>’</dt> |
|
<dd><p>Enable the use of the QP from the B-Frames if set to <code>1</code>. Using this |
|
option may cause flicker since the B-Frames have often larger QP. Default is |
|
<code>0</code> (not enabled). |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="subtitles"></a> |
|
</p><a name="subtitles-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-subtitles-1">29.169 subtitles</a></h2> |
|
|
|
<p>Draw subtitles on top of input video using the libass library. |
|
</p> |
|
<p>To enable compilation of this filter you need to configure FFmpeg with |
|
<code>--enable-libass</code>. This filter also requires a build with libavcodec and |
|
libavformat to convert the passed subtitles file to ASS (Advanced Substation |
|
Alpha) subtitles format. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filename, f</samp>’</dt> |
|
<dd><p>Set the filename of the subtitle file to read. It must be specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>original_size</samp>’</dt> |
|
<dd><p>Specify the size of the original video, the video for which the ASS file |
|
was composed. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Due to a misdesign in ASS aspect ratio arithmetic, this is necessary to |
|
correctly scale the fonts if the aspect ratio has been changed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fontsdir</samp>’</dt> |
|
<dd><p>Set a directory path containing fonts that can be used by the filter. |
|
These fonts will be used in addition to whatever the font provider uses. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha</samp>’</dt> |
|
<dd><p>Process alpha channel, by default alpha channel is untouched. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>charenc</samp>’</dt> |
|
<dd><p>Set subtitles input character encoding. <code>subtitles</code> filter only. Only |
|
useful if not UTF-8. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stream_index, si</samp>’</dt> |
|
<dd><p>Set subtitles stream index. <code>subtitles</code> filter only. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>force_style</samp>’</dt> |
|
<dd><p>Override default style or script info parameters of the subtitles. It accepts a |
|
string containing ASS style format <code>KEY=VALUE</code> couples separated by ",". |
|
</p></dd> |
|
</dl> |
|
|
|
<p>If the first key is not specified, it is assumed that the first value |
|
specifies the ‘<samp>filename</samp>’. |
|
</p> |
|
<p>For example, to render the file ‘<tt>sub.srt</tt>’ on top of the input |
|
video, use the command: |
|
</p><div class="example"> |
|
<pre class="example">subtitles=sub.srt |
|
</pre></div> |
|
|
|
<p>which is equivalent to: |
|
</p><div class="example"> |
|
<pre class="example">subtitles=filename=sub.srt |
|
</pre></div> |
|
|
|
<p>To render the default subtitles stream from file ‘<tt>video.mkv</tt>’, use: |
|
</p><div class="example"> |
|
<pre class="example">subtitles=video.mkv |
|
</pre></div> |
|
|
|
<p>To render the second subtitles stream from that file, use: |
|
</p><div class="example"> |
|
<pre class="example">subtitles=video.mkv:si=1 |
|
</pre></div> |
|
|
|
<p>To make the subtitles stream from ‘<tt>sub.srt</tt>’ appear in 80% transparent blue |
|
<code>DejaVu Serif</code>, use: |
|
</p><div class="example"> |
|
<pre class="example">subtitles=sub.srt:force_style='FontName=DejaVu Serif,PrimaryColour=&HCCFF0000' |
|
</pre></div> |
|
|
|
<a name="super2xsai"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-super2xsai">29.170 super2xsai</a></h2> |
|
|
|
<p>Scale the input by 2x and smooth using the Super2xSaI (Scale and |
|
Interpolate) pixel art scaling algorithm. |
|
</p> |
|
<p>Useful for enlarging pixel art images without reducing sharpness. |
|
</p> |
|
<a name="swaprect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-swaprect">29.171 swaprect</a></h2> |
|
|
|
<p>Swap two rectangular objects in video. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dd><p>Set object width. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Set object height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x1</samp>’</dt> |
|
<dd><p>Set 1st rect x coordinate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y1</samp>’</dt> |
|
<dd><p>Set 1st rect y coordinate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x2</samp>’</dt> |
|
<dd><p>Set 2nd rect x coordinate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y2</samp>’</dt> |
|
<dd><p>Set 2nd rect y coordinate. |
|
</p> |
|
<p>All expressions are evaluated once for each frame. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The all options are expressions containing the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>The input width and height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>same as <var>w</var> / <var>h</var> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>input sample aspect ratio |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dar</samp>’</dt> |
|
<dd><p>input display aspect ratio, it is the same as (<var>w</var> / <var>h</var>) * <var>sar</var> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>The number of the input frame, starting from 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>The timestamp expressed in seconds. It’s NAN if the input timestamp is unknown. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>the position in the file of the input frame, NAN if unknown |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="swapuv"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-swapuv">29.172 swapuv</a></h2> |
|
<p>Swap U & V plane. |
|
</p> |
|
<a name="telecine"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-telecine">29.173 telecine</a></h2> |
|
|
|
<p>Apply telecine process to the video. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>first_field</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>top, t</samp>’</dt> |
|
<dd><p>top field first |
|
</p></dd> |
|
<dt>‘<samp>bottom, b</samp>’</dt> |
|
<dd><p>bottom field first |
|
The default value is <code>top</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>pattern</samp>’</dt> |
|
<dd><p>A string of numbers representing the pulldown pattern you wish to apply. |
|
The default value is <code>23</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<div class="example"> |
|
<pre class="example">Some typical patterns: |
|
|
|
NTSC output (30i): |
|
27.5p: 32222 |
|
24p: 23 (classic) |
|
24p: 2332 (preferred) |
|
20p: 33 |
|
18p: 334 |
|
16p: 3444 |
|
|
|
PAL output (25i): |
|
27.5p: 12222 |
|
24p: 222222222223 ("Euro pulldown") |
|
16.67p: 33 |
|
16p: 33333334 |
|
</pre></div> |
|
|
|
<a name="threshold"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-threshold">29.174 threshold</a></h2> |
|
|
|
<p>Apply threshold effect to video stream. |
|
</p> |
|
<p>This filter needs four video streams to perform thresholding. |
|
First stream is stream we are filtering. |
|
Second stream is holding threshold values, third stream is holding min values, |
|
and last, fourth stream is holding max values. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed, unprocessed planes will be copied. |
|
By default value 0xf, all planes will be processed. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example if first stream pixel’s component value is less then threshold value |
|
of pixel component from 2nd threshold stream, third stream value will picked, |
|
otherwise fourth stream pixel component value will be picked. |
|
</p> |
|
<p>Using color source filter one can perform various types of thresholding: |
|
</p> |
|
<a name="Examples-144"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-144">29.174.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Binary threshold, using gray color as threshold: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=black -f lavfi -i color=white -lavfi threshold output.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Inverted binary threshold, using gray color as threshold: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=white -f lavfi -i color=black -lavfi threshold output.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Truncate binary threshold, using gray color as threshold: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i 320x240.avi -f lavfi -i color=gray -i 320x240.avi -f lavfi -i color=gray -lavfi threshold output.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Threshold to zero, using gray color as threshold: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=white -i 320x240.avi -lavfi threshold output.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Inverted threshold to zero, using gray color as threshold: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i 320x240.avi -f lavfi -i color=gray -i 320x240.avi -f lavfi -i color=white -lavfi threshold output.avi |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="thumbnail"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-thumbnail">29.175 thumbnail</a></h2> |
|
<p>Select the most representative frame in a given sequence of consecutive frames. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>Set the frames batch size to analyze; in a set of <var>n</var> frames, the filter |
|
will pick one of them, and then handle the next batch of <var>n</var> frames until |
|
the end. Default is <code>100</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Since the filter keeps track of the whole frames sequence, a bigger <var>n</var> |
|
value will result in a higher memory usage, so a high value is not recommended. |
|
</p> |
|
<a name="Examples-108"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-108">29.175.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Extract one picture each 50 frames: |
|
<div class="example"> |
|
<pre class="example">thumbnail=50 |
|
</pre></div> |
|
|
|
</li><li> |
|
Complete example of a thumbnail creation with <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i in.avi -vf thumbnail,scale=300:200 -frames:v 1 out.png |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="tile"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tile">29.176 tile</a></h2> |
|
|
|
<p>Tile several successive frames together. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>layout</samp>’</dt> |
|
<dd><p>Set the grid size (i.e. the number of lines and columns). For the syntax of |
|
this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nb_frames</samp>’</dt> |
|
<dd><p>Set the maximum number of frames to render in the given area. It must be less |
|
than or equal to <var>w</var>x<var>h</var>. The default value is <code>0</code>, meaning all |
|
the area will be used. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>margin</samp>’</dt> |
|
<dd><p>Set the outer border margin in pixels. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>padding</samp>’</dt> |
|
<dd><p>Set the inner border thickness (i.e. the number of pixels between frames). For |
|
more advanced padding options (such as having different values for the edges), |
|
refer to the pad video filter. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>Specify the color of the unused area. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
The default value of <var>color</var> is "black". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlap</samp>’</dt> |
|
<dd><p>Set the number of frames to overlap when tiling several successive frames together. |
|
The value must be between <code>0</code> and <var>nb_frames - 1</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>init_padding</samp>’</dt> |
|
<dd><p>Set the number of frames to initially be empty before displaying first output frame. |
|
This controls how soon will one get first output frame. |
|
The value must be between <code>0</code> and <var>nb_frames - 1</var>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-125"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-125">29.176.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Produce 8x8 PNG tiles of all keyframes (‘<samp>-skip_frame nokey</samp>’) in a movie: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -skip_frame nokey -i file.avi -vf 'scale=128:72,tile=8x8' -an -vsync 0 keyframes%03d.png |
|
</pre></div> |
|
<p>The ‘<samp>-vsync 0</samp>’ is necessary to prevent <code>ffmpeg</code> from |
|
duplicating each output frame to accommodate the originally detected frame |
|
rate. |
|
</p> |
|
</li><li> |
|
Display <code>5</code> pictures in an area of <code>3x2</code> frames, |
|
with <code>7</code> pixels between them, and <code>2</code> pixels of initial margin, using |
|
mixed flat and named options: |
|
<div class="example"> |
|
<pre class="example">tile=3x2:nb_frames=5:padding=7:margin=2 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="tinterlace"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tinterlace">29.177 tinterlace</a></h2> |
|
|
|
<p>Perform various types of temporal field interlacing. |
|
</p> |
|
<p>Frames are counted starting from 1, so the first input frame is |
|
considered odd. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Specify the mode of the interlacing. This option can also be specified |
|
as a value alone. See below for a list of values for this option. |
|
</p> |
|
<p>Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>merge, 0</samp>’</dt> |
|
<dd><p>Move odd frames into the upper field, even into the lower field, |
|
generating a double height frame at half frame rate. |
|
</p><div class="example"> |
|
<pre class="example"> ------> time |
|
Input: |
|
Frame 1 Frame 2 Frame 3 Frame 4 |
|
|
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
|
|
Output: |
|
11111 33333 |
|
22222 44444 |
|
11111 33333 |
|
22222 44444 |
|
11111 33333 |
|
22222 44444 |
|
11111 33333 |
|
22222 44444 |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>drop_even, 1</samp>’</dt> |
|
<dd><p>Only output odd frames, even frames are dropped, generating a frame with |
|
unchanged height at half frame rate. |
|
</p> |
|
<div class="example"> |
|
<pre class="example"> ------> time |
|
Input: |
|
Frame 1 Frame 2 Frame 3 Frame 4 |
|
|
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
|
|
Output: |
|
11111 33333 |
|
11111 33333 |
|
11111 33333 |
|
11111 33333 |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>drop_odd, 2</samp>’</dt> |
|
<dd><p>Only output even frames, odd frames are dropped, generating a frame with |
|
unchanged height at half frame rate. |
|
</p> |
|
<div class="example"> |
|
<pre class="example"> ------> time |
|
Input: |
|
Frame 1 Frame 2 Frame 3 Frame 4 |
|
|
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
|
|
Output: |
|
22222 44444 |
|
22222 44444 |
|
22222 44444 |
|
22222 44444 |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>pad, 3</samp>’</dt> |
|
<dd><p>Expand each frame to full height, but pad alternate lines with black, |
|
generating a frame with double height at the same input frame rate. |
|
</p> |
|
<div class="example"> |
|
<pre class="example"> ------> time |
|
Input: |
|
Frame 1 Frame 2 Frame 3 Frame 4 |
|
|
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
|
|
Output: |
|
11111 ..... 33333 ..... |
|
..... 22222 ..... 44444 |
|
11111 ..... 33333 ..... |
|
..... 22222 ..... 44444 |
|
11111 ..... 33333 ..... |
|
..... 22222 ..... 44444 |
|
11111 ..... 33333 ..... |
|
..... 22222 ..... 44444 |
|
</pre></div> |
|
|
|
|
|
</dd> |
|
<dt>‘<samp>interleave_top, 4</samp>’</dt> |
|
<dd><p>Interleave the upper field from odd frames with the lower field from |
|
even frames, generating a frame with unchanged height at half frame rate. |
|
</p> |
|
<div class="example"> |
|
<pre class="example"> ------> time |
|
Input: |
|
Frame 1 Frame 2 Frame 3 Frame 4 |
|
|
|
11111<- 22222 33333<- 44444 |
|
11111 22222<- 33333 44444<- |
|
11111<- 22222 33333<- 44444 |
|
11111 22222<- 33333 44444<- |
|
|
|
Output: |
|
11111 33333 |
|
22222 44444 |
|
11111 33333 |
|
22222 44444 |
|
</pre></div> |
|
|
|
|
|
</dd> |
|
<dt>‘<samp>interleave_bottom, 5</samp>’</dt> |
|
<dd><p>Interleave the lower field from odd frames with the upper field from |
|
even frames, generating a frame with unchanged height at half frame rate. |
|
</p> |
|
<div class="example"> |
|
<pre class="example"> ------> time |
|
Input: |
|
Frame 1 Frame 2 Frame 3 Frame 4 |
|
|
|
11111 22222<- 33333 44444<- |
|
11111<- 22222 33333<- 44444 |
|
11111 22222<- 33333 44444<- |
|
11111<- 22222 33333<- 44444 |
|
|
|
Output: |
|
22222 44444 |
|
11111 33333 |
|
22222 44444 |
|
11111 33333 |
|
</pre></div> |
|
|
|
|
|
</dd> |
|
<dt>‘<samp>interlacex2, 6</samp>’</dt> |
|
<dd><p>Double frame rate with unchanged height. Frames are inserted each |
|
containing the second temporal field from the previous input frame and |
|
the first temporal field from the next input frame. This mode relies on |
|
the top_field_first flag. Useful for interlaced video displays with no |
|
field synchronisation. |
|
</p> |
|
<div class="example"> |
|
<pre class="example"> ------> time |
|
Input: |
|
Frame 1 Frame 2 Frame 3 Frame 4 |
|
|
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
|
|
Output: |
|
11111 22222 22222 33333 33333 44444 44444 |
|
11111 11111 22222 22222 33333 33333 44444 |
|
11111 22222 22222 33333 33333 44444 44444 |
|
11111 11111 22222 22222 33333 33333 44444 |
|
</pre></div> |
|
|
|
|
|
</dd> |
|
<dt>‘<samp>mergex2, 7</samp>’</dt> |
|
<dd><p>Move odd frames into the upper field, even into the lower field, |
|
generating a double height frame at same frame rate. |
|
</p> |
|
<div class="example"> |
|
<pre class="example"> ------> time |
|
Input: |
|
Frame 1 Frame 2 Frame 3 Frame 4 |
|
|
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
11111 22222 33333 44444 |
|
|
|
Output: |
|
11111 33333 33333 55555 |
|
22222 22222 44444 44444 |
|
11111 33333 33333 55555 |
|
22222 22222 44444 44444 |
|
11111 33333 33333 55555 |
|
22222 22222 44444 44444 |
|
11111 33333 33333 55555 |
|
22222 22222 44444 44444 |
|
</pre></div> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<p>Numeric values are deprecated but are accepted for backward |
|
compatibility reasons. |
|
</p> |
|
<p>Default mode is <code>merge</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flags</samp>’</dt> |
|
<dd><p>Specify flags influencing the filter process. |
|
</p> |
|
<p>Available value for <var>flags</var> is: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>low_pass_filter, vlfp</samp>’</dt> |
|
<dd><p>Enable linear vertical low-pass filtering in the filter. |
|
Vertical low-pass filtering is required when creating an interlaced |
|
destination from a progressive source which contains high-frequency |
|
vertical detail. Filtering will reduce interlace ’twitter’ and Moire |
|
patterning. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>complex_filter, cvlfp</samp>’</dt> |
|
<dd><p>Enable complex vertical low-pass filtering. |
|
This will slightly less reduce interlace ’twitter’ and Moire |
|
patterning but better retain detail and subjective sharpness impression. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>Vertical low-pass filtering can only be enabled for ‘<samp>mode</samp>’ |
|
<var>interleave_top</var> and <var>interleave_bottom</var>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="tmix"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tmix">29.178 tmix</a></h2> |
|
|
|
<p>Mix successive video frames. |
|
</p> |
|
<p>A description of the accepted options follows. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>frames</samp>’</dt> |
|
<dd><p>The number of successive frames to mix. If unspecified, it defaults to 3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>weights</samp>’</dt> |
|
<dd><p>Specify weight of each input video frame. |
|
Each weight is separated by space. If number of weights is smaller than |
|
number of <var>frames</var> last specified weight will be used for all remaining |
|
unset weights. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Specify scale, if it is set it will be multiplied with sum |
|
of each weight multiplied with pixel values to give final destination |
|
pixel value. By default <var>scale</var> is auto scaled to sum of weights. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-30"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-30">29.178.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Average 7 successive frames: |
|
<div class="example"> |
|
<pre class="example">tmix=frames=7:weights="1 1 1 1 1 1 1" |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply simple temporal convolution: |
|
<div class="example"> |
|
<pre class="example">tmix=frames=3:weights="-1 3 -1" |
|
</pre></div> |
|
|
|
</li><li> |
|
Similar as above but only showing temporal differences: |
|
<div class="example"> |
|
<pre class="example">tmix=frames=3:weights="-1 2 -1":scale=1 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="tonemap"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-tonemap">29.179 tonemap</a></h2> |
|
<p>Tone map colors from different dynamic ranges. |
|
</p> |
|
<p>This filter expects data in single precision floating point, as it needs to |
|
operate on (and can output) out-of-range values. Another filter, such as |
|
<a href="#zscale">zscale</a>, is needed to convert the resulting frame to a usable format. |
|
</p> |
|
<p>The tonemapping algorithms implemented only work on linear light, so input |
|
data should be linearized beforehand (and possibly correctly tagged). |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -vf zscale=transfer=linear,tonemap=clip,zscale=transfer=bt709,format=yuv420p OUTPUT |
|
</pre></div> |
|
|
|
<a name="Options-26"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-26">29.179.1 Options</a></h3> |
|
<p>The filter accepts the following options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>tonemap</samp>’</dt> |
|
<dd><p>Set the tone map algorithm to use. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>none</var></dt> |
|
<dd><p>Do not apply any tone map, only desaturate overbright pixels. |
|
</p> |
|
</dd> |
|
<dt><var>clip</var></dt> |
|
<dd><p>Hard-clip any out-of-range values. Use it for perfect color accuracy for |
|
in-range values, while distorting out-of-range values. |
|
</p> |
|
</dd> |
|
<dt><var>linear</var></dt> |
|
<dd><p>Stretch the entire reference gamut to a linear multiple of the display. |
|
</p> |
|
</dd> |
|
<dt><var>gamma</var></dt> |
|
<dd><p>Fit a logarithmic transfer between the tone curves. |
|
</p> |
|
</dd> |
|
<dt><var>reinhard</var></dt> |
|
<dd><p>Preserve overall image brightness with a simple curve, using nonlinear |
|
contrast, which results in flattening details and degrading color accuracy. |
|
</p> |
|
</dd> |
|
<dt><var>hable</var></dt> |
|
<dd><p>Preserve both dark and bright details better than <var>reinhard</var>, at the cost |
|
of slightly darkening everything. Use it when detail preservation is more |
|
important than color and brightness accuracy. |
|
</p> |
|
</dd> |
|
<dt><var>mobius</var></dt> |
|
<dd><p>Smoothly map out-of-range values, while retaining contrast and colors for |
|
in-range material as much as possible. Use it when color accuracy is more |
|
important than detail preservation. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is none. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>param</samp>’</dt> |
|
<dd><p>Tune the tone mapping algorithm. |
|
</p> |
|
<p>This affects the following algorithms: |
|
</p><dl compact="compact"> |
|
<dt><var>none</var></dt> |
|
<dd><p>Ignored. |
|
</p> |
|
</dd> |
|
<dt><var>linear</var></dt> |
|
<dd><p>Specifies the scale factor to use while stretching. |
|
Default to 1.0. |
|
</p> |
|
</dd> |
|
<dt><var>gamma</var></dt> |
|
<dd><p>Specifies the exponent of the function. |
|
Default to 1.8. |
|
</p> |
|
</dd> |
|
<dt><var>clip</var></dt> |
|
<dd><p>Specify an extra linear coefficient to multiply into the signal before clipping. |
|
Default to 1.0. |
|
</p> |
|
</dd> |
|
<dt><var>reinhard</var></dt> |
|
<dd><p>Specify the local contrast coefficient at the display peak. |
|
Default to 0.5, which means that in-gamut values will be about half as bright |
|
as when clipping. |
|
</p> |
|
</dd> |
|
<dt><var>hable</var></dt> |
|
<dd><p>Ignored. |
|
</p> |
|
</dd> |
|
<dt><var>mobius</var></dt> |
|
<dd><p>Specify the transition point from linear to mobius transform. Every value |
|
below this point is guaranteed to be mapped 1:1. The higher the value, the |
|
more accurate the result will be, at the cost of losing bright details. |
|
Default to 0.3, which due to the steep initial slope still preserves in-range |
|
colors fairly accurately. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>desat</samp>’</dt> |
|
<dd><p>Apply desaturation for highlights that exceed this level of brightness. The |
|
higher the parameter, the more color information will be preserved. This |
|
setting helps prevent unnaturally blown-out colors for super-highlights, by |
|
(smoothly) turning into white instead. This makes images feel more natural, |
|
at the cost of reducing information about out-of-range colors. |
|
</p> |
|
<p>The default of 2.0 is somewhat conservative and will mostly just apply to |
|
skies or directly sunlit surfaces. A setting of 0.0 disables this option. |
|
</p> |
|
<p>This option works only if the input frame has a supported color tag. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>peak</samp>’</dt> |
|
<dd><p>Override signal/nominal/reference peak with this value. Useful when the |
|
embedded peak information in display metadata is not reliable or when tone |
|
mapping from a lower range to a higher range. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="transpose"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-transpose">29.180 transpose</a></h2> |
|
|
|
<p>Transpose rows with columns in the input video and optionally flip it. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dir</samp>’</dt> |
|
<dd><p>Specify the transposition direction. |
|
</p> |
|
<p>Can assume the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>0, 4, cclock_flip</samp>’</dt> |
|
<dd><p>Rotate by 90 degrees counterclockwise and vertically flip (default), that is: |
|
</p><div class="example"> |
|
<pre class="example">L.R L.l |
|
. . -> . . |
|
l.r R.r |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>1, 5, clock</samp>’</dt> |
|
<dd><p>Rotate by 90 degrees clockwise, that is: |
|
</p><div class="example"> |
|
<pre class="example">L.R l.L |
|
. . -> . . |
|
l.r r.R |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>2, 6, cclock</samp>’</dt> |
|
<dd><p>Rotate by 90 degrees counterclockwise, that is: |
|
</p><div class="example"> |
|
<pre class="example">L.R R.r |
|
. . -> . . |
|
l.r L.l |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>3, 7, clock_flip</samp>’</dt> |
|
<dd><p>Rotate by 90 degrees clockwise and vertically flip, that is: |
|
</p><div class="example"> |
|
<pre class="example">L.R r.R |
|
. . -> . . |
|
l.r l.L |
|
</pre></div> |
|
</dd> |
|
</dl> |
|
|
|
<p>For values between 4-7, the transposition is only done if the input |
|
video geometry is portrait and not landscape. These values are |
|
deprecated, the <code>passthrough</code> option should be used instead. |
|
</p> |
|
<p>Numerical values are deprecated, and should be dropped in favor of |
|
symbolic constants. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>passthrough</samp>’</dt> |
|
<dd><p>Do not apply the transposition if the input geometry matches the one |
|
specified by the specified value. It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>Always apply transposition. |
|
</p></dd> |
|
<dt>‘<samp>portrait</samp>’</dt> |
|
<dd><p>Preserve portrait geometry (when <var>height</var> >= <var>width</var>). |
|
</p></dd> |
|
<dt>‘<samp>landscape</samp>’</dt> |
|
<dd><p>Preserve landscape geometry (when <var>width</var> >= <var>height</var>). |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <code>none</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example to rotate by 90 degrees clockwise and preserve portrait |
|
layout: |
|
</p><div class="example"> |
|
<pre class="example">transpose=dir=1:passthrough=portrait |
|
</pre></div> |
|
|
|
<p>The command above can also be specified as: |
|
</p><div class="example"> |
|
<pre class="example">transpose=1:portrait |
|
</pre></div> |
|
|
|
<a name="trim"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-trim">29.181 trim</a></h2> |
|
<p>Trim the input so that the output contains one continuous subpart of the input. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>start</samp>’</dt> |
|
<dd><p>Specify the time of the start of the kept section, i.e. the frame with the |
|
timestamp <var>start</var> will be the first frame in the output. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>end</samp>’</dt> |
|
<dd><p>Specify the time of the first frame that will be dropped, i.e. the frame |
|
immediately preceding the one with the timestamp <var>end</var> will be the last |
|
frame in the output. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_pts</samp>’</dt> |
|
<dd><p>This is the same as <var>start</var>, except this option sets the start timestamp |
|
in timebase units instead of seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>end_pts</samp>’</dt> |
|
<dd><p>This is the same as <var>end</var>, except this option sets the end timestamp |
|
in timebase units instead of seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration</samp>’</dt> |
|
<dd><p>The maximum duration of the output in seconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_frame</samp>’</dt> |
|
<dd><p>The number of the first frame that should be passed to the output. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>end_frame</samp>’</dt> |
|
<dd><p>The number of the first frame that should be dropped. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>‘<samp>start</samp>’, ‘<samp>end</samp>’, and ‘<samp>duration</samp>’ are expressed as time |
|
duration specifications; see |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
</p> |
|
<p>Note that the first two sets of the start/end options and the ‘<samp>duration</samp>’ |
|
option look at the frame timestamp, while the _frame variants simply count the |
|
frames that pass through the filter. Also note that this filter does not modify |
|
the timestamps. If you wish for the output timestamps to start at zero, insert a |
|
setpts filter after the trim filter. |
|
</p> |
|
<p>If multiple start or end options are set, this filter tries to be greedy and |
|
keep all the frames that match at least one of the specified constraints. To keep |
|
only the part that matches all the constraints at once, chain multiple trim |
|
filters. |
|
</p> |
|
<p>The defaults are such that all the input is kept. So it is possible to set e.g. |
|
just the end values to keep everything before the specified time. |
|
</p> |
|
<p>Examples: |
|
</p><ul> |
|
<li> |
|
Drop everything except the second minute of input: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -vf trim=60:120 |
|
</pre></div> |
|
|
|
</li><li> |
|
Keep only the first second: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -vf trim=duration=1 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="unpremultiply"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-unpremultiply">29.182 unpremultiply</a></h2> |
|
<p>Apply alpha unpremultiply effect to input video stream using first plane |
|
of second stream as alpha. |
|
</p> |
|
<p>Both streams must have same dimensions and same pixel format. |
|
</p> |
|
<p>The filter accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>Set which planes will be processed, unprocessed planes will be copied. |
|
By default value 0xf, all planes will be processed. |
|
</p> |
|
<p>If the format has 1 or 2 components, then luma is bit 0. |
|
If the format has 3 or 4 components: |
|
for RGB formats bit 0 is green, bit 1 is blue and bit 2 is red; |
|
for YUV formats bit 0 is luma, bit 1 is chroma-U and bit 2 is chroma-V. |
|
If present, the alpha channel is always the last bit. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>inplace</samp>’</dt> |
|
<dd><p>Do not require 2nd input for processing, instead use alpha plane from input stream. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="unsharp"></a> |
|
</p><a name="unsharp-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-unsharp-1">29.183 unsharp</a></h2> |
|
|
|
<p>Sharpen or blur the input video. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>luma_msize_x, lx</samp>’</dt> |
|
<dd><p>Set the luma matrix horizontal size. It must be an odd integer between |
|
3 and 23. The default value is 5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_msize_y, ly</samp>’</dt> |
|
<dd><p>Set the luma matrix vertical size. It must be an odd integer between 3 |
|
and 23. The default value is 5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>luma_amount, la</samp>’</dt> |
|
<dd><p>Set the luma effect strength. It must be a floating point number, reasonable |
|
values lay between -1.5 and 1.5. |
|
</p> |
|
<p>Negative values will blur the input video, while positive values will |
|
sharpen it, a value of zero will disable the effect. |
|
</p> |
|
<p>Default value is 1.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_msize_x, cx</samp>’</dt> |
|
<dd><p>Set the chroma matrix horizontal size. It must be an odd integer |
|
between 3 and 23. The default value is 5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_msize_y, cy</samp>’</dt> |
|
<dd><p>Set the chroma matrix vertical size. It must be an odd integer |
|
between 3 and 23. The default value is 5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma_amount, ca</samp>’</dt> |
|
<dd><p>Set the chroma effect strength. It must be a floating point number, reasonable |
|
values lay between -1.5 and 1.5. |
|
</p> |
|
<p>Negative values will blur the input video, while positive values will |
|
sharpen it, a value of zero will disable the effect. |
|
</p> |
|
<p>Default value is 0.0. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>All parameters are optional and default to the equivalent of the |
|
string ’5:5:1.0:5:5:0.0’. |
|
</p> |
|
<a name="Examples-27"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-27">29.183.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply strong luma sharpen effect: |
|
<div class="example"> |
|
<pre class="example">unsharp=luma_msize_x=7:luma_msize_y=7:luma_amount=2.5 |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply a strong blur of both luma and chroma parameters: |
|
<div class="example"> |
|
<pre class="example">unsharp=7:7:-2:7:7:-2 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="uspp"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-uspp">29.184 uspp</a></h2> |
|
|
|
<p>Apply ultra slow/simple postprocessing filter that compresses and decompresses |
|
the image at several (or - in the case of ‘<samp>quality</samp>’ level <code>8</code> - all) |
|
shifts and average the results. |
|
</p> |
|
<p>The way this differs from the behavior of spp is that uspp actually encodes & |
|
decodes each case with libavcodec Snow, whereas spp uses a simplified intra only 8x8 |
|
DCT similar to MJPEG. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>quality</samp>’</dt> |
|
<dd><p>Set quality. This option defines the number of levels for averaging. It accepts |
|
an integer in the range 0-8. If set to <code>0</code>, the filter will have no |
|
effect. A value of <code>8</code> means the higher quality. For each increment of |
|
that value the speed drops by a factor of approximately 2. Default value is |
|
<code>3</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>qp</samp>’</dt> |
|
<dd><p>Force a constant quantization parameter. If not set, the filter will use the QP |
|
from the video stream (if available). |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="vaguedenoiser"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vaguedenoiser">29.185 vaguedenoiser</a></h2> |
|
|
|
<p>Apply a wavelet based denoiser. |
|
</p> |
|
<p>It transforms each frame from the video input into the wavelet domain, |
|
using Cohen-Daubechies-Feauveau 9/7. Then it applies some filtering to |
|
the obtained coefficients. It does an inverse wavelet transform after. |
|
Due to wavelet properties, it should give a nice smoothed result, and |
|
reduced noise, without blurring picture features. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>threshold</samp>’</dt> |
|
<dd><p>The filtering strength. The higher, the more filtered the video will be. |
|
Hard thresholding can use a higher threshold than soft thresholding |
|
before the video looks overfiltered. Default value is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>method</samp>’</dt> |
|
<dd><p>The filtering method the filter will use. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>hard</samp>’</dt> |
|
<dd><p>All values under the threshold will be zeroed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>soft</samp>’</dt> |
|
<dd><p>All values under the threshold will be zeroed. All values above will be |
|
reduced by the threshold. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>garrote</samp>’</dt> |
|
<dd><p>Scales or nullifies coefficients - intermediary between (more) soft and |
|
(less) hard thresholding. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is garrote. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>nsteps</samp>’</dt> |
|
<dd><p>Number of times, the wavelet will decompose the picture. Picture can’t |
|
be decomposed beyond a particular point (typically, 8 for a 640x480 |
|
frame - as 2^9 = 512 > 480). Valid values are integers between 1 and 32. Default value is 6. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>percent</samp>’</dt> |
|
<dd><p>Partial of full denoising (limited coefficients shrinking), from 0 to 100. Default value is 85. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>planes</samp>’</dt> |
|
<dd><p>A list of the planes to process. By default all planes are processed. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="vectorscope"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vectorscope">29.186 vectorscope</a></h2> |
|
|
|
<p>Display 2 color component values in the two dimensional graph (which is called |
|
a vectorscope). |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode, m</samp>’</dt> |
|
<dd><p>Set vectorscope mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>gray</samp>’</dt> |
|
<dd><p>Gray values are displayed on graph, higher brightness means more pixels have |
|
same component color value on location in graph. This is the default mode. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>Gray values are displayed on graph. Surrounding pixels values which are not |
|
present in video frame are drawn in gradient of 2 color components which are |
|
set by option <code>x</code> and <code>y</code>. The 3rd color component is static. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color2</samp>’</dt> |
|
<dd><p>Actual color components values present in video frame are displayed on graph. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color3</samp>’</dt> |
|
<dd><p>Similar as color2 but higher frequency of same values <code>x</code> and <code>y</code> |
|
on graph increases value of another color component, which is luminance by |
|
default values of <code>x</code> and <code>y</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color4</samp>’</dt> |
|
<dd><p>Actual colors present in video frame are displayed on graph. If two different |
|
colors map to same position on graph then color with higher value of component |
|
not present in graph is picked. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color5</samp>’</dt> |
|
<dd><p>Gray values are displayed on graph. Similar to <code>color</code> but with 3rd color |
|
component picked from radial gradient. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dd><p>Set which color component will be represented on X-axis. Default is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Set which color component will be represented on Y-axis. Default is <code>2</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>intensity, i</samp>’</dt> |
|
<dd><p>Set intensity, used by modes: gray, color, color3 and color5 for increasing brightness |
|
of color component which represents frequency of (X, Y) location in graph. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>envelope, e</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>No envelope, this is default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>instant</samp>’</dt> |
|
<dd><p>Instant envelope, even darkest single pixel will be clearly highlighted. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>peak</samp>’</dt> |
|
<dd><p>Hold maximum and minimum values presented in graph over time. This way you |
|
can still spot out of range values without constantly looking at vectorscope. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>peak+instant</samp>’</dt> |
|
<dd><p>Peak and instant envelope combined together. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>graticule, g</samp>’</dt> |
|
<dd><p>Set what kind of graticule to draw. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dt>‘<samp>green</samp>’</dt> |
|
<dt>‘<samp>color</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>opacity, o</samp>’</dt> |
|
<dd><p>Set graticule opacity. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flags, f</samp>’</dt> |
|
<dd><p>Set graticule flags. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>white</samp>’</dt> |
|
<dd><p>Draw graticule for white point. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>black</samp>’</dt> |
|
<dd><p>Draw graticule for black point. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>name</samp>’</dt> |
|
<dd><p>Draw color points short names. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>bgopacity, b</samp>’</dt> |
|
<dd><p>Set background opacity. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lthreshold, l</samp>’</dt> |
|
<dd><p>Set low threshold for color component not represented on X or Y axis. |
|
Values lower than this value will be ignored. Default is 0. |
|
Note this value is multiplied with actual max possible value one pixel component |
|
can have. So for 8-bit input and low threshold value of 0.1 actual threshold |
|
is 0.1 * 255 = 25. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hthreshold, h</samp>’</dt> |
|
<dd><p>Set high threshold for color component not represented on X or Y axis. |
|
Values higher than this value will be ignored. Default is 1. |
|
Note this value is multiplied with actual max possible value one pixel component |
|
can have. So for 8-bit input and high threshold value of 0.9 actual threshold |
|
is 0.9 * 255 = 230. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colorspace, c</samp>’</dt> |
|
<dd><p>Set what kind of colorspace to use when drawing graticule. |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dt>‘<samp>601</samp>’</dt> |
|
<dt>‘<samp>709</samp>’</dt> |
|
</dl> |
|
<p>Default is auto. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="vidstabdetect"></a> |
|
</p><a name="vidstabdetect-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vidstabdetect-1">29.187 vidstabdetect</a></h2> |
|
|
|
<p>Analyze video stabilization/deshaking. Perform pass 1 of 2, see |
|
<a href="#vidstabtransform">vidstabtransform</a> for pass 2. |
|
</p> |
|
<p>This filter generates a file with relative translation and rotation |
|
transform information about subsequent frames, which is then used by |
|
the <a href="#vidstabtransform">vidstabtransform</a> filter. |
|
</p> |
|
<p>To enable compilation of this filter you need to configure FFmpeg with |
|
<code>--enable-libvidstab</code>. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>result</samp>’</dt> |
|
<dd><p>Set the path to the file used to write the transforms information. |
|
Default value is ‘<tt>transforms.trf</tt>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shakiness</samp>’</dt> |
|
<dd><p>Set how shaky the video is and how quick the camera is. It accepts an |
|
integer in the range 1-10, a value of 1 means little shakiness, a |
|
value of 10 means strong shakiness. Default value is 5. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>accuracy</samp>’</dt> |
|
<dd><p>Set the accuracy of the detection process. It must be a value in the |
|
range 1-15. A value of 1 means low accuracy, a value of 15 means high |
|
accuracy. Default value is 15. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stepsize</samp>’</dt> |
|
<dd><p>Set stepsize of the search process. The region around minimum is |
|
scanned with 1 pixel resolution. Default value is 6. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mincontrast</samp>’</dt> |
|
<dd><p>Set minimum contrast. Below this value a local measurement field is |
|
discarded. Must be a floating point value in the range 0-1. Default |
|
value is 0.3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tripod</samp>’</dt> |
|
<dd><p>Set reference frame number for tripod mode. |
|
</p> |
|
<p>If enabled, the motion of the frames is compared to a reference frame |
|
in the filtered stream, identified by the specified number. The idea |
|
is to compensate all movements in a more-or-less static scene and keep |
|
the camera view absolutely still. |
|
</p> |
|
<p>If set to 0, it is disabled. The frames are counted starting from 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>show</samp>’</dt> |
|
<dd><p>Show fields and transforms in the resulting frames. It accepts an |
|
integer in the range 0-2. Default value is 0, which disables any |
|
visualization. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-70"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-70">29.187.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Use default values: |
|
<div class="example"> |
|
<pre class="example">vidstabdetect |
|
</pre></div> |
|
|
|
</li><li> |
|
Analyze strongly shaky movie and put the results in file |
|
‘<tt>mytransforms.trf</tt>’: |
|
<div class="example"> |
|
<pre class="example">vidstabdetect=shakiness=10:accuracy=15:result="mytransforms.trf" |
|
</pre></div> |
|
|
|
</li><li> |
|
Visualize the result of internal transformations in the resulting |
|
video: |
|
<div class="example"> |
|
<pre class="example">vidstabdetect=show=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Analyze a video with medium shakiness using <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input -vf vidstabdetect=shakiness=5:show=1 dummy.avi |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="vidstabtransform"></a> |
|
</p><a name="vidstabtransform-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vidstabtransform-1">29.188 vidstabtransform</a></h2> |
|
|
|
<p>Video stabilization/deshaking: pass 2 of 2, |
|
see <a href="#vidstabdetect">vidstabdetect</a> for pass 1. |
|
</p> |
|
<p>Read a file with transform information for each frame and |
|
apply/compensate them. Together with the <a href="#vidstabdetect">vidstabdetect</a> |
|
filter this can be used to deshake videos. See also |
|
<a href="http://public.hronopik.de/vid.stab">http://public.hronopik.de/vid.stab</a>. It is important to also use |
|
the <a href="#unsharp">unsharp</a> filter, see below. |
|
</p> |
|
<p>To enable compilation of this filter you need to configure FFmpeg with |
|
<code>--enable-libvidstab</code>. |
|
</p> |
|
<a name="Options-30"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-30">29.188.1 Options</a></h3> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>input</samp>’</dt> |
|
<dd><p>Set path to the file used to read the transforms. Default value is |
|
‘<tt>transforms.trf</tt>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smoothing</samp>’</dt> |
|
<dd><p>Set the number of frames (value*2 + 1) used for lowpass filtering the |
|
camera movements. Default value is 10. |
|
</p> |
|
<p>For example a number of 10 means that 21 frames are used (10 in the |
|
past and 10 in the future) to smoothen the motion in the video. A |
|
larger value leads to a smoother video, but limits the acceleration of |
|
the camera (pan/tilt movements). 0 is a special case where a static |
|
camera is simulated. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>optalgo</samp>’</dt> |
|
<dd><p>Set the camera path optimization algorithm. |
|
</p> |
|
<p>Accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>gauss</samp>’</dt> |
|
<dd><p>gaussian kernel low-pass filter on camera motion (default) |
|
</p></dd> |
|
<dt>‘<samp>avg</samp>’</dt> |
|
<dd><p>averaging on transformations |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>maxshift</samp>’</dt> |
|
<dd><p>Set maximal number of pixels to translate frames. Default value is -1, |
|
meaning no limit. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>maxangle</samp>’</dt> |
|
<dd><p>Set maximal angle in radians (degree*PI/180) to rotate frames. Default |
|
value is -1, meaning no limit. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>crop</samp>’</dt> |
|
<dd><p>Specify how to deal with borders that may be visible due to movement |
|
compensation. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>keep</samp>’</dt> |
|
<dd><p>keep image information from previous frame (default) |
|
</p></dd> |
|
<dt>‘<samp>black</samp>’</dt> |
|
<dd><p>fill the border black |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>invert</samp>’</dt> |
|
<dd><p>Invert transforms if set to 1. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>relative</samp>’</dt> |
|
<dd><p>Consider transforms as relative to previous frame if set to 1, |
|
absolute if set to 0. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>zoom</samp>’</dt> |
|
<dd><p>Set percentage to zoom. A positive value will result in a zoom-in |
|
effect, a negative value in a zoom-out effect. Default value is 0 (no |
|
zoom). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>optzoom</samp>’</dt> |
|
<dd><p>Set optimal zooming to avoid borders. |
|
</p> |
|
<p>Accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>0</samp>’</dt> |
|
<dd><p>disabled |
|
</p></dd> |
|
<dt>‘<samp>1</samp>’</dt> |
|
<dd><p>optimal static zoom value is determined (only very strong movements |
|
will lead to visible borders) (default) |
|
</p></dd> |
|
<dt>‘<samp>2</samp>’</dt> |
|
<dd><p>optimal adaptive zoom value is determined (no borders will be |
|
visible), see ‘<samp>zoomspeed</samp>’ |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Note that the value given at zoom is added to the one calculated here. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>zoomspeed</samp>’</dt> |
|
<dd><p>Set percent to zoom maximally each frame (enabled when |
|
‘<samp>optzoom</samp>’ is set to 2). Range is from 0 to 5, default value is |
|
0.25. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>interpol</samp>’</dt> |
|
<dd><p>Specify type of interpolation. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>no</samp>’</dt> |
|
<dd><p>no interpolation |
|
</p></dd> |
|
<dt>‘<samp>linear</samp>’</dt> |
|
<dd><p>linear only horizontal |
|
</p></dd> |
|
<dt>‘<samp>bilinear</samp>’</dt> |
|
<dd><p>linear in both directions (default) |
|
</p></dd> |
|
<dt>‘<samp>bicubic</samp>’</dt> |
|
<dd><p>cubic in both directions (slow) |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>tripod</samp>’</dt> |
|
<dd><p>Enable virtual tripod mode if set to 1, which is equivalent to |
|
<code>relative=0:smoothing=0</code>. Default value is 0. |
|
</p> |
|
<p>Use also <code>tripod</code> option of <a href="#vidstabdetect">vidstabdetect</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>debug</samp>’</dt> |
|
<dd><p>Increase log verbosity if set to 1. Also the detected global motions |
|
are written to the temporary file ‘<tt>global_motions.trf</tt>’. Default |
|
value is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-92"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-92">29.188.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Use <code>ffmpeg</code> for a typical stabilization with default values: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i inp.mpeg -vf vidstabtransform,unsharp=5:5:0.8:3:3:0.4 inp_stabilized.mpeg |
|
</pre></div> |
|
|
|
<p>Note the use of the <a href="#unsharp">unsharp</a> filter which is always recommended. |
|
</p> |
|
</li><li> |
|
Zoom in a bit more and load transform data from a given file: |
|
<div class="example"> |
|
<pre class="example">vidstabtransform=zoom=5:input="mytransforms.trf" |
|
</pre></div> |
|
|
|
</li><li> |
|
Smoothen the video even more: |
|
<div class="example"> |
|
<pre class="example">vidstabtransform=smoothing=30 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="vflip"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vflip">29.189 vflip</a></h2> |
|
|
|
<p>Flip the input video vertically. |
|
</p> |
|
<p>For example, to vertically flip a video with <code>ffmpeg</code>: |
|
</p><div class="example"> |
|
<pre class="example">ffmpeg -i in.avi -vf "vflip" out.avi |
|
</pre></div> |
|
|
|
<a name="vfrdet"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vfrdet">29.190 vfrdet</a></h2> |
|
|
|
<p>Detect variable frame rate video. |
|
</p> |
|
<p>This filter tries to detect if the input is variable or constant frame rate. |
|
</p> |
|
<p>At end it will output number of frames detected as having variable delta pts, |
|
and ones with constant delta pts. |
|
If there was frames with variable delta, than it will also show min and max delta |
|
encountered. |
|
</p> |
|
<p><a name="vignette"></a> |
|
</p><a name="vignette-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vignette-1">29.191 vignette</a></h2> |
|
|
|
<p>Make or reverse a natural vignetting effect. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>angle, a</samp>’</dt> |
|
<dd><p>Set lens angle expression as a number of radians. |
|
</p> |
|
<p>The value is clipped in the <code>[0,PI/2]</code> range. |
|
</p> |
|
<p>Default value: <code>"PI/5"</code> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x0</samp>’</dt> |
|
<dt>‘<samp>y0</samp>’</dt> |
|
<dd><p>Set center coordinates expressions. Respectively <code>"w/2"</code> and <code>"h/2"</code> |
|
by default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set forward/backward mode. |
|
</p> |
|
<p>Available modes are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>forward</samp>’</dt> |
|
<dd><p>The larger the distance from the central point, the darker the image becomes. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>backward</samp>’</dt> |
|
<dd><p>The larger the distance from the central point, the brighter the image becomes. |
|
This can be used to reverse a vignette effect, though there is no automatic |
|
detection to extract the lens ‘<samp>angle</samp>’ and other settings (yet). It can |
|
also be used to create a burning effect. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>forward</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>eval</samp>’</dt> |
|
<dd><p>Set evaluation mode for the expressions (‘<samp>angle</samp>’, ‘<samp>x0</samp>’, ‘<samp>y0</samp>’). |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>init</samp>’</dt> |
|
<dd><p>Evaluate expressions only once during the filter initialization. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>Evaluate expressions for each incoming frame. This is way slower than the |
|
‘<samp>init</samp>’ mode since it requires all the scalers to be re-computed, but it |
|
allows advanced dynamic expressions. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>init</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dither</samp>’</dt> |
|
<dd><p>Set dithering to reduce the circular banding effects. Default is <code>1</code> |
|
(enabled). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>aspect</samp>’</dt> |
|
<dd><p>Set vignette aspect. This setting allows one to adjust the shape of the vignette. |
|
Setting this value to the SAR of the input will make a rectangular vignetting |
|
following the dimensions of the video. |
|
</p> |
|
<p>Default is <code>1/1</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Expressions"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Expressions">29.191.1 Expressions</a></h3> |
|
|
|
<p>The ‘<samp>alpha</samp>’, ‘<samp>x0</samp>’ and ‘<samp>y0</samp>’ expressions can contain the |
|
following parameters. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>input width and height |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>the number of input frame, starting from 0 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts</samp>’</dt> |
|
<dd><p>the PTS (Presentation TimeStamp) time of the filtered video frame, expressed in |
|
<var>TB</var> units, NAN if undefined |
|
</p> |
|
</dd> |
|
<dt>‘<samp>r</samp>’</dt> |
|
<dd><p>frame rate of the input video, NAN if the input frame rate is unknown |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>the PTS (Presentation TimeStamp) of the filtered video frame, |
|
expressed in seconds, NAN if undefined |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tb</samp>’</dt> |
|
<dd><p>time base of the input video |
|
</p></dd> |
|
</dl> |
|
|
|
|
|
<a name="Examples-72"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-72">29.191.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Apply simple strong vignetting effect: |
|
<div class="example"> |
|
<pre class="example">vignette=PI/4 |
|
</pre></div> |
|
|
|
</li><li> |
|
Make a flickering vignetting: |
|
<div class="example"> |
|
<pre class="example">vignette='PI/4+random(1)*PI/50':eval=frame |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="vmafmotion"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vmafmotion">29.192 vmafmotion</a></h2> |
|
|
|
<p>Obtain the average vmaf motion score of a video. |
|
It is one of the component filters of VMAF. |
|
</p> |
|
<p>The obtained average motion score is printed through the logging system. |
|
</p> |
|
<p>In the below example the input file ‘<tt>ref.mpg</tt>’ is being processed and score |
|
is computed. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i ref.mpg -lavfi vmafmotion -f null - |
|
</pre></div> |
|
|
|
<a name="vstack"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-vstack">29.193 vstack</a></h2> |
|
<p>Stack input videos vertically. |
|
</p> |
|
<p>All streams must be of same pixel format and of same width. |
|
</p> |
|
<p>Note that this filter is faster than using <a href="#overlay">overlay</a> and <a href="#pad">pad</a> filter |
|
to create same output. |
|
</p> |
|
<p>The filter accept the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>inputs</samp>’</dt> |
|
<dd><p>Set number of input streams. Default is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>shortest</samp>’</dt> |
|
<dd><p>If set to 1, force the output to terminate when the shortest input |
|
terminates. Default value is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="w3fdif"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-w3fdif">29.194 w3fdif</a></h2> |
|
|
|
<p>Deinterlace the input video ("w3fdif" stands for "Weston 3 Field |
|
Deinterlacing Filter"). |
|
</p> |
|
<p>Based on the process described by Martin Weston for BBC R&D, and |
|
implemented based on the de-interlace algorithm written by Jim |
|
Easterbrook for BBC R&D, the Weston 3 field deinterlacing filter |
|
uses filter coefficients calculated by BBC R&D. |
|
</p> |
|
<p>There are two sets of filter coefficients, so called "simple": |
|
and "complex". Which set of filter coefficients is used can |
|
be set by passing an optional parameter: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filter</samp>’</dt> |
|
<dd><p>Set the interlacing filter coefficients. Accepts one of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>simple</samp>’</dt> |
|
<dd><p>Simple filter coefficient set. |
|
</p></dd> |
|
<dt>‘<samp>complex</samp>’</dt> |
|
<dd><p>More-complex filter coefficient set. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is ‘<samp>complex</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>deint</samp>’</dt> |
|
<dd><p>Specify which frames to deinterlace. Accept one of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>all</samp>’</dt> |
|
<dd><p>Deinterlace all frames, |
|
</p></dd> |
|
<dt>‘<samp>interlaced</samp>’</dt> |
|
<dd><p>Only deinterlace frames marked as interlaced. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>all</samp>’. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="waveform"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-waveform">29.195 waveform</a></h2> |
|
<p>Video waveform monitor. |
|
</p> |
|
<p>The waveform monitor plots color component intensity. By default luminance |
|
only. Each column of the waveform corresponds to a column of pixels in the |
|
source video. |
|
</p> |
|
<p>It accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode, m</samp>’</dt> |
|
<dd><p>Can be either <code>row</code>, or <code>column</code>. Default is <code>column</code>. |
|
In row mode, the graph on the left side represents color component value 0 and |
|
the right side represents value = 255. In column mode, the top side represents |
|
color component value = 0 and bottom side represents value = 255. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>intensity, i</samp>’</dt> |
|
<dd><p>Set intensity. Smaller values are useful to find out how many values of the same |
|
luminance are distributed across input rows/columns. |
|
Default value is <code>0.04</code>. Allowed range is [0, 1]. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mirror, r</samp>’</dt> |
|
<dd><p>Set mirroring mode. <code>0</code> means unmirrored, <code>1</code> means mirrored. |
|
In mirrored mode, higher values will be represented on the left |
|
side for <code>row</code> mode and at the top for <code>column</code> mode. Default is |
|
<code>1</code> (mirrored). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>display, d</samp>’</dt> |
|
<dd><p>Set display mode. |
|
It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>overlay</samp>’</dt> |
|
<dd><p>Presents information identical to that in the <code>parade</code>, except |
|
that the graphs representing color components are superimposed directly |
|
over one another. |
|
</p> |
|
<p>This display mode makes it easier to spot relative differences or similarities |
|
in overlapping areas of the color components that are supposed to be identical, |
|
such as neutral whites, grays, or blacks. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stack</samp>’</dt> |
|
<dd><p>Display separate graph for the color components side by side in |
|
<code>row</code> mode or one below the other in <code>column</code> mode. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>parade</samp>’</dt> |
|
<dd><p>Display separate graph for the color components side by side in |
|
<code>column</code> mode or one below the other in <code>row</code> mode. |
|
</p> |
|
<p>Using this display mode makes it easy to spot color casts in the highlights |
|
and shadows of an image, by comparing the contours of the top and the bottom |
|
graphs of each waveform. Since whites, grays, and blacks are characterized |
|
by exactly equal amounts of red, green, and blue, neutral areas of the picture |
|
should display three waveforms of roughly equal width/height. If not, the |
|
correction is easy to perform by making level adjustments the three waveforms. |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>stack</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>components, c</samp>’</dt> |
|
<dd><p>Set which color components to display. Default is 1, which means only luminance |
|
or red color component if input is in RGB colorspace. If is set for example to |
|
7 it will display all 3 (if) available color components. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>envelope, e</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>No envelope, this is default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>instant</samp>’</dt> |
|
<dd><p>Instant envelope, minimum and maximum values presented in graph will be easily |
|
visible even with small <code>step</code> value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>peak</samp>’</dt> |
|
<dd><p>Hold minimum and maximum values presented in graph across time. This way you |
|
can still spot out of range values without constantly looking at waveforms. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>peak+instant</samp>’</dt> |
|
<dd><p>Peak and instant envelope combined together. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>filter, f</samp>’</dt> |
|
<dd><dl compact="compact"> |
|
<dt>‘<samp>lowpass</samp>’</dt> |
|
<dd><p>No filtering, this is default. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flat</samp>’</dt> |
|
<dd><p>Luma and chroma combined together. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>aflat</samp>’</dt> |
|
<dd><p>Similar as above, but shows difference between blue and red chroma. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>xflat</samp>’</dt> |
|
<dd><p>Similar as above, but use different colors. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>chroma</samp>’</dt> |
|
<dd><p>Displays only chroma. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>Displays actual color value on waveform. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>acolor</samp>’</dt> |
|
<dd><p>Similar as above, but with luma showing frequency of chroma values. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>graticule, g</samp>’</dt> |
|
<dd><p>Set which graticule to display. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>Do not display graticule. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>green</samp>’</dt> |
|
<dd><p>Display green graticule showing legal broadcast ranges. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>orange</samp>’</dt> |
|
<dd><p>Display orange graticule showing legal broadcast ranges. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>opacity, o</samp>’</dt> |
|
<dd><p>Set graticule opacity. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>flags, fl</samp>’</dt> |
|
<dd><p>Set graticule flags. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>numbers</samp>’</dt> |
|
<dd><p>Draw numbers above lines. By default enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dots</samp>’</dt> |
|
<dd><p>Draw dots instead of lines. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>scale, s</samp>’</dt> |
|
<dd><p>Set scale used for displaying graticule. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>digital</samp>’</dt> |
|
<dt>‘<samp>millivolts</samp>’</dt> |
|
<dt>‘<samp>ire</samp>’</dt> |
|
</dl> |
|
<p>Default is digital. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bgopacity, b</samp>’</dt> |
|
<dd><p>Set background opacity. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="weave_002c-doubleweave"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-weave_002c-doubleweave">29.196 weave, doubleweave</a></h2> |
|
|
|
<p>The <code>weave</code> takes a field-based video input and join |
|
each two sequential fields into single frame, producing a new double |
|
height clip with half the frame rate and half the frame count. |
|
</p> |
|
<p>The <code>doubleweave</code> works same as <code>weave</code> but without |
|
halving frame rate and frame count. |
|
</p> |
|
<p>It accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>first_field</samp>’</dt> |
|
<dd><p>Set first field. Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>top, t</samp>’</dt> |
|
<dd><p>Set the frame as top-field-first. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bottom, b</samp>’</dt> |
|
<dd><p>Set the frame as bottom-field-first. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-3"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-3">29.196.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Interlace video using <a href="#select">select</a> and <a href="#separatefields">separatefields</a> filter: |
|
<div class="example"> |
|
<pre class="example">separatefields,select=eq(mod(n,4),0)+eq(mod(n,4),3),weave |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="xbr"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-xbr">29.197 xbr</a></h2> |
|
<p>Apply the xBR high-quality magnification filter which is designed for pixel |
|
art. It follows a set of edge-detection rules, see |
|
<a href="http://www.libretro.com/forums/viewtopic.php?f=6&t=134">http://www.libretro.com/forums/viewtopic.php?f=6&t=134</a>. |
|
</p> |
|
<p>It accepts the following option: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>Set the scaling dimension: <code>2</code> for <code>2xBR</code>, <code>3</code> for |
|
<code>3xBR</code> and <code>4</code> for <code>4xBR</code>. |
|
Default is <code>3</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="yadif"></a> |
|
</p><a name="yadif-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-yadif-1">29.198 yadif</a></h2> |
|
|
|
<p>Deinterlace the input video ("yadif" means "yet another deinterlacing |
|
filter"). |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
|
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>The interlacing mode to adopt. It accepts one of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0, send_frame</samp>’</dt> |
|
<dd><p>Output one frame for each frame. |
|
</p></dd> |
|
<dt>‘<samp>1, send_field</samp>’</dt> |
|
<dd><p>Output one frame for each field. |
|
</p></dd> |
|
<dt>‘<samp>2, send_frame_nospatial</samp>’</dt> |
|
<dd><p>Like <code>send_frame</code>, but it skips the spatial interlacing check. |
|
</p></dd> |
|
<dt>‘<samp>3, send_field_nospatial</samp>’</dt> |
|
<dd><p>Like <code>send_field</code>, but it skips the spatial interlacing check. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default value is <code>send_frame</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>parity</samp>’</dt> |
|
<dd><p>The picture field parity assumed for the input interlaced video. It accepts one |
|
of the following values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0, tff</samp>’</dt> |
|
<dd><p>Assume the top field is first. |
|
</p></dd> |
|
<dt>‘<samp>1, bff</samp>’</dt> |
|
<dd><p>Assume the bottom field is first. |
|
</p></dd> |
|
<dt>‘<samp>-1, auto</samp>’</dt> |
|
<dd><p>Enable automatic detection of field parity. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default value is <code>auto</code>. |
|
If the interlacing is unknown or the decoder does not export this information, |
|
top field first will be assumed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>deint</samp>’</dt> |
|
<dd><p>Specify which frames to deinterlace. Accept one of the following |
|
values: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>0, all</samp>’</dt> |
|
<dd><p>Deinterlace all frames. |
|
</p></dd> |
|
<dt>‘<samp>1, interlaced</samp>’</dt> |
|
<dd><p>Only deinterlace frames marked as interlaced. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The default value is <code>all</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="zoompan"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-zoompan">29.199 zoompan</a></h2> |
|
|
|
<p>Apply Zoom & Pan effect. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>zoom, z</samp>’</dt> |
|
<dd><p>Set the zoom expression. Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Set the x and y expression. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>d</samp>’</dt> |
|
<dd><p>Set the duration expression in number of frames. |
|
This sets for how many number of frames effect will last for |
|
single input image. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Set the output image size, default is ’hd720’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fps</samp>’</dt> |
|
<dd><p>Set the output frame rate, default is ’25’. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Each expression can contain the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>in_w, iw</samp>’</dt> |
|
<dd><p>Input width. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>in_h, ih</samp>’</dt> |
|
<dd><p>Input height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_w, ow</samp>’</dt> |
|
<dd><p>Output width. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>out_h, oh</samp>’</dt> |
|
<dd><p>Output height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>in</samp>’</dt> |
|
<dd><p>Input frame count. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>on</samp>’</dt> |
|
<dd><p>Output frame count. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Last calculated ’x’ and ’y’ position from ’x’ and ’y’ expression |
|
for current input frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>px</samp>’</dt> |
|
<dt>‘<samp>py</samp>’</dt> |
|
<dd><p>’x’ and ’y’ of last output frame of previous input frame or 0 when there was |
|
not yet such frame (first input frame). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>zoom</samp>’</dt> |
|
<dd><p>Last calculated zoom from ’z’ expression for current input frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pzoom</samp>’</dt> |
|
<dd><p>Last calculated zoom of last output frame of previous input frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration</samp>’</dt> |
|
<dd><p>Number of output frames for current input frame. Calculated from ’d’ expression |
|
for each input frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pduration</samp>’</dt> |
|
<dd><p>number of output frames created for previous input frame |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>Rational number: input width / input height |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>sample aspect ratio |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dar</samp>’</dt> |
|
<dd><p>display aspect ratio |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-59"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-59">29.199.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Zoom-in up to 1.5 and pan at same time to some spot near center of picture: |
|
<div class="example"> |
|
<pre class="example">zoompan=z='min(zoom+0.0015,1.5)':d=700:x='if(gte(zoom,1.5),x,x+1/a)':y='if(gte(zoom,1.5),y,y+1)':s=640x360 |
|
</pre></div> |
|
|
|
</li><li> |
|
Zoom-in up to 1.5 and pan always at center of picture: |
|
<div class="example"> |
|
<pre class="example">zoompan=z='min(zoom+0.0015,1.5)':d=700:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Same as above but without pausing: |
|
<div class="example"> |
|
<pre class="example">zoompan=z='min(max(zoom,pzoom)+0.0015,1.5)':d=1:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="zscale"></a> |
|
</p><a name="zscale-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-zscale-1">29.200 zscale</a></h2> |
|
<p>Scale (resize) the input video, using the z.lib library: |
|
<a href="https://github.com/sekrit-twc/zimg">https://github.com/sekrit-twc/zimg</a>. To enable compilation of this |
|
filter, you need to configure FFmpeg with <code>--enable-libzimg</code>. |
|
</p> |
|
<p>The zscale filter forces the output display aspect ratio to be the same |
|
as the input, by changing the output sample aspect ratio. |
|
</p> |
|
<p>If the input image format is different from the format requested by |
|
the next filter, the zscale filter will convert the input to the |
|
requested format. |
|
</p> |
|
<a name="Options-17"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Options-17">29.200.1 Options</a></h3> |
|
<p>The filter accepts the following options. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>width, w</samp>’</dt> |
|
<dt>‘<samp>height, h</samp>’</dt> |
|
<dd><p>Set the output video dimension expression. Default value is the input |
|
dimension. |
|
</p> |
|
<p>If the <var>width</var> or <var>w</var> value is 0, the input width is used for |
|
the output. If the <var>height</var> or <var>h</var> value is 0, the input height |
|
is used for the output. |
|
</p> |
|
<p>If one and only one of the values is -n with n >= 1, the zscale filter |
|
will use a value that maintains the aspect ratio of the input image, |
|
calculated from the other specified dimension. After that it will, |
|
however, make sure that the calculated dimension is divisible by n and |
|
adjust the value if necessary. |
|
</p> |
|
<p>If both values are -n with n >= 1, the behavior will be identical to |
|
both values being set to 0 as previously detailed. |
|
</p> |
|
<p>See below for the list of accepted constants for use in the dimension |
|
expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set the video size. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dither, d</samp>’</dt> |
|
<dd><p>Set the dither type. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>none</var></dt> |
|
<dt><var>ordered</var></dt> |
|
<dt><var>random</var></dt> |
|
<dt><var>error_diffusion</var></dt> |
|
</dl> |
|
|
|
<p>Default is none. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filter, f</samp>’</dt> |
|
<dd><p>Set the resize filter type. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>point</var></dt> |
|
<dt><var>bilinear</var></dt> |
|
<dt><var>bicubic</var></dt> |
|
<dt><var>spline16</var></dt> |
|
<dt><var>spline36</var></dt> |
|
<dt><var>lanczos</var></dt> |
|
</dl> |
|
|
|
<p>Default is bilinear. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>range, r</samp>’</dt> |
|
<dd><p>Set the color range. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>limited</var></dt> |
|
<dt><var>full</var></dt> |
|
</dl> |
|
|
|
<p>Default is same as input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>primaries, p</samp>’</dt> |
|
<dd><p>Set the color primaries. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>709</var></dt> |
|
<dt><var>unspecified</var></dt> |
|
<dt><var>170m</var></dt> |
|
<dt><var>240m</var></dt> |
|
<dt><var>2020</var></dt> |
|
</dl> |
|
|
|
<p>Default is same as input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>transfer, t</samp>’</dt> |
|
<dd><p>Set the transfer characteristics. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>709</var></dt> |
|
<dt><var>unspecified</var></dt> |
|
<dt><var>601</var></dt> |
|
<dt><var>linear</var></dt> |
|
<dt><var>2020_10</var></dt> |
|
<dt><var>2020_12</var></dt> |
|
<dt><var>smpte2084</var></dt> |
|
<dt><var>iec61966-2-1</var></dt> |
|
<dt><var>arib-std-b67</var></dt> |
|
</dl> |
|
|
|
<p>Default is same as input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>matrix, m</samp>’</dt> |
|
<dd><p>Set the colorspace matrix. |
|
</p> |
|
<p>Possible value are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>709</var></dt> |
|
<dt><var>unspecified</var></dt> |
|
<dt><var>470bg</var></dt> |
|
<dt><var>170m</var></dt> |
|
<dt><var>2020_ncl</var></dt> |
|
<dt><var>2020_cl</var></dt> |
|
</dl> |
|
|
|
<p>Default is same as input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rangein, rin</samp>’</dt> |
|
<dd><p>Set the input color range. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>limited</var></dt> |
|
<dt><var>full</var></dt> |
|
</dl> |
|
|
|
<p>Default is same as input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>primariesin, pin</samp>’</dt> |
|
<dd><p>Set the input color primaries. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>709</var></dt> |
|
<dt><var>unspecified</var></dt> |
|
<dt><var>170m</var></dt> |
|
<dt><var>240m</var></dt> |
|
<dt><var>2020</var></dt> |
|
</dl> |
|
|
|
<p>Default is same as input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>transferin, tin</samp>’</dt> |
|
<dd><p>Set the input transfer characteristics. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>709</var></dt> |
|
<dt><var>unspecified</var></dt> |
|
<dt><var>601</var></dt> |
|
<dt><var>linear</var></dt> |
|
<dt><var>2020_10</var></dt> |
|
<dt><var>2020_12</var></dt> |
|
</dl> |
|
|
|
<p>Default is same as input. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>matrixin, min</samp>’</dt> |
|
<dd><p>Set the input colorspace matrix. |
|
</p> |
|
<p>Possible value are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>709</var></dt> |
|
<dt><var>unspecified</var></dt> |
|
<dt><var>470bg</var></dt> |
|
<dt><var>170m</var></dt> |
|
<dt><var>2020_ncl</var></dt> |
|
<dt><var>2020_cl</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>chromal, c</samp>’</dt> |
|
<dd><p>Set the output chroma location. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>left</var></dt> |
|
<dt><var>center</var></dt> |
|
<dt><var>topleft</var></dt> |
|
<dt><var>top</var></dt> |
|
<dt><var>bottomleft</var></dt> |
|
<dt><var>bottom</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>chromalin, cin</samp>’</dt> |
|
<dd><p>Set the input chroma location. |
|
</p> |
|
<p>Possible values are: |
|
</p><dl compact="compact"> |
|
<dt><var>input</var></dt> |
|
<dt><var>left</var></dt> |
|
<dt><var>center</var></dt> |
|
<dt><var>topleft</var></dt> |
|
<dt><var>top</var></dt> |
|
<dt><var>bottomleft</var></dt> |
|
<dt><var>bottom</var></dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>npl</samp>’</dt> |
|
<dd><p>Set the nominal peak luminance. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The values of the ‘<samp>w</samp>’ and ‘<samp>h</samp>’ options are expressions |
|
containing the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt><var>in_w</var></dt> |
|
<dt><var>in_h</var></dt> |
|
<dd><p>The input width and height |
|
</p> |
|
</dd> |
|
<dt><var>iw</var></dt> |
|
<dt><var>ih</var></dt> |
|
<dd><p>These are the same as <var>in_w</var> and <var>in_h</var>. |
|
</p> |
|
</dd> |
|
<dt><var>out_w</var></dt> |
|
<dt><var>out_h</var></dt> |
|
<dd><p>The output (scaled) width and height |
|
</p> |
|
</dd> |
|
<dt><var>ow</var></dt> |
|
<dt><var>oh</var></dt> |
|
<dd><p>These are the same as <var>out_w</var> and <var>out_h</var> |
|
</p> |
|
</dd> |
|
<dt><var>a</var></dt> |
|
<dd><p>The same as <var>iw</var> / <var>ih</var> |
|
</p> |
|
</dd> |
|
<dt><var>sar</var></dt> |
|
<dd><p>input sample aspect ratio |
|
</p> |
|
</dd> |
|
<dt><var>dar</var></dt> |
|
<dd><p>The input display aspect ratio. Calculated from <code>(iw / ih) * sar</code>. |
|
</p> |
|
</dd> |
|
<dt><var>hsub</var></dt> |
|
<dt><var>vsub</var></dt> |
|
<dd><p>horizontal and vertical input chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p> |
|
</dd> |
|
<dt><var>ohsub</var></dt> |
|
<dt><var>ovsub</var></dt> |
|
<dd><p>horizontal and vertical output chroma subsample values. For example for the |
|
pixel format "yuv422p" <var>hsub</var> is 2 and <var>vsub</var> is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
|
|
|
|
<a name="Video-Sources"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Video-Sources">30 Video Sources</a></h1> |
|
|
|
<p>Below is a description of the currently available video sources. |
|
</p> |
|
<a name="buffer"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-buffer">30.1 buffer</a></h2> |
|
|
|
<p>Buffer video frames, and make them available to the filter chain. |
|
</p> |
|
<p>This source is mainly intended for a programmatic use, in particular |
|
through the interface defined in ‘<tt>libavfilter/vsrc_buffer.h</tt>’. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>video_size</samp>’</dt> |
|
<dd><p>Specify the size (width and height) of the buffered video frames. For the |
|
syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>width</samp>’</dt> |
|
<dd><p>The input video width. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>height</samp>’</dt> |
|
<dd><p>The input video height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pix_fmt</samp>’</dt> |
|
<dd><p>A string representing the pixel format of the buffered video frames. |
|
It may be a number corresponding to a pixel format, or a pixel format |
|
name. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>time_base</samp>’</dt> |
|
<dd><p>Specify the timebase assumed by the timestamps of the buffered frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>frame_rate</samp>’</dt> |
|
<dd><p>Specify the frame rate expected for the video stream. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pixel_aspect, sar</samp>’</dt> |
|
<dd><p>The sample (pixel) aspect ratio of the input video. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sws_param</samp>’</dt> |
|
<dd><p>Specify the optional parameters to be used for the scale filter which |
|
is automatically inserted when an input change is detected in the |
|
input size or format. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>hw_frames_ctx</samp>’</dt> |
|
<dd><p>When using a hardware pixel format, this should be a reference to an |
|
AVHWFramesContext describing input frames. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>For example: |
|
</p><div class="example"> |
|
<pre class="example">buffer=width=320:height=240:pix_fmt=yuv410p:time_base=1/24:sar=1 |
|
</pre></div> |
|
|
|
<p>will instruct the source to accept video frames with size 320x240 and |
|
with format "yuv410p", assuming 1/24 as the timestamps timebase and |
|
square pixels (1:1 sample aspect ratio). |
|
Since the pixel format with name "yuv410p" corresponds to the number 6 |
|
(check the enum AVPixelFormat definition in ‘<tt>libavutil/pixfmt.h</tt>’), |
|
this example corresponds to: |
|
</p><div class="example"> |
|
<pre class="example">buffer=size=320x240:pixfmt=6:time_base=1/24:pixel_aspect=1/1 |
|
</pre></div> |
|
|
|
<p>Alternatively, the options can be specified as a flat string, but this |
|
syntax is deprecated: |
|
</p> |
|
<p><var>width</var>:<var>height</var>:<var>pix_fmt</var>:<var>time_base.num</var>:<var>time_base.den</var>:<var>pixel_aspect.num</var>:<var>pixel_aspect.den</var>[:<var>sws_param</var>] |
|
</p> |
|
<a name="cellauto"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-cellauto">30.2 cellauto</a></h2> |
|
|
|
<p>Create a pattern generated by an elementary cellular automaton. |
|
</p> |
|
<p>The initial state of the cellular automaton can be defined through the |
|
‘<samp>filename</samp>’ and ‘<samp>pattern</samp>’ options. If such options are |
|
not specified an initial state is created randomly. |
|
</p> |
|
<p>At each new frame a new row in the video is filled with the result of |
|
the cellular automaton next generation. The behavior when the whole |
|
frame is filled is defined by the ‘<samp>scroll</samp>’ option. |
|
</p> |
|
<p>This source accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filename, f</samp>’</dt> |
|
<dd><p>Read the initial cellular automaton state, i.e. the starting row, from |
|
the specified file. |
|
In the file, each non-whitespace character is considered an alive |
|
cell, a newline will terminate the row, and further characters in the |
|
file will be ignored. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pattern, p</samp>’</dt> |
|
<dd><p>Read the initial cellular automaton state, i.e. the starting row, from |
|
the specified string. |
|
</p> |
|
<p>Each non-whitespace character in the string is considered an alive |
|
cell, a newline will terminate the row, and further characters in the |
|
string will be ignored. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set the video rate, that is the number of frames generated per second. |
|
Default is 25. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>random_fill_ratio, ratio</samp>’</dt> |
|
<dd><p>Set the random fill ratio for the initial cellular automaton row. It |
|
is a floating point number value ranging from 0 to 1, defaults to |
|
1/PHI. |
|
</p> |
|
<p>This option is ignored when a file or a pattern is specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>random_seed, seed</samp>’</dt> |
|
<dd><p>Set the seed for filling randomly the initial row, must be an integer |
|
included between 0 and UINT32_MAX. If not specified, or if explicitly |
|
set to -1, the filter will try to use a good random seed on a best |
|
effort basis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rule</samp>’</dt> |
|
<dd><p>Set the cellular automaton rule, it is a number ranging from 0 to 255. |
|
Default value is 110. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set the size of the output video. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
<p>If ‘<samp>filename</samp>’ or ‘<samp>pattern</samp>’ is specified, the size is set |
|
by default to the width of the specified initial state row, and the |
|
height is set to <var>width</var> * PHI. |
|
</p> |
|
<p>If ‘<samp>size</samp>’ is set, it must contain the width of the specified |
|
pattern string, and the specified pattern will be centered in the |
|
larger row. |
|
</p> |
|
<p>If a filename or a pattern string is not specified, the size value |
|
defaults to "320x518" (used for a randomly generated initial state). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scroll</samp>’</dt> |
|
<dd><p>If set to 1, scroll the output upward when all the rows in the output |
|
have been already filled. If set to 0, the new generated row will be |
|
written over the top row just after the bottom row is filled. |
|
Defaults to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_full, full</samp>’</dt> |
|
<dd><p>If set to 1, completely fill the output with generated rows before |
|
outputting the first frame. |
|
This is the default behavior, for disabling set the value to 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stitch</samp>’</dt> |
|
<dd><p>If set to 1, stitch the left and right row edges together. |
|
This is the default behavior, for disabling set the value to 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-101"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-101">30.2.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Read the initial state from ‘<tt>pattern</tt>’, and specify an output of |
|
size 200x400. |
|
<div class="example"> |
|
<pre class="example">cellauto=f=pattern:s=200x400 |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a random initial row with a width of 200 cells, with a fill |
|
ratio of 2/3: |
|
<div class="example"> |
|
<pre class="example">cellauto=ratio=2/3:s=200x200 |
|
</pre></div> |
|
|
|
</li><li> |
|
Create a pattern generated by rule 18 starting by a single alive cell |
|
centered on an initial row with width 100: |
|
<div class="example"> |
|
<pre class="example">cellauto=p=@:s=100x400:full=0:rule=18 |
|
</pre></div> |
|
|
|
</li><li> |
|
Specify a more elaborated initial pattern: |
|
<div class="example"> |
|
<pre class="example">cellauto=p='@@ @ @@':s=100x400:full=0:rule=18 |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<p><a name="coreimagesrc"></a> |
|
</p><a name="coreimagesrc-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-coreimagesrc-1">30.3 coreimagesrc</a></h2> |
|
<p>Video source generated on GPU using Apple’s CoreImage API on OSX. |
|
</p> |
|
<p>This video source is a specialized version of the <a href="#coreimage">coreimage</a> video filter. |
|
Use a core image generator at the beginning of the applied filterchain to |
|
generate the content. |
|
</p> |
|
<p>The coreimagesrc video source accepts the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>list_generators</samp>’</dt> |
|
<dd><p>List all available generators along with all their respective options as well as |
|
possible minimum and maximum values along with the default values. |
|
</p><div class="example"> |
|
<pre class="example">list_generators=true |
|
</pre></div> |
|
|
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the size of the sourced video. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
The default value is <code>320x240</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Specify the frame rate of the sourced video, as the number of frames |
|
generated per second. It has to be a string in the format |
|
<var>frame_rate_num</var>/<var>frame_rate_den</var>, an integer number, a floating point |
|
number or a valid video frame rate abbreviation. The default value is |
|
"25". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>Set the sample aspect ratio of the sourced video. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Set the duration of the sourced video. See |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
</p> |
|
<p>If not specified, or the expressed duration is negative, the video is |
|
supposed to be generated forever. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Additionally, all options of the <a href="#coreimage">coreimage</a> video filter are accepted. |
|
A complete filterchain can be used for further processing of the |
|
generated input without CPU-HOST transfer. See <a href="#coreimage">coreimage</a> documentation |
|
and examples for details. |
|
</p> |
|
<a name="Examples-2"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-2">30.3.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Use CIQRCodeGenerator to create a QR code for the FFmpeg homepage, |
|
given as complete and escaped command-line for Apple’s standard bash shell: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -f lavfi -i coreimagesrc=s=100x100:filter=CIQRCodeGenerator@inputMessage=https\\\\\://FFmpeg.org/@inputCorrectionLevel=H -frames:v 1 QRCode.png |
|
</pre></div> |
|
<p>This example is equivalent to the QRCode example of <a href="#coreimage">coreimage</a> without the |
|
need for a nullsrc video source. |
|
</p></li></ul> |
|
|
|
|
|
<a name="mandelbrot"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mandelbrot">30.4 mandelbrot</a></h2> |
|
|
|
<p>Generate a Mandelbrot set fractal, and progressively zoom towards the |
|
point specified with <var>start_x</var> and <var>start_y</var>. |
|
</p> |
|
<p>This source accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>end_pts</samp>’</dt> |
|
<dd><p>Set the terminal pts value. Default value is 400. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>end_scale</samp>’</dt> |
|
<dd><p>Set the terminal scale value. |
|
Must be a floating point value. Default value is 0.3. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>inner</samp>’</dt> |
|
<dd><p>Set the inner coloring mode, that is the algorithm used to draw the |
|
Mandelbrot fractal internal region. |
|
</p> |
|
<p>It shall assume one of the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>black</samp>’</dt> |
|
<dd><p>Set black mode. |
|
</p></dd> |
|
<dt>‘<samp>convergence</samp>’</dt> |
|
<dd><p>Show time until convergence. |
|
</p></dd> |
|
<dt>‘<samp>mincol</samp>’</dt> |
|
<dd><p>Set color based on point closest to the origin of the iterations. |
|
</p></dd> |
|
<dt>‘<samp>period</samp>’</dt> |
|
<dd><p>Set period mode. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <var>mincol</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bailout</samp>’</dt> |
|
<dd><p>Set the bailout value. Default value is 10.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>maxiter</samp>’</dt> |
|
<dd><p>Set the maximum of iterations performed by the rendering |
|
algorithm. Default value is 7189. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>outer</samp>’</dt> |
|
<dd><p>Set outer coloring mode. |
|
It shall assume one of following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>iteration_count</samp>’</dt> |
|
<dd><p>Set iteration cound mode. |
|
</p></dd> |
|
<dt>‘<samp>normalized_iteration_count</samp>’</dt> |
|
<dd><p>set normalized iteration count mode. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is <var>normalized_iteration_count</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set frame rate, expressed as number of frames per second. Default |
|
value is "25". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set frame size. For the syntax of this option, check the <a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. Default value is "640x480". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_scale</samp>’</dt> |
|
<dd><p>Set the initial scale value. Default value is 3.0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_x</samp>’</dt> |
|
<dd><p>Set the initial x position. Must be a floating point value between |
|
-100 and 100. Default value is -0.743643887037158704752191506114774. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_y</samp>’</dt> |
|
<dd><p>Set the initial y position. Must be a floating point value between |
|
-100 and 100. Default value is -0.131825904205311970493132056385139. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="mptestsrc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-mptestsrc">30.5 mptestsrc</a></h2> |
|
|
|
<p>Generate various test patterns, as generated by the MPlayer test filter. |
|
</p> |
|
<p>The size of the generated video is fixed, and is 256x256. |
|
This source is useful in particular for testing encoding features. |
|
</p> |
|
<p>This source accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Specify the frame rate of the sourced video, as the number of frames |
|
generated per second. It has to be a string in the format |
|
<var>frame_rate_num</var>/<var>frame_rate_den</var>, an integer number, a floating point |
|
number or a valid video frame rate abbreviation. The default value is |
|
"25". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Set the duration of the sourced video. See |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
</p> |
|
<p>If not specified, or the expressed duration is negative, the video is |
|
supposed to be generated forever. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>test, t</samp>’</dt> |
|
<dd> |
|
<p>Set the number or the name of the test to perform. Supported tests are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>dc_luma</samp>’</dt> |
|
<dt>‘<samp>dc_chroma</samp>’</dt> |
|
<dt>‘<samp>freq_luma</samp>’</dt> |
|
<dt>‘<samp>freq_chroma</samp>’</dt> |
|
<dt>‘<samp>amp_luma</samp>’</dt> |
|
<dt>‘<samp>amp_chroma</samp>’</dt> |
|
<dt>‘<samp>cbp</samp>’</dt> |
|
<dt>‘<samp>mv</samp>’</dt> |
|
<dt>‘<samp>ring1</samp>’</dt> |
|
<dt>‘<samp>ring2</samp>’</dt> |
|
<dt>‘<samp>all</samp>’</dt> |
|
</dl> |
|
|
|
<p>Default value is "all", which will cycle through the list of all tests. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Some examples: |
|
</p><div class="example"> |
|
<pre class="example">mptestsrc=t=dc_luma |
|
</pre></div> |
|
|
|
<p>will generate a "dc_luma" test pattern. |
|
</p> |
|
<a name="frei0r_005fsrc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-frei0r_005fsrc">30.6 frei0r_src</a></h2> |
|
|
|
<p>Provide a frei0r source. |
|
</p> |
|
<p>To enable compilation of this filter you need to install the frei0r |
|
header and configure FFmpeg with <code>--enable-frei0r</code>. |
|
</p> |
|
<p>This source accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>The size of the video to generate. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>framerate</samp>’</dt> |
|
<dd><p>The framerate of the generated video. It may be a string of the form |
|
<var>num</var>/<var>den</var> or a frame rate abbreviation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filter_name</samp>’</dt> |
|
<dd><p>The name to the frei0r source to load. For more information regarding frei0r and |
|
how to set the parameters, read the <a href="#frei0r">frei0r</a> section in the video filters |
|
documentation. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>filter_params</samp>’</dt> |
|
<dd><p>A ’|’-separated list of parameters to pass to the frei0r source. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>For example, to generate a frei0r partik0l source with size 200x200 |
|
and frame rate 10 which is overlaid on the overlay filter main input: |
|
</p><div class="example"> |
|
<pre class="example">frei0r_src=size=200x200:framerate=10:filter_name=partik0l:filter_params=1234 [overlay]; [in][overlay] overlay |
|
</pre></div> |
|
|
|
<a name="life"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-life">30.7 life</a></h2> |
|
|
|
<p>Generate a life pattern. |
|
</p> |
|
<p>This source is based on a generalization of John Conway’s life game. |
|
</p> |
|
<p>The sourced input represents a life grid, each pixel represents a cell |
|
which can be in one of two possible states, alive or dead. Every cell |
|
interacts with its eight neighbours, which are the cells that are |
|
horizontally, vertically, or diagonally adjacent. |
|
</p> |
|
<p>At each interaction the grid evolves according to the adopted rule, |
|
which specifies the number of neighbor alive cells which will make a |
|
cell stay alive or born. The ‘<samp>rule</samp>’ option allows one to specify |
|
the rule to adopt. |
|
</p> |
|
<p>This source accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filename, f</samp>’</dt> |
|
<dd><p>Set the file from which to read the initial grid state. In the file, |
|
each non-whitespace character is considered an alive cell, and newline |
|
is used to delimit the end of each row. |
|
</p> |
|
<p>If this option is not specified, the initial grid is generated |
|
randomly. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set the video rate, that is the number of frames generated per second. |
|
Default is 25. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>random_fill_ratio, ratio</samp>’</dt> |
|
<dd><p>Set the random fill ratio for the initial random grid. It is a |
|
floating point number value ranging from 0 to 1, defaults to 1/PHI. |
|
It is ignored when a file is specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>random_seed, seed</samp>’</dt> |
|
<dd><p>Set the seed for filling the initial random grid, must be an integer |
|
included between 0 and UINT32_MAX. If not specified, or if explicitly |
|
set to -1, the filter will try to use a good random seed on a best |
|
effort basis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rule</samp>’</dt> |
|
<dd><p>Set the life rule. |
|
</p> |
|
<p>A rule can be specified with a code of the kind "S<var>NS</var>/B<var>NB</var>", |
|
where <var>NS</var> and <var>NB</var> are sequences of numbers in the range 0-8, |
|
<var>NS</var> specifies the number of alive neighbor cells which make a |
|
live cell stay alive, and <var>NB</var> the number of alive neighbor cells |
|
which make a dead cell to become alive (i.e. to "born"). |
|
"s" and "b" can be used in place of "S" and "B", respectively. |
|
</p> |
|
<p>Alternatively a rule can be specified by an 18-bits integer. The 9 |
|
high order bits are used to encode the next cell state if it is alive |
|
for each number of neighbor alive cells, the low order bits specify |
|
the rule for "borning" new cells. Higher order bits encode for an |
|
higher number of neighbor cells. |
|
For example the number 6153 = <code>(12<<9)+9</code> specifies a stay alive |
|
rule of 12 and a born rule of 9, which corresponds to "S23/B03". |
|
</p> |
|
<p>Default value is "S23/B3", which is the original Conway’s game of life |
|
rule, and will keep a cell alive if it has 2 or 3 neighbor alive |
|
cells, and will born a new cell if there are three alive cells around |
|
a dead cell. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set the size of the output video. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
<p>If ‘<samp>filename</samp>’ is specified, the size is set by default to the |
|
same size of the input file. If ‘<samp>size</samp>’ is set, it must contain |
|
the size specified in the input file, and the initial grid defined in |
|
that file is centered in the larger resulting area. |
|
</p> |
|
<p>If a filename is not specified, the size value defaults to "320x240" |
|
(used for a randomly generated initial grid). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stitch</samp>’</dt> |
|
<dd><p>If set to 1, stitch the left and right grid edges together, and the |
|
top and bottom edges also. Defaults to 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mold</samp>’</dt> |
|
<dd><p>Set cell mold speed. If set, a dead cell will go from ‘<samp>death_color</samp>’ to |
|
‘<samp>mold_color</samp>’ with a step of ‘<samp>mold</samp>’. ‘<samp>mold</samp>’ can have a |
|
value from 0 to 255. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>life_color</samp>’</dt> |
|
<dd><p>Set the color of living (or new born) cells. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>death_color</samp>’</dt> |
|
<dd><p>Set the color of dead cells. If ‘<samp>mold</samp>’ is set, this is the first color |
|
used to represent a dead cell. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mold_color</samp>’</dt> |
|
<dd><p>Set mold color, for definitely dead and moldy cells. |
|
</p> |
|
<p>For the syntax of these 3 color options, check the <a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-83"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-83">30.7.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Read a grid from ‘<tt>pattern</tt>’, and center it on a grid of size |
|
300x300 pixels: |
|
<div class="example"> |
|
<pre class="example">life=f=pattern:s=300x300 |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate a random grid of size 200x200, with a fill ratio of 2/3: |
|
<div class="example"> |
|
<pre class="example">life=ratio=2/3:s=200x200 |
|
</pre></div> |
|
|
|
</li><li> |
|
Specify a custom rule for evolving a randomly generated grid: |
|
<div class="example"> |
|
<pre class="example">life=rule=S14/B34 |
|
</pre></div> |
|
|
|
</li><li> |
|
Full example with slow death effect (mold) using <code>ffplay</code>: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi life=s=300x200:mold=10:r=60:ratio=0.1:death_color=#C83232:life_color=#00ff00,scale=1200:800:flags=16 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="allrgb"></a> |
|
<a name="allyuv"></a> |
|
<a name="color"></a> |
|
<a name="haldclutsrc"></a> |
|
<a name="nullsrc"></a> |
|
<a name="pal75bars"></a> |
|
<a name="pal100bars"></a> |
|
<a name="rgbtestsrc"></a> |
|
<a name="smptebars"></a> |
|
<a name="smptehdbars"></a> |
|
<a name="testsrc"></a> |
|
<a name="testsrc2"></a> |
|
<a name="yuvtestsrc"></a> |
|
</p><a name="allrgb_002c-allyuv_002c-color_002c-haldclutsrc_002c-nullsrc_002c-pal75bars_002c-pal100bars_002c-rgbtestsrc_002c-smptebars_002c-smptehdbars_002c-testsrc_002c-testsrc2_002c-yuvtestsrc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-allrgb_002c-allyuv_002c-color_002c-haldclutsrc_002c-nullsrc_002c-pal75bars_002c-pal100bars_002c-rgbtestsrc_002c-smptebars_002c-smptehdbars_002c-testsrc_002c-testsrc2_002c-yuvtestsrc">30.8 allrgb, allyuv, color, haldclutsrc, nullsrc, pal75bars, pal100bars, rgbtestsrc, smptebars, smptehdbars, testsrc, testsrc2, yuvtestsrc</a></h2> |
|
|
|
<p>The <code>allrgb</code> source returns frames of size 4096x4096 of all rgb colors. |
|
</p> |
|
<p>The <code>allyuv</code> source returns frames of size 4096x4096 of all yuv colors. |
|
</p> |
|
<p>The <code>color</code> source provides an uniformly colored input. |
|
</p> |
|
<p>The <code>haldclutsrc</code> source provides an identity Hald CLUT. See also |
|
<a href="#haldclut">haldclut</a> filter. |
|
</p> |
|
<p>The <code>nullsrc</code> source returns unprocessed video frames. It is |
|
mainly useful to be employed in analysis / debugging tools, or as the |
|
source for filters which ignore the input data. |
|
</p> |
|
<p>The <code>pal75bars</code> source generates a color bars pattern, based on |
|
EBU PAL recommendations with 75% color levels. |
|
</p> |
|
<p>The <code>pal100bars</code> source generates a color bars pattern, based on |
|
EBU PAL recommendations with 100% color levels. |
|
</p> |
|
<p>The <code>rgbtestsrc</code> source generates an RGB test pattern useful for |
|
detecting RGB vs BGR issues. You should see a red, green and blue |
|
stripe from top to bottom. |
|
</p> |
|
<p>The <code>smptebars</code> source generates a color bars pattern, based on |
|
the SMPTE Engineering Guideline EG 1-1990. |
|
</p> |
|
<p>The <code>smptehdbars</code> source generates a color bars pattern, based on |
|
the SMPTE RP 219-2002. |
|
</p> |
|
<p>The <code>testsrc</code> source generates a test video pattern, showing a |
|
color pattern, a scrolling gradient and a timestamp. This is mainly |
|
intended for testing purposes. |
|
</p> |
|
<p>The <code>testsrc2</code> source is similar to testsrc, but supports more |
|
pixel formats instead of just <code>rgb24</code>. This allows using it as an |
|
input for other tests without requiring a format conversion. |
|
</p> |
|
<p>The <code>yuvtestsrc</code> source generates an YUV test pattern. You should |
|
see a y, cb and cr stripe from top to bottom. |
|
</p> |
|
<p>The sources accept the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>level</samp>’</dt> |
|
<dd><p>Specify the level of the Hald CLUT, only available in the <code>haldclutsrc</code> |
|
source. A level of <code>N</code> generates a picture of <code>N*N*N</code> by <code>N*N*N</code> |
|
pixels to be used as identity matrix for 3D lookup tables. Each component is |
|
coded on a <code>1/(N*N)</code> scale. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color, c</samp>’</dt> |
|
<dd><p>Specify the color of the source, only available in the <code>color</code> |
|
source. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#color-syntax">(ffmpeg-utils)"Color" section in the ffmpeg-utils manual</a>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the size of the sourced video. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
The default value is <code>320x240</code>. |
|
</p> |
|
<p>This option is not available with the <code>allrgb</code>, <code>allyuv</code>, and |
|
<code>haldclutsrc</code> filters. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Specify the frame rate of the sourced video, as the number of frames |
|
generated per second. It has to be a string in the format |
|
<var>frame_rate_num</var>/<var>frame_rate_den</var>, an integer number, a floating point |
|
number or a valid video frame rate abbreviation. The default value is |
|
"25". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>duration, d</samp>’</dt> |
|
<dd><p>Set the duration of the sourced video. See |
|
<a href="ffmpeg-utils.html#time-duration-syntax">(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual</a> |
|
for the accepted syntax. |
|
</p> |
|
<p>If not specified, or the expressed duration is negative, the video is |
|
supposed to be generated forever. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sar</samp>’</dt> |
|
<dd><p>Set the sample aspect ratio of the sourced video. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>alpha</samp>’</dt> |
|
<dd><p>Specify the alpha (opacity) of the background, only available in the |
|
<code>testsrc2</code> source. The value must be between 0 (fully transparent) and |
|
255 (fully opaque, the default). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>decimals, n</samp>’</dt> |
|
<dd><p>Set the number of decimals to show in the timestamp, only available in the |
|
<code>testsrc</code> source. |
|
</p> |
|
<p>The displayed timestamp value will correspond to the original |
|
timestamp value multiplied by the power of 10 of the specified |
|
value. Default value is 0. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-137"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-137">30.8.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Generate a video with a duration of 5.3 seconds, with size |
|
176x144 and a frame rate of 10 frames per second: |
|
<div class="example"> |
|
<pre class="example">testsrc=duration=5.3:size=qcif:rate=10 |
|
</pre></div> |
|
|
|
</li><li> |
|
The following graph description will generate a red source |
|
with an opacity of 0.2, with size "qcif" and a frame rate of 10 |
|
frames per second: |
|
<div class="example"> |
|
<pre class="example">color=c=red@0.2:s=qcif:r=10 |
|
</pre></div> |
|
|
|
</li><li> |
|
If the input content is to be ignored, <code>nullsrc</code> can be used. The |
|
following command generates noise in the luminance plane by employing |
|
the <code>geq</code> filter: |
|
<div class="example"> |
|
<pre class="example">nullsrc=s=256x256, geq=random(1)*255:128:128 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-14"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-14">30.8.2 Commands</a></h3> |
|
|
|
<p>The <code>color</code> source supports the following commands: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>c, color</samp>’</dt> |
|
<dd><p>Set the color of the created image. Accepts the same syntax of the |
|
corresponding ‘<samp>color</samp>’ option. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="openclsrc"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-openclsrc">30.9 openclsrc</a></h2> |
|
|
|
<p>Generate video using an OpenCL program. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>source</samp>’</dt> |
|
<dd><p>OpenCL program source file. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>kernel</samp>’</dt> |
|
<dd><p>Kernel name in program. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Size of frames to generate. This must be set. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format</samp>’</dt> |
|
<dd><p>Pixel format to use for the generated frames. This must be set. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Number of frames generated every second. Default value is ’25’. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>For details of how the program loading works, see the <a href="#program_005fopencl">program_opencl</a> |
|
filter. |
|
</p> |
|
<p>Example programs: |
|
</p> |
|
<ul> |
|
<li> |
|
Generate a colour ramp by setting pixel values from the position of the pixel |
|
in the output image. (Note that this will work with all pixel formats, but |
|
the generated output will not be the same.) |
|
<pre class="verbatim">__kernel void ramp(__write_only image2d_t dst, |
|
unsigned int index) |
|
{ |
|
int2 loc = (int2)(get_global_id(0), get_global_id(1)); |
|
|
|
float4 val; |
|
val.xy = val.zw = convert_float2(loc) / convert_float2(get_image_dim(dst)); |
|
|
|
write_imagef(dst, loc, val); |
|
} |
|
</pre> |
|
</li><li> |
|
Generate a Sierpinski carpet pattern, panning by a single pixel each frame. |
|
<pre class="verbatim">__kernel void sierpinski_carpet(__write_only image2d_t dst, |
|
unsigned int index) |
|
{ |
|
int2 loc = (int2)(get_global_id(0), get_global_id(1)); |
|
|
|
float4 value = 0.0f; |
|
int x = loc.x + index; |
|
int y = loc.y + index; |
|
while (x > 0 || y > 0) { |
|
if (x % 3 == 1 && y % 3 == 1) { |
|
value = 1.0f; |
|
break; |
|
} |
|
x /= 3; |
|
y /= 3; |
|
} |
|
|
|
write_imagef(dst, loc, value); |
|
} |
|
</pre> |
|
</li></ul> |
|
|
|
|
|
<a name="Video-Sinks"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Video-Sinks">31 Video Sinks</a></h1> |
|
|
|
<p>Below is a description of the currently available video sinks. |
|
</p> |
|
<a name="buffersink"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-buffersink">31.1 buffersink</a></h2> |
|
|
|
<p>Buffer video frames, and make them available to the end of the filter |
|
graph. |
|
</p> |
|
<p>This sink is mainly intended for programmatic use, in particular |
|
through the interface defined in ‘<tt>libavfilter/buffersink.h</tt>’ |
|
or the options system. |
|
</p> |
|
<p>It accepts a pointer to an AVBufferSinkContext structure, which |
|
defines the incoming buffers’ formats, to be passed as the opaque |
|
parameter to <code>avfilter_init_filter</code> for initialization. |
|
</p> |
|
<a name="nullsink"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-nullsink">31.2 nullsink</a></h2> |
|
|
|
<p>Null video sink: do absolutely nothing with the input video. It is |
|
mainly useful as a template and for use in analysis / debugging |
|
tools. |
|
</p> |
|
|
|
<a name="Multimedia-Filters"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Multimedia-Filters">32 Multimedia Filters</a></h1> |
|
|
|
<p>Below is a description of the currently available multimedia filters. |
|
</p> |
|
<a name="abitscope"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-abitscope">32.1 abitscope</a></h2> |
|
|
|
<p>Convert input audio to a video output, displaying the audio bit scope. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set frame rate, expressed as number of frames per second. Default |
|
value is "25". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the video size for the output. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>1024x256</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colors</samp>’</dt> |
|
<dd><p>Specify list of colors separated by space or by ’|’ which will be used to |
|
draw channels. Unrecognized or missing colors will be replaced |
|
by white color. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="ahistogram"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ahistogram">32.2 ahistogram</a></h2> |
|
|
|
<p>Convert input audio to a video output, displaying the volume histogram. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>dmode</samp>’</dt> |
|
<dd><p>Specify how histogram is calculated. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>single</samp>’</dt> |
|
<dd><p>Use single histogram for all channels. |
|
</p></dd> |
|
<dt>‘<samp>separate</samp>’</dt> |
|
<dd><p>Use separate histogram for each channel. |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>single</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set frame rate, expressed as number of frames per second. Default |
|
value is "25". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the video size for the output. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>hd720</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Set display scale. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>logarithmic |
|
</p></dd> |
|
<dt>‘<samp>sqrt</samp>’</dt> |
|
<dd><p>square root |
|
</p></dd> |
|
<dt>‘<samp>cbrt</samp>’</dt> |
|
<dd><p>cubic root |
|
</p></dd> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>linear |
|
</p></dd> |
|
<dt>‘<samp>rlog</samp>’</dt> |
|
<dd><p>reverse logarithmic |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>log</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ascale</samp>’</dt> |
|
<dd><p>Set amplitude scale. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>logarithmic |
|
</p></dd> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>linear |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>log</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>acount</samp>’</dt> |
|
<dd><p>Set how much frames to accumulate in histogram. |
|
Defauls is 1. Setting this to -1 accumulates all frames. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rheight</samp>’</dt> |
|
<dd><p>Set histogram ratio of window height. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>slide</samp>’</dt> |
|
<dd><p>Set sonogram sliding. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>replace</samp>’</dt> |
|
<dd><p>replace old rows with new ones. |
|
</p></dd> |
|
<dt>‘<samp>scroll</samp>’</dt> |
|
<dd><p>scroll from top to bottom. |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>replace</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="aphasemeter"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-aphasemeter">32.3 aphasemeter</a></h2> |
|
|
|
<p>Convert input audio to a video output, displaying the audio phase. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set the output frame rate. Default value is <code>25</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set the video size for the output. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>800x400</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc</samp>’</dt> |
|
<dt>‘<samp>gc</samp>’</dt> |
|
<dt>‘<samp>bc</samp>’</dt> |
|
<dd><p>Specify the red, green, blue contrast. Default values are <code>2</code>, |
|
<code>7</code> and <code>1</code>. |
|
Allowed range is <code>[0, 255]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mpc</samp>’</dt> |
|
<dd><p>Set color which will be used for drawing median phase. If color is |
|
<code>none</code> which is default, no median phase value will be drawn. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>video</samp>’</dt> |
|
<dd><p>Enable video output. Default is enabled. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The filter also exports the frame metadata <code>lavfi.aphasemeter.phase</code> which |
|
represents mean phase of current audio frame. Value is in range <code>[-1, 1]</code>. |
|
The <code>-1</code> means left and right channels are completely out of phase and |
|
<code>1</code> means channels are in phase. |
|
</p> |
|
<a name="avectorscope"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-avectorscope">32.4 avectorscope</a></h2> |
|
|
|
<p>Convert input audio to a video output, representing the audio vector |
|
scope. |
|
</p> |
|
<p>The filter is used to measure the difference between channels of stereo |
|
audio stream. A monoaural signal, consisting of identical left and right |
|
signal, results in straight vertical line. Any stereo separation is visible |
|
as a deviation from this line, creating a Lissajous figure. |
|
If the straight (or deviation from it) but horizontal line appears this |
|
indicates that the left and right channels are out of phase. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode, m</samp>’</dt> |
|
<dd><p>Set the vectorscope mode. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>lissajous</samp>’</dt> |
|
<dd><p>Lissajous rotated by 45 degrees. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>lissajous_xy</samp>’</dt> |
|
<dd><p>Same as above but not rotated. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>polar</samp>’</dt> |
|
<dd><p>Shape resembling half of circle. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>lissajous</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Set the video size for the output. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>400x400</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set the output frame rate. Default value is <code>25</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rc</samp>’</dt> |
|
<dt>‘<samp>gc</samp>’</dt> |
|
<dt>‘<samp>bc</samp>’</dt> |
|
<dt>‘<samp>ac</samp>’</dt> |
|
<dd><p>Specify the red, green, blue and alpha contrast. Default values are <code>40</code>, |
|
<code>160</code>, <code>80</code> and <code>255</code>. |
|
Allowed range is <code>[0, 255]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rf</samp>’</dt> |
|
<dt>‘<samp>gf</samp>’</dt> |
|
<dt>‘<samp>bf</samp>’</dt> |
|
<dt>‘<samp>af</samp>’</dt> |
|
<dd><p>Specify the red, green, blue and alpha fade. Default values are <code>15</code>, |
|
<code>10</code>, <code>5</code> and <code>5</code>. |
|
Allowed range is <code>[0, 255]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>zoom</samp>’</dt> |
|
<dd><p>Set the zoom factor. Default value is <code>1</code>. Allowed range is <code>[0, 10]</code>. |
|
Values lower than <var>1</var> will auto adjust zoom factor to maximal possible value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>draw</samp>’</dt> |
|
<dd><p>Set the vectorscope drawing mode. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>dot</samp>’</dt> |
|
<dd><p>Draw dot for each sample. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>line</samp>’</dt> |
|
<dd><p>Draw line between previous and current sample. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>dot</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Specify amplitude scale of audio samples. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>Linear. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sqrt</samp>’</dt> |
|
<dd><p>Square root. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cbrt</samp>’</dt> |
|
<dd><p>Cubic root. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>Logarithmic. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>swap</samp>’</dt> |
|
<dd><p>Swap left channel axis with right channel axis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mirror</samp>’</dt> |
|
<dd><p>Mirror axis. |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>No mirror. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>x</samp>’</dt> |
|
<dd><p>Mirror only x axis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>y</samp>’</dt> |
|
<dd><p>Mirror only y axis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>xy</samp>’</dt> |
|
<dd><p>Mirror both axis. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-69"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-69">32.4.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Complete example using <code>ffplay</code>: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi 'amovie=input.mp3, asplit [a][out1]; |
|
[a] avectorscope=zoom=1.3:rc=2:gc=200:bc=10:rf=1:gf=8:bf=7 [out0]' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="bench_002c-abench"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-bench_002c-abench">32.5 bench, abench</a></h2> |
|
|
|
<p>Benchmark part of a filtergraph. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>action</samp>’</dt> |
|
<dd><p>Start or stop a timer. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>start</samp>’</dt> |
|
<dd><p>Get the current time, set it as frame metadata (using the key |
|
<code>lavfi.bench.start_time</code>), and forward the frame to the next filter. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stop</samp>’</dt> |
|
<dd><p>Get the current time and fetch the <code>lavfi.bench.start_time</code> metadata from |
|
the input frame metadata to get the time difference. Time difference, average, |
|
maximum and minimum time (respectively <code>t</code>, <code>avg</code>, <code>max</code> and |
|
<code>min</code>) are then printed. The timestamps are expressed in seconds. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-93"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-93">32.5.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Benchmark <a href="#selectivecolor">selectivecolor</a> filter: |
|
<div class="example"> |
|
<pre class="example">bench=start,selectivecolor=reds=-.2 .12 -.49,bench=stop |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="concat-2"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-concat-2">32.6 concat</a></h2> |
|
|
|
<p>Concatenate audio and video streams, joining them together one after the |
|
other. |
|
</p> |
|
<p>The filter works on segments of synchronized video and audio streams. All |
|
segments must have the same number of streams of each type, and that will |
|
also be the number of streams at output. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>Set the number of segments. Default is 2. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>v</samp>’</dt> |
|
<dd><p>Set the number of output video streams, that is also the number of video |
|
streams in each segment. Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>a</samp>’</dt> |
|
<dd><p>Set the number of output audio streams, that is also the number of audio |
|
streams in each segment. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>unsafe</samp>’</dt> |
|
<dd><p>Activate unsafe mode: do not fail if segments have a different format. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The filter has <var>v</var>+<var>a</var> outputs: first <var>v</var> video outputs, then |
|
<var>a</var> audio outputs. |
|
</p> |
|
<p>There are <var>n</var>x(<var>v</var>+<var>a</var>) inputs: first the inputs for the first |
|
segment, in the same order as the outputs, then the inputs for the second |
|
segment, etc. |
|
</p> |
|
<p>Related streams do not always have exactly the same duration, for various |
|
reasons including codec frame size or sloppy authoring. For that reason, |
|
related synchronized streams (e.g. a video and its audio track) should be |
|
concatenated at once. The concat filter will use the duration of the longest |
|
stream in each segment (except the last one), and if necessary pad shorter |
|
audio streams with silence. |
|
</p> |
|
<p>For this filter to work correctly, all segments must start at timestamp 0. |
|
</p> |
|
<p>All corresponding streams must have the same parameters in all segments; the |
|
filtering system will automatically select a common pixel format for video |
|
streams, and a common sample format, sample rate and channel layout for |
|
audio streams, but other settings, such as resolution, must be converted |
|
explicitly by the user. |
|
</p> |
|
<p>Different frame rates are acceptable but will result in variable frame rate |
|
at output; be sure to configure the output file to handle it. |
|
</p> |
|
<a name="Examples-28"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-28">32.6.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Concatenate an opening, an episode and an ending, all in bilingual version |
|
(video in stream 0, audio in streams 1 and 2): |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i opening.mkv -i episode.mkv -i ending.mkv -filter_complex \ |
|
'[0:0] [0:1] [0:2] [1:0] [1:1] [1:2] [2:0] [2:1] [2:2] |
|
concat=n=3:v=1:a=2 [v] [a1] [a2]' \ |
|
-map '[v]' -map '[a1]' -map '[a2]' output.mkv |
|
</pre></div> |
|
|
|
</li><li> |
|
Concatenate two parts, handling audio and video separately, using the |
|
(a)movie sources, and adjusting the resolution: |
|
<div class="example"> |
|
<pre class="example">movie=part1.mp4, scale=512:288 [v1] ; amovie=part1.mp4 [a1] ; |
|
movie=part2.mp4, scale=512:288 [v2] ; amovie=part2.mp4 [a2] ; |
|
[v1] [v2] concat [outv] ; [a1] [a2] concat=v=0:a=1 [outa] |
|
</pre></div> |
|
<p>Note that a desync will happen at the stitch if the audio and video streams |
|
do not have exactly the same duration in the first file. |
|
</p> |
|
</li></ul> |
|
|
|
<a name="Commands-11"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-11">32.6.2 Commands</a></h3> |
|
|
|
<p>This filter supports the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>next</samp>’</dt> |
|
<dd><p>Close the current segment and step to the next one |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="drawgraph_002c-adrawgraph"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-drawgraph_002c-adrawgraph">32.7 drawgraph, adrawgraph</a></h2> |
|
|
|
<p>Draw a graph using input video or audio metadata. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>m1</samp>’</dt> |
|
<dd><p>Set 1st frame metadata key from which metadata values will be used to draw a graph. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fg1</samp>’</dt> |
|
<dd><p>Set 1st foreground color expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m2</samp>’</dt> |
|
<dd><p>Set 2nd frame metadata key from which metadata values will be used to draw a graph. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fg2</samp>’</dt> |
|
<dd><p>Set 2nd foreground color expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m3</samp>’</dt> |
|
<dd><p>Set 3rd frame metadata key from which metadata values will be used to draw a graph. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fg3</samp>’</dt> |
|
<dd><p>Set 3rd foreground color expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m4</samp>’</dt> |
|
<dd><p>Set 4th frame metadata key from which metadata values will be used to draw a graph. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fg4</samp>’</dt> |
|
<dd><p>Set 4th foreground color expression. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>min</samp>’</dt> |
|
<dd><p>Set minimal value of metadata value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>max</samp>’</dt> |
|
<dd><p>Set maximal value of metadata value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bg</samp>’</dt> |
|
<dd><p>Set graph background color. Default is white. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set graph mode. |
|
</p> |
|
<p>Available values for mode is: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bar</samp>’</dt> |
|
<dt>‘<samp>dot</samp>’</dt> |
|
<dt>‘<samp>line</samp>’</dt> |
|
</dl> |
|
|
|
<p>Default is <code>line</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>slide</samp>’</dt> |
|
<dd><p>Set slide mode. |
|
</p> |
|
<p>Available values for slide is: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frame</samp>’</dt> |
|
<dd><p>Draw new frame when right border is reached. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>replace</samp>’</dt> |
|
<dd><p>Replace old columns with new ones. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scroll</samp>’</dt> |
|
<dd><p>Scroll from right to left. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rscroll</samp>’</dt> |
|
<dd><p>Scroll from left to right. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>picture</samp>’</dt> |
|
<dd><p>Draw single picture. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is <code>frame</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>Set size of graph video. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
The default value is <code>900x256</code>. |
|
</p> |
|
<p>The foreground color expressions can use the following variables: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>MIN</samp>’</dt> |
|
<dd><p>Minimal value of metadata value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>MAX</samp>’</dt> |
|
<dd><p>Maximal value of metadata value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VAL</samp>’</dt> |
|
<dd><p>Current metadata key value. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The color is defined as 0xAABBGGRR. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Example using metadata from <a href="#signalstats">signalstats</a> filter: |
|
</p><div class="example"> |
|
<pre class="example">signalstats,drawgraph=lavfi.signalstats.YAVG:min=0:max=255 |
|
</pre></div> |
|
|
|
<p>Example using metadata from <a href="#ebur128">ebur128</a> filter: |
|
</p><div class="example"> |
|
<pre class="example">ebur128=metadata=1,adrawgraph=lavfi.r128.M:min=-120:max=5 |
|
</pre></div> |
|
|
|
<p><a name="ebur128"></a> |
|
</p><a name="ebur128-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-ebur128-1">32.8 ebur128</a></h2> |
|
|
|
<p>EBU R128 scanner filter. This filter takes an audio stream as input and outputs |
|
it unchanged. By default, it logs a message at a frequency of 10Hz with the |
|
Momentary loudness (identified by <code>M</code>), Short-term loudness (<code>S</code>), |
|
Integrated loudness (<code>I</code>) and Loudness Range (<code>LRA</code>). |
|
</p> |
|
<p>The filter also has a video output (see the <var>video</var> option) with a real |
|
time graph to observe the loudness evolution. The graphic contains the logged |
|
message mentioned above, so it is not printed anymore when this option is set, |
|
unless the verbose logging is set. The main graphing area contains the |
|
short-term loudness (3 seconds of analysis), and the gauge on the right is for |
|
the momentary loudness (400 milliseconds). |
|
</p> |
|
<p>More information about the Loudness Recommendation EBU R128 on |
|
<a href="http://tech.ebu.ch/loudness">http://tech.ebu.ch/loudness</a>. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>video</samp>’</dt> |
|
<dd><p>Activate the video output. The audio stream is passed unchanged whether this |
|
option is set or no. The video stream will be the first output stream if |
|
activated. Default is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>size</samp>’</dt> |
|
<dd><p>Set the video size. This option is for video only. For the syntax of this |
|
option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default and minimum resolution is <code>640x480</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>meter</samp>’</dt> |
|
<dd><p>Set the EBU scale meter. Default is <code>9</code>. Common values are <code>9</code> and |
|
<code>18</code>, respectively for EBU scale meter +9 and EBU scale meter +18. Any |
|
other integer value between this range is allowed. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>metadata</samp>’</dt> |
|
<dd><p>Set metadata injection. If set to <code>1</code>, the audio input will be segmented |
|
into 100ms output frames, each of them containing various loudness information |
|
in metadata. All the metadata keys are prefixed with <code>lavfi.r128.</code>. |
|
</p> |
|
<p>Default is <code>0</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>framelog</samp>’</dt> |
|
<dd><p>Force the frame logging level. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>info</samp>’</dt> |
|
<dd><p>information logging level |
|
</p></dd> |
|
<dt>‘<samp>verbose</samp>’</dt> |
|
<dd><p>verbose logging level |
|
</p></dd> |
|
</dl> |
|
|
|
<p>By default, the logging level is set to <var>info</var>. If the ‘<samp>video</samp>’ or |
|
the ‘<samp>metadata</samp>’ options are set, it switches to <var>verbose</var>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>peak</samp>’</dt> |
|
<dd><p>Set peak mode(s). |
|
</p> |
|
<p>Available modes can be cumulated (the option is a <code>flag</code> type). Possible |
|
values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>Disable any peak mode (default). |
|
</p></dd> |
|
<dt>‘<samp>sample</samp>’</dt> |
|
<dd><p>Enable sample-peak mode. |
|
</p> |
|
<p>Simple peak mode looking for the higher sample value. It logs a message |
|
for sample-peak (identified by <code>SPK</code>). |
|
</p></dd> |
|
<dt>‘<samp>true</samp>’</dt> |
|
<dd><p>Enable true-peak mode. |
|
</p> |
|
<p>If enabled, the peak lookup is done on an over-sampled version of the input |
|
stream for better peak accuracy. It logs a message for true-peak. |
|
(identified by <code>TPK</code>) and true-peak per frame (identified by <code>FTPK</code>). |
|
This mode requires a build with <code>libswresample</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>dualmono</samp>’</dt> |
|
<dd><p>Treat mono input files as "dual mono". If a mono file is intended for playback |
|
on a stereo system, its EBU R128 measurement will be perceptually incorrect. |
|
If set to <code>true</code>, this option will compensate for this effect. |
|
Multi-channel input files are not affected by this option. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>panlaw</samp>’</dt> |
|
<dd><p>Set a specific pan law to be used for the measurement of dual mono files. |
|
This parameter is optional, and has a default value of -3.01dB. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-97"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-97">32.8.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Real-time graph using <code>ffplay</code>, with a EBU scale meter +18: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi -i "amovie=input.mp3,ebur128=video=1:meter=18 [out0][out1]" |
|
</pre></div> |
|
|
|
</li><li> |
|
Run an analysis with <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -nostats -i input.mp3 -filter_complex ebur128 -f null - |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="interleave_002c-ainterleave"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-interleave_002c-ainterleave">32.9 interleave, ainterleave</a></h2> |
|
|
|
<p>Temporally interleave frames from several inputs. |
|
</p> |
|
<p><code>interleave</code> works with video inputs, <code>ainterleave</code> with audio. |
|
</p> |
|
<p>These filters read frames from several inputs and send the oldest |
|
queued frame to the output. |
|
</p> |
|
<p>Input streams must have well defined, monotonically increasing frame |
|
timestamp values. |
|
</p> |
|
<p>In order to submit one frame to output, these filters need to enqueue |
|
at least one frame for each input, so they cannot work in case one |
|
input is not yet terminated and will not receive incoming frames. |
|
</p> |
|
<p>For example consider the case when one input is a <code>select</code> filter |
|
which always drops input frames. The <code>interleave</code> filter will keep |
|
reading from that input, but it will never be able to send new frames |
|
to output until the input sends an end-of-stream signal. |
|
</p> |
|
<p>Also, depending on inputs synchronization, the filters will drop |
|
frames in case one input receives more frames than the other ones, and |
|
the queue is already filled. |
|
</p> |
|
<p>These filters accept the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>nb_inputs, n</samp>’</dt> |
|
<dd><p>Set the number of different inputs, it is 2 by default. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-17"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-17">32.9.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Interleave frames belonging to different streams using <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i bambi.avi -i pr0n.mkv -filter_complex "[0:v][1:v] interleave" out.avi |
|
</pre></div> |
|
|
|
</li><li> |
|
Add flickering blur effect: |
|
<div class="example"> |
|
<pre class="example">select='if(gt(random(0), 0.2), 1, 2)':n=2 [tmp], boxblur=2:2, [tmp] interleave |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="metadata_002c-ametadata"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-metadata_002c-ametadata">32.10 metadata, ametadata</a></h2> |
|
|
|
<p>Manipulate frame metadata. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set mode of operation of the filter. |
|
</p> |
|
<p>Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>select</samp>’</dt> |
|
<dd><p>If both <code>value</code> and <code>key</code> is set, select frames |
|
which have such metadata. If only <code>key</code> is set, select |
|
every frame that has such key in metadata. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>add</samp>’</dt> |
|
<dd><p>Add new metadata <code>key</code> and <code>value</code>. If key is already available |
|
do nothing. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>modify</samp>’</dt> |
|
<dd><p>Modify value of already present key. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delete</samp>’</dt> |
|
<dd><p>If <code>value</code> is set, delete only keys that have such value. |
|
Otherwise, delete key. If <code>key</code> is not set, delete all metadata values in |
|
the frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>print</samp>’</dt> |
|
<dd><p>Print key and its value if metadata was found. If <code>key</code> is not set print all |
|
metadata values available in frame. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>key</samp>’</dt> |
|
<dd><p>Set key used with all modes. Must be set for all modes except <code>print</code> and <code>delete</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>value</samp>’</dt> |
|
<dd><p>Set metadata value which will be used. This option is mandatory for |
|
<code>modify</code> and <code>add</code> mode. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>function</samp>’</dt> |
|
<dd><p>Which function to use when comparing metadata value and <code>value</code>. |
|
</p> |
|
<p>Can be one of following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>same_str</samp>’</dt> |
|
<dd><p>Values are interpreted as strings, returns true if metadata value is same as <code>value</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>starts_with</samp>’</dt> |
|
<dd><p>Values are interpreted as strings, returns true if metadata value starts with |
|
the <code>value</code> option string. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>less</samp>’</dt> |
|
<dd><p>Values are interpreted as floats, returns true if metadata value is less than <code>value</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>equal</samp>’</dt> |
|
<dd><p>Values are interpreted as floats, returns true if <code>value</code> is equal with metadata value. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>greater</samp>’</dt> |
|
<dd><p>Values are interpreted as floats, returns true if metadata value is greater than <code>value</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>expr</samp>’</dt> |
|
<dd><p>Values are interpreted as floats, returns true if expression from option <code>expr</code> |
|
evaluates to true. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>expr</samp>’</dt> |
|
<dd><p>Set expression which is used when <code>function</code> is set to <code>expr</code>. |
|
The expression is evaluated through the eval API and can contain the following |
|
constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>VALUE1</samp>’</dt> |
|
<dd><p>Float representation of <code>value</code> from metadata key. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>VALUE2</samp>’</dt> |
|
<dd><p>Float representation of <code>value</code> as supplied by user in <code>value</code> option. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>file</samp>’</dt> |
|
<dd><p>If specified in <code>print</code> mode, output is written to the named file. Instead of |
|
plain filename any writable url can be specified. Filename “-” is a shorthand |
|
for standard output. If <code>file</code> option is not set, output is written to the log |
|
with AV_LOG_INFO loglevel. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-57"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-57">32.10.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Print all metadata values for frames with key <code>lavfi.signalstats.YDIF</code> with values |
|
between 0 and 1. |
|
<div class="example"> |
|
<pre class="example">signalstats,metadata=print:key=lavfi.signalstats.YDIF:value=0:function=expr:expr='between(VALUE1,0,1)' |
|
</pre></div> |
|
</li><li> |
|
Print silencedetect output to file ‘<tt>metadata.txt</tt>’. |
|
<div class="example"> |
|
<pre class="example">silencedetect,ametadata=mode=print:file=metadata.txt |
|
</pre></div> |
|
</li><li> |
|
Direct all metadata to a pipe with file descriptor 4. |
|
<div class="example"> |
|
<pre class="example">metadata=mode=print:file='pipe\:4' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="perms_002c-aperms"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-perms_002c-aperms">32.11 perms, aperms</a></h2> |
|
|
|
<p>Set read/write permissions for the output frames. |
|
</p> |
|
<p>These filters are mainly aimed at developers to test direct path in the |
|
following filter in the filtergraph. |
|
</p> |
|
<p>The filters accept the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Select the permissions mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>none</samp>’</dt> |
|
<dd><p>Do nothing. This is the default. |
|
</p></dd> |
|
<dt>‘<samp>ro</samp>’</dt> |
|
<dd><p>Set all the output frames read-only. |
|
</p></dd> |
|
<dt>‘<samp>rw</samp>’</dt> |
|
<dd><p>Set all the output frames directly writable. |
|
</p></dd> |
|
<dt>‘<samp>toggle</samp>’</dt> |
|
<dd><p>Make the frame read-only if writable, and writable if read-only. |
|
</p></dd> |
|
<dt>‘<samp>random</samp>’</dt> |
|
<dd><p>Set each output frame read-only or writable randomly. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>seed</samp>’</dt> |
|
<dd><p>Set the seed for the <var>random</var> mode, must be an integer included between |
|
<code>0</code> and <code>UINT32_MAX</code>. If not specified, or if explicitly set to |
|
<code>-1</code>, the filter will try to use a good random seed on a best effort |
|
basis. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Note: in case of auto-inserted filter between the permission filter and the |
|
following one, the permission might not be received as expected in that |
|
following filter. Inserting a <a href="#format">format</a> or <a href="#aformat">aformat</a> filter before the |
|
perms/aperms filter can avoid this problem. |
|
</p> |
|
<a name="realtime_002c-arealtime"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-realtime_002c-arealtime">32.12 realtime, arealtime</a></h2> |
|
|
|
<p>Slow down filtering to match real time approximately. |
|
</p> |
|
<p>These filters will pause the filtering for a variable amount of time to |
|
match the output rate with the input timestamps. |
|
They are similar to the ‘<samp>re</samp>’ option to <code>ffmpeg</code>. |
|
</p> |
|
<p>They accept the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>limit</samp>’</dt> |
|
<dd><p>Time limit for the pauses. Any pause longer than that will be considered |
|
a timestamp discontinuity and reset the timer. Default is 2 seconds. |
|
</p></dd> |
|
</dl> |
|
|
|
<p><a name="select"></a> |
|
</p><a name="select_002c-aselect"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-select_002c-aselect">32.13 select, aselect</a></h2> |
|
|
|
<p>Select frames to pass in output. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>expr, e</samp>’</dt> |
|
<dd><p>Set expression, which is evaluated for each input frame. |
|
</p> |
|
<p>If the expression is evaluated to zero, the frame is discarded. |
|
</p> |
|
<p>If the evaluation result is negative or NaN, the frame is sent to the |
|
first output; otherwise it is sent to the output with index |
|
<code>ceil(val)-1</code>, assuming that the input index starts from 0. |
|
</p> |
|
<p>For example a value of <code>1.2</code> corresponds to the output with index |
|
<code>ceil(1.2)-1 = 2-1 = 1</code>, that is the second output. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>outputs, n</samp>’</dt> |
|
<dd><p>Set the number of outputs. The output to which to send the selected |
|
frame is based on the result of the evaluation. Default value is 1. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The expression can contain the following constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>The (sequential) number of the filtered frame, starting from 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>selected_n</samp>’</dt> |
|
<dd><p>The (sequential) number of the selected frame, starting from 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>prev_selected_n</samp>’</dt> |
|
<dd><p>The sequential number of the last selected frame. It’s NAN if undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>TB</samp>’</dt> |
|
<dd><p>The timebase of the input timestamps. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pts</samp>’</dt> |
|
<dd><p>The PTS (Presentation TimeStamp) of the filtered video frame, |
|
expressed in <var>TB</var> units. It’s NAN if undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>The PTS of the filtered video frame, |
|
expressed in seconds. It’s NAN if undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>prev_pts</samp>’</dt> |
|
<dd><p>The PTS of the previously filtered video frame. It’s NAN if undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>prev_selected_pts</samp>’</dt> |
|
<dd><p>The PTS of the last previously filtered video frame. It’s NAN if undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>prev_selected_t</samp>’</dt> |
|
<dd><p>The PTS of the last previously selected video frame, expressed in seconds. It’s NAN if undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_pts</samp>’</dt> |
|
<dd><p>The PTS of the first video frame in the video. It’s NAN if undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>start_t</samp>’</dt> |
|
<dd><p>The time of the first video frame in the video. It’s NAN if undefined. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pict_type <em>(video only)</em></samp>’</dt> |
|
<dd><p>The type of the filtered frame. It can assume one of the following |
|
values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>I</samp>’</dt> |
|
<dt>‘<samp>P</samp>’</dt> |
|
<dt>‘<samp>B</samp>’</dt> |
|
<dt>‘<samp>S</samp>’</dt> |
|
<dt>‘<samp>SI</samp>’</dt> |
|
<dt>‘<samp>SP</samp>’</dt> |
|
<dt>‘<samp>BI</samp>’</dt> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>interlace_type <em>(video only)</em></samp>’</dt> |
|
<dd><p>The frame interlace type. It can assume one of the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>PROGRESSIVE</samp>’</dt> |
|
<dd><p>The frame is progressive (not interlaced). |
|
</p></dd> |
|
<dt>‘<samp>TOPFIRST</samp>’</dt> |
|
<dd><p>The frame is top-field-first. |
|
</p></dd> |
|
<dt>‘<samp>BOTTOMFIRST</samp>’</dt> |
|
<dd><p>The frame is bottom-field-first. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>consumed_sample_n <em>(audio only)</em></samp>’</dt> |
|
<dd><p>the number of selected samples before the current frame |
|
</p> |
|
</dd> |
|
<dt>‘<samp>samples_n <em>(audio only)</em></samp>’</dt> |
|
<dd><p>the number of samples in the current frame |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sample_rate <em>(audio only)</em></samp>’</dt> |
|
<dd><p>the input sample rate |
|
</p> |
|
</dd> |
|
<dt>‘<samp>key</samp>’</dt> |
|
<dd><p>This is 1 if the filtered frame is a key-frame, 0 otherwise. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>pos</samp>’</dt> |
|
<dd><p>the position in the file of the filtered frame, -1 if the information |
|
is not available (e.g. for synthetic video) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scene <em>(video only)</em></samp>’</dt> |
|
<dd><p>value between 0 and 1 to indicate a new scene; a low value reflects a low |
|
probability for the current frame to introduce a new scene, while a higher |
|
value means the current frame is more likely to be one (see the example below) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>concatdec_select</samp>’</dt> |
|
<dd><p>The concat demuxer can select only part of a concat input file by setting an |
|
inpoint and an outpoint, but the output packets may not be entirely contained |
|
in the selected interval. By using this variable, it is possible to skip frames |
|
generated by the concat demuxer which are not exactly contained in the selected |
|
interval. |
|
</p> |
|
<p>This works by comparing the frame pts against the <var>lavf.concat.start_time</var> |
|
and the <var>lavf.concat.duration</var> packet metadata values which are also |
|
present in the decoded frames. |
|
</p> |
|
<p>The <var>concatdec_select</var> variable is -1 if the frame pts is at least |
|
start_time and either the duration metadata is missing or the frame pts is less |
|
than start_time + duration, 0 otherwise, and NaN if the start_time metadata is |
|
missing. |
|
</p> |
|
<p>That basically means that an input frame is selected if its pts is within the |
|
interval set by the concat demuxer. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The default value of the select expression is "1". |
|
</p> |
|
<a name="Examples-134"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-134">32.13.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Select all frames in input: |
|
<div class="example"> |
|
<pre class="example">select |
|
</pre></div> |
|
|
|
<p>The example above is the same as: |
|
</p><div class="example"> |
|
<pre class="example">select=1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Skip all frames: |
|
<div class="example"> |
|
<pre class="example">select=0 |
|
</pre></div> |
|
|
|
</li><li> |
|
Select only I-frames: |
|
<div class="example"> |
|
<pre class="example">select='eq(pict_type\,I)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Select one frame every 100: |
|
<div class="example"> |
|
<pre class="example">select='not(mod(n\,100))' |
|
</pre></div> |
|
|
|
</li><li> |
|
Select only frames contained in the 10-20 time interval: |
|
<div class="example"> |
|
<pre class="example">select=between(t\,10\,20) |
|
</pre></div> |
|
|
|
</li><li> |
|
Select only I-frames contained in the 10-20 time interval: |
|
<div class="example"> |
|
<pre class="example">select=between(t\,10\,20)*eq(pict_type\,I) |
|
</pre></div> |
|
|
|
</li><li> |
|
Select frames with a minimum distance of 10 seconds: |
|
<div class="example"> |
|
<pre class="example">select='isnan(prev_selected_t)+gte(t-prev_selected_t\,10)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Use aselect to select only audio frames with samples number > 100: |
|
<div class="example"> |
|
<pre class="example">aselect='gt(samples_n\,100)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Create a mosaic of the first scenes: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i video.avi -vf select='gt(scene\,0.4)',scale=160:120,tile -frames:v 1 preview.png |
|
</pre></div> |
|
|
|
<p>Comparing <var>scene</var> against a value between 0.3 and 0.5 is generally a sane |
|
choice. |
|
</p> |
|
</li><li> |
|
Send even and odd frames to separate outputs, and compose them: |
|
<div class="example"> |
|
<pre class="example">select=n=2:e='mod(n, 2)+1' [odd][even]; [odd] pad=h=2*ih [tmp]; [tmp][even] overlay=y=h |
|
</pre></div> |
|
|
|
</li><li> |
|
Select useful frames from an ffconcat file which is using inpoints and |
|
outpoints but where the source files are not intra frame only. |
|
<div class="example"> |
|
<pre class="example">ffmpeg -copyts -vsync 0 -segment_time_metadata 1 -i input.ffconcat -vf select=concatdec_select -af aselect=concatdec_select output.avi |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="sendcmd_002c-asendcmd"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sendcmd_002c-asendcmd">32.14 sendcmd, asendcmd</a></h2> |
|
|
|
<p>Send commands to filters in the filtergraph. |
|
</p> |
|
<p>These filters read commands to be sent to other filters in the |
|
filtergraph. |
|
</p> |
|
<p><code>sendcmd</code> must be inserted between two video filters, |
|
<code>asendcmd</code> must be inserted between two audio filters, but apart |
|
from that they act the same way. |
|
</p> |
|
<p>The specification of commands can be provided in the filter arguments |
|
with the <var>commands</var> option, or in a file specified by the |
|
<var>filename</var> option. |
|
</p> |
|
<p>These filters accept the following options: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>commands, c</samp>’</dt> |
|
<dd><p>Set the commands to be read and sent to the other filters. |
|
</p></dd> |
|
<dt>‘<samp>filename, f</samp>’</dt> |
|
<dd><p>Set the filename of the commands to be read and sent to the other |
|
filters. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Commands-syntax"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-syntax">32.14.1 Commands syntax</a></h3> |
|
|
|
<p>A commands description consists of a sequence of interval |
|
specifications, comprising a list of commands to be executed when a |
|
particular event related to that interval occurs. The occurring event |
|
is typically the current frame time entering or leaving a given time |
|
interval. |
|
</p> |
|
<p>An interval is specified by the following syntax: |
|
</p><div class="example"> |
|
<pre class="example"><var>START</var>[-<var>END</var>] <var>COMMANDS</var>; |
|
</pre></div> |
|
|
|
<p>The time interval is specified by the <var>START</var> and <var>END</var> times. |
|
<var>END</var> is optional and defaults to the maximum time. |
|
</p> |
|
<p>The current frame time is considered within the specified interval if |
|
it is included in the interval [<var>START</var>, <var>END</var>), that is when |
|
the time is greater or equal to <var>START</var> and is lesser than |
|
<var>END</var>. |
|
</p> |
|
<p><var>COMMANDS</var> consists of a sequence of one or more command |
|
specifications, separated by ",", relating to that interval. The |
|
syntax of a command specification is given by: |
|
</p><div class="example"> |
|
<pre class="example">[<var>FLAGS</var>] <var>TARGET</var> <var>COMMAND</var> <var>ARG</var> |
|
</pre></div> |
|
|
|
<p><var>FLAGS</var> is optional and specifies the type of events relating to |
|
the time interval which enable sending the specified command, and must |
|
be a non-null sequence of identifier flags separated by "+" or "|" and |
|
enclosed between "[" and "]". |
|
</p> |
|
<p>The following flags are recognized: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>enter</samp>’</dt> |
|
<dd><p>The command is sent when the current frame timestamp enters the |
|
specified interval. In other words, the command is sent when the |
|
previous frame timestamp was not in the given interval, and the |
|
current is. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>leave</samp>’</dt> |
|
<dd><p>The command is sent when the current frame timestamp leaves the |
|
specified interval. In other words, the command is sent when the |
|
previous frame timestamp was in the given interval, and the |
|
current is not. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>If <var>FLAGS</var> is not specified, a default value of <code>[enter]</code> is |
|
assumed. |
|
</p> |
|
<p><var>TARGET</var> specifies the target of the command, usually the name of |
|
the filter class or a specific filter instance name. |
|
</p> |
|
<p><var>COMMAND</var> specifies the name of the command for the target filter. |
|
</p> |
|
<p><var>ARG</var> is optional and specifies the optional list of argument for |
|
the given <var>COMMAND</var>. |
|
</p> |
|
<p>Between one interval specification and another, whitespaces, or |
|
sequences of characters starting with <code>#</code> until the end of line, |
|
are ignored and can be used to annotate comments. |
|
</p> |
|
<p>A simplified BNF description of the commands specification syntax |
|
follows: |
|
</p><div class="example"> |
|
<pre class="example"><var>COMMAND_FLAG</var> ::= "enter" | "leave" |
|
<var>COMMAND_FLAGS</var> ::= <var>COMMAND_FLAG</var> [(+|"|")<var>COMMAND_FLAG</var>] |
|
<var>COMMAND</var> ::= ["[" <var>COMMAND_FLAGS</var> "]"] <var>TARGET</var> <var>COMMAND</var> [<var>ARG</var>] |
|
<var>COMMANDS</var> ::= <var>COMMAND</var> [,<var>COMMANDS</var>] |
|
<var>INTERVAL</var> ::= <var>START</var>[-<var>END</var>] <var>COMMANDS</var> |
|
<var>INTERVALS</var> ::= <var>INTERVAL</var>[;<var>INTERVALS</var>] |
|
</pre></div> |
|
|
|
<a name="Examples-102"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-102">32.14.2 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Specify audio tempo change at second 4: |
|
<div class="example"> |
|
<pre class="example">asendcmd=c='4.0 atempo tempo 1.5',atempo |
|
</pre></div> |
|
|
|
</li><li> |
|
Target a specific filter instance: |
|
<div class="example"> |
|
<pre class="example">asendcmd=c='4.0 atempo@my tempo 1.5',atempo@my |
|
</pre></div> |
|
|
|
</li><li> |
|
Specify a list of drawtext and hue commands in a file. |
|
<div class="example"> |
|
<pre class="example"># show text in the interval 5-10 |
|
5.0-10.0 [enter] drawtext reinit 'fontfile=FreeSerif.ttf:text=hello world', |
|
[leave] drawtext reinit 'fontfile=FreeSerif.ttf:text='; |
|
|
|
# desaturate the image in the interval 15-20 |
|
15.0-20.0 [enter] hue s 0, |
|
[enter] drawtext reinit 'fontfile=FreeSerif.ttf:text=nocolor', |
|
[leave] hue s 1, |
|
[leave] drawtext reinit 'fontfile=FreeSerif.ttf:text=color'; |
|
|
|
# apply an exponential saturation fade-out effect, starting from time 25 |
|
25 [enter] hue s exp(25-t) |
|
</pre></div> |
|
|
|
<p>A filtergraph allowing to read and process the above command list |
|
stored in a file ‘<tt>test.cmd</tt>’, can be specified with: |
|
</p><div class="example"> |
|
<pre class="example">sendcmd=f=test.cmd,drawtext=fontfile=FreeSerif.ttf:text='',hue |
|
</pre></div> |
|
</li></ul> |
|
|
|
<p><a name="setpts"></a> |
|
</p><a name="setpts_002c-asetpts"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-setpts_002c-asetpts">32.15 setpts, asetpts</a></h2> |
|
|
|
<p>Change the PTS (presentation timestamp) of the input frames. |
|
</p> |
|
<p><code>setpts</code> works on video frames, <code>asetpts</code> on audio frames. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>expr</samp>’</dt> |
|
<dd><p>The expression which is evaluated for each frame to construct its timestamp. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The expression is evaluated through the eval API and can contain the following |
|
constants: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>FRAME_RATE</samp>’</dt> |
|
<dd><p>frame rate, only defined for constant frame-rate video |
|
</p> |
|
</dd> |
|
<dt>‘<samp>PTS</samp>’</dt> |
|
<dd><p>The presentation timestamp in input |
|
</p> |
|
</dd> |
|
<dt>‘<samp>N</samp>’</dt> |
|
<dd><p>The count of the input frame for video or the number of consumed samples, |
|
not including the current frame for audio, starting from 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>NB_CONSUMED_SAMPLES</samp>’</dt> |
|
<dd><p>The number of consumed samples, not including the current frame (only |
|
audio) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>NB_SAMPLES, S</samp>’</dt> |
|
<dd><p>The number of samples in the current frame (only audio) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>SAMPLE_RATE, SR</samp>’</dt> |
|
<dd><p>The audio sample rate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>STARTPTS</samp>’</dt> |
|
<dd><p>The PTS of the first frame. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>STARTT</samp>’</dt> |
|
<dd><p>the time in seconds of the first frame |
|
</p> |
|
</dd> |
|
<dt>‘<samp>INTERLACED</samp>’</dt> |
|
<dd><p>State whether the current frame is interlaced. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>T</samp>’</dt> |
|
<dd><p>the time in seconds of the current frame |
|
</p> |
|
</dd> |
|
<dt>‘<samp>POS</samp>’</dt> |
|
<dd><p>original position in the file of the frame, or undefined if undefined |
|
for the current frame |
|
</p> |
|
</dd> |
|
<dt>‘<samp>PREV_INPTS</samp>’</dt> |
|
<dd><p>The previous input PTS. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>PREV_INT</samp>’</dt> |
|
<dd><p>previous input time in seconds |
|
</p> |
|
</dd> |
|
<dt>‘<samp>PREV_OUTPTS</samp>’</dt> |
|
<dd><p>The previous output PTS. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>PREV_OUTT</samp>’</dt> |
|
<dd><p>previous output time in seconds |
|
</p> |
|
</dd> |
|
<dt>‘<samp>RTCTIME</samp>’</dt> |
|
<dd><p>The wallclock (RTC) time in microseconds. This is deprecated, use time(0) |
|
instead. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>RTCSTART</samp>’</dt> |
|
<dd><p>The wallclock (RTC) time at the start of the movie in microseconds. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>TB</samp>’</dt> |
|
<dd><p>The timebase of the input timestamps. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-35"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-35">32.15.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Start counting PTS from zero |
|
<div class="example"> |
|
<pre class="example">setpts=PTS-STARTPTS |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply fast motion effect: |
|
<div class="example"> |
|
<pre class="example">setpts=0.5*PTS |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply slow motion effect: |
|
<div class="example"> |
|
<pre class="example">setpts=2.0*PTS |
|
</pre></div> |
|
|
|
</li><li> |
|
Set fixed rate of 25 frames per second: |
|
<div class="example"> |
|
<pre class="example">setpts=N/(25*TB) |
|
</pre></div> |
|
|
|
</li><li> |
|
Set fixed rate 25 fps with some jitter: |
|
<div class="example"> |
|
<pre class="example">setpts='1/(25*TB) * (N + 0.05 * sin(N*2*PI/25))' |
|
</pre></div> |
|
|
|
</li><li> |
|
Apply an offset of 10 seconds to the input PTS: |
|
<div class="example"> |
|
<pre class="example">setpts=PTS+10/TB |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate timestamps from a "live source" and rebase onto the current timebase: |
|
<div class="example"> |
|
<pre class="example">setpts='(RTCTIME - RTCSTART) / (TB * 1000000)' |
|
</pre></div> |
|
|
|
</li><li> |
|
Generate timestamps by counting samples: |
|
<div class="example"> |
|
<pre class="example">asetpts=N/SR/TB |
|
</pre></div> |
|
|
|
</li></ul> |
|
|
|
<a name="setrange"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-setrange">32.16 setrange</a></h2> |
|
|
|
<p>Force color range for the output video frame. |
|
</p> |
|
<p>The <code>setrange</code> filter marks the color range property for the |
|
output frames. It does not change the input frame, but only sets the |
|
corresponding property, which affects how the frame is treated by |
|
following filters. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>range</samp>’</dt> |
|
<dd><p>Available values are: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>auto</samp>’</dt> |
|
<dd><p>Keep the same color range property. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>unspecified, unknown</samp>’</dt> |
|
<dd><p>Set the color range as unspecified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>limited, tv, mpeg</samp>’</dt> |
|
<dd><p>Set the color range as limited. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>full, pc, jpeg</samp>’</dt> |
|
<dd><p>Set the color range as full. |
|
</p></dd> |
|
</dl> |
|
</dd> |
|
</dl> |
|
|
|
<a name="settb_002c-asettb"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-settb_002c-asettb">32.17 settb, asettb</a></h2> |
|
|
|
<p>Set the timebase to use for the output frames timestamps. |
|
It is mainly useful for testing timebase configuration. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>expr, tb</samp>’</dt> |
|
<dd><p>The expression which is evaluated into the output timebase. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p>The value for ‘<samp>tb</samp>’ is an arithmetic expression representing a |
|
rational. The expression can contain the constants "AVTB" (the default |
|
timebase), "intb" (the input timebase) and "sr" (the sample rate, |
|
audio only). Default value is "intb". |
|
</p> |
|
<a name="Examples-129"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-129">32.17.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Set the timebase to 1/25: |
|
<div class="example"> |
|
<pre class="example">settb=expr=1/25 |
|
</pre></div> |
|
|
|
</li><li> |
|
Set the timebase to 1/10: |
|
<div class="example"> |
|
<pre class="example">settb=expr=0.1 |
|
</pre></div> |
|
|
|
</li><li> |
|
Set the timebase to 1001/1000: |
|
<div class="example"> |
|
<pre class="example">settb=1+0.001 |
|
</pre></div> |
|
|
|
</li><li> |
|
Set the timebase to 2*intb: |
|
<div class="example"> |
|
<pre class="example">settb=2*intb |
|
</pre></div> |
|
|
|
</li><li> |
|
Set the default timebase value: |
|
<div class="example"> |
|
<pre class="example">settb=AVTB |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="showcqt"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showcqt">32.18 showcqt</a></h2> |
|
<p>Convert input audio to a video output representing frequency spectrum |
|
logarithmically using Brown-Puckette constant Q transform algorithm with |
|
direct frequency domain coefficient calculation (but the transform itself |
|
is not really constant Q, instead the Q factor is actually variable/clamped), |
|
with musical tone scale, from E0 to D#10. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the video size for the output. It must be even. For the syntax of this option, |
|
check the <a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>1920x1080</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fps, rate, r</samp>’</dt> |
|
<dd><p>Set the output frame rate. Default value is <code>25</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bar_h</samp>’</dt> |
|
<dd><p>Set the bargraph height. It must be even. Default value is <code>-1</code> which |
|
computes the bargraph height automatically. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>axis_h</samp>’</dt> |
|
<dd><p>Set the axis height. It must be even. Default value is <code>-1</code> which computes |
|
the axis height automatically. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sono_h</samp>’</dt> |
|
<dd><p>Set the sonogram height. It must be even. Default value is <code>-1</code> which |
|
computes the sonogram height automatically. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fullhd</samp>’</dt> |
|
<dd><p>Set the fullhd resolution. This option is deprecated, use <var>size</var>, <var>s</var> |
|
instead. Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sono_v, volume</samp>’</dt> |
|
<dd><p>Specify the sonogram volume expression. It can contain variables: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>bar_v</samp>’</dt> |
|
<dd><p>the <var>bar_v</var> evaluated expression |
|
</p></dd> |
|
<dt>‘<samp>frequency, freq, f</samp>’</dt> |
|
<dd><p>the frequency where it is evaluated |
|
</p></dd> |
|
<dt>‘<samp>timeclamp, tc</samp>’</dt> |
|
<dd><p>the value of <var>timeclamp</var> option |
|
</p></dd> |
|
</dl> |
|
<p>and functions: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>a_weighting(f)</samp>’</dt> |
|
<dd><p>A-weighting of equal loudness |
|
</p></dd> |
|
<dt>‘<samp>b_weighting(f)</samp>’</dt> |
|
<dd><p>B-weighting of equal loudness |
|
</p></dd> |
|
<dt>‘<samp>c_weighting(f)</samp>’</dt> |
|
<dd><p>C-weighting of equal loudness. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is <code>16</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bar_v, volume2</samp>’</dt> |
|
<dd><p>Specify the bargraph volume expression. It can contain variables: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>sono_v</samp>’</dt> |
|
<dd><p>the <var>sono_v</var> evaluated expression |
|
</p></dd> |
|
<dt>‘<samp>frequency, freq, f</samp>’</dt> |
|
<dd><p>the frequency where it is evaluated |
|
</p></dd> |
|
<dt>‘<samp>timeclamp, tc</samp>’</dt> |
|
<dd><p>the value of <var>timeclamp</var> option |
|
</p></dd> |
|
</dl> |
|
<p>and functions: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>a_weighting(f)</samp>’</dt> |
|
<dd><p>A-weighting of equal loudness |
|
</p></dd> |
|
<dt>‘<samp>b_weighting(f)</samp>’</dt> |
|
<dd><p>B-weighting of equal loudness |
|
</p></dd> |
|
<dt>‘<samp>c_weighting(f)</samp>’</dt> |
|
<dd><p>C-weighting of equal loudness. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is <code>sono_v</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sono_g, gamma</samp>’</dt> |
|
<dd><p>Specify the sonogram gamma. Lower gamma makes the spectrum more contrast, |
|
higher gamma makes the spectrum having more range. Default value is <code>3</code>. |
|
Acceptable range is <code>[1, 7]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bar_g, gamma2</samp>’</dt> |
|
<dd><p>Specify the bargraph gamma. Default value is <code>1</code>. Acceptable range is |
|
<code>[1, 7]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bar_t</samp>’</dt> |
|
<dd><p>Specify the bargraph transparency level. Lower value makes the bargraph sharper. |
|
Default value is <code>1</code>. Acceptable range is <code>[0, 1]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>timeclamp, tc</samp>’</dt> |
|
<dd><p>Specify the transform timeclamp. At low frequency, there is trade-off between |
|
accuracy in time domain and frequency domain. If timeclamp is lower, |
|
event in time domain is represented more accurately (such as fast bass drum), |
|
otherwise event in frequency domain is represented more accurately |
|
(such as bass guitar). Acceptable range is <code>[0.002, 1]</code>. Default value is <code>0.17</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>attack</samp>’</dt> |
|
<dd><p>Set attack time in seconds. The default is <code>0</code> (disabled). Otherwise, it |
|
limits future samples by applying asymmetric windowing in time domain, useful |
|
when low latency is required. Accepted range is <code>[0, 1]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>basefreq</samp>’</dt> |
|
<dd><p>Specify the transform base frequency. Default value is <code>20.01523126408007475</code>, |
|
which is frequency 50 cents below E0. Acceptable range is <code>[10, 100000]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>endfreq</samp>’</dt> |
|
<dd><p>Specify the transform end frequency. Default value is <code>20495.59681441799654</code>, |
|
which is frequency 50 cents above D#10. Acceptable range is <code>[10, 100000]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>coeffclamp</samp>’</dt> |
|
<dd><p>This option is deprecated and ignored. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>tlength</samp>’</dt> |
|
<dd><p>Specify the transform length in time domain. Use this option to control accuracy |
|
trade-off between time domain and frequency domain at every frequency sample. |
|
It can contain variables: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, freq, f</samp>’</dt> |
|
<dd><p>the frequency where it is evaluated |
|
</p></dd> |
|
<dt>‘<samp>timeclamp, tc</samp>’</dt> |
|
<dd><p>the value of <var>timeclamp</var> option. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is <code>384*tc/(384+tc*f)</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>count</samp>’</dt> |
|
<dd><p>Specify the transform count for every video frame. Default value is <code>6</code>. |
|
Acceptable range is <code>[1, 30]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fcount</samp>’</dt> |
|
<dd><p>Specify the transform count for every single pixel. Default value is <code>0</code>, |
|
which makes it computed automatically. Acceptable range is <code>[0, 10]</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fontfile</samp>’</dt> |
|
<dd><p>Specify font file for use with freetype to draw the axis. If not specified, |
|
use embedded font. Note that drawing with font file or embedded font is not |
|
implemented with custom <var>basefreq</var> and <var>endfreq</var>, use <var>axisfile</var> |
|
option instead. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>font</samp>’</dt> |
|
<dd><p>Specify fontconfig pattern. This has lower priority than <var>fontfile</var>. |
|
The : in the pattern may be replaced by | to avoid unnecessary escaping. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fontcolor</samp>’</dt> |
|
<dd><p>Specify font color expression. This is arithmetic expression that should return |
|
integer value 0xRRGGBB. It can contain variables: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>frequency, freq, f</samp>’</dt> |
|
<dd><p>the frequency where it is evaluated |
|
</p></dd> |
|
<dt>‘<samp>timeclamp, tc</samp>’</dt> |
|
<dd><p>the value of <var>timeclamp</var> option |
|
</p></dd> |
|
</dl> |
|
<p>and functions: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>midi(f)</samp>’</dt> |
|
<dd><p>midi number of frequency f, some midi numbers: E0(16), C1(24), C2(36), A4(69) |
|
</p></dd> |
|
<dt>‘<samp>r(x), g(x), b(x)</samp>’</dt> |
|
<dd><p>red, green, and blue value of intensity x. |
|
</p></dd> |
|
</dl> |
|
<p>Default value is <code>st(0, (midi(f)-59.5)/12); |
|
st(1, if(between(ld(0),0,1), 0.5-0.5*cos(2*PI*ld(0)), 0)); |
|
r(1-ld(1)) + b(ld(1))</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>axisfile</samp>’</dt> |
|
<dd><p>Specify image file to draw the axis. This option override <var>fontfile</var> and |
|
<var>fontcolor</var> option. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>axis, text</samp>’</dt> |
|
<dd><p>Enable/disable drawing text to the axis. If it is set to <code>0</code>, drawing to |
|
the axis is disabled, ignoring <var>fontfile</var> and <var>axisfile</var> option. |
|
Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>csp</samp>’</dt> |
|
<dd><p>Set colorspace. The accepted values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>unspecified</samp>’</dt> |
|
<dd><p>Unspecified (default) |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt709</samp>’</dt> |
|
<dd><p>BT.709 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fcc</samp>’</dt> |
|
<dd><p>FCC |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt470bg</samp>’</dt> |
|
<dd><p>BT.470BG or BT.601-6 625 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte170m</samp>’</dt> |
|
<dd><p>SMPTE-170M or BT.601-6 525 |
|
</p> |
|
</dd> |
|
<dt>‘<samp>smpte240m</samp>’</dt> |
|
<dd><p>SMPTE-240M |
|
</p> |
|
</dd> |
|
<dt>‘<samp>bt2020ncl</samp>’</dt> |
|
<dd><p>BT.2020 with non-constant luminance |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>cscheme</samp>’</dt> |
|
<dd><p>Set spectrogram color scheme. This is list of floating point values with format |
|
<code>left_r|left_g|left_b|right_r|right_g|right_b</code>. |
|
The default is <code>1|0.5|0|0|0.5|1</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="Examples-84"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-84">32.18.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Playing audio while showing the spectrum: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt [out0]' |
|
</pre></div> |
|
|
|
</li><li> |
|
Same as above, but with frame rate 30 fps: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt=fps=30:count=5 [out0]' |
|
</pre></div> |
|
|
|
</li><li> |
|
Playing at 1280x720: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt=s=1280x720:count=4 [out0]' |
|
</pre></div> |
|
|
|
</li><li> |
|
Disable sonogram display: |
|
<div class="example"> |
|
<pre class="example">sono_h=0 |
|
</pre></div> |
|
|
|
</li><li> |
|
A1 and its harmonics: A1, A2, (near)E3, A3: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi 'aevalsrc=0.1*sin(2*PI*55*t)+0.1*sin(4*PI*55*t)+0.1*sin(6*PI*55*t)+0.1*sin(8*PI*55*t), |
|
asplit[a][out1]; [a] showcqt [out0]' |
|
</pre></div> |
|
|
|
</li><li> |
|
Same as above, but with more accuracy in frequency domain: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi 'aevalsrc=0.1*sin(2*PI*55*t)+0.1*sin(4*PI*55*t)+0.1*sin(6*PI*55*t)+0.1*sin(8*PI*55*t), |
|
asplit[a][out1]; [a] showcqt=timeclamp=0.5 [out0]' |
|
</pre></div> |
|
|
|
</li><li> |
|
Custom volume: |
|
<div class="example"> |
|
<pre class="example">bar_v=10:sono_v=bar_v*a_weighting(f) |
|
</pre></div> |
|
|
|
</li><li> |
|
Custom gamma, now spectrum is linear to the amplitude. |
|
<div class="example"> |
|
<pre class="example">bar_g=2:sono_g=2 |
|
</pre></div> |
|
|
|
</li><li> |
|
Custom tlength equation: |
|
<div class="example"> |
|
<pre class="example">tc=0.33:tlength='st(0,0.17); 384*tc / (384 / ld(0) + tc*f /(1-ld(0))) + 384*tc / (tc*f / ld(0) + 384 /(1-ld(0)))' |
|
</pre></div> |
|
|
|
</li><li> |
|
Custom fontcolor and fontfile, C-note is colored green, others are colored blue: |
|
<div class="example"> |
|
<pre class="example">fontcolor='if(mod(floor(midi(f)+0.5),12), 0x0000FF, g(1))':fontfile=myfont.ttf |
|
</pre></div> |
|
|
|
</li><li> |
|
Custom font using fontconfig: |
|
<div class="example"> |
|
<pre class="example">font='Courier New,Monospace,mono|bold' |
|
</pre></div> |
|
|
|
</li><li> |
|
Custom frequency range with custom axis using image file: |
|
<div class="example"> |
|
<pre class="example">axisfile=myaxis.png:basefreq=40:endfreq=10000 |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="showfreqs"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showfreqs">32.19 showfreqs</a></h2> |
|
|
|
<p>Convert input audio to video output representing the audio power spectrum. |
|
Audio amplitude is on Y-axis while frequency is on X-axis. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify size of video. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default is <code>1024x512</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set display mode. |
|
This set how each frequency bin will be represented. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>line</samp>’</dt> |
|
<dt>‘<samp>bar</samp>’</dt> |
|
<dt>‘<samp>dot</samp>’</dt> |
|
</dl> |
|
<p>Default is <code>bar</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ascale</samp>’</dt> |
|
<dd><p>Set amplitude scale. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>Linear scale. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sqrt</samp>’</dt> |
|
<dd><p>Square root scale. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cbrt</samp>’</dt> |
|
<dd><p>Cubic root scale. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>Logarithmic scale. |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>log</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>fscale</samp>’</dt> |
|
<dd><p>Set frequency scale. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>Linear scale. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>Logarithmic scale. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rlog</samp>’</dt> |
|
<dd><p>Reverse logarithmic scale. |
|
</p></dd> |
|
</dl> |
|
<p>Default is <code>lin</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>win_size</samp>’</dt> |
|
<dd><p>Set window size. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>w16</samp>’</dt> |
|
<dt>‘<samp>w32</samp>’</dt> |
|
<dt>‘<samp>w64</samp>’</dt> |
|
<dt>‘<samp>w128</samp>’</dt> |
|
<dt>‘<samp>w256</samp>’</dt> |
|
<dt>‘<samp>w512</samp>’</dt> |
|
<dt>‘<samp>w1024</samp>’</dt> |
|
<dt>‘<samp>w2048</samp>’</dt> |
|
<dt>‘<samp>w4096</samp>’</dt> |
|
<dt>‘<samp>w8192</samp>’</dt> |
|
<dt>‘<samp>w16384</samp>’</dt> |
|
<dt>‘<samp>w32768</samp>’</dt> |
|
<dt>‘<samp>w65536</samp>’</dt> |
|
</dl> |
|
<p>Default is <code>w2048</code> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>win_func</samp>’</dt> |
|
<dd><p>Set windowing function. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>rect</samp>’</dt> |
|
<dt>‘<samp>bartlett</samp>’</dt> |
|
<dt>‘<samp>hanning</samp>’</dt> |
|
<dt>‘<samp>hamming</samp>’</dt> |
|
<dt>‘<samp>blackman</samp>’</dt> |
|
<dt>‘<samp>welch</samp>’</dt> |
|
<dt>‘<samp>flattop</samp>’</dt> |
|
<dt>‘<samp>bharris</samp>’</dt> |
|
<dt>‘<samp>bnuttall</samp>’</dt> |
|
<dt>‘<samp>bhann</samp>’</dt> |
|
<dt>‘<samp>sine</samp>’</dt> |
|
<dt>‘<samp>nuttall</samp>’</dt> |
|
<dt>‘<samp>lanczos</samp>’</dt> |
|
<dt>‘<samp>gauss</samp>’</dt> |
|
<dt>‘<samp>tukey</samp>’</dt> |
|
<dt>‘<samp>dolph</samp>’</dt> |
|
<dt>‘<samp>cauchy</samp>’</dt> |
|
<dt>‘<samp>parzen</samp>’</dt> |
|
<dt>‘<samp>poisson</samp>’</dt> |
|
</dl> |
|
<p>Default is <code>hanning</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlap</samp>’</dt> |
|
<dd><p>Set window overlap. In range <code>[0, 1]</code>. Default is <code>1</code>, |
|
which means optimal overlap for selected window function will be picked. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>averaging</samp>’</dt> |
|
<dd><p>Set time averaging. Setting this to 0 will display current maximal peaks. |
|
Default is <code>1</code>, which means time averaging is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colors</samp>’</dt> |
|
<dd><p>Specify list of colors separated by space or by ’|’ which will be used to |
|
draw channel frequencies. Unrecognized or missing colors will be replaced |
|
by white color. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cmode</samp>’</dt> |
|
<dd><p>Set channel display mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>combined</samp>’</dt> |
|
<dt>‘<samp>separate</samp>’</dt> |
|
</dl> |
|
<p>Default is <code>combined</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>minamp</samp>’</dt> |
|
<dd><p>Set minimum amplitude used in <code>log</code> amplitude scaler. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<p><a name="showspectrum"></a> |
|
</p><a name="showspectrum-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showspectrum-1">32.20 showspectrum</a></h2> |
|
|
|
<p>Convert input audio to a video output, representing the audio frequency |
|
spectrum. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the video size for the output. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>640x512</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>slide</samp>’</dt> |
|
<dd><p>Specify how the spectrum should slide along the window. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>replace</samp>’</dt> |
|
<dd><p>the samples start again on the left when they reach the right |
|
</p></dd> |
|
<dt>‘<samp>scroll</samp>’</dt> |
|
<dd><p>the samples scroll from right to left |
|
</p></dd> |
|
<dt>‘<samp>fullframe</samp>’</dt> |
|
<dd><p>frames are only produced when the samples reach the right |
|
</p></dd> |
|
<dt>‘<samp>rscroll</samp>’</dt> |
|
<dd><p>the samples scroll from left to right |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <code>replace</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Specify display mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>combined</samp>’</dt> |
|
<dd><p>all channels are displayed in the same row |
|
</p></dd> |
|
<dt>‘<samp>separate</samp>’</dt> |
|
<dd><p>all channels are displayed in separate rows |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>combined</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>Specify display color mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>channel</samp>’</dt> |
|
<dd><p>each channel is displayed in a separate color |
|
</p></dd> |
|
<dt>‘<samp>intensity</samp>’</dt> |
|
<dd><p>each channel is displayed using the same color scheme |
|
</p></dd> |
|
<dt>‘<samp>rainbow</samp>’</dt> |
|
<dd><p>each channel is displayed using the rainbow color scheme |
|
</p></dd> |
|
<dt>‘<samp>moreland</samp>’</dt> |
|
<dd><p>each channel is displayed using the moreland color scheme |
|
</p></dd> |
|
<dt>‘<samp>nebulae</samp>’</dt> |
|
<dd><p>each channel is displayed using the nebulae color scheme |
|
</p></dd> |
|
<dt>‘<samp>fire</samp>’</dt> |
|
<dd><p>each channel is displayed using the fire color scheme |
|
</p></dd> |
|
<dt>‘<samp>fiery</samp>’</dt> |
|
<dd><p>each channel is displayed using the fiery color scheme |
|
</p></dd> |
|
<dt>‘<samp>fruit</samp>’</dt> |
|
<dd><p>each channel is displayed using the fruit color scheme |
|
</p></dd> |
|
<dt>‘<samp>cool</samp>’</dt> |
|
<dd><p>each channel is displayed using the cool color scheme |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>channel</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Specify scale used for calculating intensity color values. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>linear |
|
</p></dd> |
|
<dt>‘<samp>sqrt</samp>’</dt> |
|
<dd><p>square root, default |
|
</p></dd> |
|
<dt>‘<samp>cbrt</samp>’</dt> |
|
<dd><p>cubic root |
|
</p></dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>logarithmic |
|
</p></dd> |
|
<dt>‘<samp>4thrt</samp>’</dt> |
|
<dd><p>4th root |
|
</p></dd> |
|
<dt>‘<samp>5thrt</samp>’</dt> |
|
<dd><p>5th root |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is ‘<samp>sqrt</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>saturation</samp>’</dt> |
|
<dd><p>Set saturation modifier for displayed colors. Negative values provide |
|
alternative color scheme. <code>0</code> is no saturation at all. |
|
Saturation must be in [-10.0, 10.0] range. |
|
Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>win_func</samp>’</dt> |
|
<dd><p>Set window function. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>rect</samp>’</dt> |
|
<dt>‘<samp>bartlett</samp>’</dt> |
|
<dt>‘<samp>hann</samp>’</dt> |
|
<dt>‘<samp>hanning</samp>’</dt> |
|
<dt>‘<samp>hamming</samp>’</dt> |
|
<dt>‘<samp>blackman</samp>’</dt> |
|
<dt>‘<samp>welch</samp>’</dt> |
|
<dt>‘<samp>flattop</samp>’</dt> |
|
<dt>‘<samp>bharris</samp>’</dt> |
|
<dt>‘<samp>bnuttall</samp>’</dt> |
|
<dt>‘<samp>bhann</samp>’</dt> |
|
<dt>‘<samp>sine</samp>’</dt> |
|
<dt>‘<samp>nuttall</samp>’</dt> |
|
<dt>‘<samp>lanczos</samp>’</dt> |
|
<dt>‘<samp>gauss</samp>’</dt> |
|
<dt>‘<samp>tukey</samp>’</dt> |
|
<dt>‘<samp>dolph</samp>’</dt> |
|
<dt>‘<samp>cauchy</samp>’</dt> |
|
<dt>‘<samp>parzen</samp>’</dt> |
|
<dt>‘<samp>poisson</samp>’</dt> |
|
</dl> |
|
|
|
<p>Default value is <code>hann</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>orientation</samp>’</dt> |
|
<dd><p>Set orientation of time vs frequency axis. Can be <code>vertical</code> or |
|
<code>horizontal</code>. Default is <code>vertical</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlap</samp>’</dt> |
|
<dd><p>Set ratio of overlap window. Default value is <code>0</code>. |
|
When value is <code>1</code> overlap is set to recommended size for specific |
|
window function currently used. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain</samp>’</dt> |
|
<dd><p>Set scale gain for calculating intensity color values. |
|
Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>data</samp>’</dt> |
|
<dd><p>Set which data to display. Can be <code>magnitude</code>, default or <code>phase</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rotation</samp>’</dt> |
|
<dd><p>Set color rotation, must be in [-1.0, 1.0] range. |
|
Default value is <code>0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>The usage is very similar to the showwaves filter; see the examples in that |
|
section. |
|
</p> |
|
<a name="Examples-65"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-65">32.20.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Large window with logarithmic color scaling: |
|
<div class="example"> |
|
<pre class="example">showspectrum=s=1280x480:scale=log |
|
</pre></div> |
|
|
|
</li><li> |
|
Complete example for a colored and sliding spectrum per channel using <code>ffplay</code>: |
|
<div class="example"> |
|
<pre class="example">ffplay -f lavfi 'amovie=input.mp3, asplit [a][out1]; |
|
[a] showspectrum=mode=separate:color=intensity:slide=1:scale=cbrt [out0]' |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="showspectrumpic"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showspectrumpic">32.21 showspectrumpic</a></h2> |
|
|
|
<p>Convert input audio to a single video frame, representing the audio frequency |
|
spectrum. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the video size for the output. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>4096x2048</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Specify display mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>combined</samp>’</dt> |
|
<dd><p>all channels are displayed in the same row |
|
</p></dd> |
|
<dt>‘<samp>separate</samp>’</dt> |
|
<dd><p>all channels are displayed in separate rows |
|
</p></dd> |
|
</dl> |
|
<p>Default value is ‘<samp>combined</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>color</samp>’</dt> |
|
<dd><p>Specify display color mode. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>channel</samp>’</dt> |
|
<dd><p>each channel is displayed in a separate color |
|
</p></dd> |
|
<dt>‘<samp>intensity</samp>’</dt> |
|
<dd><p>each channel is displayed using the same color scheme |
|
</p></dd> |
|
<dt>‘<samp>rainbow</samp>’</dt> |
|
<dd><p>each channel is displayed using the rainbow color scheme |
|
</p></dd> |
|
<dt>‘<samp>moreland</samp>’</dt> |
|
<dd><p>each channel is displayed using the moreland color scheme |
|
</p></dd> |
|
<dt>‘<samp>nebulae</samp>’</dt> |
|
<dd><p>each channel is displayed using the nebulae color scheme |
|
</p></dd> |
|
<dt>‘<samp>fire</samp>’</dt> |
|
<dd><p>each channel is displayed using the fire color scheme |
|
</p></dd> |
|
<dt>‘<samp>fiery</samp>’</dt> |
|
<dd><p>each channel is displayed using the fiery color scheme |
|
</p></dd> |
|
<dt>‘<samp>fruit</samp>’</dt> |
|
<dd><p>each channel is displayed using the fruit color scheme |
|
</p></dd> |
|
<dt>‘<samp>cool</samp>’</dt> |
|
<dd><p>each channel is displayed using the cool color scheme |
|
</p></dd> |
|
</dl> |
|
<p>Default value is ‘<samp>intensity</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Specify scale used for calculating intensity color values. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>linear |
|
</p></dd> |
|
<dt>‘<samp>sqrt</samp>’</dt> |
|
<dd><p>square root, default |
|
</p></dd> |
|
<dt>‘<samp>cbrt</samp>’</dt> |
|
<dd><p>cubic root |
|
</p></dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>logarithmic |
|
</p></dd> |
|
<dt>‘<samp>4thrt</samp>’</dt> |
|
<dd><p>4th root |
|
</p></dd> |
|
<dt>‘<samp>5thrt</samp>’</dt> |
|
<dd><p>5th root |
|
</p></dd> |
|
</dl> |
|
<p>Default value is ‘<samp>log</samp>’. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>saturation</samp>’</dt> |
|
<dd><p>Set saturation modifier for displayed colors. Negative values provide |
|
alternative color scheme. <code>0</code> is no saturation at all. |
|
Saturation must be in [-10.0, 10.0] range. |
|
Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>win_func</samp>’</dt> |
|
<dd><p>Set window function. |
|
</p> |
|
<p>It accepts the following values: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>rect</samp>’</dt> |
|
<dt>‘<samp>bartlett</samp>’</dt> |
|
<dt>‘<samp>hann</samp>’</dt> |
|
<dt>‘<samp>hanning</samp>’</dt> |
|
<dt>‘<samp>hamming</samp>’</dt> |
|
<dt>‘<samp>blackman</samp>’</dt> |
|
<dt>‘<samp>welch</samp>’</dt> |
|
<dt>‘<samp>flattop</samp>’</dt> |
|
<dt>‘<samp>bharris</samp>’</dt> |
|
<dt>‘<samp>bnuttall</samp>’</dt> |
|
<dt>‘<samp>bhann</samp>’</dt> |
|
<dt>‘<samp>sine</samp>’</dt> |
|
<dt>‘<samp>nuttall</samp>’</dt> |
|
<dt>‘<samp>lanczos</samp>’</dt> |
|
<dt>‘<samp>gauss</samp>’</dt> |
|
<dt>‘<samp>tukey</samp>’</dt> |
|
<dt>‘<samp>dolph</samp>’</dt> |
|
<dt>‘<samp>cauchy</samp>’</dt> |
|
<dt>‘<samp>parzen</samp>’</dt> |
|
<dt>‘<samp>poisson</samp>’</dt> |
|
</dl> |
|
<p>Default value is <code>hann</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>orientation</samp>’</dt> |
|
<dd><p>Set orientation of time vs frequency axis. Can be <code>vertical</code> or |
|
<code>horizontal</code>. Default is <code>vertical</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>gain</samp>’</dt> |
|
<dd><p>Set scale gain for calculating intensity color values. |
|
Default value is <code>1</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>legend</samp>’</dt> |
|
<dd><p>Draw time and frequency axes and legends. Default is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rotation</samp>’</dt> |
|
<dd><p>Set color rotation, must be in [-1.0, 1.0] range. |
|
Default value is <code>0</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-140"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-140">32.21.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Extract an audio spectrogram of a whole audio track |
|
in a 1024x1024 picture using <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i audio.flac -lavfi showspectrumpic=s=1024x1024 spectrogram.png |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="showvolume"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showvolume">32.22 showvolume</a></h2> |
|
|
|
<p>Convert input audio volume to a video output. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set video rate. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>b</samp>’</dt> |
|
<dd><p>Set border width, allowed range is [0, 5]. Default is 1. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>w</samp>’</dt> |
|
<dd><p>Set channel width, allowed range is [80, 8192]. Default is 400. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>h</samp>’</dt> |
|
<dd><p>Set channel height, allowed range is [1, 900]. Default is 20. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>f</samp>’</dt> |
|
<dd><p>Set fade, allowed range is [0, 1]. Default is 0.95. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>c</samp>’</dt> |
|
<dd><p>Set volume color expression. |
|
</p> |
|
<p>The expression can use the following variables: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>VOLUME</samp>’</dt> |
|
<dd><p>Current max volume of channel in dB. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>PEAK</samp>’</dt> |
|
<dd><p>Current peak. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>CHANNEL</samp>’</dt> |
|
<dd><p>Current channel number, starting from 0. |
|
</p></dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>t</samp>’</dt> |
|
<dd><p>If set, displays channel names. Default is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>v</samp>’</dt> |
|
<dd><p>If set, displays volume values. Default is enabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>o</samp>’</dt> |
|
<dd><p>Set orientation, can be horizontal: <code>h</code> or vertical: <code>v</code>, |
|
default is <code>h</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>s</samp>’</dt> |
|
<dd><p>Set step size, allowed range is [0, 5]. Default is 0, which means |
|
step is disabled. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p</samp>’</dt> |
|
<dd><p>Set background opacity, allowed range is [0, 1]. Default is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>m</samp>’</dt> |
|
<dd><p>Set metering mode, can be peak: <code>p</code> or rms: <code>r</code>, |
|
default is <code>p</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>ds</samp>’</dt> |
|
<dd><p>Set display scale, can be linear: <code>lin</code> or log: <code>log</code>, |
|
default is <code>lin</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dm</samp>’</dt> |
|
<dd><p>In second. |
|
If set to > 0., display a line for the max level |
|
in the previous seconds. |
|
default is disabled: <code>0.</code> |
|
</p> |
|
</dd> |
|
<dt>‘<samp>dmc</samp>’</dt> |
|
<dd><p>The color of the max line. Use when <code>dm</code> option is set to > 0. |
|
default is: <code>orange</code> |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="showwaves"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showwaves">32.23 showwaves</a></h2> |
|
|
|
<p>Convert input audio to a video output, representing the samples waves. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the video size for the output. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>600x240</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set display mode. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>point</samp>’</dt> |
|
<dd><p>Draw a point for each sample. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>line</samp>’</dt> |
|
<dd><p>Draw a vertical line for each sample. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>p2p</samp>’</dt> |
|
<dd><p>Draw a point for each sample and a line between them. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cline</samp>’</dt> |
|
<dd><p>Draw a centered vertical line for each sample. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <code>point</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>n</samp>’</dt> |
|
<dd><p>Set the number of samples which are printed on the same column. A |
|
larger value will decrease the frame rate. Must be a positive |
|
integer. This option can be set only if the value for <var>rate</var> |
|
is not explicitly specified. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>rate, r</samp>’</dt> |
|
<dd><p>Set the (approximate) output frame rate. This is done by setting the |
|
option <var>n</var>. Default value is "25". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>split_channels</samp>’</dt> |
|
<dd><p>Set if channels should be drawn separately or overlap. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colors</samp>’</dt> |
|
<dd><p>Set colors separated by ’|’ which are going to be used for drawing of each channel. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Set amplitude scale. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>Linear. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>Logarithmic. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sqrt</samp>’</dt> |
|
<dd><p>Square root. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cbrt</samp>’</dt> |
|
<dd><p>Cubic root. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is linear. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>draw</samp>’</dt> |
|
<dd><p>Set the draw mode. This is mostly useful to set for high <var>n</var>. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Scale pixel values for each drawn sample. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>full</samp>’</dt> |
|
<dd><p>Draw every sample directly. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default value is <code>scale</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-7"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-7">32.23.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Output the input file audio and the corresponding video representation |
|
at the same time: |
|
<div class="example"> |
|
<pre class="example">amovie=a.mp3,asplit[out0],showwaves[out1] |
|
</pre></div> |
|
|
|
</li><li> |
|
Create a synthetic signal and show it with showwaves, forcing a |
|
frame rate of 30 frames per second: |
|
<div class="example"> |
|
<pre class="example">aevalsrc=sin(1*2*PI*t)*sin(880*2*PI*t):cos(2*PI*200*t),asplit[out0],showwaves=r=30[out1] |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="showwavespic"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-showwavespic">32.24 showwavespic</a></h2> |
|
|
|
<p>Convert input audio to a single video frame, representing the samples waves. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>size, s</samp>’</dt> |
|
<dd><p>Specify the video size for the output. For the syntax of this option, check the |
|
<a href="ffmpeg-utils.html#video-size-syntax">(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual</a>. |
|
Default value is <code>600x240</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>split_channels</samp>’</dt> |
|
<dd><p>Set if channels should be drawn separately or overlap. Default value is 0. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>colors</samp>’</dt> |
|
<dd><p>Set colors separated by ’|’ which are going to be used for drawing of each channel. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Set amplitude scale. |
|
</p> |
|
<p>Available values are: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>lin</samp>’</dt> |
|
<dd><p>Linear. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>log</samp>’</dt> |
|
<dd><p>Logarithmic. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>sqrt</samp>’</dt> |
|
<dd><p>Square root. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>cbrt</samp>’</dt> |
|
<dd><p>Cubic root. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>Default is linear. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-115"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-115">32.24.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Extract a channel split representation of the wave form of a whole audio track |
|
in a 1024x800 picture using <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i audio.flac -lavfi showwavespic=split_channels=1:s=1024x800 waveform.png |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="sidedata_002c-asidedata"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-sidedata_002c-asidedata">32.25 sidedata, asidedata</a></h2> |
|
|
|
<p>Delete frame side data, or select frames based on it. |
|
</p> |
|
<p>This filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>mode</samp>’</dt> |
|
<dd><p>Set mode of operation of the filter. |
|
</p> |
|
<p>Can be one of the following: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>select</samp>’</dt> |
|
<dd><p>Select every frame with side data of <code>type</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>delete</samp>’</dt> |
|
<dd><p>Delete side data of <code>type</code>. If <code>type</code> is not set, delete all side |
|
data in the frame. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
</dd> |
|
<dt>‘<samp>type</samp>’</dt> |
|
<dd><p>Set side data type used with all modes. Must be set for <code>select</code> mode. For |
|
the list of frame side data types, refer to the <code>AVFrameSideDataType</code> enum |
|
in ‘<tt>libavutil/frame.h</tt>’. For example, to choose |
|
<code>AV_FRAME_DATA_PANSCAN</code> side data, you must specify <code>PANSCAN</code>. |
|
</p> |
|
</dd> |
|
</dl> |
|
|
|
<a name="spectrumsynth"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-spectrumsynth">32.26 spectrumsynth</a></h2> |
|
|
|
<p>Sythesize audio from 2 input video spectrums, first input stream represents |
|
magnitude across time and second represents phase across time. |
|
The filter will transform from frequency domain as displayed in videos back |
|
to time domain as presented in audio output. |
|
</p> |
|
<p>This filter is primarily created for reversing processed <a href="#showspectrum">showspectrum</a> |
|
filter outputs, but can synthesize sound from other spectrograms too. |
|
But in such case results are going to be poor if the phase data is not |
|
available, because in such cases phase data need to be recreated, usually |
|
its just recreated from random noise. |
|
For best results use gray only output (<code>channel</code> color mode in |
|
<a href="#showspectrum">showspectrum</a> filter) and <code>log</code> scale for magnitude video and |
|
<code>lin</code> scale for phase video. To produce phase, for 2nd video, use |
|
<code>data</code> option. Inputs videos should generally use <code>fullframe</code> |
|
slide mode as that saves resources needed for decoding video. |
|
</p> |
|
<p>The filter accepts the following options: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>sample_rate</samp>’</dt> |
|
<dd><p>Specify sample rate of output audio, the sample rate of audio from which |
|
spectrum was generated may differ. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>channels</samp>’</dt> |
|
<dd><p>Set number of channels represented in input video spectrums. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>scale</samp>’</dt> |
|
<dd><p>Set scale which was used when generating magnitude input spectrum. |
|
Can be <code>lin</code> or <code>log</code>. Default is <code>log</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>slide</samp>’</dt> |
|
<dd><p>Set slide which was used when generating inputs spectrums. |
|
Can be <code>replace</code>, <code>scroll</code>, <code>fullframe</code> or <code>rscroll</code>. |
|
Default is <code>fullframe</code>. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>win_func</samp>’</dt> |
|
<dd><p>Set window function used for resynthesis. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>overlap</samp>’</dt> |
|
<dd><p>Set window overlap. In range <code>[0, 1]</code>. Default is <code>1</code>, |
|
which means optimal overlap for selected window function will be picked. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>orientation</samp>’</dt> |
|
<dd><p>Set orientation of input videos. Can be <code>vertical</code> or <code>horizontal</code>. |
|
Default is <code>vertical</code>. |
|
</p></dd> |
|
</dl> |
|
|
|
<a name="Examples-6"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-6">32.26.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
First create magnitude and phase videos from audio, assuming audio is stereo with 44100 sample rate, |
|
then resynthesize videos back to audio with spectrumsynth: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i input.flac -lavfi showspectrum=mode=separate:scale=log:overlap=0.875:color=channel:slide=fullframe:data=magnitude -an -c:v rawvideo magnitude.nut |
|
ffmpeg -i input.flac -lavfi showspectrum=mode=separate:scale=lin:overlap=0.875:color=channel:slide=fullframe:data=phase -an -c:v rawvideo phase.nut |
|
ffmpeg -i magnitude.nut -i phase.nut -lavfi spectrumsynth=channels=2:sample_rate=44100:win_func=hann:overlap=0.875:slide=fullframe output.flac |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="split_002c-asplit"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-split_002c-asplit">32.27 split, asplit</a></h2> |
|
|
|
<p>Split input into several identical outputs. |
|
</p> |
|
<p><code>asplit</code> works with audio input, <code>split</code> with video. |
|
</p> |
|
<p>The filter accepts a single parameter which specifies the number of outputs. If |
|
unspecified, it defaults to 2. |
|
</p> |
|
<a name="Examples-74"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-74">32.27.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Create two separate outputs from the same input: |
|
<div class="example"> |
|
<pre class="example">[in] split [out0][out1] |
|
</pre></div> |
|
|
|
</li><li> |
|
To create 3 or more outputs, you need to specify the number of |
|
outputs, like in: |
|
<div class="example"> |
|
<pre class="example">[in] asplit=3 [out0][out1][out2] |
|
</pre></div> |
|
|
|
</li><li> |
|
Create two separate outputs from the same input, one cropped and |
|
one padded: |
|
<div class="example"> |
|
<pre class="example">[in] split [splitout1][splitout2]; |
|
[splitout1] crop=100:100:0:0 [cropout]; |
|
[splitout2] pad=200:200:100:100 [padout]; |
|
</pre></div> |
|
|
|
</li><li> |
|
Create 5 copies of the input audio with <code>ffmpeg</code>: |
|
<div class="example"> |
|
<pre class="example">ffmpeg -i INPUT -filter_complex asplit=5 OUTPUT |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="zmq_002c-azmq"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-zmq_002c-azmq">32.28 zmq, azmq</a></h2> |
|
|
|
<p>Receive commands sent through a libzmq client, and forward them to |
|
filters in the filtergraph. |
|
</p> |
|
<p><code>zmq</code> and <code>azmq</code> work as a pass-through filters. <code>zmq</code> |
|
must be inserted between two video filters, <code>azmq</code> between two |
|
audio filters. Both are capable to send messages to any filter type. |
|
</p> |
|
<p>To enable these filters you need to install the libzmq library and |
|
headers and configure FFmpeg with <code>--enable-libzmq</code>. |
|
</p> |
|
<p>For more information about libzmq see: |
|
<a href="http://www.zeromq.org/">http://www.zeromq.org/</a> |
|
</p> |
|
<p>The <code>zmq</code> and <code>azmq</code> filters work as a libzmq server, which |
|
receives messages sent through a network interface defined by the |
|
‘<samp>bind_address</samp>’ (or the abbreviation "‘<samp>b</samp>’") option. |
|
Default value of this option is ‘<tt>tcp://localhost:5555</tt>’. You may |
|
want to alter this value to your needs, but do not forget to escape any |
|
’:’ signs (see <a href="#filtergraph-escaping">filtergraph escaping</a>). |
|
</p> |
|
<p>The received message must be in the form: |
|
</p><div class="example"> |
|
<pre class="example"><var>TARGET</var> <var>COMMAND</var> [<var>ARG</var>] |
|
</pre></div> |
|
|
|
<p><var>TARGET</var> specifies the target of the command, usually the name of |
|
the filter class or a specific filter instance name. The default |
|
filter instance name uses the pattern ‘<samp>Parsed_<filter_name>_<index></samp>’, |
|
but you can override this by using the ‘<samp>filter_name@id</samp>’ syntax |
|
(see <a href="#Filtergraph-syntax">Filtergraph syntax</a>). |
|
</p> |
|
<p><var>COMMAND</var> specifies the name of the command for the target filter. |
|
</p> |
|
<p><var>ARG</var> is optional and specifies the optional argument list for the |
|
given <var>COMMAND</var>. |
|
</p> |
|
<p>Upon reception, the message is processed and the corresponding command |
|
is injected into the filtergraph. Depending on the result, the filter |
|
will send a reply to the client, adopting the format: |
|
</p><div class="example"> |
|
<pre class="example"><var>ERROR_CODE</var> <var>ERROR_REASON</var> |
|
<var>MESSAGE</var> |
|
</pre></div> |
|
|
|
<p><var>MESSAGE</var> is optional. |
|
</p> |
|
<a name="Examples-124"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-124">32.28.1 Examples</a></h3> |
|
|
|
<p>Look at ‘<tt>tools/zmqsend</tt>’ for an example of a zmq client which can |
|
be used to send commands processed by these filters. |
|
</p> |
|
<p>Consider the following filtergraph generated by <code>ffplay</code>. |
|
In this example the last overlay filter has an instance name. All other |
|
filters will have default instance names. |
|
</p> |
|
<div class="example"> |
|
<pre class="example">ffplay -dumpgraph 1 -f lavfi " |
|
color=s=100x100:c=red [l]; |
|
color=s=100x100:c=blue [r]; |
|
nullsrc=s=200x100, zmq [bg]; |
|
[bg][l] overlay [bg+l]; |
|
[bg+l][r] overlay@my=x=100 " |
|
</pre></div> |
|
|
|
<p>To change the color of the left side of the video, the following |
|
command can be used: |
|
</p><div class="example"> |
|
<pre class="example">echo Parsed_color_0 c yellow | tools/zmqsend |
|
</pre></div> |
|
|
|
<p>To change the right side: |
|
</p><div class="example"> |
|
<pre class="example">echo Parsed_color_1 c pink | tools/zmqsend |
|
</pre></div> |
|
|
|
<p>To change the position of the right side: |
|
</p><div class="example"> |
|
<pre class="example">echo overlay@my x 150 | tools/zmqsend |
|
</pre></div> |
|
|
|
|
|
|
|
<a name="Multimedia-Sources"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Multimedia-Sources">33 Multimedia Sources</a></h1> |
|
|
|
<p>Below is a description of the currently available multimedia sources. |
|
</p> |
|
<a name="amovie"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-amovie">33.1 amovie</a></h2> |
|
|
|
<p>This is the same as <a href="#movie">movie</a> source, except it selects an audio |
|
stream by default. |
|
</p> |
|
<p><a name="movie"></a> |
|
</p><a name="movie-1"></a> |
|
<h2 class="section"><a href="ffplay-all.html#toc-movie-1">33.2 movie</a></h2> |
|
|
|
<p>Read audio and/or video stream(s) from a movie container. |
|
</p> |
|
<p>It accepts the following parameters: |
|
</p> |
|
<dl compact="compact"> |
|
<dt>‘<samp>filename</samp>’</dt> |
|
<dd><p>The name of the resource to read (not necessarily a file; it can also be a |
|
device or a stream accessed through some protocol). |
|
</p> |
|
</dd> |
|
<dt>‘<samp>format_name, f</samp>’</dt> |
|
<dd><p>Specifies the format assumed for the movie to read, and can be either |
|
the name of a container or an input device. If not specified, the |
|
format is guessed from <var>movie_name</var> or by probing. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>seek_point, sp</samp>’</dt> |
|
<dd><p>Specifies the seek point in seconds. The frames will be output |
|
starting from this seek point. The parameter is evaluated with |
|
<code>av_strtod</code>, so the numerical value may be suffixed by an IS |
|
postfix. The default value is "0". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>streams, s</samp>’</dt> |
|
<dd><p>Specifies the streams to read. Several streams can be specified, |
|
separated by "+". The source will then have as many outputs, in the |
|
same order. The syntax is explained in the <a href="ffmpeg.html#Stream-specifiers">(ffmpeg)"Stream specifiers" section in the ffmpeg manual</a>. Two special names, "dv" and "da" specify |
|
respectively the default (best suited) video and audio stream. Default |
|
is "dv", or "da" if the filter is called as "amovie". |
|
</p> |
|
</dd> |
|
<dt>‘<samp>stream_index, si</samp>’</dt> |
|
<dd><p>Specifies the index of the video stream to read. If the value is -1, |
|
the most suitable video stream will be automatically selected. The default |
|
value is "-1". Deprecated. If the filter is called "amovie", it will select |
|
audio instead of video. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>loop</samp>’</dt> |
|
<dd><p>Specifies how many times to read the stream in sequence. |
|
If the value is 0, the stream will be looped infinitely. |
|
Default value is "1". |
|
</p> |
|
<p>Note that when the movie is looped the source timestamps are not |
|
changed, so it will generate non monotonically increasing timestamps. |
|
</p> |
|
</dd> |
|
<dt>‘<samp>discontinuity</samp>’</dt> |
|
<dd><p>Specifies the time difference between frames above which the point is |
|
considered a timestamp discontinuity which is removed by adjusting the later |
|
timestamps. |
|
</p></dd> |
|
</dl> |
|
|
|
<p>It allows overlaying a second video on top of the main input of |
|
a filtergraph, as shown in this graph: |
|
</p><div class="example"> |
|
<pre class="example">input -----------> deltapts0 --> overlay --> output |
|
^ |
|
| |
|
movie --> scale--> deltapts1 -------+ |
|
</pre></div> |
|
<a name="Examples-119"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Examples-119">33.2.1 Examples</a></h3> |
|
|
|
<ul> |
|
<li> |
|
Skip 3.2 seconds from the start of the AVI file in.avi, and overlay it |
|
on top of the input labelled "in": |
|
<div class="example"> |
|
<pre class="example">movie=in.avi:seek_point=3.2, scale=180:-1, setpts=PTS-STARTPTS [over]; |
|
[in] setpts=PTS-STARTPTS [main]; |
|
[main][over] overlay=16:16 [out] |
|
</pre></div> |
|
|
|
</li><li> |
|
Read from a video4linux2 device, and overlay it on top of the input |
|
labelled "in": |
|
<div class="example"> |
|
<pre class="example">movie=/dev/video0:f=video4linux2, scale=180:-1, setpts=PTS-STARTPTS [over]; |
|
[in] setpts=PTS-STARTPTS [main]; |
|
[main][over] overlay=16:16 [out] |
|
</pre></div> |
|
|
|
</li><li> |
|
Read the first video stream and the audio stream with id 0x81 from |
|
dvd.vob; the video is connected to the pad named "video" and the audio is |
|
connected to the pad named "audio": |
|
<div class="example"> |
|
<pre class="example">movie=dvd.vob:s=v:0+#0x81 [video] [audio] |
|
</pre></div> |
|
</li></ul> |
|
|
|
<a name="Commands-8"></a> |
|
<h3 class="subsection"><a href="ffplay-all.html#toc-Commands-8">33.2.2 Commands</a></h3> |
|
|
|
<p>Both movie and amovie support the following commands: |
|
</p><dl compact="compact"> |
|
<dt>‘<samp>seek</samp>’</dt> |
|
<dd><p>Perform seek using "av_seek_frame". |
|
The syntax is: seek <var>stream_index</var>|<var>timestamp</var>|<var>flags</var> |
|
</p><ul> |
|
<li> |
|
<var>stream_index</var>: If stream_index is -1, a default |
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stream is selected, and <var>timestamp</var> is automatically converted |
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from AV_TIME_BASE units to the stream specific time_base. |
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</li><li> |
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<var>timestamp</var>: Timestamp in AVStream.time_base units |
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or, if no stream is specified, in AV_TIME_BASE units. |
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</li><li> |
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<var>flags</var>: Flags which select direction and seeking mode. |
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</li></ul> |
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|
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</dd> |
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<dt>‘<samp>get_duration</samp>’</dt> |
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<dd><p>Get movie duration in AV_TIME_BASE units. |
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</p> |
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</dd> |
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</dl> |
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|
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<a name="See-Also"></a> |
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<h1 class="chapter"><a href="ffplay-all.html#toc-See-Also">34 See Also</a></h1> |
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|
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<p><a href="ffplay.html">ffplay</a>, |
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<a href="ffmpeg.html">ffmpeg</a>, <a href="ffprobe.html">ffprobe</a>, |
|
<a href="ffmpeg-utils.html">ffmpeg-utils</a>, |
|
<a href="ffmpeg-scaler.html">ffmpeg-scaler</a>, |
|
<a href="ffmpeg-resampler.html">ffmpeg-resampler</a>, |
|
<a href="ffmpeg-codecs.html">ffmpeg-codecs</a>, |
|
<a href="ffmpeg-bitstream-filters.html">ffmpeg-bitstream-filters</a>, |
|
<a href="ffmpeg-formats.html">ffmpeg-formats</a>, |
|
<a href="ffmpeg-devices.html">ffmpeg-devices</a>, |
|
<a href="ffmpeg-protocols.html">ffmpeg-protocols</a>, |
|
<a href="ffmpeg-filters.html">ffmpeg-filters</a> |
|
</p> |
|
|
|
<a name="Authors"></a> |
|
<h1 class="chapter"><a href="ffplay-all.html#toc-Authors">35 Authors</a></h1> |
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|
|
<p>The FFmpeg developers. |
|
</p> |
|
<p>For details about the authorship, see the Git history of the project |
|
(git://source.ffmpeg.org/ffmpeg), e.g. by typing the command |
|
<code>git log</code> in the FFmpeg source directory, or browsing the |
|
online repository at <a href="http://source.ffmpeg.org">http://source.ffmpeg.org</a>. |
|
</p> |
|
<p>Maintainers for the specific components are listed in the file |
|
‘<tt>MAINTAINERS</tt>’ in the source code tree. |
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</p> |
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|
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</div> |
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</body> |
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</html> |
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